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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CD707 it is the complementary color #7328F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CD707. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CD707 shade: #91D702, #A2E915, #B3FB28, #C4FF3B and #D5FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CD707. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CD707 shade: #8CD707, #7BC500, #6AB300, #59A100 and #488F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CD707 shade: #8EDA07, #C7DA07, #DAB407, #DA7B07 and #DA4207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CD707 shade: #8EDA07, #55DA07, #1CDA07, #07DA2A and #07DA63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CD707 shade matches the following richer shades: #8EDA07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CD707 shade: #8EDA07, #89C819, #83B52B, #7EA33D and #79914F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CD707 shade: #DAB307, #C8DA07, #90DA07, #58DA07 and #1FDA07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CD707 shade: #5A8A04, #74B205, #8EDA07, #A5F812 and #B4F93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CD707 shade: #8CD707, #07DA7B and #CF07DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CD707 shade: #8CD707, #0790DA and #DA0790

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CD707 shade: #8CD707, #07DA7B, #5107DA and #DA0766

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CD707 shade: #8CD707, #07DABA, #5107DA and #DA0726

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 97 / 16

HEX #8CD707

RGB 140 215 7

HSL 81.63, 0.94%, 0.44%

LAB 78.57, -48.74, 76.56

 

Complementary color

CMYK 54 / 84 / 0 / 3

HEX #7328F8

RGB 115 40 248

HSL 261.63, 0.94%, 0.56%

LAB 41.12, 73.18, -89.08

 

CMYK 33 / 0 / 99 / 16

HEX #91D702

RGB 145 215 2

HSL 79.72, 0.98%, 0.43%

LAB 78.82, -47, 77.33

 

CMYK 30 / 0 / 91 / 9

HEX #A2E915

RGB 162 233 21

HSL 80.09, 0.83%, 0.5%

LAB 85, -48.06, 80.65

 

CMYK 29 / 0 / 84 / 2

HEX #B3FB28

RGB 179 251 40

HSL 80.47, 0.96%, 0.57%

LAB 91.11, -48.93, 82.81

 

CMYK 23 / 0 / 77 / 0

HEX #C4FF3B

RGB 196 255 59

HSL 78.06, 1%, 0.62%

LAB 93.26, -43.69, 80.39

 

CMYK 16 / 0 / 69 / 0

HEX #D5FF4E

RGB 213 255 78

HSL 74.24, 1%, 0.65%

LAB 94.4, -36.33, 75.83

 

CMYK 35 / 0 / 97 / 16

HEX #8CD707

RGB 140 215 7

HSL 81.63, 0.94%, 0.44%

LAB 78.57, -48.74, 76.56

 

CMYK 38 / 0 / 100 / 23

HEX #7BC500

RGB 123 197 0

HSL 82.54, 1%, 0.39%

LAB 72.32, -47.48, 72.02

 

CMYK 41 / 0 / 100 / 30

HEX #6AB300

RGB 106 179 0

HSL 84.47, 1%, 0.35%

LAB 65.98, -46.09, 66.75

 

CMYK 45 / 0 / 100 / 37

HEX #59A100

RGB 89 161 0

HSL 86.83, 1%, 0.32%

LAB 59.54, -44.63, 61.39

 

CMYK 50 / 0 / 100 / 44

HEX #488F00

RGB 72 143 0

HSL 89.79, 1%, 0.28%

LAB 52.97, -43.07, 55.95

 

CMYK 35 / 0 / 97 / 15

HEX #8EDA07

RGB 142 218 7

HSL 81.61, 0.94%, 0.44%

LAB 79.56, -49.26, 77.38

 

CMYK 9 / 0 / 97 / 15

HEX #C7DA07

RGB 199 218 7

HSL 65.4, 0.94%, 0.44%

LAB 83.07, -27.04, 81.61

 

CMYK 0 / 17 / 97 / 15

HEX #DAB407

RGB 218 180 7

HSL 49.19, 0.94%, 0.44%

LAB 74.55, 0.19, 76.02

 

CMYK 0 / 44 / 97 / 15

HEX #DA7B07

RGB 218 123 7

HSL 32.99, 0.94%, 0.44%

LAB 60.86, 30.6, 66.5

 

CMYK 0 / 70 / 97 / 15

HEX #DA4207

RGB 218 66 7

HSL 16.78, 0.94%, 0.44%

LAB 50.47, 57.28, 60.1

 

CMYK 35 / 0 / 97 / 15

HEX #8EDA07

RGB 142 218 7

HSL 81.61, 0.94%, 0.44%

LAB 79.56, -49.26, 77.38

 

CMYK 61 / 0 / 97 / 15

HEX #55DA07

RGB 85 218 7

HSL 97.82, 0.94%, 0.44%

LAB 77.33, -66.25, 74.67

 

CMYK 87 / 0 / 97 / 15

HEX #1CDA07

RGB 28 218 7

HSL 114.03, 0.94%, 0.44%

LAB 76.32, -75.06, 73.42

 

CMYK 97 / 0 / 81 / 15

HEX #07DA2A

RGB 7 218 42

HSL 129.95, 0.94%, 0.44%

LAB 76.29, -74.98, 67.22

 

CMYK 97 / 0 / 55 / 15

HEX #07DA63

RGB 7 218 99

HSL 146.16, 0.94%, 0.44%

LAB 76.73, -69.37, 45.78

 

CMYK 35 / 0 / 97 / 15

HEX #8EDA07

RGB 142 218 7

HSL 81.61, 0.94%, 0.44%

LAB 79.56, -49.26, 77.38

 

CMYK 35 / 0 / 97 / 15

HEX #8EDA07

RGB 142 218 7

HSL 81.61, 0.94%, 0.44%

LAB 79.56, -49.26, 77.38

 

CMYK 32 / 0 / 88 / 22

HEX #89C819

RGB 137 200 25

HSL 81.6, 0.78%, 0.44%

LAB 74, -43.2, 70.39

 

CMYK 28 / 0 / 76 / 29

HEX #83B52B

RGB 131 181 43

HSL 81.74, 0.62%, 0.44%

LAB 68.06, -36.41, 60.32

 

CMYK 23 / 0 / 63 / 36

HEX #7EA33D

RGB 126 163 61

HSL 81.76, 0.46%, 0.44%

LAB 62.48, -28.77, 47.54

 

CMYK 17 / 0 / 46 / 43

HEX #79914F

RGB 121 145 79

HSL 81.82, 0.29%, 0.44%

LAB 56.96, -19.98, 32.15

 

CMYK 0 / 18 / 97 / 15

HEX #DAB307

RGB 218 179 7

HSL 48.91, 0.94%, 0.44%

LAB 74.29, 0.71, 75.83

 

CMYK 8 / 0 / 97 / 15

HEX #C8DA07

RGB 200 218 7

HSL 65.12, 0.94%, 0.44%

LAB 83.15, -26.63, 81.7

 

CMYK 34 / 0 / 97 / 15

HEX #90DA07

RGB 144 218 7

HSL 81.04, 0.94%, 0.44%

LAB 79.66, -48.54, 77.5

 

CMYK 60 / 0 / 97 / 15

HEX #58DA07

RGB 88 218 7

HSL 96.97, 0.94%, 0.44%

LAB 77.42, -65.55, 74.77

 

CMYK 86 / 0 / 97 / 15

HEX #1FDA07

RGB 31 218 7

HSL 113.18, 0.94%, 0.44%

LAB 76.34, -74.82, 73.45

 

CMYK 35 / 0 / 97 / 46

HEX #5A8A04

RGB 90 138 4

HSL 81.49, 0.94%, 0.28%

LAB 52.24, -34.39, 55.04

 

CMYK 35 / 0 / 97 / 30

HEX #74B205

RGB 116 178 5

HSL 81.5, 0.95%, 0.36%

LAB 66.19, -42, 66.5

 

CMYK 35 / 0 / 97 / 15

HEX #8EDA07

RGB 142 218 7

HSL 81.61, 0.94%, 0.44%

LAB 79.56, -49.26, 77.38

 

CMYK 33 / 0 / 93 / 3

HEX #A5F812

RGB 165 248 18

HSL 81.65, 0.94%, 0.52%

LAB 89.48, -53.19, 84.68

 

CMYK 28 / 0 / 77 / 2

HEX #B4F93A

RGB 180 249 58

HSL 81.68, 0.94%, 0.6%

LAB 90.67, -47.05, 77.95

 

CMYK 35 / 0 / 97 / 16

HEX #8CD707

RGB 140 215 7

HSL 81.63, 0.94%, 0.44%

LAB 78.57, -48.74, 76.56

 

CMYK 97 / 0 / 44 / 15

HEX #07DA7B

RGB 7 218 123

HSL 152.99, 0.94%, 0.44%

LAB 77.05, -65.51, 34.49

 

CMYK 5 / 97 / 0 / 15

HEX #CF07DA

RGB 207 7 218

HSL 296.87, 0.94%, 0.44%

LAB 50.07, 85.04, -56.93

 

CMYK 35 / 0 / 97 / 16

HEX #8CD707

RGB 140 215 7

HSL 81.63, 0.94%, 0.44%

LAB 78.57, -48.74, 76.56

 

CMYK 97 / 34 / 0 / 15

HEX #0790DA

RGB 7 144 218

HSL 201.04, 0.94%, 0.44%

LAB 57.13, -4.92, -46.51

 

CMYK 0 / 97 / 34 / 15

HEX #DA0790

RGB 218 7 144

HSL 321.04, 0.94%, 0.44%

LAB 48.35, 77.65, -16.07

 

CMYK 35 / 0 / 97 / 16

HEX #8CD707

RGB 140 215 7

HSL 81.63, 0.94%, 0.44%

LAB 78.57, -48.74, 76.56

 

CMYK 97 / 0 / 44 / 15

HEX #07DA7B

RGB 7 218 123

HSL 152.99, 0.94%, 0.44%

LAB 77.05, -65.51, 34.49

 

CMYK 63 / 97 / 0 / 15

HEX #5107DA

RGB 81 7 218

HSL 261.04, 0.94%, 0.44%

LAB 31.72, 71.09, -87.68

 

CMYK 0 / 97 / 53 / 15

HEX #DA0766

RGB 218 7 102

HSL 332.99, 0.94%, 0.44%

LAB 47, 74.07, 7.65

 

CMYK 35 / 0 / 97 / 16

HEX #8CD707

RGB 140 215 7

HSL 81.63, 0.94%, 0.44%

LAB 78.57, -48.74, 76.56

 

CMYK 97 / 0 / 15 / 15

HEX #07DABA

RGB 7 218 186

HSL 170.9, 0.94%, 0.44%

LAB 78.31, -51.48, 3.28

 

CMYK 63 / 97 / 0 / 15

HEX #5107DA

RGB 81 7 218

HSL 261.04, 0.94%, 0.44%

LAB 31.72, 71.09, -87.68

 

CMYK 0 / 97 / 83 / 15

HEX #DA0726

RGB 218 7 38

HSL 351.18, 0.94%, 0.44%

LAB 45.9, 71.09, 44.88

 

Description

Color code: HEX #8CD707 | qconv.com Color code: HEX #8CD707 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 215 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 215 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 97 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 97% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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