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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CCF1D it is the complementary color #7330E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CCF1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CCF1D shade: #91CF18, #A2E12B, #B3F33E, #C4FF51 and #D5FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CCF1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CCF1D shade: #8CCF1D, #7BBD0A, #6AAB00, #599900 and #488700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CCF1D shade: #8BCD1D, #BBCD1D, #CDB11D, #CD811D and #CD521D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CCF1D shade: #8BCD1D, #5CCD1D, #2CCD1D, #1DCD3E and #1DCD6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CCF1D shade matches the following richer shades: #8BCD1D and #90E00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CCF1D shade: #8BCD1D, #86BA30, #82A743, #7D9456 and #788169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CCF1D shade: #CDB01D, #BCCD1D, #8DCD1D, #5ECD1D and #2FCD1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CCF1D shade: #5A8513, #73A918, #8BCD1D, #A0E232 and #B0E756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CCF1D shade: #8CCF1D, #1DCD81 and #C71DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CCF1D shade: #8CCF1D, #1D8DCD and #CD1D8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CCF1D shade: #8CCF1D, #1DCD81, #5E1DCD and #CD1D6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CCF1D shade: #8CCF1D, #1DCDB6, #5E1DCD and #CD1D35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 86 / 19

HEX #8CCF1D

RGB 140 207 29

HSL 82.58, 0.75%, 0.46%

LAB 76.25, -44.96, 71.57

 

Complementary color

CMYK 49 / 79 / 0 / 11

HEX #7330E2

RGB 115 48 226

HSL 262.58, 0.75%, 0.54%

LAB 40, 64.95, -78.47

 

CMYK 30 / 0 / 88 / 19

HEX #91CF18

RGB 145 207 24

HSL 80.33, 0.79%, 0.45%

LAB 76.5, -43.25, 72.85

 

CMYK 28 / 0 / 81 / 12

HEX #A2E12B

RGB 162 225 43

HSL 80.77, 0.75%, 0.53%

LAB 82.76, -44.05, 74.47

 

CMYK 26 / 0 / 74 / 5

HEX #B3F33E

RGB 179 243 62

HSL 81.22, 0.88%, 0.6%

LAB 88.94, -44.67, 75.1

 

CMYK 23 / 0 / 68 / 0

HEX #C4FF51

RGB 196 255 81

HSL 80.34, 1%, 0.66%

LAB 93.39, -42.55, 73.4

 

CMYK 16 / 0 / 61 / 0

HEX #D5FF64

RGB 213 255 100

HSL 76.26, 1%, 0.7%

LAB 94.56, -34.92, 67.64

 

CMYK 32 / 0 / 86 / 19

HEX #8CCF1D

RGB 140 207 29

HSL 82.58, 0.75%, 0.46%

LAB 76.25, -44.96, 71.57

 

CMYK 35 / 0 / 95 / 26

HEX #7BBD0A

RGB 123 189 10

HSL 82.12, 0.9%, 0.39%

LAB 69.91, -44, 69.03

 

CMYK 38 / 0 / 100 / 33

HEX #6AAB00

RGB 106 171 0

HSL 82.81, 1%, 0.34%

LAB 63.5, -42.78, 64.82

 

CMYK 42 / 0 / 100 / 40

HEX #599900

RGB 89 153 0

HSL 85.1, 1%, 0.3%

LAB 56.98, -41.35, 59.4

 

CMYK 47 / 0 / 100 / 47

HEX #488700

RGB 72 135 0

HSL 88, 1%, 0.26%

LAB 50.34, -39.83, 53.89

 

CMYK 32 / 0 / 86 / 20

HEX #8BCD1D

RGB 139 205 29

HSL 82.5, 0.75%, 0.46%

LAB 75.6, -44.47, 70.99

 

CMYK 9 / 0 / 86 / 20

HEX #BBCD1D

RGB 187 205 29

HSL 66.14, 0.75%, 0.46%

LAB 78.65, -25.47, 74.78

 

CMYK 0 / 14 / 86 / 20

HEX #CDB11D

RGB 205 177 29

HSL 50.45, 0.75%, 0.46%

LAB 72.57, -3.6, 70.41

 

CMYK 0 / 37 / 86 / 20

HEX #CD811D

RGB 205 129 29

HSL 34.09, 0.75%, 0.46%

LAB 60.58, 22.23, 60.59

 

CMYK 0 / 60 / 86 / 20

HEX #CD521D

RGB 205 82 29

HSL 18.07, 0.75%, 0.46%

LAB 50.81, 46.37, 52.5

 

CMYK 32 / 0 / 86 / 20

HEX #8BCD1D

RGB 139 205 29

HSL 82.5, 0.75%, 0.46%

LAB 75.6, -44.47, 70.99

 

CMYK 55 / 0 / 86 / 20

HEX #5CCD1D

RGB 92 205 29

HSL 98.52, 0.75%, 0.46%

LAB 73.56, -59.54, 68.44

 

CMYK 79 / 0 / 86 / 20

HEX #2CCD1D

RGB 44 205 29

HSL 114.89, 0.75%, 0.46%

LAB 72.42, -69.13, 66.99

 

CMYK 86 / 0 / 70 / 20

HEX #1DCD3E

RGB 29 205 62

HSL 131.25, 0.75%, 0.46%

LAB 72.41, -68.56, 56.86

 

CMYK 86 / 0 / 47 / 20

HEX #1DCD6D

RGB 29 205 109

HSL 147.27, 0.75%, 0.46%

LAB 72.91, -62.46, 36.23

 

CMYK 32 / 0 / 86 / 20

HEX #8BCD1D

RGB 139 205 29

HSL 82.5, 0.75%, 0.46%

LAB 75.6, -44.47, 70.99

 

CMYK 36 / 0 / 96 / 12

HEX #90E00A

RGB 144 224 10

HSL 82.43, 0.91%, 0.46%

LAB 81.44, -50.96, 78.63

 

CMYK 32 / 0 / 86 / 20

HEX #8BCD1D

RGB 139 205 29

HSL 82.5, 0.75%, 0.46%

LAB 75.6, -44.47, 70.99

 

CMYK 28 / 0 / 74 / 27

HEX #86BA30

RGB 134 186 48

HSL 82.61, 0.59%, 0.46%

LAB 69.75, -37.23, 60.34

 

CMYK 22 / 0 / 60 / 35

HEX #82A743

RGB 130 167 67

HSL 82.2, 0.43%, 0.46%

LAB 63.99, -28.59, 46.57

 

CMYK 16 / 0 / 42 / 42

HEX #7D9456

RGB 125 148 86

HSL 82.26, 0.26%, 0.46%

LAB 58.24, -19.03, 30.09

 

CMYK 7 / 0 / 19 / 49

HEX #788169

RGB 120 129 105

HSL 82.5, 0.1%, 0.46%

LAB 52.63, -7.93, 11.91

 

CMYK 0 / 14 / 86 / 20

HEX #CDB01D

RGB 205 176 29

HSL 50.11, 0.75%, 0.46%

LAB 72.31, -3.08, 70.19

 

CMYK 8 / 0 / 86 / 20

HEX #BCCD1D

RGB 188 205 29

HSL 65.8, 0.75%, 0.46%

LAB 78.72, -25.05, 74.87

 

CMYK 31 / 0 / 86 / 20

HEX #8DCD1D

RGB 141 205 29

HSL 81.82, 0.75%, 0.46%

LAB 75.71, -43.74, 71.13

 

CMYK 54 / 0 / 86 / 20

HEX #5ECD1D

RGB 94 205 29

HSL 97.84, 0.75%, 0.46%

LAB 73.63, -59, 68.52

 

CMYK 77 / 0 / 86 / 20

HEX #2FCD1D

RGB 47 205 29

HSL 113.86, 0.75%, 0.46%

LAB 72.47, -68.73, 67.05

 

CMYK 32 / 0 / 86 / 48

HEX #5A8513

RGB 90 133 19

HSL 82.63, 0.75%, 0.3%

LAB 50.68, -31.66, 50.71

 

CMYK 32 / 0 / 86 / 34

HEX #73A918

RGB 115 169 24

HSL 82.34, 0.75%, 0.38%

LAB 63.41, -38.02, 61.12

 

CMYK 32 / 0 / 86 / 20

HEX #8BCD1D

RGB 139 205 29

HSL 82.5, 0.75%, 0.46%

LAB 75.6, -44.47, 70.99

 

CMYK 29 / 0 / 78 / 11

HEX #A0E232

RGB 160 226 50

HSL 82.5, 0.75%, 0.54%

LAB 82.96, -44.92, 72.72

 

CMYK 24 / 0 / 63 / 9

HEX #B0E756

RGB 176 231 86

HSL 82.76, 0.75%, 0.62%

LAB 85.53, -39.02, 62.88

 

CMYK 32 / 0 / 86 / 19

HEX #8CCF1D

RGB 140 207 29

HSL 82.58, 0.75%, 0.46%

LAB 76.25, -44.96, 71.57

 

CMYK 86 / 0 / 37 / 20

HEX #1DCD81

RGB 29 205 129

HSL 154.09, 0.75%, 0.46%

LAB 73.23, -58.77, 26.4

 

CMYK 3 / 86 / 0 / 20

HEX #C71DCD

RGB 199 29 205

HSL 297.95, 0.75%, 0.46%

LAB 48.8, 79.13, -51.59

 

CMYK 32 / 0 / 86 / 19

HEX #8CCF1D

RGB 140 207 29

HSL 82.58, 0.75%, 0.46%

LAB 76.25, -44.96, 71.57

 

CMYK 86 / 31 / 0 / 20

HEX #1D8DCD

RGB 29 141 205

HSL 201.82, 0.75%, 0.46%

LAB 55.81, -6.99, -41.28

 

CMYK 0 / 86 / 31 / 20

HEX #CD1D8D

RGB 205 29 141

HSL 321.82, 0.75%, 0.46%

LAB 46.69, 71.83, -17.01

 

CMYK 32 / 0 / 86 / 19

HEX #8CCF1D

RGB 140 207 29

HSL 82.58, 0.75%, 0.46%

LAB 76.25, -44.96, 71.57

 

CMYK 86 / 0 / 37 / 20

HEX #1DCD81

RGB 29 205 129

HSL 154.09, 0.75%, 0.46%

LAB 73.23, -58.77, 26.4

 

CMYK 54 / 86 / 0 / 20

HEX #5E1DCD

RGB 94 29 205

HSL 262.16, 0.75%, 0.46%

LAB 33.28, 64.1, -77.53

 

CMYK 0 / 86 / 48 / 20

HEX #CD1D6A

RGB 205 29 106

HSL 333.75, 0.75%, 0.46%

LAB 45.49, 68.49, 2.68

 

CMYK 32 / 0 / 86 / 19

HEX #8CCF1D

RGB 140 207 29

HSL 82.58, 0.75%, 0.46%

LAB 76.25, -44.96, 71.57

 

CMYK 86 / 0 / 11 / 20

HEX #1DCDB6

RGB 29 205 182

HSL 172.16, 0.75%, 0.46%

LAB 74.38, -46.21, -0.26

 

CMYK 54 / 86 / 0 / 20

HEX #5E1DCD

RGB 94 29 205

HSL 262.16, 0.75%, 0.46%

LAB 33.28, 64.1, -77.53

 

CMYK 0 / 86 / 74 / 20

HEX #CD1D35

RGB 205 29 53

HSL 351.82, 0.75%, 0.46%

LAB 44.4, 65.32, 33.93

 

Description

Color code: HEX #8CCF1D | qconv.com Color code: HEX #8CCF1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 207 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 207 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 86 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 86% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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