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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CE4CC it is the complementary color #731B33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CE4CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CE4CC shade: #91E4C7, #A2F6DA, #B3FFED, #C4FFFF and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CE4CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CE4CC shade: #8CE4CC, #7BD2B9, #6AC0A6, #59AE93 and #489C80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CE4CC shade: #8BE4CC, #8BE4B4, #8BE49C, #93E48B and #AAE48B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CE4CC shade: #8BE4CC, #8BE4E4, #8BCCE4, #8BB4E4 and #8B9DE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CE4CC shade matches the following richer shades: #8BE4CC, #80EFD1 and #74FBD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CE4CC shade: #8BE4CC, #97D8C6, #A2CDC1, #AEC1BC and #BAB6B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CE4CC shade: #8BE49C, #8BE4B3, #8BE4CB, #8BE4E2 and #8BCEE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CE4CC shade: #48D4AE, #6ADCBD, #8BE4CC, #ADECDB and #CEF4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CE4CC shade: #8CE4CC, #8B93E4 and #E4A78B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CE4CC shade: #8CE4CC, #CB8BE4 and #E4CB8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CE4CC shade: #8CE4CC, #8B93E4, #E48BA4 and #E4DC8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CE4CC shade: #8CE4CC, #9F8BE4, #E48BA4 and #D1E48B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 11 / 11

HEX #8CE4CC

RGB 140 228 204

HSL 163.64, 0.62%, 0.72%

LAB 84.7, -31.89, 3.38

 

Complementary color

CMYK 0 / 77 / 56 / 55

HEX #731B33

RGB 115 27 51

HSL 343.64, 0.62%, 0.28%

LAB 25.77, 39.64, 7.77

 

CMYK 36 / 0 / 13 / 11

HEX #91E4C7

RGB 145 228 199

HSL 159.04, 0.61%, 0.73%

LAB 84.81, -31.62, 6.2

 

CMYK 34 / 0 / 11 / 4

HEX #A2F6DA

RGB 162 246 218

HSL 160, 0.82%, 0.8%

LAB 91.08, -31.41, 5.42

 

CMYK 30 / 0 / 7 / 0

HEX #B3FFED

RGB 179 255 237

HSL 165.79, 1%, 0.85%

LAB 94.83, -26.97, 1.13

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 39 / 0 / 11 / 11

HEX #8CE4CC

RGB 140 228 204

HSL 163.64, 0.62%, 0.72%

LAB 84.7, -31.89, 3.38

 

CMYK 41 / 0 / 12 / 18

HEX #7BD2B9

RGB 123 210 185

HSL 162.76, 0.49%, 0.65%

LAB 78.35, -32.07, 4.19

 

CMYK 45 / 0 / 14 / 25

HEX #6AC0A6

RGB 106 192 166

HSL 161.86, 0.41%, 0.58%

LAB 71.9, -32.24, 5.04

 

CMYK 49 / 0 / 16 / 32

HEX #59AE93

RGB 89 174 147

HSL 160.94, 0.34%, 0.52%

LAB 65.36, -32.38, 5.97

 

CMYK 54 / 0 / 18 / 39

HEX #489C80

RGB 72 156 128

HSL 160, 0.37%, 0.45%

LAB 58.71, -32.47, 6.99

 

CMYK 39 / 0 / 11 / 11

HEX #8BE4CC

RGB 139 228 204

HSL 163.82, 0.62%, 0.72%

LAB 84.66, -32.16, 3.32

 

CMYK 39 / 0 / 21 / 11

HEX #8BE4B4

RGB 139 228 180

HSL 147.64, 0.62%, 0.72%

LAB 84.11, -37.15, 15.14

 

CMYK 39 / 0 / 32 / 11

HEX #8BE49C

RGB 139 228 156

HSL 131.46, 0.62%, 0.72%

LAB 83.64, -41.55, 26.96

 

CMYK 36 / 0 / 39 / 11

HEX #93E48B

RGB 147 228 139

HSL 114.61, 0.62%, 0.72%

LAB 83.73, -41.82, 35.8

 

CMYK 25 / 0 / 39 / 11

HEX #AAE48B

RGB 170 228 139

HSL 99.1, 0.62%, 0.72%

LAB 84.94, -34.24, 37.61

 

CMYK 39 / 0 / 11 / 11

HEX #8BE4CC

RGB 139 228 204

HSL 163.82, 0.62%, 0.72%

LAB 84.66, -32.16, 3.32

 

CMYK 39 / 0 / 0 / 11

HEX #8BE4E4

RGB 139 228 228

HSL 180, 0.62%, 0.72%

LAB 85.29, -26.62, -8.42

 

CMYK 39 / 11 / 0 / 11

HEX #8BCCE4

RGB 139 204 228

HSL 196.18, 0.62%, 0.72%

LAB 78.62, -14.6, -18.4

 

CMYK 39 / 21 / 0 / 11

HEX #8BB4E4

RGB 139 180 228

HSL 212.36, 0.62%, 0.72%

LAB 72.05, -1.82, -28.42

 

CMYK 39 / 31 / 0 / 11

HEX #8B9DE4

RGB 139 157 228

HSL 227.87, 0.62%, 0.72%

LAB 65.91, 11.07, -37.93

 

CMYK 39 / 0 / 11 / 11

HEX #8BE4CC

RGB 139 228 204

HSL 163.82, 0.62%, 0.72%

LAB 84.66, -32.16, 3.32

 

CMYK 46 / 0 / 13 / 6

HEX #80EFD1

RGB 128 239 209

HSL 163.78, 0.78%, 0.72%

LAB 87.45, -38.87, 4.68

 

CMYK 54 / 0 / 15 / 2

HEX #74FBD6

RGB 116 251 214

HSL 163.56, 0.94%, 0.72%

LAB 90.58, -45.7, 6.54

 

CMYK 39 / 0 / 11 / 11

HEX #8BE4CC

RGB 139 228 204

HSL 163.82, 0.62%, 0.72%

LAB 84.66, -32.16, 3.32

 

CMYK 30 / 0 / 8 / 15

HEX #97D8C6

RGB 151 216 198

HSL 163.38, 0.45%, 0.72%

LAB 81.71, -24.36, 2.29

 

CMYK 21 / 0 / 6 / 20

HEX #A2CDC1

RGB 162 205 193

HSL 163.26, 0.3%, 0.72%

LAB 79.15, -16.57, 1.32

 

CMYK 10 / 0 / 3 / 24

HEX #AEC1BC

RGB 174 193 188

HSL 164.21, 0.13%, 0.72%

LAB 76.54, -7.45, 0.3

 

CMYK 0 / 2 / 2 / 27

HEX #BAB6B7

RGB 186 182 183

HSL 345, 0.03%, 0.72%

LAB 74.39, 1.59, -0.02

 

CMYK 39 / 0 / 32 / 11

HEX #8BE49C

RGB 139 228 156

HSL 131.46, 0.62%, 0.72%

LAB 83.64, -41.55, 26.96

 

CMYK 39 / 0 / 21 / 11

HEX #8BE4B3

RGB 139 228 179

HSL 146.97, 0.62%, 0.72%

LAB 84.09, -37.35, 15.64

 

CMYK 39 / 0 / 11 / 11

HEX #8BE4CB

RGB 139 228 203

HSL 163.15, 0.62%, 0.72%

LAB 84.63, -32.37, 3.81

 

CMYK 39 / 0 / 1 / 11

HEX #8BE4E2

RGB 139 228 226

HSL 178.65, 0.62%, 0.72%

LAB 85.23, -27.1, -7.45

 

CMYK 39 / 10 / 0 / 11

HEX #8BCEE4

RGB 139 206 228

HSL 194.83, 0.62%, 0.72%

LAB 79.18, -15.63, -17.57

 

CMYK 66 / 0 / 18 / 17

HEX #48D4AE

RGB 72 212 174

HSL 163.71, 0.62%, 0.56%

LAB 76.99, -46.4, 7.9

 

CMYK 52 / 0 / 14 / 14

HEX #6ADCBD

RGB 106 220 189

HSL 163.68, 0.62%, 0.64%

LAB 80.7, -39.86, 5.36

 

CMYK 39 / 0 / 11 / 11

HEX #8BE4CC

RGB 139 228 204

HSL 163.82, 0.62%, 0.72%

LAB 84.66, -32.16, 3.32

 

CMYK 27 / 0 / 7 / 7

HEX #ADECDB

RGB 173 236 219

HSL 163.81, 0.62%, 0.8%

LAB 88.92, -23.28, 1.83

 

CMYK 16 / 0 / 5 / 4

HEX #CEF4E9

RGB 206 244 233

HSL 162.63, 0.63%, 0.88%

LAB 93.32, -14.35, 1.19

 

CMYK 39 / 0 / 11 / 11

HEX #8CE4CC

RGB 140 228 204

HSL 163.64, 0.62%, 0.72%

LAB 84.7, -31.89, 3.38

 

CMYK 39 / 36 / 0 / 11

HEX #8B93E4

RGB 139 147 228

HSL 234.61, 0.62%, 0.72%

LAB 63.31, 16.83, -42

 

CMYK 0 / 27 / 39 / 11

HEX #E4A78B

RGB 228 167 139

HSL 18.88, 0.62%, 0.72%

LAB 73.54, 18.94, 23.32

 

CMYK 39 / 0 / 11 / 11

HEX #8CE4CC

RGB 140 228 204

HSL 163.64, 0.62%, 0.72%

LAB 84.7, -31.89, 3.38

 

CMYK 11 / 39 / 0 / 11

HEX #CB8BE4

RGB 203 139 228

HSL 283.15, 0.62%, 0.72%

LAB 67.1, 39.61, -35.66

 

CMYK 0 / 11 / 39 / 11

HEX #E4CB8B

RGB 228 203 139

HSL 43.15, 0.62%, 0.72%

LAB 82.42, -0.08, 35.13

 

CMYK 39 / 0 / 11 / 11

HEX #8CE4CC

RGB 140 228 204

HSL 163.64, 0.62%, 0.72%

LAB 84.7, -31.89, 3.38

 

CMYK 39 / 36 / 0 / 11

HEX #8B93E4

RGB 139 147 228

HSL 234.61, 0.62%, 0.72%

LAB 63.31, 16.83, -42

 

CMYK 0 / 39 / 28 / 11

HEX #E48BA4

RGB 228 139 164

HSL 343.15, 0.62%, 0.72%

LAB 67.75, 36.96, 1.33

 

CMYK 0 / 4 / 39 / 11

HEX #E4DC8B

RGB 228 220 139

HSL 54.61, 0.62%, 0.72%

LAB 86.77, -8.78, 40.76

 

CMYK 39 / 0 / 11 / 11

HEX #8CE4CC

RGB 140 228 204

HSL 163.64, 0.62%, 0.72%

LAB 84.7, -31.89, 3.38

 

CMYK 30 / 39 / 0 / 11

HEX #9F8BE4

RGB 159 139 228

HSL 253.48, 0.62%, 0.72%

LAB 62.88, 26.85, -42.57

 

CMYK 0 / 39 / 28 / 11

HEX #E48BA4

RGB 228 139 164

HSL 343.15, 0.62%, 0.72%

LAB 67.75, 36.96, 1.33

 

CMYK 8 / 0 / 39 / 11

HEX #D1E48B

RGB 209 228 139

HSL 72.81, 0.62%, 0.72%

LAB 87.44, -20.07, 41.32

 

Description

Color code: HEX #8CE4CC | qconv.com Color code: HEX #8CE4CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 228 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 228 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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