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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CE4FD3F it is the complementary color #731B023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CE4FD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CE4FD3F shade: #91E4F83F, #A2F6FF3F, #B3FFFF3F, #C4FFFF3F and #D5FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CE4FD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CE4FD3F shade: #8CE4FD3F, #7BD2EA3F, #6AC0D73F, #59AEC43F and #489CB13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CE4FD3F shade: #8BE4FD, #8BC5FD, #8BA7FD, #8F8BFD and #AE8BFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CE4FD3F shade: #8BE4FD, #8BC5FD, #8BA7FD and #8B8BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CE4FD3F shade matches the following richer shades: #8BE4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CE4FD3F shade: #8BE4FD, #95DFF4, #9ED9EA, #A8D4E1 and #B1CFD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CE4FD3F shade: #8BFDD9, #8BFDF8, #8BE5FD, #8BC6FD and #8BA8FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CE4FD3F shade: #3AD1FC, #63DBFD, #8BE4FD, #B4EEFE and #DDF7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CE4FD3F shade: #8CE4FD, #BB8BFD and #FDE88B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CE4FD3F shade: #8CE4FD, #FD8BE5 and #E5FD8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CE4FD3F shade: #8CE4FD, #BB8BFD, #FDA48B and #CEFD8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CE4FD3F shade: #8CE4FD, #DD8BFD, #FDA48B and #ACFD8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 2 / 0 / 0

HEX #8CE4FD3F

RGBA 140 228 253 0.25

HSLA 193.27, 0.97%, 0.77%, 0.25

LABA 86.08, -20.13, -20.4, 0.25

 

Complementary color

CMYK 0 / 19 / 25 / 14

HEX #731B023F

RGBA 115 27 2 0.25

HSLA 13.27, 0.97%, 0.23%, 0.25

LABA 25.05, 37.24, 35.77, 0.25

 

CMYK 10 / 2 / 0 / 1

HEX #91E4F83F

RGBA 145 228 248 0.25

HSLA 191.65, 0.88%, 0.77%, 0.25

LABA 86.15, -20.22, -17.65, 0.25

 

CMYK 9 / 1 / 0 / 0

HEX #A2F6FF3F

RGBA 162 246 255 0.25

HSLA 185.81, 1%, 0.82%, 0.25

LABA 92.05, -23.17, -12.38, 0.25

 

CMYK 7 / 0 / 0 / 0

HEX #B3FFFF3F

RGBA 179 255 255 0.25

HSLA 180, 1%, 0.85%, 0.25

LABA 95.3, -23.09, -7.47, 0.25

 

CMYK 6 / 0 / 0 / 0

HEX #C4FFFF3F

RGBA 196 255 255 0.25

HSLA 180, 1%, 0.88%, 0.25

LABA 96.19, -18.34, -6.04, 0.25

 

CMYK 4 / 0 / 0 / 0

HEX #D5FFFF3F

RGBA 213 255 255 0.25

HSLA 180, 1%, 0.92%, 0.25

LABA 97.18, -13.32, -4.47, 0.25

 

CMYK 11 / 2 / 0 / 0

HEX #8CE4FD3F

RGBA 140 228 253 0.25

HSLA 193.27, 0.97%, 0.77%, 0.25

LABA 86.08, -20.13, -20.4, 0.25

 

CMYK 12 / 3 / 0 / 2

HEX #7BD2EA3F

RGBA 123 210 234 0.25

HSLA 192.97, 0.73%, 0.7%, 0.25

LABA 79.75, -19.98, -19.98, 0.25

 

CMYK 13 / 3 / 0 / 4

HEX #6AC0D73F

RGBA 106 192 215 0.25

HSLA 192.66, 0.58%, 0.63%, 0.25

LABA 73.33, -19.77, -19.54, 0.25

 

CMYK 14 / 3 / 0 / 6

HEX #59AEC43F

RGBA 89 174 196 0.25

HSLA 192.34, 0.48%, 0.56%, 0.25

LABA 66.81, -19.49, -19.08, 0.25

 

CMYK 15 / 3 / 0 / 8

HEX #489CB13F

RGBA 72 156 177 0.25

HSLA 192, 0.42%, 0.49%, 0.25

LABA 60.18, -19.09, -18.58, 0.25

 

CMYK 45 / 10 / 0 / 1

HEX #8BE4FD

RGB 139 228 253

HSL 193.16, 0.97%, 0.77%

LAB 86.04, -20.36, -20.47

 

CMYK 45 / 22 / 0 / 1

HEX #8BC5FD

RGB 139 197 253

HSL 209.47, 0.97%, 0.77%

LAB 77.59, -4.27, -33.38

 

CMYK 45 / 34 / 0 / 1

HEX #8BA7FD

RGB 139 167 253

HSL 225.26, 0.97%, 0.77%

LAB 69.62, 12.36, -45.78

 

CMYK 43 / 45 / 0 / 1

HEX #8F8BFD

RGB 143 139 253

HSL 242.11, 0.97%, 0.77%

LAB 62.84, 29.44, -56.49

 

CMYK 31 / 45 / 0 / 1

HEX #AE8BFD

RGB 174 139 253

HSL 258.42, 0.97%, 0.77%

LAB 65.4, 37.14, -52.27

 

CMYK 45 / 10 / 0 / 1

HEX #8BE4FD

RGB 139 228 253

HSL 193.16, 0.97%, 0.77%

LAB 86.04, -20.36, -20.47

 

CMYK 45 / 22 / 0 / 1

HEX #8BC5FD

RGB 139 197 253

HSL 209.47, 0.97%, 0.77%

LAB 77.59, -4.27, -33.38

 

CMYK 45 / 34 / 0 / 1

HEX #8BA7FD

RGB 139 167 253

HSL 225.26, 0.97%, 0.77%

LAB 69.62, 12.36, -45.78

 

CMYK 45 / 45 / 0 / 1

HEX #8B8BFD

RGB 139 139 253

HSL 240, 0.97%, 0.77%

LAB 62.55, 28.51, -56.98

 

CMYK 45 / 10 / 0 / 1

HEX #8BE4FD

RGB 139 228 253

HSL 193.16, 0.97%, 0.77%

LAB 86.04, -20.36, -20.47

 

CMYK 45 / 10 / 0 / 1

HEX #8BE4FD

RGB 139 228 253

HSL 193.16, 0.97%, 0.77%

LAB 86.04, -20.36, -20.47

 

CMYK 39 / 9 / 0 / 4

HEX #95DFF4

RGB 149 223 244

HSL 193.26, 0.81%, 0.77%

LAB 84.84, -17.72, -17.49

 

CMYK 32 / 7 / 0 / 8

HEX #9ED9EA

RGB 158 217 234

HSL 193.42, 0.64%, 0.77%

LAB 83.36, -14.74, -14.38

 

CMYK 25 / 6 / 0 / 12

HEX #A8D4E1

RGB 168 212 225

HSL 193.68, 0.49%, 0.77%

LAB 82.3, -11.42, -11.12

 

CMYK 18 / 4 / 0 / 16

HEX #B1CFD7

RGB 177 207 215

HSL 192.63, 0.32%, 0.77%

LAB 81.23, -8.28, -7.32

 

CMYK 45 / 0 / 14 / 1

HEX #8BFDD9

RGB 139 253 217

HSL 161.05, 0.97%, 0.77%

LAB 92.02, -40.78, 7.17

 

CMYK 45 / 0 / 2 / 1

HEX #8BFDF8

RGB 139 253 248

HSL 177.37, 0.97%, 0.77%

LAB 92.8, -33.68, -7.74

 

CMYK 45 / 9 / 0 / 1

HEX #8BE5FD

RGB 139 229 253

HSL 192.63, 0.97%, 0.77%

LAB 86.32, -20.86, -20.05

 

CMYK 45 / 22 / 0 / 1

HEX #8BC6FD

RGB 139 198 253

HSL 208.95, 0.97%, 0.77%

LAB 77.86, -4.81, -32.97

 

CMYK 45 / 34 / 0 / 1

HEX #8BA8FD

RGB 139 168 253

HSL 224.74, 0.97%, 0.77%

LAB 69.88, 11.79, -45.37

 

CMYK 77 / 17 / 0 / 1

HEX #3AD1FC

RGB 58 209 252

HSL 193.3, 0.97%, 0.61%

LAB 78.19, -24.79, -32.15

 

CMYK 61 / 13 / 0 / 1

HEX #63DBFD

RGB 99 219 253

HSL 193.25, 0.97%, 0.69%

LAB 82.06, -23.93, -26.66

 

CMYK 45 / 10 / 0 / 1

HEX #8BE4FD

RGB 139 228 253

HSL 193.16, 0.97%, 0.77%

LAB 86.04, -20.36, -20.47

 

CMYK 29 / 6 / 0 / 0

HEX #B4EEFE

RGB 180 238 254

HSL 192.97, 0.97%, 0.85%

LAB 90.78, -14.65, -13.66

 

CMYK 13 / 3 / 0 / 0

HEX #DDF7FE

RGB 221 247 254

HSL 192.73, 0.94%, 0.93%

LAB 95.6, -7.06, -6.23

 

CMYK 45 / 10 / 0 / 1

HEX #8CE4FD

RGB 140 228 253

HSL 193.27, 0.97%, 0.77%

LAB 86.08, -20.13, -20.4

 

CMYK 26 / 45 / 0 / 1

HEX #BB8BFD

RGB 187 139 253

HSL 265.26, 0.97%, 0.77%

LAB 66.61, 40.57, -50.27

 

CMYK 0 / 8 / 45 / 1

HEX #FDE88B

RGB 253 232 139

HSL 48.95, 0.97%, 0.77%

LAB 91.89, -5.02, 47.65

 

CMYK 45 / 10 / 0 / 1

HEX #8CE4FD

RGB 140 228 253

HSL 193.27, 0.97%, 0.77%

LAB 86.08, -20.13, -20.4

 

CMYK 0 / 45 / 9 / 1

HEX #FD8BE5

RGB 253 139 229

HSL 312.63, 0.97%, 0.77%

LAB 72.9, 54.81, -26.79

 

CMYK 9 / 0 / 45 / 1

HEX #E5FD8B

RGB 229 253 139

HSL 72.63, 0.97%, 0.77%

LAB 95.49, -24.54, 51.7

 

CMYK 45 / 10 / 0 / 1

HEX #8CE4FD

RGB 140 228 253

HSL 193.27, 0.97%, 0.77%

LAB 86.08, -20.13, -20.4

 

CMYK 26 / 45 / 0 / 1

HEX #BB8BFD

RGB 187 139 253

HSL 265.26, 0.97%, 0.77%

LAB 66.61, 40.57, -50.27

 

CMYK 0 / 35 / 45 / 1

HEX #FDA48B

RGB 253 164 139

HSL 13.16, 0.97%, 0.77%

LAB 75.64, 30.19, 26.62

 

CMYK 19 / 0 / 45 / 1

HEX #CEFD8B

RGB 206 253 139

HSL 84.74, 0.97%, 0.77%

LAB 93.98, -33.02, 49.51

 

CMYK 45 / 10 / 0 / 1

HEX #8CE4FD

RGB 140 228 253

HSL 193.27, 0.97%, 0.77%

LAB 86.08, -20.13, -20.4

 

CMYK 13 / 45 / 0 / 1

HEX #DD8BFD

RGB 221 139 253

HSL 283.16, 0.97%, 0.77%

LAB 70.13, 49.87, -44.5

 

CMYK 0 / 35 / 45 / 1

HEX #FDA48B

RGB 253 164 139

HSL 13.16, 0.97%, 0.77%

LAB 75.64, 30.19, 26.62

 

CMYK 32 / 0 / 45 / 1

HEX #ACFD8B

RGB 172 253 139

HSL 102.63, 0.97%, 0.77%

LAB 92.08, -44.71, 46.72

 

Description

Color code: HEX #8CE4FD3F | qconv.com Color code: HEX #8CE4FD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 228 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 228 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 2 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 2% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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