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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CE337 it is the complementary color #731CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CE337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CE337 shade: #91E332, #A2F545, #B3FF58, #C4FF6B and #D5FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CE337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CE337 shade: #8CE337, #7BD124, #6ABF11, #59AD00 and #489B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CE337 shade: #8BE236, #BAE236, #E2DD36, #E2AE36 and #E28036

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CE337 shade: #8BE236, #5DE236, #36E23E, #36E26C and #36E29B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CE337 shade matches the following richer shades: #8BE236 and #8BF524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CE337 shade: #8BE236, #8BD049, #8CBD5B, #8CAB6E and #8C9880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CE337 shade: #E2DD36, #BAE236, #8CE236, #5EE236 and #36E23C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CE337 shade: #62AD19, #77D11E, #8BE236, #A0E75A and #B5ED7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CE337 shade: #8CE337, #36E2AF and #E236D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CE337 shade: #8CE337, #368CE2 and #E2368C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CE337 shade: #8CE337, #36E2AF, #8C36E2 and #E2366A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CE337 shade: #8CE337, #36E2E2, #8C36E2 and #E23636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 76 / 11

HEX #8CE337

RGB 140 227 55

HSL 90.35, 0.75%, 0.55%

LAB 82.27, -52.1, 70.2

 

Complementary color

CMYK 43 / 86 / 0 / 22

HEX #731CC8

RGB 115 28 200

HSL 270.35, 0.75%, 0.45%

LAB 35.29, 65.57, -71.2

 

CMYK 36 / 0 / 78 / 11

HEX #91E332

RGB 145 227 50

HSL 87.8, 0.76%, 0.54%

LAB 82.48, -50.66, 71.99

 

CMYK 34 / 0 / 72 / 4

HEX #A2F545

RGB 162 245 69

HSL 88.3, 0.9%, 0.62%

LAB 88.65, -51.16, 72.23

 

CMYK 30 / 0 / 65 / 0

HEX #B3FF58

RGB 179 255 88

HSL 87.31, 1%, 0.67%

LAB 92.49, -48.18, 69.58

 

CMYK 23 / 0 / 58 / 0

HEX #C4FF6B

RGB 196 255 107

HSL 83.92, 1%, 0.71%

LAB 93.59, -40.65, 63.36

 

CMYK 16 / 0 / 51 / 0

HEX #D5FF7E

RGB 213 255 126

HSL 79.53, 1%, 0.75%

LAB 94.81, -32.72, 56.66

 

CMYK 38 / 0 / 76 / 11

HEX #8CE337

RGB 140 227 55

HSL 90.35, 0.75%, 0.55%

LAB 82.27, -52.1, 70.2

 

CMYK 41 / 0 / 83 / 18

HEX #7BD124

RGB 123 209 36

HSL 89.83, 0.71%, 0.48%

LAB 76.03, -51.46, 69.48

 

CMYK 45 / 0 / 91 / 25

HEX #6ABF11

RGB 106 191 17

HSL 89.31, 0.84%, 0.41%

LAB 69.73, -50.56, 67.61

 

CMYK 49 / 0 / 100 / 32

HEX #59AD00

RGB 89 173 0

HSL 89.13, 1%, 0.34%

LAB 63.35, -49.36, 64.37

 

CMYK 54 / 0 / 100 / 39

HEX #489B00

RGB 72 155 0

HSL 92.13, 1%, 0.3%

LAB 56.9, -47.71, 59.03

 

CMYK 38 / 0 / 76 / 11

HEX #8BE236

RGB 139 226 54

HSL 90.35, 0.75%, 0.55%

LAB 81.92, -52.08, 70.17

 

CMYK 18 / 0 / 76 / 11

HEX #BAE236

RGB 186 226 54

HSL 73.95, 0.75%, 0.55%

LAB 84.53, -34.86, 73.56

 

CMYK 0 / 2 / 76 / 11

HEX #E2DD36

RGB 226 221 54

HSL 58.26, 0.75%, 0.55%

LAB 86.08, -16.18, 76.04

 

CMYK 0 / 23 / 76 / 11

HEX #E2AE36

RGB 226 174 54

HSL 41.86, 0.75%, 0.55%

LAB 74, 7.91, 64.88

 

CMYK 0 / 43 / 76 / 11

HEX #E28036

RGB 226 128 54

HSL 25.81, 0.75%, 0.55%

LAB 63.24, 32.37, 54.46

 

CMYK 38 / 0 / 76 / 11

HEX #8BE236

RGB 139 226 54

HSL 90.35, 0.75%, 0.55%

LAB 81.92, -52.08, 70.17

 

CMYK 59 / 0 / 76 / 11

HEX #5DE236

RGB 93 226 54

HSL 106.4, 0.75%, 0.55%

LAB 80.17, -65.34, 67.88

 

CMYK 76 / 0 / 73 / 11

HEX #36E23E

RGB 54 226 62

HSL 122.79, 0.75%, 0.55%

LAB 79.34, -72.1, 64.13

 

CMYK 76 / 0 / 52 / 11

HEX #36E26C

RGB 54 226 108

HSL 138.84, 0.75%, 0.55%

LAB 79.76, -67.03, 45.32

 

CMYK 76 / 0 / 31 / 11

HEX #36E29B

RGB 54 226 155

HSL 155.23, 0.75%, 0.55%

LAB 80.48, -58.75, 22.76

 

CMYK 38 / 0 / 76 / 11

HEX #8BE236

RGB 139 226 54

HSL 90.35, 0.75%, 0.55%

LAB 81.92, -52.08, 70.17

 

CMYK 43 / 0 / 85 / 4

HEX #8BF524

RGB 139 245 36

HSL 90.43, 0.91%, 0.55%

LAB 87.45, -60.22, 79.72

 

CMYK 38 / 0 / 76 / 11

HEX #8BE236

RGB 139 226 54

HSL 90.35, 0.75%, 0.55%

LAB 81.92, -52.08, 70.17

 

CMYK 33 / 0 / 65 / 18

HEX #8BD049

RGB 139 208 73

HSL 90.67, 0.59%, 0.55%

LAB 76.73, -43.35, 58.1

 

CMYK 26 / 0 / 52 / 26

HEX #8CBD5B

RGB 140 189 91

HSL 90, 0.43%, 0.55%

LAB 71.37, -32.78, 43.97

 

CMYK 18 / 0 / 36 / 33

HEX #8CAB6E

RGB 140 171 110

HSL 90.49, 0.27%, 0.55%

LAB 66.39, -21.67, 28.02

 

CMYK 8 / 0 / 16 / 40

HEX #8C9880

RGB 140 152 128

HSL 90, 0.1%, 0.55%

LAB 61.3, -8.86, 11.19

 

CMYK 0 / 2 / 76 / 11

HEX #E2DD36

RGB 226 221 54

HSL 58.26, 0.75%, 0.55%

LAB 86.08, -16.18, 76.04

 

CMYK 18 / 0 / 76 / 11

HEX #BAE236

RGB 186 226 54

HSL 73.95, 0.75%, 0.55%

LAB 84.53, -34.86, 73.56

 

CMYK 38 / 0 / 76 / 11

HEX #8CE236

RGB 140 226 54

HSL 90, 0.75%, 0.55%

LAB 81.97, -51.75, 70.23

 

CMYK 58 / 0 / 76 / 11

HEX #5EE236

RGB 94 226 54

HSL 106.05, 0.75%, 0.55%

LAB 80.2, -65.1, 67.92

 

CMYK 76 / 0 / 73 / 11

HEX #36E23C

RGB 54 226 60

HSL 122.09, 0.75%, 0.55%

LAB 79.33, -72.25, 64.8

 

CMYK 43 / 0 / 86 / 32

HEX #62AD19

RGB 98 173 25

HSL 90.41, 0.75%, 0.39%

LAB 63.8, -45.79, 60.88

 

CMYK 43 / 0 / 86 / 18

HEX #77D11E

RGB 119 209 30

HSL 90.17, 0.75%, 0.47%

LAB 75.83, -52.99, 70.6

 

CMYK 38 / 0 / 76 / 11

HEX #8BE236

RGB 139 226 54

HSL 90.35, 0.75%, 0.55%

LAB 81.92, -52.08, 70.17

 

CMYK 31 / 0 / 61 / 9

HEX #A0E75A

RGB 160 231 90

HSL 90.21, 0.75%, 0.63%

LAB 84.67, -44.46, 60.03

 

CMYK 24 / 0 / 47 / 7

HEX #B5ED7E

RGB 181 237 126

HSL 90.27, 0.76%, 0.71%

LAB 87.92, -36.11, 47.86

 

CMYK 38 / 0 / 76 / 11

HEX #8CE337

RGB 140 227 55

HSL 90.35, 0.75%, 0.55%

LAB 82.27, -52.1, 70.2

 

CMYK 76 / 0 / 23 / 11

HEX #36E2AF

RGB 54 226 175

HSL 162.21, 0.75%, 0.55%

LAB 80.89, -54.35, 12.87

 

CMYK 0 / 76 / 8 / 11

HEX #E236D1

RGB 226 54 209

HSL 305.93, 0.75%, 0.55%

LAB 55.49, 79.19, -42.96

 

CMYK 38 / 0 / 76 / 11

HEX #8CE337

RGB 140 227 55

HSL 90.35, 0.75%, 0.55%

LAB 82.27, -52.1, 70.2

 

CMYK 76 / 38 / 0 / 11

HEX #368CE2

RGB 54 140 226

HSL 210, 0.75%, 0.55%

LAB 57.11, 3.65, -50.96

 

CMYK 0 / 76 / 38 / 11

HEX #E2368C

RGB 226 54 140

HSL 330, 0.75%, 0.55%

LAB 52.62, 70.67, -7.08

 

CMYK 38 / 0 / 76 / 11

HEX #8CE337

RGB 140 227 55

HSL 90.35, 0.75%, 0.55%

LAB 82.27, -52.1, 70.2

 

CMYK 76 / 0 / 23 / 11

HEX #36E2AF

RGB 54 226 175

HSL 162.21, 0.75%, 0.55%

LAB 80.89, -54.35, 12.87

 

CMYK 38 / 76 / 0 / 11

HEX #8C36E2

RGB 140 54 226

HSL 270, 0.75%, 0.55%

LAB 43.81, 66.21, -72.12

 

CMYK 0 / 76 / 53 / 11

HEX #E2366A

RGB 226 54 106

HSL 341.86, 0.75%, 0.55%

LAB 51.66, 67.69, 11.99

 

CMYK 38 / 0 / 76 / 11

HEX #8CE337

RGB 140 227 55

HSL 90.35, 0.75%, 0.55%

LAB 82.27, -52.1, 70.2

 

CMYK 76 / 0 / 0 / 11

HEX #36E2E2

RGB 54 226 226

HSL 180, 0.75%, 0.55%

LAB 82.2, -41.1, -12.23

 

CMYK 38 / 76 / 0 / 11

HEX #8C36E2

RGB 140 54 226

HSL 270, 0.75%, 0.55%

LAB 43.81, 66.21, -72.12

 

CMYK 0 / 76 / 76 / 11

HEX #E23636

RGB 226 54 54

HSL 0, 0.75%, 0.55%

LAB 50.77, 64.84, 41.58

 

Description

Color code: HEX #8CE337 | qconv.com Color code: HEX #8CE337 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 227 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 227 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 76 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 76% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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