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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CE09B it is the complementary color #731F64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CE09B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CE09B shade: #91E096, #A2F2A9, #B3FFBC, #C4FFCF and #D5FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CE09B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CE09B shade: #8CE09B, #7BCE88, #6ABC75, #59AA62 and #48984F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CE09B shade: #8AE099, #92E08A, #A9E08A, #C0E08A and #D7E08A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CE09B shade: #8AE099, #8AE0B1, #8AE0C8, #8AE0DF and #8ACAE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CE09B shade matches the following richer shades: #8AE099, #7EEC92 and #72F88A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CE09B shade: #8AE099, #96D4A1, #A2C8A9, #AEBCB1 and #BAB0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CE09B shade: #AAE08A, #93E08A, #8AE098, #8AE0AF and #8AE0C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CE09B shade: #49CF61, #6AD77D, #8AE099, #ABE9B6 and #CBF1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CE09B shade: #8CE09B, #8AC0E0 and #E08A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CE09B shade: #8CE09B, #988AE0 and #E0988A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CE09B shade: #8CE09B, #8AC0E0, #E08AD2 and #E0AA8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CE09B shade: #8CE09B, #8AA7E0, #E08AD2 and #E0C38A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 31 / 12

HEX #8CE09B

RGB 140 224 155

HSL 130.71, 0.58%, 0.71%

LAB 82.51, -39.65, 25.96

 

Complementary color

CMYK 0 / 73 / 13 / 55

HEX #731F64

RGB 115 31 100

HSL 310.71, 0.58%, 0.29%

LAB 28.23, 44.28, -21.21

 

CMYK 35 / 0 / 33 / 12

HEX #91E096

RGB 145 224 150

HSL 123.8, 0.56%, 0.72%

LAB 82.66, -38.96, 28.78

 

CMYK 33 / 0 / 30 / 5

HEX #A2F2A9

RGB 162 242 169

HSL 125.25, 0.75%, 0.79%

LAB 88.95, -38.71, 27.68

 

CMYK 30 / 0 / 26 / 0

HEX #B3FFBC

RGB 179 255 188

HSL 127.11, 1%, 0.85%

LAB 93.77, -36.21, 24.75

 

CMYK 23 / 0 / 19 / 0

HEX #C4FFCF

RGB 196 255 207

HSL 131.19, 1%, 0.88%

LAB 95.06, -27.63, 17

 

CMYK 16 / 0 / 11 / 0

HEX #D5FFE2

RGB 213 255 226

HSL 138.57, 1%, 0.92%

LAB 96.47, -18.84, 9.41

 

CMYK 38 / 0 / 31 / 12

HEX #8CE09B

RGB 140 224 155

HSL 130.71, 0.58%, 0.71%

LAB 82.51, -39.65, 25.96

 

CMYK 40 / 0 / 34 / 19

HEX #7BCE88

RGB 123 206 136

HSL 129.4, 0.46%, 0.65%

LAB 76.15, -39.9, 27.11

 

CMYK 44 / 0 / 38 / 26

HEX #6ABC75

RGB 106 188 117

HSL 128.05, 0.38%, 0.58%

LAB 69.69, -40.12, 28.32

 

CMYK 48 / 0 / 42 / 33

HEX #59AA62

RGB 89 170 98

HSL 126.67, 0.32%, 0.51%

LAB 63.14, -40.3, 29.62

 

CMYK 53 / 0 / 48 / 40

HEX #48984F

RGB 72 152 79

HSL 125.25, 0.36%, 0.44%

LAB 56.48, -40.37, 30.99

 

CMYK 38 / 0 / 32 / 12

HEX #8AE099

RGB 138 224 153

HSL 130.47, 0.58%, 0.71%

LAB 82.39, -40.58, 26.81

 

CMYK 35 / 0 / 38 / 12

HEX #92E08A

RGB 146 224 138

HSL 114.42, 0.58%, 0.71%

LAB 82.52, -40.52, 34.71

 

CMYK 25 / 0 / 38 / 12

HEX #A9E08A

RGB 169 224 138

HSL 98.37, 0.58%, 0.71%

LAB 83.75, -32.87, 36.55

 

CMYK 14 / 0 / 38 / 12

HEX #C0E08A

RGB 192 224 138

HSL 82.33, 0.58%, 0.71%

LAB 85.18, -24.61, 38.68

 

CMYK 4 / 0 / 38 / 12

HEX #D7E08A

RGB 215 224 138

HSL 66.28, 0.58%, 0.71%

LAB 86.8, -15.93, 41.08

 

CMYK 38 / 0 / 32 / 12

HEX #8AE099

RGB 138 224 153

HSL 130.47, 0.58%, 0.71%

LAB 82.39, -40.58, 26.81

 

CMYK 38 / 0 / 21 / 12

HEX #8AE0B1

RGB 138 224 177

HSL 147.21, 0.58%, 0.71%

LAB 82.85, -36.19, 14.95

 

CMYK 38 / 0 / 11 / 12

HEX #8AE0C8

RGB 138 224 200

HSL 163.26, 0.58%, 0.71%

LAB 83.38, -31.41, 3.57

 

CMYK 38 / 0 / 0 / 12

HEX #8AE0DF

RGB 138 224 223

HSL 179.3, 0.58%, 0.71%

LAB 83.99, -26.13, -7.71

 

CMYK 38 / 10 / 0 / 12

HEX #8ACAE0

RGB 138 202 224

HSL 195.35, 0.58%, 0.71%

LAB 77.89, -14.84, -17.37

 

CMYK 38 / 0 / 32 / 12

HEX #8AE099

RGB 138 224 153

HSL 130.47, 0.58%, 0.71%

LAB 82.39, -40.58, 26.81

 

CMYK 47 / 0 / 38 / 7

HEX #7EEC92

RGB 126 236 146

HSL 130.91, 0.74%, 0.71%

LAB 85.25, -50.26, 34.1

 

CMYK 54 / 0 / 44 / 3

HEX #72F88A

RGB 114 248 138

HSL 130.75, 0.91%, 0.71%

LAB 88.23, -59.3, 41.84

 

CMYK 38 / 0 / 32 / 12

HEX #8AE099

RGB 138 224 153

HSL 130.47, 0.58%, 0.71%

LAB 82.39, -40.58, 26.81

 

CMYK 29 / 0 / 24 / 17

HEX #96D4A1

RGB 150 212 161

HSL 130.65, 0.42%, 0.71%

LAB 79.7, -29.98, 19.04

 

CMYK 19 / 0 / 16 / 22

HEX #A2C8A9

RGB 162 200 169

HSL 131.05, 0.26%, 0.71%

LAB 77.19, -18.71, 11.38

 

CMYK 7 / 0 / 6 / 26

HEX #AEBCB1

RGB 174 188 177

HSL 132.86, 0.09%, 0.71%

LAB 74.91, -6.92, 3.9

 

CMYK 0 / 5 / 1 / 27

HEX #BAB0B8

RGB 186 176 184

HSL 312, 0.07%, 0.71%

LAB 72.86, 5.02, -2.81

 

CMYK 24 / 0 / 38 / 12

HEX #AAE08A

RGB 170 224 138

HSL 97.67, 0.58%, 0.71%

LAB 83.81, -32.52, 36.63

 

CMYK 34 / 0 / 38 / 12

HEX #93E08A

RGB 147 224 138

HSL 113.72, 0.58%, 0.71%

LAB 82.57, -40.2, 34.78

 

CMYK 38 / 0 / 32 / 12

HEX #8AE098

RGB 138 224 152

HSL 129.77, 0.58%, 0.71%

LAB 82.37, -40.75, 27.3

 

CMYK 38 / 0 / 22 / 12

HEX #8AE0AF

RGB 138 224 175

HSL 145.81, 0.58%, 0.71%

LAB 82.81, -36.58, 15.94

 

CMYK 38 / 0 / 12 / 12

HEX #8AE0C6

RGB 138 224 198

HSL 161.86, 0.58%, 0.71%

LAB 83.33, -31.85, 4.56

 

CMYK 65 / 0 / 53 / 19

HEX #49CF61

RGB 73 207 97

HSL 130.75, 0.58%, 0.55%

LAB 74.13, -58.92, 43.77

 

CMYK 51 / 0 / 42 / 16

HEX #6AD77D

RGB 106 215 125

HSL 130.46, 0.58%, 0.63%

LAB 77.96, -50.26, 35.01

 

CMYK 38 / 0 / 32 / 12

HEX #8AE099

RGB 138 224 153

HSL 130.47, 0.58%, 0.71%

LAB 82.39, -40.58, 26.81

 

CMYK 27 / 0 / 22 / 9

HEX #ABE9B6

RGB 171 233 182

HSL 130.65, 0.58%, 0.79%

LAB 87.15, -29.54, 18.6

 

CMYK 16 / 0 / 13 / 5

HEX #CBF1D2

RGB 203 241 210

HSL 131.05, 0.58%, 0.87%

LAB 91.8, -18.09, 10.9

 

CMYK 38 / 0 / 31 / 12

HEX #8CE09B

RGB 140 224 155

HSL 130.71, 0.58%, 0.71%

LAB 82.51, -39.65, 25.96

 

CMYK 38 / 14 / 0 / 12

HEX #8AC0E0

RGB 138 192 224

HSL 202.33, 0.58%, 0.71%

LAB 75.13, -9.6, -21.55

 

CMYK 0 / 38 / 29 / 12

HEX #E08A9E

RGB 224 138 158

HSL 346.05, 0.58%, 0.71%

LAB 66.89, 35.26, 3.4

 

CMYK 38 / 0 / 31 / 12

HEX #8CE09B

RGB 140 224 155

HSL 130.71, 0.58%, 0.71%

LAB 82.51, -39.65, 25.96

 

CMYK 32 / 38 / 0 / 12

HEX #988AE0

RGB 152 138 224

HSL 249.77, 0.58%, 0.71%

LAB 61.86, 24.47, -41.99

 

CMYK 0 / 32 / 38 / 12

HEX #E0988A

RGB 224 152 138

HSL 9.77, 0.58%, 0.71%

LAB 69.57, 25.31, 18.35

 

CMYK 38 / 0 / 31 / 12

HEX #8CE09B

RGB 140 224 155

HSL 130.71, 0.58%, 0.71%

LAB 82.51, -39.65, 25.96

 

CMYK 38 / 14 / 0 / 12

HEX #8AC0E0

RGB 138 192 224

HSL 202.33, 0.58%, 0.71%

LAB 75.13, -9.6, -21.55

 

CMYK 0 / 38 / 6 / 12

HEX #E08AD2

RGB 224 138 210

HSL 309.77, 0.58%, 0.71%

LAB 68.52, 43.23, -23.31

 

CMYK 0 / 24 / 38 / 12

HEX #E0AA8A

RGB 224 170 138

HSL 22.33, 0.58%, 0.71%

LAB 73.82, 15.65, 24.17

 

CMYK 38 / 0 / 31 / 12

HEX #8CE09B

RGB 140 224 155

HSL 130.71, 0.58%, 0.71%

LAB 82.51, -39.65, 25.96

 

CMYK 38 / 25 / 0 / 12

HEX #8AA7E0

RGB 138 167 224

HSL 219.77, 0.58%, 0.71%

LAB 68.33, 4.05, -31.97

 

CMYK 0 / 38 / 6 / 12

HEX #E08AD2

RGB 224 138 210

HSL 309.77, 0.58%, 0.71%

LAB 68.52, 43.23, -23.31

 

CMYK 0 / 13 / 38 / 12

HEX #E0C38A

RGB 224 195 138

HSL 39.77, 0.58%, 0.71%

LAB 80.02, 2.39, 32.44

 

Description

Color code: HEX #8CE09B | qconv.com Color code: HEX #8CE09B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 224 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 224 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 31% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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