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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CDB5A it is the complementary color #7324A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CDB5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CDB5A shade: #91DB55, #A2ED68, #B3FF7B, #C4FF8E and #D5FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CDB5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CDB5A shade: #8CDB5A, #7BC947, #6AB734, #59A521 and #48930E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CDB5A shade: #8DDB5C, #B0DB5C, #D2DB5C, #DBC25C and #DBA05C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CDB5A shade: #8DDB5C, #6BDB5C, #5CDB6F, #5CDB92 and #5CDBB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CDB5A shade matches the following richer shades: #8DDB5C, #8AEB4C and #86FB3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CDB5A shade: #8DDB5C, #91CB6C, #94BB7C, #98AB8C and #9C9B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CDB5A shade: #D3DB5C, #B1DB5C, #8FDB5C, #6DDB5C and #5CDB6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CDB5A shade: #62BB29, #76D43A, #8DDB5C, #A5E37E and #BCEAA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CDB5A shade: #8CDB5A, #5CDBC2 and #DB5CC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CDB5A shade: #8CDB5A, #5C8FDB and #DB5C8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CDB5A shade: #8CDB5A, #5CDBC2, #A85CDB and #DB5C75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CDB5A shade: #8CDB5A, #5CCEDB, #A85CDB and #DB695C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 59 / 14

HEX #8CDB5A

RGB 140 219 90

HSL 96.74, 0.64%, 0.61%

LAB 80.17, -46.19, 54.7

 

Complementary color

CMYK 30 / 78 / 0 / 35

HEX #7324A5

RGB 115 36 165

HSL 276.74, 0.64%, 0.39%

LAB 33.19, 55.11, -53.88

 

CMYK 34 / 0 / 61 / 14

HEX #91DB55

RGB 145 219 85

HSL 93.13, 0.65%, 0.6%

LAB 80.37, -44.96, 57.16

 

CMYK 32 / 0 / 56 / 7

HEX #A2ED68

RGB 162 237 104

HSL 93.83, 0.79%, 0.67%

LAB 86.63, -45.06, 56.21

 

CMYK 30 / 0 / 52 / 0

HEX #B3FF7B

RGB 179 255 123

HSL 94.55, 1%, 0.74%

LAB 92.81, -45.09, 55.16

 

CMYK 23 / 0 / 44 / 0

HEX #C4FF8E

RGB 196 255 142

HSL 91.33, 1%, 0.78%

LAB 93.97, -37.13, 47.94

 

CMYK 16 / 0 / 37 / 0

HEX #D5FFA1

RGB 213 255 161

HSL 86.81, 1%, 0.82%

LAB 95.26, -28.83, 40.59

 

CMYK 36 / 0 / 59 / 14

HEX #8CDB5A

RGB 140 219 90

HSL 96.74, 0.64%, 0.61%

LAB 80.17, -46.19, 54.7

 

CMYK 39 / 0 / 65 / 21

HEX #7BC947

RGB 123 201 71

HSL 96, 0.55%, 0.53%

LAB 73.83, -46.04, 55.56

 

CMYK 42 / 0 / 72 / 28

HEX #6AB734

RGB 106 183 52

HSL 95.27, 0.56%, 0.46%

LAB 67.41, -45.72, 56.09

 

CMYK 46 / 0 / 80 / 35

HEX #59A521

RGB 89 165 33

HSL 94.55, 0.67%, 0.39%

LAB 60.91, -45.17, 55.98

 

CMYK 51 / 0 / 90 / 42

HEX #48930E

RGB 72 147 14

HSL 93.83, 0.83%, 0.32%

LAB 54.32, -44.27, 54.64

 

CMYK 36 / 0 / 58 / 14

HEX #8DDB5C

RGB 141 219 92

HSL 96.85, 0.64%, 0.61%

LAB 80.23, -45.66, 53.91

 

CMYK 20 / 0 / 58 / 14

HEX #B0DB5C

RGB 176 219 92

HSL 80.31, 0.64%, 0.61%

LAB 82.2, -33.09, 56.66

 

CMYK 4 / 0 / 58 / 14

HEX #D2DB5C

RGB 210 219 92

HSL 64.25, 0.64%, 0.61%

LAB 84.55, -19.71, 59.95

 

CMYK 0 / 11 / 58 / 14

HEX #DBC25C

RGB 219 194 92

HSL 48.19, 0.64%, 0.61%

LAB 78.7, -3.41, 53.58

 

CMYK 0 / 27 / 58 / 14

HEX #DBA05C

RGB 219 160 92

HSL 32.13, 0.64%, 0.61%

LAB 70.16, 14.58, 43.61

 

CMYK 36 / 0 / 58 / 14

HEX #8DDB5C

RGB 141 219 92

HSL 96.85, 0.64%, 0.61%

LAB 80.23, -45.66, 53.91

 

CMYK 51 / 0 / 58 / 14

HEX #6BDB5C

RGB 107 219 92

HSL 112.91, 0.64%, 0.61%

LAB 78.79, -55.99, 51.86

 

CMYK 58 / 0 / 49 / 14

HEX #5CDB6F

RGB 92 219 111

HSL 128.98, 0.64%, 0.61%

LAB 78.51, -57.33, 42.54

 

CMYK 58 / 0 / 33 / 14

HEX #5CDB92

RGB 92 219 146

HSL 145.51, 0.64%, 0.61%

LAB 79.05, -51.54, 25.62

 

CMYK 58 / 0 / 18 / 14

HEX #5CDBB4

RGB 92 219 180

HSL 161.57, 0.64%, 0.61%

LAB 79.75, -44.41, 8.72

 

CMYK 36 / 0 / 58 / 14

HEX #8DDB5C

RGB 141 219 92

HSL 96.85, 0.64%, 0.61%

LAB 80.23, -45.66, 53.91

 

CMYK 41 / 0 / 68 / 8

HEX #8AEB4C

RGB 138 235 76

HSL 96.6, 0.8%, 0.61%

LAB 84.66, -54.57, 65.3

 

CMYK 47 / 0 / 76 / 2

HEX #86FB3C

RGB 134 251 60

HSL 96.75, 0.96%, 0.61%

LAB 89.11, -62.93, 75.12

 

CMYK 36 / 0 / 58 / 14

HEX #8DDB5C

RGB 141 219 92

HSL 96.85, 0.64%, 0.61%

LAB 80.23, -45.66, 53.91

 

CMYK 29 / 0 / 47 / 20

HEX #91CB6C

RGB 145 203 108

HSL 96.63, 0.48%, 0.61%

LAB 75.96, -35.47, 41.33

 

CMYK 21 / 0 / 34 / 27

HEX #94BB7C

RGB 148 187 124

HSL 97.14, 0.32%, 0.61%

LAB 71.75, -24.63, 27.77

 

CMYK 11 / 0 / 18 / 33

HEX #98AB8C

RGB 152 171 140

HSL 96.77, 0.16%, 0.61%

LAB 67.79, -12.46, 13.77

 

CMYK 0 / 1 / 0 / 39

HEX #9C9B9C

RGB 156 155 156

HSL 300, 0.01%, 0.61%

LAB 64.09, 0.56, -0.4

 

CMYK 4 / 0 / 58 / 14

HEX #D3DB5C

RGB 211 219 92

HSL 63.78, 0.64%, 0.61%

LAB 84.63, -19.31, 60.05

 

CMYK 19 / 0 / 58 / 14

HEX #B1DB5C

RGB 177 219 92

HSL 79.84, 0.64%, 0.61%

LAB 82.26, -32.71, 56.75

 

CMYK 35 / 0 / 58 / 14

HEX #8FDB5C

RGB 143 219 92

HSL 95.91, 0.64%, 0.61%

LAB 80.33, -44.99, 54.04

 

CMYK 50 / 0 / 58 / 14

HEX #6DDB5C

RGB 109 219 92

HSL 111.97, 0.64%, 0.61%

LAB 78.86, -55.45, 51.96

 

CMYK 58 / 0 / 50 / 14

HEX #5CDB6D

RGB 92 219 109

HSL 128.03, 0.64%, 0.61%

LAB 78.49, -57.61, 43.48

 

CMYK 48 / 0 / 78 / 27

HEX #62BB29

RGB 98 187 41

HSL 96.58, 0.64%, 0.45%

LAB 68.24, -50.59, 60.55

 

CMYK 44 / 0 / 73 / 17

HEX #76D43A

RGB 118 212 58

HSL 96.62, 0.64%, 0.53%

LAB 76.83, -53.08, 63.58

 

CMYK 36 / 0 / 58 / 14

HEX #8DDB5C

RGB 141 219 92

HSL 96.85, 0.64%, 0.61%

LAB 80.23, -45.66, 53.91

 

CMYK 27 / 0 / 44 / 11

HEX #A5E37E

RGB 165 227 126

HSL 96.83, 0.64%, 0.69%

LAB 84.2, -37.19, 43.03

 

CMYK 20 / 0 / 32 / 8

HEX #BCEAA0

RGB 188 234 160

HSL 97.3, 0.64%, 0.77%

LAB 88, -27.87, 31.24

 

CMYK 36 / 0 / 59 / 14

HEX #8CDB5A

RGB 140 219 90

HSL 96.74, 0.64%, 0.61%

LAB 80.17, -46.19, 54.7

 

CMYK 58 / 0 / 11 / 14

HEX #5CDBC2

RGB 92 219 194

HSL 168.19, 0.64%, 0.61%

LAB 80.09, -41.09, 1.76

 

CMYK 0 / 58 / 11 / 14

HEX #DB5CC2

RGB 219 92 194

HSL 311.81, 0.64%, 0.61%

LAB 58.61, 61.58, -29.59

 

CMYK 36 / 0 / 59 / 14

HEX #8CDB5A

RGB 140 219 90

HSL 96.74, 0.64%, 0.61%

LAB 80.17, -46.19, 54.7

 

CMYK 58 / 35 / 0 / 14

HEX #5C8FDB

RGB 92 143 219

HSL 215.91, 0.64%, 0.61%

LAB 59.01, 5.47, -43.96

 

CMYK 0 / 58 / 35 / 14

HEX #DB5C8F

RGB 219 92 143

HSL 335.91, 0.64%, 0.61%

LAB 56.78, 54.63, -2.83

 

CMYK 36 / 0 / 59 / 14

HEX #8CDB5A

RGB 140 219 90

HSL 96.74, 0.64%, 0.61%

LAB 80.17, -46.19, 54.7

 

CMYK 58 / 0 / 11 / 14

HEX #5CDBC2

RGB 92 219 194

HSL 168.19, 0.64%, 0.61%

LAB 80.09, -41.09, 1.76

 

CMYK 23 / 58 / 0 / 14

HEX #A85CDB

RGB 168 92 219

HSL 275.91, 0.64%, 0.61%

LAB 53.05, 52.94, -53.03

 

CMYK 0 / 58 / 47 / 14

HEX #DB5C75

RGB 219 92 117

HSL 348.19, 0.64%, 0.61%

LAB 56.09, 51.89, 11.45

 

CMYK 36 / 0 / 59 / 14

HEX #8CDB5A

RGB 140 219 90

HSL 96.74, 0.64%, 0.61%

LAB 80.17, -46.19, 54.7

 

CMYK 58 / 6 / 0 / 14

HEX #5CCEDB

RGB 92 206 219

HSL 186.14, 0.64%, 0.61%

LAB 77, -28.46, -16.2

 

CMYK 23 / 58 / 0 / 14

HEX #A85CDB

RGB 168 92 219

HSL 275.91, 0.64%, 0.61%

LAB 53.05, 52.94, -53.03

 

CMYK 0 / 52 / 58 / 14

HEX #DB695C

RGB 219 105 92

HSL 6.14, 0.64%, 0.61%

LAB 57.98, 43.56, 28.5

 

Description

Color code: HEX #8CDB5A | qconv.com Color code: HEX #8CDB5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 219 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 219 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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