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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CCC2F it is the complementary color #7333D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CCC2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CCC2F shade: #91CC2A, #A2DE3D, #B3F050, #C4FF63 and #D5FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CCC2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CCC2F shade: #8CCC2F, #7BBA1C, #6AA809, #599600 and #488400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CCC2F shade: #8BCC2E, #B6CC2E, #CCB72E, #CC8C2E and #CC622E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CCC2F shade: #8BCC2E, #61CC2E, #37CC2E, #2ECC50 and #2ECC7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CCC2F shade matches the following richer shades: #8BCC2E, #8FE01A and #93F406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CCC2F shade: #8BCC2E, #88B742, #84A357, #808F6B and #7D7B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CCC2F shade: #CCB72E, #B7CC2E, #8DCC2E, #63CC2E and #39CC2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CCC2F shade: #5D881F, #74AA27, #8BCC2E, #9ED74D and #B1DE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CCC2F shade: #8CCC2F, #2ECC8D and #CC2ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CCC2F shade: #8CCC2F, #2E8DCC and #CC2E8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CCC2F shade: #8CCC2F, #2ECC8D, #6D2ECC and #CC2E6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CCC2F shade: #8CCC2F, #2ECCBC, #6D2ECC and #CC2E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 77 / 20

HEX #8CCC2F

RGB 140 204 47

HSL 84.46, 0.63%, 0.49%

LAB 75.43, -42.96, 66.2

 

Complementary color

CMYK 45 / 75 / 0 / 18

HEX #7333D0

RGB 115 51 208

HSL 264.46, 0.63%, 0.51%

LAB 38.84, 59.21, -70.03

 

CMYK 29 / 0 / 79 / 20

HEX #91CC2A

RGB 145 204 42

HSL 81.85, 0.66%, 0.48%

LAB 75.68, -41.34, 68

 

CMYK 27 / 0 / 73 / 13

HEX #A2DE3D

RGB 162 222 61

HSL 82.36, 0.71%, 0.55%

LAB 81.98, -41.9, 68.37

 

CMYK 25 / 0 / 67 / 6

HEX #B3F050

RGB 179 240 80

HSL 82.88, 0.84%, 0.63%

LAB 88.2, -42.31, 68.13

 

CMYK 23 / 0 / 61 / 0

HEX #C4FF63

RGB 196 255 99

HSL 82.69, 1%, 0.69%

LAB 93.52, -41.3, 66.61

 

CMYK 16 / 0 / 54 / 0

HEX #D5FF76

RGB 213 255 118

HSL 78.39, 1%, 0.73%

LAB 94.73, -33.46, 60.16

 

CMYK 31 / 0 / 77 / 20

HEX #8CCC2F

RGB 140 204 47

HSL 84.46, 0.63%, 0.49%

LAB 75.43, -42.96, 66.2

 

CMYK 34 / 0 / 85 / 27

HEX #7BBA1C

RGB 123 186 28

HSL 83.92, 0.74%, 0.42%

LAB 69.05, -42.28, 65.24

 

CMYK 37 / 0 / 95 / 34

HEX #6AA809

RGB 106 168 9

HSL 83.4, 0.9%, 0.35%

LAB 62.58, -41.34, 62.9

 

CMYK 41 / 0 / 100 / 41

HEX #599600

RGB 89 150 0

HSL 84.4, 1%, 0.29%

LAB 56.02, -40.09, 58.66

 

CMYK 45 / 0 / 100 / 48

HEX #488400

RGB 72 132 0

HSL 87.27, 1%, 0.26%

LAB 49.35, -38.59, 53.11

 

CMYK 32 / 0 / 77 / 20

HEX #8BCC2E

RGB 139 204 46

HSL 84.68, 0.63%, 0.49%

LAB 75.37, -43.37, 66.43

 

CMYK 11 / 0 / 77 / 20

HEX #B6CC2E

RGB 182 204 46

HSL 68.35, 0.63%, 0.49%

LAB 78.07, -26.52, 69.9

 

CMYK 0 / 10 / 77 / 20

HEX #CCB72E

RGB 204 183 46

HSL 52.03, 0.63%, 0.49%

LAB 74.13, -6.65, 66.98

 

CMYK 0 / 31 / 77 / 20

HEX #CC8C2E

RGB 204 140 46

HSL 35.7, 0.63%, 0.49%

LAB 63.17, 16.36, 56.81

 

CMYK 0 / 52 / 77 / 20

HEX #CC622E

RGB 204 98 46

HSL 19.75, 0.63%, 0.49%

LAB 53.78, 38.75, 47.67

 

CMYK 32 / 0 / 77 / 20

HEX #8BCC2E

RGB 139 204 46

HSL 84.68, 0.63%, 0.49%

LAB 75.37, -43.37, 66.43

 

CMYK 52 / 0 / 77 / 20

HEX #61CC2E

RGB 97 204 46

HSL 100.63, 0.63%, 0.49%

LAB 73.5, -57.01, 63.99

 

CMYK 73 / 0 / 77 / 20

HEX #37CC2E

RGB 55 204 46

HSL 116.58, 0.63%, 0.49%

LAB 72.36, -66.32, 62.51

 

CMYK 77 / 0 / 61 / 20

HEX #2ECC50

RGB 46 204 80

HSL 132.91, 0.63%, 0.49%

LAB 72.46, -64.53, 49.51

 

CMYK 77 / 0 / 40 / 20

HEX #2ECC7B

RGB 46 204 123

HSL 149.24, 0.63%, 0.49%

LAB 73.02, -57.92, 29.28

 

CMYK 32 / 0 / 77 / 20

HEX #8BCC2E

RGB 139 204 46

HSL 84.68, 0.63%, 0.49%

LAB 75.37, -43.37, 66.43

 

CMYK 36 / 0 / 88 / 12

HEX #8FE01A

RGB 143 224 26

HSL 84.55, 0.79%, 0.49%

LAB 81.42, -51, 76.54

 

CMYK 40 / 0 / 98 / 4

HEX #93F406

RGB 147 244 6

HSL 84.45, 0.95%, 0.49%

LAB 87.44, -57.88, 83.76

 

CMYK 32 / 0 / 77 / 20

HEX #8BCC2E

RGB 139 204 46

HSL 84.68, 0.63%, 0.49%

LAB 75.37, -43.37, 66.43

 

CMYK 26 / 0 / 64 / 28

HEX #88B742

RGB 136 183 66

HSL 84.1, 0.47%, 0.49%

LAB 69.11, -33.87, 52.76

 

CMYK 19 / 0 / 47 / 36

HEX #84A357

RGB 132 163 87

HSL 84.47, 0.3%, 0.49%

LAB 63.17, -23.75, 35.86

 

CMYK 10 / 0 / 25 / 44

HEX #808F6B

RGB 128 143 107

HSL 85, 0.14%, 0.49%

LAB 57.36, -12.14, 17.4

 

CMYK 2 / 3 / 0 / 50

HEX #7D7B7F

RGB 125 123 127

HSL 270, 0.02%, 0.49%

LAB 51.9, 1.56, -1.92

 

CMYK 0 / 10 / 77 / 20

HEX #CCB72E

RGB 204 183 46

HSL 52.03, 0.63%, 0.49%

LAB 74.13, -6.65, 66.98

 

CMYK 10 / 0 / 77 / 20

HEX #B7CC2E

RGB 183 204 46

HSL 67.97, 0.63%, 0.49%

LAB 78.14, -26.11, 69.99

 

CMYK 31 / 0 / 77 / 20

HEX #8DCC2E

RGB 141 204 46

HSL 83.92, 0.63%, 0.49%

LAB 75.48, -42.64, 66.57

 

CMYK 51 / 0 / 77 / 20

HEX #63CC2E

RGB 99 204 46

HSL 99.87, 0.63%, 0.49%

LAB 73.57, -56.45, 64.09

 

CMYK 72 / 0 / 77 / 20

HEX #39CC2E

RGB 57 204 46

HSL 115.82, 0.63%, 0.49%

LAB 72.4, -65.99, 62.56

 

CMYK 32 / 0 / 77 / 47

HEX #5D881F

RGB 93 136 31

HSL 84.57, 0.63%, 0.33%

LAB 51.88, -31.27, 48.15

 

CMYK 32 / 0 / 77 / 33

HEX #74AA27

RGB 116 170 39

HSL 84.73, 0.63%, 0.41%

LAB 63.84, -37.42, 57.32

 

CMYK 32 / 0 / 77 / 20

HEX #8BCC2E

RGB 139 204 46

HSL 84.68, 0.63%, 0.49%

LAB 75.37, -43.37, 66.43

 

CMYK 27 / 0 / 64 / 16

HEX #9ED74D

RGB 158 215 77

HSL 84.78, 0.63%, 0.57%

LAB 79.84, -39.24, 60.12

 

CMYK 20 / 0 / 50 / 13

HEX #B1DE6E

RGB 177 222 110

HSL 84.11, 0.63%, 0.65%

LAB 83.29, -32.41, 49.75

 

CMYK 31 / 0 / 77 / 20

HEX #8CCC2F

RGB 140 204 47

HSL 84.46, 0.63%, 0.49%

LAB 75.43, -42.96, 66.2

 

CMYK 77 / 0 / 31 / 20

HEX #2ECC8D

RGB 46 204 141

HSL 156.08, 0.63%, 0.49%

LAB 73.34, -54.29, 20.29

 

CMYK 0 / 77 / 0 / 20

HEX #CC2ECC

RGB 204 46 204

HSL 300, 0.63%, 0.49%

LAB 50.86, 76.15, -47.66

 

CMYK 31 / 0 / 77 / 20

HEX #8CCC2F

RGB 140 204 47

HSL 84.46, 0.63%, 0.49%

LAB 75.43, -42.96, 66.2

 

CMYK 77 / 31 / 0 / 20

HEX #2E8DCC

RGB 46 141 204

HSL 203.92, 0.63%, 0.49%

LAB 56.08, -5.79, -40.26

 

CMYK 0 / 77 / 31 / 20

HEX #CC2E8D

RGB 204 46 141

HSL 323.92, 0.63%, 0.49%

LAB 47.9, 67.59, -15.18

 

CMYK 31 / 0 / 77 / 20

HEX #8CCC2F

RGB 140 204 47

HSL 84.46, 0.63%, 0.49%

LAB 75.43, -42.96, 66.2

 

CMYK 77 / 0 / 31 / 20

HEX #2ECC8D

RGB 46 204 141

HSL 156.08, 0.63%, 0.49%

LAB 73.34, -54.29, 20.29

 

CMYK 47 / 77 / 0 / 20

HEX #6D2ECC

RGB 109 46 204

HSL 263.92, 0.63%, 0.49%

LAB 37.05, 59.44, -70.67

 

CMYK 0 / 77 / 47 / 20

HEX #CC2E6D

RGB 204 46 109

HSL 336.08, 0.63%, 0.49%

LAB 46.84, 64.36, 2.74

 

CMYK 31 / 0 / 77 / 20

HEX #8CCC2F

RGB 140 204 47

HSL 84.46, 0.63%, 0.49%

LAB 75.43, -42.96, 66.2

 

CMYK 77 / 0 / 8 / 20

HEX #2ECCBC

RGB 46 204 188

HSL 173.92, 0.63%, 0.49%

LAB 74.44, -42.74, -3.39

 

CMYK 47 / 77 / 0 / 20

HEX #6D2ECC

RGB 109 46 204

HSL 263.92, 0.63%, 0.49%

LAB 37.05, 59.44, -70.67

 

CMYK 0 / 77 / 70 / 20

HEX #CC2E3E

RGB 204 46 62

HSL 353.92, 0.63%, 0.49%

LAB 45.82, 61.18, 30.19

 

Description

Color code: HEX #8CCC2F | qconv.com Color code: HEX #8CCC2F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 204 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 204 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 77 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 77% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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