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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CAFD1 it is the complementary color #73502E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CAFD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CAFD1 shade: #91AFCC, #A2C1DF, #B3D3F2, #C4E5FF and #D5F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CAFD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CAFD1 shade: #8CAFD1, #7B9DBE, #6A8BAB, #597998 and #486785

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CAFD1 shade: #8AAED0, #8A9BD0, #8D8AD0, #9F8AD0 and #B28AD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CAFD1 shade: #8AAED0, #8A9BD0 and #8A8AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CAFD1 shade matches the following richer shades: #8AAED0, #7DAEDE, #70AEEB and #63AEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CAFD1 shade: #8AAED0, #98AEC3, #A5AEB6, #B2ADA9 and #BFAD9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CAFD1 shade: #8AD0CD, #8AC1D0, #8AAFD0, #8A9CD0 and #8B8AD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CAFD1 shade: #4F85B9, #6D99C5, #8AAED0, #A8C2DC and #C5D7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CAFD1 shade: #8CAFD1, #BA8AD0 and #CBD08A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CAFD1 shade: #8CAFD1, #D08AAF and #AFD08A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CAFD1 shade: #8CAFD1, #BA8AD0, #D0AC8A and #A1D08A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CAFD1 shade: #8CAFD1, #CF8AD0, #D0AC8A and #8BD08A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 16 / 0 / 18

HEX #8CAFD1

RGB 140 175 209

HSL 209.57, 0.43%, 0.68%

LAB 70.06, -3.74, -21.06

 

Complementary color

CMYK 0 / 30 / 60 / 55

HEX #73502E

RGB 115 80 46

HSL 29.57, 0.43%, 0.32%

LAB 37.08, 10.62, 25.67

 

CMYK 29 / 14 / 0 / 20

HEX #91AFCC

RGB 145 175 204

HSL 209.49, 0.37%, 0.68%

LAB 70.2, -3.53, -18.07

 

CMYK 27 / 13 / 0 / 13

HEX #A2C1DF

RGB 162 193 223

HSL 209.51, 0.49%, 0.75%

LAB 76.77, -3.67, -18.39

 

CMYK 26 / 13 / 0 / 5

HEX #B3D3F2

RGB 179 211 242

HSL 209.52, 0.71%, 0.83%

LAB 83.22, -3.8, -18.71

 

CMYK 23 / 10 / 0 / 0

HEX #C4E5FF

RGB 196 229 255

HSL 206.44, 1%, 0.88%

LAB 89.39, -5.26, -16.17

 

CMYK 16 / 3 / 0 / 0

HEX #D5F7FF

RGB 213 247 255

HSL 191.43, 1%, 0.92%

LAB 95.11, -9.32, -7.53

 

CMYK 33 / 16 / 0 / 18

HEX #8CAFD1

RGB 140 175 209

HSL 209.57, 0.43%, 0.68%

LAB 70.06, -3.74, -21.06

 

CMYK 35 / 17 / 0 / 25

HEX #7B9DBE

RGB 123 157 190

HSL 209.55, 0.34%, 0.61%

LAB 63.38, -3.54, -20.81

 

CMYK 38 / 19 / 0 / 33

HEX #6A8BAB

RGB 106 139 171

HSL 209.54, 0.28%, 0.54%

LAB 56.56, -3.31, -20.57

 

CMYK 41 / 20 / 0 / 40

HEX #597998

RGB 89 121 152

HSL 209.52, 0.26%, 0.47%

LAB 49.58, -3.03, -20.35

 

CMYK 46 / 23 / 0 / 48

HEX #486785

RGB 72 103 133

HSL 209.51, 0.3%, 0.4%

LAB 42.42, -2.67, -20.15

 

CMYK 34 / 16 / 0 / 18

HEX #8AAED0

RGB 138 174 208

HSL 209.14, 0.43%, 0.68%

LAB 69.63, -4.02, -21.18

 

CMYK 34 / 25 / 0 / 18

HEX #8A9BD0

RGB 138 155 208

HSL 225.43, 0.43%, 0.68%

LAB 64.48, 6.58, -29.08

 

CMYK 32 / 34 / 0 / 18

HEX #8D8AD0

RGB 141 138 208

HSL 242.57, 0.43%, 0.68%

LAB 60.24, 17.23, -35.64

 

CMYK 24 / 34 / 0 / 18

HEX #9F8AD0

RGB 159 138 208

HSL 258, 0.43%, 0.68%

LAB 61.74, 22.51, -33.19

 

CMYK 14 / 34 / 0 / 18

HEX #B28AD0

RGB 178 138 208

HSL 274.29, 0.43%, 0.68%

LAB 63.5, 28.32, -30.32

 

CMYK 34 / 16 / 0 / 18

HEX #8AAED0

RGB 138 174 208

HSL 209.14, 0.43%, 0.68%

LAB 69.63, -4.02, -21.18

 

CMYK 34 / 25 / 0 / 18

HEX #8A9BD0

RGB 138 155 208

HSL 225.43, 0.43%, 0.68%

LAB 64.48, 6.58, -29.08

 

CMYK 34 / 34 / 0 / 18

HEX #8A8AD0

RGB 138 138 208

HSL 240, 0.43%, 0.68%

LAB 60.01, 16.38, -36.02

 

CMYK 34 / 16 / 0 / 18

HEX #8AAED0

RGB 138 174 208

HSL 209.14, 0.43%, 0.68%

LAB 69.63, -4.02, -21.18

 

CMYK 44 / 22 / 0 / 13

HEX #7DAEDE

RGB 125 174 222

HSL 209.69, 0.6%, 0.68%

LAB 69.4, -3.76, -29.28

 

CMYK 52 / 26 / 0 / 8

HEX #70AEEB

RGB 112 174 235

HSL 209.76, 0.75%, 0.68%

LAB 69.27, -3.06, -36.65

 

CMYK 60 / 30 / 0 / 3

HEX #63AEF8

RGB 99 174 248

HSL 209.8, 0.91%, 0.68%

LAB 69.26, -1.67, -43.79

 

CMYK 34 / 16 / 0 / 18

HEX #8AAED0

RGB 138 174 208

HSL 209.14, 0.43%, 0.68%

LAB 69.63, -4.02, -21.18

 

CMYK 22 / 11 / 0 / 24

HEX #98AEC3

RGB 152 174 195

HSL 209.3, 0.26%, 0.68%

LAB 70.1, -2.98, -13.24

 

CMYK 9 / 4 / 0 / 29

HEX #A5AEB6

RGB 165 174 182

HSL 208.24, 0.1%, 0.68%

LAB 70.63, -1.55, -5.18

 

CMYK 0 / 3 / 5 / 30

HEX #B2ADA9

RGB 178 173 169

HSL 26.67, 0.06%, 0.68%

LAB 71.02, 1.05, 2.67

 

CMYK 0 / 9 / 18 / 25

HEX #BFAD9C

RGB 191 173 156

HSL 29.14, 0.21%, 0.68%

LAB 71.8, 3.68, 11.08

 

CMYK 34 / 0 / 1 / 18

HEX #8AD0CD

RGB 138 208 205

HSL 177.43, 0.43%, 0.68%

LAB 79, -22.51, -5.51

 

CMYK 34 / 7 / 0 / 18

HEX #8AC1D0

RGB 138 193 208

HSL 192.86, 0.43%, 0.68%

LAB 74.89, -14.16, -13.24

 

CMYK 34 / 16 / 0 / 18

HEX #8AAFD0

RGB 138 175 208

HSL 208.29, 0.43%, 0.68%

LAB 69.91, -4.56, -20.76

 

CMYK 34 / 25 / 0 / 18

HEX #8A9CD0

RGB 138 156 208

HSL 224.57, 0.43%, 0.68%

LAB 64.75, 6.02, -28.66

 

CMYK 33 / 34 / 0 / 18

HEX #8B8AD0

RGB 139 138 208

HSL 240.86, 0.43%, 0.68%

LAB 60.09, 16.66, -35.9

 

CMYK 57 / 28 / 0 / 27

HEX #4F85B9

RGB 79 133 185

HSL 209.43, 0.43%, 0.52%

LAB 53.96, -2.35, -32.7

 

CMYK 45 / 22 / 0 / 23

HEX #6D99C5

RGB 109 153 197

HSL 210, 0.43%, 0.6%

LAB 61.71, -3.15, -27.36

 

CMYK 34 / 16 / 0 / 18

HEX #8AAED0

RGB 138 174 208

HSL 209.14, 0.43%, 0.68%

LAB 69.63, -4.02, -21.18

 

CMYK 24 / 12 / 0 / 14

HEX #A8C2DC

RGB 168 194 220

HSL 210, 0.43%, 0.76%

LAB 77.33, -3.11, -15.89

 

CMYK 15 / 7 / 0 / 9

HEX #C5D7E8

RGB 197 215 232

HSL 209.14, 0.43%, 0.84%

LAB 85.15, -2.6, -10.39

 

CMYK 33 / 16 / 0 / 18

HEX #8CAFD1

RGB 140 175 209

HSL 209.57, 0.43%, 0.68%

LAB 70.06, -3.74, -21.06

 

CMYK 11 / 34 / 0 / 18

HEX #BA8AD0

RGB 186 138 208

HSL 281.14, 0.43%, 0.68%

LAB 64.3, 30.83, -29.03

 

CMYK 2 / 0 / 34 / 18

HEX #CBD08A

RGB 203 208 138

HSL 64.29, 0.43%, 0.68%

LAB 81.64, -12.54, 34.24

 

CMYK 33 / 16 / 0 / 18

HEX #8CAFD1

RGB 140 175 209

HSL 209.57, 0.43%, 0.68%

LAB 70.06, -3.74, -21.06

 

CMYK 0 / 34 / 16 / 18

HEX #D08AAF

RGB 208 138 175

HSL 328.29, 0.43%, 0.68%

LAB 65.5, 32.06, -8.45

 

CMYK 16 / 0 / 34 / 18

HEX #AFD08A

RGB 175 208 138

HSL 88.29, 0.43%, 0.68%

LAB 79.65, -23.09, 31.25

 

CMYK 33 / 16 / 0 / 18

HEX #8CAFD1

RGB 140 175 209

HSL 209.57, 0.43%, 0.68%

LAB 70.06, -3.74, -21.06

 

CMYK 11 / 34 / 0 / 18

HEX #BA8AD0

RGB 186 138 208

HSL 281.14, 0.43%, 0.68%

LAB 64.3, 30.83, -29.03

 

CMYK 0 / 17 / 34 / 18

HEX #D0AC8A

RGB 208 172 138

HSL 29.14, 0.43%, 0.68%

LAB 72.73, 8.27, 22.41

 

CMYK 23 / 0 / 34 / 18

HEX #A1D08A

RGB 161 208 138

HSL 100.29, 0.43%, 0.68%

LAB 78.77, -28.12, 29.92

 

CMYK 33 / 16 / 0 / 18

HEX #8CAFD1

RGB 140 175 209

HSL 209.57, 0.43%, 0.68%

LAB 70.06, -3.74, -21.06

 

CMYK 0 / 34 / 0 / 18

HEX #CF8AD0

RGB 207 138 208

HSL 299.14, 0.43%, 0.68%

LAB 66.52, 37.47, -25.43

 

CMYK 0 / 17 / 34 / 18

HEX #D0AC8A

RGB 208 172 138

HSL 29.14, 0.43%, 0.68%

LAB 72.73, 8.27, 22.41

 

CMYK 33 / 0 / 34 / 18

HEX #8BD08A

RGB 139 208 138

HSL 119.14, 0.43%, 0.68%

LAB 77.54, -35.53, 28.06

 

Description

Color code: HEX #8CAFD1 | qconv.com Color code: HEX #8CAFD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 175 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 175 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 16 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 16% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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