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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CE261 it is the complementary color #731D9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CE261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CE261 shade: #91E25C, #A2F46F, #B3FF82, #C4FF95 and #D5FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CE261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CE261 shade: #8CE261, #7BD04E, #6ABE3B, #59AC28 and #489A15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CE261 shade: #8BE260, #AEE260, #D1E260, #E2CF60 and #E2AC60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CE261 shade: #8BE260, #68E260, #60E27A, #60E29D and #60E2C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CE261 shade matches the following richer shades: #8BE260 and #86F150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CE261 shade: #8BE260, #90D26F, #95C37E, #9AB48D and #9FA59D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CE261 shade: #D0E260, #AEE260, #8BE260, #68E260 and #60E27A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CE261 shade: #5CCA25, #72DB3D, #8BE260, #A4E882 and #BEEFA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CE261 shade: #8CE261, #60E2D0 and #E260BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CE261 shade: #8CE261, #608BE2 and #E2608B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CE261 shade: #8CE261, #60E2D0, #B660E2 and #E26071

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CE261 shade: #8CE261, #60CCE2, #B660E2 and #E27560

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 57 / 11

HEX #8CE261

RGB 140 226 97

HSL 100, 0.69%, 0.63%

LAB 82.29, -48.43, 54.03

 

Complementary color

CMYK 27 / 82 / 0 / 38

HEX #731D9E

RGB 115 29 158

HSL 280, 0.69%, 0.37%

LAB 31.79, 56.05, -51.92

 

CMYK 36 / 0 / 59 / 11

HEX #91E25C

RGB 145 226 92

HSL 96.27, 0.7%, 0.62%

LAB 82.48, -47.28, 56.51

 

CMYK 34 / 0 / 55 / 4

HEX #A2F46F

RGB 162 244 111

HSL 96.99, 0.86%, 0.7%

LAB 88.7, -47.34, 55.51

 

CMYK 30 / 0 / 49 / 0

HEX #B3FF82

RGB 179 255 130

HSL 96.48, 1%, 0.75%

LAB 92.89, -44.33, 52.04

 

CMYK 23 / 0 / 42 / 0

HEX #C4FF95

RGB 196 255 149

HSL 93.4, 1%, 0.79%

LAB 94.07, -36.29, 44.7

 

CMYK 16 / 0 / 34 / 0

HEX #D5FFA8

RGB 213 255 168

HSL 88.97, 1%, 0.83%

LAB 95.37, -27.93, 37.28

 

CMYK 38 / 0 / 57 / 11

HEX #8CE261

RGB 140 226 97

HSL 100, 0.69%, 0.63%

LAB 82.29, -48.43, 54.03

 

CMYK 41 / 0 / 63 / 18

HEX #7BD04E

RGB 123 208 78

HSL 99.23, 0.58%, 0.56%

LAB 75.99, -48.32, 54.99

 

CMYK 44 / 0 / 69 / 25

HEX #6ABE3B

RGB 106 190 59

HSL 98.47, 0.53%, 0.49%

LAB 69.62, -48.05, 55.69

 

CMYK 48 / 0 / 77 / 33

HEX #59AC28

RGB 89 172 40

HSL 97.73, 0.62%, 0.42%

LAB 63.16, -47.56, 55.88

 

CMYK 53 / 0 / 86 / 40

HEX #489A15

RGB 72 154 21

HSL 96.99, 0.76%, 0.34%

LAB 56.63, -46.73, 55.11

 

CMYK 38 / 0 / 58 / 11

HEX #8BE260

RGB 139 226 96

HSL 100.15, 0.69%, 0.63%

LAB 82.23, -48.86, 54.4

 

CMYK 23 / 0 / 58 / 11

HEX #AEE260

RGB 174 226 96

HSL 84, 0.69%, 0.63%

LAB 84.09, -36.69, 57.01

 

CMYK 8 / 0 / 58 / 11

HEX #D1E260

RGB 209 226 96

HSL 67.85, 0.69%, 0.63%

LAB 86.4, -23.21, 60.25

 

CMYK 0 / 8 / 58 / 11

HEX #E2CF60

RGB 226 207 96

HSL 51.23, 0.69%, 0.63%

LAB 82.72, -6.88, 56.47

 

CMYK 0 / 24 / 58 / 11

HEX #E2AC60

RGB 226 172 96

HSL 35.08, 0.69%, 0.63%

LAB 73.88, 11.38, 46.22

 

CMYK 38 / 0 / 58 / 11

HEX #8BE260

RGB 139 226 96

HSL 100.15, 0.69%, 0.63%

LAB 82.23, -48.86, 54.4

 

CMYK 54 / 0 / 58 / 11

HEX #68E260

RGB 104 226 96

HSL 116.31, 0.69%, 0.63%

LAB 80.84, -58.97, 52.43

 

CMYK 58 / 0 / 46 / 11

HEX #60E27A

RGB 96 226 122

HSL 132, 0.69%, 0.63%

LAB 80.9, -57.47, 40.2

 

CMYK 58 / 0 / 31 / 11

HEX #60E29D

RGB 96 226 157

HSL 148.15, 0.69%, 0.63%

LAB 81.46, -51.42, 23.22

 

CMYK 58 / 0 / 15 / 11

HEX #60E2C1

RGB 96 226 193

HSL 164.77, 0.69%, 0.63%

LAB 82.23, -43.65, 5.42

 

CMYK 38 / 0 / 58 / 11

HEX #8BE260

RGB 139 226 96

HSL 100.15, 0.69%, 0.63%

LAB 82.23, -48.86, 54.4

 

CMYK 44 / 0 / 67 / 5

HEX #86F150

RGB 134 241 80

HSL 99.88, 0.85%, 0.63%

LAB 86.28, -57.84, 65.44

 

CMYK 38 / 0 / 58 / 11

HEX #8BE260

RGB 139 226 96

HSL 100.15, 0.69%, 0.63%

LAB 82.23, -48.86, 54.4

 

CMYK 31 / 0 / 47 / 18

HEX #90D26F

RGB 144 210 111

HSL 100, 0.52%, 0.63%

LAB 77.98, -38.62, 42.35

 

CMYK 24 / 0 / 35 / 24

HEX #95C37E

RGB 149 195 126

HSL 100, 0.37%, 0.63%

LAB 74.14, -27.87, 29.9

 

CMYK 14 / 0 / 22 / 29

HEX #9AB48D

RGB 154 180 141

HSL 100, 0.21%, 0.63%

LAB 70.48, -16.25, 16.99

 

CMYK 4 / 0 / 5 / 35

HEX #9FA59D

RGB 159 165 157

HSL 105, 0.04%, 0.63%

LAB 67.06, -3.66, 3.39

 

CMYK 8 / 0 / 58 / 11

HEX #D0E260

RGB 208 226 96

HSL 68.31, 0.69%, 0.63%

LAB 86.33, -23.61, 60.15

 

CMYK 23 / 0 / 58 / 11

HEX #AEE260

RGB 174 226 96

HSL 84, 0.69%, 0.63%

LAB 84.09, -36.69, 57.01

 

CMYK 38 / 0 / 58 / 11

HEX #8BE260

RGB 139 226 96

HSL 100.15, 0.69%, 0.63%

LAB 82.23, -48.86, 54.4

 

CMYK 54 / 0 / 58 / 11

HEX #68E260

RGB 104 226 96

HSL 116.31, 0.69%, 0.63%

LAB 80.84, -58.97, 52.43

 

CMYK 58 / 0 / 46 / 11

HEX #60E27A

RGB 96 226 122

HSL 132, 0.69%, 0.63%

LAB 80.9, -57.47, 40.2

 

CMYK 54 / 0 / 82 / 21

HEX #5CCA25

RGB 92 202 37

HSL 100, 0.69%, 0.47%

LAB 72.66, -58.13, 65.73

 

CMYK 48 / 0 / 72 / 14

HEX #72DB3D

RGB 114 219 61

HSL 99.87, 0.69%, 0.55%

LAB 78.8, -56.79, 64.45

 

CMYK 38 / 0 / 58 / 11

HEX #8BE260

RGB 139 226 96

HSL 100.15, 0.69%, 0.63%

LAB 82.23, -48.86, 54.4

 

CMYK 29 / 0 / 44 / 9

HEX #A4E882

RGB 164 232 130

HSL 100, 0.69%, 0.71%

LAB 85.61, -39.28, 42.85

 

CMYK 21 / 0 / 31 / 6

HEX #BEEFA5

RGB 190 239 165

HSL 99.73, 0.7%, 0.79%

LAB 89.58, -28.82, 30.83

 

CMYK 38 / 0 / 57 / 11

HEX #8CE261

RGB 140 226 97

HSL 100, 0.69%, 0.63%

LAB 82.29, -48.43, 54.03

 

CMYK 58 / 0 / 8 / 11

HEX #60E2D0

RGB 96 226 208

HSL 171.69, 0.69%, 0.63%

LAB 82.61, -40.01, -1.97

 

CMYK 0 / 58 / 15 / 11

HEX #E260BF

RGB 226 96 191

HSL 316.15, 0.69%, 0.63%

LAB 60.16, 61.3, -25.41

 

CMYK 38 / 0 / 57 / 11

HEX #8CE261

RGB 140 226 97

HSL 100, 0.69%, 0.63%

LAB 82.29, -48.43, 54.03

 

CMYK 58 / 38 / 0 / 11

HEX #608BE2

RGB 96 139 226

HSL 220.15, 0.69%, 0.63%

LAB 58.46, 10.91, -48.72

 

CMYK 0 / 58 / 38 / 11

HEX #E2608B

RGB 226 96 139

HSL 340.15, 0.69%, 0.63%

LAB 58.41, 54.59, 2.03

 

CMYK 38 / 0 / 57 / 11

HEX #8CE261

RGB 140 226 97

HSL 100, 0.69%, 0.63%

LAB 82.29, -48.43, 54.03

 

CMYK 58 / 0 / 8 / 11

HEX #60E2D0

RGB 96 226 208

HSL 171.69, 0.69%, 0.63%

LAB 82.61, -40.01, -1.97

 

CMYK 19 / 58 / 0 / 11

HEX #B660E2

RGB 182 96 226

HSL 279.69, 0.69%, 0.63%

LAB 55.89, 55.88, -52.36

 

CMYK 0 / 58 / 50 / 11

HEX #E26071

RGB 226 96 113

HSL 352.15, 0.69%, 0.63%

LAB 57.78, 52.04, 16.31

 

CMYK 38 / 0 / 57 / 11

HEX #8CE261

RGB 140 226 97

HSL 100, 0.69%, 0.63%

LAB 82.29, -48.43, 54.03

 

CMYK 58 / 10 / 0 / 11

HEX #60CCE2

RGB 96 204 226

HSL 190.15, 0.69%, 0.63%

LAB 76.78, -24.76, -20.29

 

CMYK 19 / 58 / 0 / 11

HEX #B660E2

RGB 182 96 226

HSL 279.69, 0.69%, 0.63%

LAB 55.89, 55.88, -52.36

 

CMYK 0 / 48 / 58 / 11

HEX #E27560

RGB 226 117 96

HSL 9.69, 0.69%, 0.63%

LAB 61.43, 40.45, 30.88

 

Description

Color code: HEX #8CE261 | qconv.com Color code: HEX #8CE261 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 226 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 226 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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