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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CBE2E it is the complementary color #7341D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CBE2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CBE2E shade: #91BE29, #A2D03C, #B3E24F, #C4F462 and #D5FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CBE2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CBE2E shade: #8CBE2E, #7BAC1B, #6A9A08, #598800 and #487600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CBE2E shade: #8BBD2E, #B2BD2E, #BDA12E, #BD7B2E and #BD542E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CBE2E shade: #8BBD2E, #65BD2E, #3EBD2E, #2EBD44 and #2EBD6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CBE2E shade matches the following richer shades: #8BBD2E, #91D01B and #97E308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CBE2E shade: #8BBD2E, #85AA41, #809754, #7A8467 and #74717A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CBE2E shade: #BDA02E, #B3BD2E, #8DBD2E, #67BD2E and #41BD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CBE2E shade: #5A7A1E, #739C26, #8BBD2E, #A0D143 and #B1D964

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CBE2E shade: #8CBE2E, #2EBD7A and #B32EBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CBE2E shade: #8CBE2E, #2E8DBD and #BD2E8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CBE2E shade: #8CBE2E, #2EBD7A, #5D2EBD and #BD2E71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CBE2E shade: #8CBE2E, #2EBDA5, #5D2EBD and #BD2E46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 76 / 25

HEX #8CBE2E

RGB 140 190 46

HSL 80.83, 0.61%, 0.46%

LAB 71.28, -36.84, 62.6

 

Complementary color

CMYK 45 / 69 / 0 / 18

HEX #7341D1

RGB 115 65 209

HSL 260.83, 0.61%, 0.54%

LAB 41.26, 52.88, -66.65

 

CMYK 24 / 0 / 78 / 25

HEX #91BE29

RGB 145 190 41

HSL 78.12, 0.65%, 0.45%

LAB 71.56, -35.13, 64.52

 

CMYK 22 / 0 / 71 / 18

HEX #A2D03C

RGB 162 208 60

HSL 78.65, 0.61%, 0.53%

LAB 77.95, -35.72, 64.74

 

CMYK 21 / 0 / 65 / 11

HEX #B3E24F

RGB 179 226 79

HSL 79.18, 0.72%, 0.6%

LAB 84.25, -36.16, 64.37

 

CMYK 20 / 0 / 60 / 4

HEX #C4F462

RGB 196 244 98

HSL 79.73, 0.87%, 0.67%

LAB 90.47, -36.48, 63.67

 

CMYK 16 / 0 / 54 / 0

HEX #D5FF75

RGB 213 255 117

HSL 78.26, 1%, 0.73%

LAB 94.72, -33.55, 60.59

 

CMYK 26 / 0 / 76 / 25

HEX #8CBE2E

RGB 140 190 46

HSL 80.83, 0.61%, 0.46%

LAB 71.28, -36.84, 62.6

 

CMYK 28 / 0 / 84 / 33

HEX #7BAC1B

RGB 123 172 27

HSL 80.28, 0.73%, 0.39%

LAB 64.8, -36.16, 61.78

 

CMYK 31 / 0 / 95 / 40

HEX #6A9A08

RGB 106 154 8

HSL 79.73, 0.9%, 0.32%

LAB 58.22, -35.23, 59.54

 

CMYK 35 / 0 / 100 / 47

HEX #598800

RGB 89 136 0

HSL 80.74, 1%, 0.27%

LAB 51.53, -33.98, 55.19

 

CMYK 39 / 0 / 100 / 54

HEX #487600

RGB 72 118 0

HSL 83.39, 1%, 0.23%

LAB 44.71, -32.51, 49.51

 

CMYK 26 / 0 / 76 / 26

HEX #8BBD2E

RGB 139 189 46

HSL 80.98, 0.61%, 0.46%

LAB 70.93, -36.77, 62.24

 

CMYK 6 / 0 / 76 / 26

HEX #B2BD2E

RGB 178 189 46

HSL 64.62, 0.61%, 0.46%

LAB 73.58, -20.88, 65.68

 

CMYK 0 / 15 / 76 / 26

HEX #BDA12E

RGB 189 161 46

HSL 48.25, 0.61%, 0.46%

LAB 66.9, -1.63, 59.78

 

CMYK 0 / 35 / 76 / 26

HEX #BD7B2E

RGB 189 123 46

HSL 32.31, 0.61%, 0.46%

LAB 57.25, 19.16, 50.44

 

CMYK 0 / 56 / 76 / 26

HEX #BD542E

RGB 189 84 46

HSL 15.94, 0.61%, 0.46%

LAB 48.71, 39.95, 41.73

 

CMYK 26 / 0 / 76 / 26

HEX #8BBD2E

RGB 139 189 46

HSL 80.98, 0.61%, 0.46%

LAB 70.93, -36.77, 62.24

 

CMYK 47 / 0 / 76 / 26

HEX #65BD2E

RGB 101 189 46

HSL 96.92, 0.61%, 0.46%

LAB 69.01, -50.14, 59.73

 

CMYK 67 / 0 / 76 / 26

HEX #3EBD2E

RGB 62 189 46

HSL 113.29, 0.61%, 0.46%

LAB 67.74, -60.22, 58.05

 

CMYK 76 / 0 / 64 / 26

HEX #2EBD44

RGB 46 189 68

HSL 129.23, 0.61%, 0.46%

LAB 67.57, -61.01, 49.24

 

CMYK 76 / 0 / 43 / 26

HEX #2EBD6B

RGB 46 189 107

HSL 145.59, 0.61%, 0.46%

LAB 68.05, -55.38, 31.04

 

CMYK 26 / 0 / 76 / 26

HEX #8BBD2E

RGB 139 189 46

HSL 80.98, 0.61%, 0.46%

LAB 70.93, -36.77, 62.24

 

CMYK 30 / 0 / 87 / 18

HEX #91D01B

RGB 145 208 27

HSL 80.88, 0.77%, 0.46%

LAB 76.81, -43.6, 72.55

 

CMYK 33 / 0 / 96 / 11

HEX #97E308

RGB 151 227 8

HSL 80.82, 0.93%, 0.46%

LAB 82.67, -49.73, 79.92

 

CMYK 26 / 0 / 76 / 26

HEX #8BBD2E

RGB 139 189 46

HSL 80.98, 0.61%, 0.46%

LAB 70.93, -36.77, 62.24

 

CMYK 22 / 0 / 62 / 33

HEX #85AA41

RGB 133 170 65

HSL 81.14, 0.45%, 0.46%

LAB 65.06, -29.01, 48.72

 

CMYK 15 / 0 / 44 / 41

HEX #809754

RGB 128 151 84

HSL 80.6, 0.29%, 0.46%

LAB 59.31, -19.63, 32.56

 

CMYK 8 / 0 / 22 / 48

HEX #7A8467

RGB 122 132 103

HSL 80.69, 0.12%, 0.46%

LAB 53.62, -9.15, 14.46

 

CMYK 5 / 7 / 0 / 52

HEX #74717A

RGB 116 113 122

HSL 260, 0.04%, 0.46%

LAB 48.17, 3.01, -4.56

 

CMYK 0 / 15 / 76 / 26

HEX #BDA02E

RGB 189 160 46

HSL 47.83, 0.61%, 0.46%

LAB 66.64, -1.1, 59.53

 

CMYK 5 / 0 / 76 / 26

HEX #B3BD2E

RGB 179 189 46

HSL 64.2, 0.61%, 0.46%

LAB 73.66, -20.46, 65.78

 

CMYK 25 / 0 / 76 / 26

HEX #8DBD2E

RGB 141 189 46

HSL 80.14, 0.61%, 0.46%

LAB 71.05, -36, 62.39

 

CMYK 46 / 0 / 76 / 26

HEX #67BD2E

RGB 103 189 46

HSL 96.08, 0.61%, 0.46%

LAB 69.09, -49.52, 59.84

 

CMYK 66 / 0 / 76 / 26

HEX #41BD2E

RGB 65 189 46

HSL 112.03, 0.61%, 0.46%

LAB 67.81, -59.6, 58.15

 

CMYK 26 / 0 / 75 / 52

HEX #5A7A1E

RGB 90 122 30

HSL 80.87, 0.61%, 0.3%

LAB 47.22, -25.84, 43.92

 

CMYK 26 / 0 / 76 / 39

HEX #739C26

RGB 115 156 38

HSL 80.85, 0.61%, 0.38%

LAB 59.49, -31.46, 53.48

 

CMYK 26 / 0 / 76 / 26

HEX #8BBD2E

RGB 139 189 46

HSL 80.98, 0.61%, 0.46%

LAB 70.93, -36.77, 62.24

 

CMYK 23 / 0 / 68 / 18

HEX #A0D143

RGB 160 209 67

HSL 80.7, 0.61%, 0.54%

LAB 78.16, -36.51, 62.33

 

CMYK 18 / 0 / 54 / 15

HEX #B1D964

RGB 177 217 100

HSL 80.51, 0.61%, 0.62%

LAB 81.78, -31.06, 52.61

 

CMYK 26 / 0 / 76 / 25

HEX #8CBE2E

RGB 140 190 46

HSL 80.83, 0.61%, 0.46%

LAB 71.28, -36.84, 62.6

 

CMYK 76 / 0 / 35 / 26

HEX #2EBD7A

RGB 46 189 122

HSL 151.89, 0.61%, 0.46%

LAB 68.3, -52.52, 23.51

 

CMYK 5 / 76 / 0 / 26

HEX #B32EBD

RGB 179 46 189

HSL 295.8, 0.61%, 0.46%

LAB 45.92, 68.74, -47.09

 

CMYK 26 / 0 / 76 / 25

HEX #8CBE2E

RGB 140 190 46

HSL 80.83, 0.61%, 0.46%

LAB 71.28, -36.84, 62.6

 

CMYK 76 / 25 / 0 / 26

HEX #2E8DBD

RGB 46 141 189

HSL 200.14, 0.61%, 0.46%

LAB 55.38, -11.11, -32.85

 

CMYK 0 / 76 / 25 / 26

HEX #BD2E8D

RGB 189 46 141

HSL 320.14, 0.61%, 0.46%

LAB 45.21, 63.89, -19.52

 

CMYK 26 / 0 / 76 / 25

HEX #8CBE2E

RGB 140 190 46

HSL 80.83, 0.61%, 0.46%

LAB 71.28, -36.84, 62.6

 

CMYK 76 / 0 / 35 / 26

HEX #2EBD7A

RGB 46 189 122

HSL 151.89, 0.61%, 0.46%

LAB 68.3, -52.52, 23.51

 

CMYK 51 / 76 / 0 / 26

HEX #5D2EBD

RGB 93 46 189

HSL 259.72, 0.61%, 0.46%

LAB 33.89, 53.2, -67.15

 

CMYK 0 / 76 / 40 / 26

HEX #BD2E71

RGB 189 46 113

HSL 331.89, 0.61%, 0.46%

LAB 44.18, 60.71, -3.94

 

CMYK 26 / 0 / 76 / 25

HEX #8CBE2E

RGB 140 190 46

HSL 80.83, 0.61%, 0.46%

LAB 71.28, -36.84, 62.6

 

CMYK 76 / 0 / 13 / 26

HEX #2EBDA5

RGB 46 189 165

HSL 169.93, 0.61%, 0.46%

LAB 69.25, -42.4, 1.53

 

CMYK 51 / 76 / 0 / 26

HEX #5D2EBD

RGB 93 46 189

HSL 259.72, 0.61%, 0.46%

LAB 33.89, 53.2, -67.15

 

CMYK 0 / 76 / 63 / 26

HEX #BD2E46

RGB 189 46 70

HSL 349.93, 0.61%, 0.46%

LAB 43.09, 57.21, 21.26

 

Description

Color code: HEX #8CBE2E | qconv.com Color code: HEX #8CBE2E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 190 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 190 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 76 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 76% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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