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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CDF0E it is the complementary color #7320F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CDF0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CDF0E shade: #91DF09, #A2F11C, #B3FF2F, #C4FF42 and #D5FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CDF0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CDF0E shade: #8CDF0E, #7BCD00, #6ABB00, #59A900 and #489700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CDF0E shade: #8BDD0E, #C2DD0E, #DDBF0E, #DD880E and #DD500E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CDF0E shade: #8BDD0E, #53DD0E, #1BDD0E, #0EDD39 and #0EDD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CDF0E shade matches the following richer shades: #8BDD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CDF0E shade: #8BDD0E, #87CA21, #83B734, #7FA447 and #7B915A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CDF0E shade: #DDBE0E, #C4DD0E, #8DDD0E, #56DD0E and #1FDD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CDF0E shade: #5A8F09, #72B60C, #8BDD0E, #9FF123 and #B0F34A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CDF0E shade: #8CDF0E, #0EDD87 and #D90EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CDF0E shade: #8CDF0E, #0E8DDD and #DD0E8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CDF0E shade: #8CDF0E, #0EDD87, #5D0EDD and #DD0E64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CDF0E shade: #8CDF0E, #0EDDC4, #5D0EDD and #DD0E26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 94 / 13

HEX #8CDF0E

RGB 140 223 14

HSL 83.83, 0.88%, 0.46%

LAB 80.95, -51.88, 77.77

 

Complementary color

CMYK 52 / 87 / 0 / 5

HEX #7320F1

RGB 115 32 241

HSL 263.83, 0.88%, 0.54%

LAB 39.63, 73.88, -87.6

 

CMYK 35 / 0 / 96 / 13

HEX #91DF09

RGB 145 223 9

HSL 81.87, 0.92%, 0.45%

LAB 81.19, -50.21, 78.55

 

CMYK 33 / 0 / 88 / 5

HEX #A2F11C

RGB 162 241 28

HSL 82.25, 0.88%, 0.53%

LAB 87.33, -51.21, 81.5

 

CMYK 30 / 0 / 82 / 0

HEX #B3FF2F

RGB 179 255 47

HSL 81.92, 1%, 0.59%

LAB 92.27, -50.37, 82.26

 

CMYK 23 / 0 / 74 / 0

HEX #C4FF42

RGB 196 255 66

HSL 78.73, 1%, 0.63%

LAB 93.3, -43.37, 78.35

 

CMYK 16 / 0 / 67 / 0

HEX #D5FF55

RGB 213 255 85

HSL 74.82, 1%, 0.67%

LAB 94.45, -35.92, 73.36

 

CMYK 37 / 0 / 94 / 13

HEX #8CDF0E

RGB 140 223 14

HSL 83.83, 0.88%, 0.46%

LAB 80.95, -51.88, 77.77

 

CMYK 40 / 0 / 100 / 20

HEX #7BCD00

RGB 123 205 0

HSL 84, 1%, 0.4%

LAB 74.75, -50.71, 73.9

 

CMYK 43 / 0 / 100 / 27

HEX #6ABB00

RGB 106 187 0

HSL 85.99, 1%, 0.37%

LAB 68.46, -49.3, 68.68

 

CMYK 47 / 0 / 100 / 34

HEX #59A900

RGB 89 169 0

HSL 88.4, 1%, 0.33%

LAB 62.08, -47.81, 63.38

 

CMYK 52 / 0 / 100 / 41

HEX #489700

RGB 72 151 0

HSL 91.39, 1%, 0.3%

LAB 55.59, -46.19, 58

 

CMYK 37 / 0 / 94 / 13

HEX #8BDD0E

RGB 139 221 14

HSL 83.77, 0.88%, 0.46%

LAB 80.31, -51.43, 77.24

 

CMYK 12 / 0 / 94 / 13

HEX #C2DD0E

RGB 194 221 14

HSL 67.83, 0.88%, 0.46%

LAB 83.55, -30.44, 81.18

 

CMYK 0 / 14 / 94 / 13

HEX #DDBF0E

RGB 221 191 14

HSL 51.3, 0.88%, 0.46%

LAB 77.68, -4.15, 77.66

 

CMYK 0 / 38 / 94 / 13

HEX #DD880E

RGB 221 136 14

HSL 35.36, 0.88%, 0.46%

LAB 64.17, 25.03, 67.83

 

CMYK 0 / 64 / 94 / 13

HEX #DD500E

RGB 221 80 14

HSL 19.13, 0.88%, 0.46%

LAB 53.1, 52.73, 60.33

 

CMYK 37 / 0 / 94 / 13

HEX #8BDD0E

RGB 139 221 14

HSL 83.77, 0.88%, 0.46%

LAB 80.31, -51.43, 77.24

 

CMYK 62 / 0 / 94 / 13

HEX #53DD0E

RGB 83 221 14

HSL 100, 0.88%, 0.46%

LAB 78.22, -67.57, 74.67

 

CMYK 88 / 0 / 94 / 13

HEX #1BDD0E

RGB 27 221 14

HSL 116.23, 0.88%, 0.46%

LAB 77.27, -75.83, 73.5

 

CMYK 94 / 0 / 74 / 13

HEX #0EDD39

RGB 14 221 57

HSL 132.46, 0.88%, 0.46%

LAB 77.34, -74.56, 63.69

 

CMYK 94 / 0 / 49 / 13

HEX #0EDD70

RGB 14 221 112

HSL 148.41, 0.88%, 0.46%

LAB 77.86, -68.11, 40.97

 

CMYK 37 / 0 / 94 / 13

HEX #8BDD0E

RGB 139 221 14

HSL 83.77, 0.88%, 0.46%

LAB 80.31, -51.43, 77.24

 

CMYK 37 / 0 / 94 / 13

HEX #8BDD0E

RGB 139 221 14

HSL 83.77, 0.88%, 0.46%

LAB 80.31, -51.43, 77.24

 

CMYK 33 / 0 / 84 / 21

HEX #87CA21

RGB 135 202 33

HSL 83.79, 0.72%, 0.46%

LAB 74.51, -44.53, 69.08

 

CMYK 28 / 0 / 72 / 28

HEX #83B734

RGB 131 183 52

HSL 83.82, 0.56%, 0.46%

LAB 68.71, -36.79, 57.82

 

CMYK 23 / 0 / 57 / 36

HEX #7FA447

RGB 127 164 71

HSL 83.87, 0.4%, 0.46%

LAB 62.94, -27.95, 43.46

 

CMYK 15 / 0 / 38 / 43

HEX #7B915A

RGB 123 145 90

HSL 84, 0.23%, 0.46%

LAB 57.27, -17.73, 26.66

 

CMYK 0 / 14 / 94 / 13

HEX #DDBE0E

RGB 221 190 14

HSL 51.01, 0.88%, 0.46%

LAB 77.42, -3.63, 77.47

 

CMYK 11 / 0 / 94 / 13

HEX #C4DD0E

RGB 196 221 14

HSL 67.25, 0.88%, 0.46%

LAB 83.69, -29.62, 81.35

 

CMYK 36 / 0 / 94 / 13

HEX #8DDD0E

RGB 141 221 14

HSL 83.19, 0.88%, 0.46%

LAB 80.41, -50.73, 77.36

 

CMYK 61 / 0 / 94 / 13

HEX #56DD0E

RGB 86 221 14

HSL 99.13, 0.88%, 0.46%

LAB 78.3, -66.89, 74.77

 

CMYK 86 / 0 / 94 / 13

HEX #1FDD0E

RGB 31 221 14

HSL 115.07, 0.88%, 0.46%

LAB 77.3, -75.52, 73.54

 

CMYK 37 / 0 / 94 / 44

HEX #5A8F09

RGB 90 143 9

HSL 83.73, 0.88%, 0.3%

LAB 53.86, -36.49, 55.48

 

CMYK 37 / 0 / 93 / 29

HEX #72B60C

RGB 114 182 12

HSL 84, 0.88%, 0.38%

LAB 67.32, -44.29, 66.51

 

CMYK 37 / 0 / 94 / 13

HEX #8BDD0E

RGB 139 221 14

HSL 83.77, 0.88%, 0.46%

LAB 80.31, -51.43, 77.24

 

CMYK 34 / 0 / 85 / 5

HEX #9FF123

RGB 159 241 35

HSL 83.88, 0.88%, 0.54%

LAB 87.19, -52.08, 80.07

 

CMYK 28 / 0 / 70 / 5

HEX #B0F34A

RGB 176 243 74

HSL 83.79, 0.88%, 0.62%

LAB 88.84, -45.09, 70.93

 

CMYK 37 / 0 / 94 / 13

HEX #8CDF0E

RGB 140 223 14

HSL 83.83, 0.88%, 0.46%

LAB 80.95, -51.88, 77.77

 

CMYK 94 / 0 / 39 / 13

HEX #0EDD87

RGB 14 221 135

HSL 155.07, 0.88%, 0.46%

LAB 78.2, -64.06, 29.92

 

CMYK 2 / 94 / 0 / 13

HEX #D90EDD

RGB 217 14 221

HSL 298.84, 0.88%, 0.46%

LAB 52.16, 86.51, -55.19

 

CMYK 37 / 0 / 94 / 13

HEX #8CDF0E

RGB 140 223 14

HSL 83.83, 0.88%, 0.46%

LAB 80.95, -51.88, 77.77

 

CMYK 94 / 36 / 0 / 13

HEX #0E8DDD

RGB 14 141 221

HSL 203.19, 0.88%, 0.46%

LAB 56.45, -1.81, -49.26

 

CMYK 0 / 94 / 36 / 13

HEX #DD0E8D

RGB 221 14 141

HSL 323.19, 0.88%, 0.46%

LAB 49.02, 77.39, -13.18

 

CMYK 37 / 0 / 94 / 13

HEX #8CDF0E

RGB 140 223 14

HSL 83.83, 0.88%, 0.46%

LAB 80.95, -51.88, 77.77

 

CMYK 94 / 0 / 39 / 13

HEX #0EDD87

RGB 14 221 135

HSL 155.07, 0.88%, 0.46%

LAB 78.2, -64.06, 29.92

 

CMYK 58 / 94 / 0 / 13

HEX #5D0EDD

RGB 93 14 221

HSL 262.9, 0.88%, 0.46%

LAB 33.69, 71.45, -86.1

 

CMYK 0 / 94 / 55 / 13

HEX #DD0E64

RGB 221 14 100

HSL 335.07, 0.88%, 0.46%

LAB 47.76, 74, 10.05

 

CMYK 37 / 0 / 94 / 13

HEX #8CDF0E

RGB 140 223 14

HSL 83.83, 0.88%, 0.46%

LAB 80.95, -51.88, 77.77

 

CMYK 94 / 0 / 11 / 13

HEX #0EDDC4

RGB 14 221 196

HSL 172.75, 0.88%, 0.46%

LAB 79.5, -49.85, -0.31

 

CMYK 58 / 94 / 0 / 13

HEX #5D0EDD

RGB 93 14 221

HSL 262.9, 0.88%, 0.46%

LAB 33.69, 71.45, -86.1

 

CMYK 0 / 94 / 83 / 13

HEX #DD0E26

RGB 221 14 38

HSL 353.04, 0.88%, 0.46%

LAB 46.75, 71.2, 45.89

 

Description

Color code: HEX #8CDF0E | qconv.com Color code: HEX #8CDF0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 223 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 223 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 94 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 94% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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