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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CDF4C it is the complementary color #7320B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CDF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CDF4C shade: #91DF47, #A2F15A, #B3FF6D, #C4FF80 and #D5FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CDF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CDF4C shade: #8CDF4C, #7BCD39, #6ABB26, #59A913 and #489700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CDF4C shade: #8DE04D, #B4E04D, #DCE04D, #E0BC4D and #E0944D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CDF4C shade: #8DE04D, #66E04D, #4DE05C, #4DE084 and #4DE0AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CDF4C shade matches the following richer shades: #8DE04D and #8BF13C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CDF4C shade: #8DE04D, #8FCF5E, #91BE6F, #94AD80 and #969C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CDF4C shade: #DDE04D, #B6E04D, #8FE04D, #68E04D and #4DE059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CDF4C shade: #63BA21, #76D92A, #8DE04D, #A3E670 and #BAEC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CDF4C shade: #8CDF4C, #4DE0BB and #E04DCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CDF4C shade: #8CDF4C, #4D8FE0 and #E04D8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CDF4C shade: #8CDF4C, #4DE0BB, #9E4DE0 and #E04D72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CDF4C shade: #8CDF4C, #4DD8E0, #9E4DE0 and #E0554D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 66 / 13

HEX #8CDF4C

RGB 140 223 76

HSL 93.88, 0.7%, 0.59%

LAB 81.22, -49.08, 61.71

 

Complementary color

CMYK 36 / 82 / 0 / 30

HEX #7320B3

RGB 115 32 179

HSL 273.88, 0.7%, 0.41%

LAB 33.84, 59.64, -61.2

 

CMYK 35 / 0 / 68 / 13

HEX #91DF47

RGB 145 223 71

HSL 90.79, 0.7%, 0.58%

LAB 81.43, -47.77, 63.93

 

CMYK 33 / 0 / 63 / 5

HEX #A2F15A

RGB 162 241 90

HSL 91.39, 0.84%, 0.65%

LAB 87.65, -48.02, 63.33

 

CMYK 30 / 0 / 57 / 0

HEX #B3FF6D

RGB 179 255 109

HSL 91.23, 1%, 0.71%

LAB 92.67, -46.47, 61.2

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 16 / 0 / 42 / 0

HEX #D5FF93

RGB 213 255 147

HSL 83.33, 1%, 0.79%

LAB 95.07, -30.52, 47.14

 

CMYK 37 / 0 / 66 / 13

HEX #8CDF4C

RGB 140 223 76

HSL 93.88, 0.7%, 0.59%

LAB 81.22, -49.08, 61.71

 

CMYK 40 / 0 / 72 / 20

HEX #7BCD39

RGB 123 205 57

HSL 93.24, 0.6%, 0.51%

LAB 74.93, -48.74, 62.11

 

CMYK 43 / 0 / 80 / 27

HEX #6ABB26

RGB 106 187 38

HSL 92.62, 0.66%, 0.44%

LAB 68.57, -48.2, 61.88

 

CMYK 47 / 0 / 89 / 34

HEX #59A913

RGB 89 169 19

HSL 92, 0.8%, 0.37%

LAB 62.12, -47.36, 60.58

 

CMYK 52 / 0 / 100 / 41

HEX #489700

RGB 72 151 0

HSL 91.39, 1%, 0.3%

LAB 55.59, -46.19, 58

 

CMYK 37 / 0 / 66 / 12

HEX #8DE04D

RGB 141 224 77

HSL 93.88, 0.7%, 0.59%

LAB 81.57, -49.08, 61.7

 

CMYK 20 / 0 / 66 / 12

HEX #B4E04D

RGB 180 224 77

HSL 77.96, 0.7%, 0.59%

LAB 83.73, -35, 64.64

 

CMYK 2 / 0 / 66 / 12

HEX #DCE04D

RGB 220 224 77

HSL 61.63, 0.7%, 0.59%

LAB 86.54, -19.06, 68.42

 

CMYK 0 / 16 / 66 / 12

HEX #E0BC4D

RGB 224 188 77

HSL 45.31, 0.7%, 0.59%

LAB 77.49, 0.83, 59.09

 

CMYK 0 / 34 / 66 / 12

HEX #E0944D

RGB 224 148 77

HSL 28.98, 0.7%, 0.59%

LAB 67.7, 22.09, 48.36

 

CMYK 37 / 0 / 66 / 12

HEX #8DE04D

RGB 141 224 77

HSL 93.88, 0.7%, 0.59%

LAB 81.57, -49.08, 61.7

 

CMYK 54 / 0 / 66 / 12

HEX #66E04D

RGB 102 224 77

HSL 109.8, 0.7%, 0.59%

LAB 79.99, -60.67, 59.54

 

CMYK 66 / 0 / 59 / 12

HEX #4DE05C

RGB 77 224 92

HSL 126.12, 0.7%, 0.59%

LAB 79.42, -64.74, 52.36

 

CMYK 66 / 0 / 41 / 12

HEX #4DE084

RGB 77 224 132

HSL 142.45, 0.7%, 0.59%

LAB 79.93, -58.96, 33.88

 

CMYK 66 / 0 / 24 / 12

HEX #4DE0AB

RGB 77 224 171

HSL 158.37, 0.7%, 0.59%

LAB 80.64, -51.27, 14.69

 

CMYK 37 / 0 / 66 / 12

HEX #8DE04D

RGB 141 224 77

HSL 93.88, 0.7%, 0.59%

LAB 81.57, -49.08, 61.7

 

CMYK 42 / 0 / 75 / 5

HEX #8BF13C

RGB 139 241 60

HSL 93.81, 0.87%, 0.59%

LAB 86.37, -57.65, 72.57

 

CMYK 37 / 0 / 66 / 12

HEX #8DE04D

RGB 141 224 77

HSL 93.88, 0.7%, 0.59%

LAB 81.57, -49.08, 61.7

 

CMYK 31 / 0 / 55 / 19

HEX #8FCF5E

RGB 143 207 94

HSL 93.98, 0.54%, 0.59%

LAB 76.84, -39.57, 49.09

 

CMYK 24 / 0 / 42 / 25

HEX #91BE6F

RGB 145 190 111

HSL 94.18, 0.38%, 0.59%

LAB 72.22, -29, 35.12

 

CMYK 14 / 0 / 26 / 32

HEX #94AD80

RGB 148 173 128

HSL 93.33, 0.22%, 0.59%

LAB 67.83, -16.97, 20.34

 

CMYK 4 / 0 / 7 / 39

HEX #969C91

RGB 150 156 145

HSL 92.73, 0.05%, 0.59%

LAB 63.59, -4.25, 5.01

 

CMYK 1 / 0 / 66 / 12

HEX #DDE04D

RGB 221 224 77

HSL 61.22, 0.7%, 0.59%

LAB 86.61, -18.65, 68.52

 

CMYK 19 / 0 / 66 / 12

HEX #B6E04D

RGB 182 224 77

HSL 77.14, 0.7%, 0.59%

LAB 83.86, -34.23, 64.81

 

CMYK 36 / 0 / 66 / 12

HEX #8FE04D

RGB 143 224 77

HSL 93.06, 0.7%, 0.59%

LAB 81.67, -48.41, 61.83

 

CMYK 54 / 0 / 66 / 12

HEX #68E04D

RGB 104 224 77

HSL 108.98, 0.7%, 0.59%

LAB 80.06, -60.15, 59.63

 

CMYK 66 / 0 / 60 / 12

HEX #4DE059

RGB 77 224 89

HSL 124.9, 0.7%, 0.59%

LAB 79.39, -65.09, 53.65

 

CMYK 47 / 0 / 82 / 27

HEX #63BA21

RGB 99 186 33

HSL 94.12, 0.7%, 0.43%

LAB 67.93, -50.29, 62.58

 

CMYK 46 / 0 / 81 / 15

HEX #76D92A

RGB 118 217 42

HSL 93.94, 0.7%, 0.51%

LAB 78.25, -55.91, 69.87

 

CMYK 37 / 0 / 66 / 12

HEX #8DE04D

RGB 141 224 77

HSL 93.88, 0.7%, 0.59%

LAB 81.57, -49.08, 61.7

 

CMYK 29 / 0 / 51 / 10

HEX #A3E670

RGB 163 230 112

HSL 94.07, 0.7%, 0.67%

LAB 84.77, -40.85, 50.39

 

CMYK 21 / 0 / 38 / 7

HEX #BAEC93

RGB 186 236 147

HSL 93.71, 0.7%, 0.75%

LAB 88.23, -31.31, 38.06

 

CMYK 37 / 0 / 66 / 13

HEX #8CDF4C

RGB 140 223 76

HSL 93.88, 0.7%, 0.59%

LAB 81.22, -49.08, 61.71

 

CMYK 66 / 0 / 17 / 12

HEX #4DE0BB

RGB 77 224 187

HSL 164.9, 0.7%, 0.59%

LAB 81, -47.57, 6.76

 

CMYK 0 / 66 / 10 / 12

HEX #E04DCA

RGB 224 77 202

HSL 308.98, 0.7%, 0.59%

LAB 57.48, 70.22, -35.86

 

CMYK 37 / 0 / 66 / 13

HEX #8CDF4C

RGB 140 223 76

HSL 93.88, 0.7%, 0.59%

LAB 81.22, -49.08, 61.71

 

CMYK 66 / 36 / 0 / 12

HEX #4D8FE0

RGB 77 143 224

HSL 213.06, 0.7%, 0.59%

LAB 58.61, 4.39, -47.42

 

CMYK 0 / 66 / 36 / 12

HEX #E04D8F

RGB 224 77 143

HSL 333.06, 0.7%, 0.59%

LAB 55.21, 62.52, -5.05

 

CMYK 37 / 0 / 66 / 13

HEX #8CDF4C

RGB 140 223 76

HSL 93.88, 0.7%, 0.59%

LAB 81.22, -49.08, 61.71

 

CMYK 66 / 0 / 17 / 12

HEX #4DE0BB

RGB 77 224 187

HSL 164.9, 0.7%, 0.59%

LAB 81, -47.57, 6.76

 

CMYK 29 / 66 / 0 / 12

HEX #9E4DE0

RGB 158 77 224

HSL 273.06, 0.7%, 0.59%

LAB 49.45, 59.13, -61.72

 

CMYK 0 / 66 / 49 / 12

HEX #E04D72

RGB 224 77 114

HSL 344.9, 0.7%, 0.59%

LAB 54.42, 59.68, 11

 

CMYK 37 / 0 / 66 / 13

HEX #8CDF4C

RGB 140 223 76

HSL 93.88, 0.7%, 0.59%

LAB 81.22, -49.08, 61.71

 

CMYK 66 / 4 / 0 / 12

HEX #4DD8E0

RGB 77 216 224

HSL 183.27, 0.7%, 0.59%

LAB 79.65, -34.29, -14.93

 

CMYK 29 / 66 / 0 / 12

HEX #9E4DE0

RGB 158 77 224

HSL 273.06, 0.7%, 0.59%

LAB 49.45, 59.13, -61.72

 

CMYK 0 / 62 / 66 / 12

HEX #E0554D

RGB 224 85 77

HSL 3.27, 0.7%, 0.59%

LAB 54.95, 53.69, 33.39

 

Description

Color code: HEX #8CDF4C | qconv.com Color code: HEX #8CDF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 223 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 223 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 66 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 66% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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