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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CAECF it is the complementary color #735130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CAECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CAECF shade: #91AECA, #A2C0DD, #B3D2F0, #C4E4FF and #D5F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CAECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CAECF shade: #8CAECF, #7B9CBC, #6A8AA9, #597896 and #486683

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CAECF shade: #8CAECF, #8C9CCF, #8E8CCF, #A08CCF and #B28CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CAECF shade: #8CAECF, #8C9CCF and #8C8CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CAECF shade matches the following richer shades: #8CAECF, #7FAEDC, #72AEE9 and #64AEF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CAECF shade: #8CAECF, #99AEC2, #A6AEB4, #B4ADA7 and #C1AD9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CAECF shade: #8CCFCC, #8CC0CF, #8CAFCF, #8C9DCF and #8D8CCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CAECF shade: #5285B7, #6F99C3, #8CAECF, #A9C2DB and #C6D7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CAECF shade: #8CAECF, #BA8CCF and #C9CF8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CAECF shade: #8CAECF, #CF8CAF and #AFCF8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CAECF shade: #8CAECF, #BA8CCF, #CFAC8C and #A1CF8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CAECF shade: #8CAECF, #CE8CCF, #CFAC8C and #8DCF8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

Complementary color

CMYK 0 / 30 / 58 / 55

HEX #735130

RGB 115 81 48

HSL 29.55, 0.41%, 0.32%

LAB 37.38, 10.19, 24.88

 

CMYK 28 / 14 / 0 / 21

HEX #91AECA

RGB 145 174 202

HSL 209.47, 0.35%, 0.68%

LAB 69.86, -3.47, -17.49

 

CMYK 27 / 13 / 0 / 13

HEX #A2C0DD

RGB 162 192 221

HSL 209.49, 0.46%, 0.75%

LAB 76.44, -3.61, -17.81

 

CMYK 25 / 13 / 0 / 6

HEX #B3D2F0

RGB 179 210 240

HSL 209.51, 0.67%, 0.82%

LAB 82.9, -3.73, -18.14

 

CMYK 23 / 11 / 0 / 0

HEX #C4E4FF

RGB 196 228 255

HSL 207.46, 1%, 0.88%

LAB 89.13, -4.74, -16.56

 

CMYK 16 / 4 / 0 / 0

HEX #D5F6FF

RGB 213 246 255

HSL 192.86, 1%, 0.92%

LAB 94.86, -8.82, -7.91

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 35 / 17 / 0 / 26

HEX #7B9CBC

RGB 123 156 188

HSL 209.54, 0.33%, 0.61%

LAB 63.03, -3.51, -20.22

 

CMYK 37 / 18 / 0 / 34

HEX #6A8AA9

RGB 106 138 169

HSL 209.52, 0.27%, 0.54%

LAB 56.19, -3.28, -19.97

 

CMYK 41 / 20 / 0 / 41

HEX #597896

RGB 89 120 150

HSL 209.51, 0.26%, 0.47%

LAB 49.2, -3.02, -19.75

 

CMYK 45 / 22 / 0 / 49

HEX #486683

RGB 72 102 131

HSL 209.49, 0.29%, 0.4%

LAB 42.03, -2.68, -19.54

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 32 / 25 / 0 / 19

HEX #8C9CCF

RGB 140 156 207

HSL 225.67, 0.41%, 0.68%

LAB 64.85, 6.33, -27.94

 

CMYK 31 / 32 / 0 / 19

HEX #8E8CCF

RGB 142 140 207

HSL 241.79, 0.41%, 0.68%

LAB 60.79, 16.09, -34.22

 

CMYK 23 / 32 / 0 / 19

HEX #A08CCF

RGB 160 140 207

HSL 257.91, 0.41%, 0.68%

LAB 62.28, 21.42, -31.78

 

CMYK 14 / 32 / 0 / 19

HEX #B28CCF

RGB 178 140 207

HSL 274.03, 0.41%, 0.68%

LAB 63.94, 26.98, -29.09

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 32 / 25 / 0 / 19

HEX #8C9CCF

RGB 140 156 207

HSL 225.67, 0.41%, 0.68%

LAB 64.85, 6.33, -27.94

 

CMYK 32 / 32 / 0 / 19

HEX #8C8CCF

RGB 140 140 207

HSL 240, 0.41%, 0.68%

LAB 60.64, 15.52, -34.47

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 42 / 21 / 0 / 14

HEX #7FAEDC

RGB 127 174 220

HSL 209.68, 0.57%, 0.68%

LAB 69.43, -3.81, -28.13

 

CMYK 51 / 25 / 0 / 9

HEX #72AEE9

RGB 114 174 233

HSL 209.75, 0.73%, 0.68%

LAB 69.28, -3.21, -35.54

 

CMYK 59 / 29 / 0 / 4

HEX #64AEF6

RGB 100 174 246

HSL 209.59, 0.89%, 0.68%

LAB 69.21, -2.11, -42.77

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 21 / 10 / 0 / 24

HEX #99AEC2

RGB 153 174 194

HSL 209.27, 0.25%, 0.68%

LAB 70.13, -2.89, -12.62

 

CMYK 8 / 3 / 0 / 29

HEX #A6AEB4

RGB 166 174 180

HSL 205.71, 0.09%, 0.68%

LAB 70.65, -1.61, -4.05

 

CMYK 0 / 4 / 7 / 29

HEX #B4ADA7

RGB 180 173 167

HSL 27.69, 0.08%, 0.68%

LAB 71.13, 1.42, 3.96

 

CMYK 0 / 10 / 20 / 24

HEX #C1AD9A

RGB 193 173 154

HSL 29.23, 0.24%, 0.68%

LAB 71.93, 4.13, 12.39

 

CMYK 32 / 0 / 1 / 19

HEX #8CCFCC

RGB 140 207 204

HSL 177.31, 0.41%, 0.68%

LAB 78.79, -21.7, -5.27

 

CMYK 32 / 7 / 0 / 19

HEX #8CC0CF

RGB 140 192 207

HSL 193.43, 0.41%, 0.68%

LAB 74.69, -13.32, -12.99

 

CMYK 32 / 15 / 0 / 19

HEX #8CAFCF

RGB 140 175 207

HSL 208.66, 0.41%, 0.68%

LAB 69.99, -4.24, -20.07

 

CMYK 32 / 24 / 0 / 19

HEX #8C9DCF

RGB 140 157 207

HSL 224.78, 0.41%, 0.68%

LAB 65.12, 5.76, -27.53

 

CMYK 32 / 32 / 0 / 19

HEX #8D8CCF

RGB 141 140 207

HSL 240.9, 0.41%, 0.68%

LAB 60.71, 15.81, -34.34

 

CMYK 55 / 27 / 0 / 28

HEX #5285B7

RGB 82 133 183

HSL 209.7, 0.41%, 0.52%

LAB 54.01, -2.35, -31.47

 

CMYK 43 / 22 / 0 / 24

HEX #6F99C3

RGB 111 153 195

HSL 210, 0.41%, 0.6%

LAB 61.74, -3.21, -26.18

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 23 / 11 / 0 / 14

HEX #A9C2DB

RGB 169 194 219

HSL 210, 0.41%, 0.76%

LAB 77.36, -3.03, -15.29

 

CMYK 14 / 7 / 0 / 9

HEX #C6D7E7

RGB 198 215 231

HSL 209.09, 0.41%, 0.84%

LAB 85.19, -2.49, -9.8

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 10 / 32 / 0 / 19

HEX #BA8CCF

RGB 186 140 207

HSL 281.19, 0.41%, 0.68%

LAB 64.72, 29.51, -27.81

 

CMYK 3 / 0 / 32 / 19

HEX #C9CF8C

RGB 201 207 140

HSL 65.37, 0.41%, 0.68%

LAB 81.26, -12.55, 32.68

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 0 / 32 / 15 / 19

HEX #CF8CAF

RGB 207 140 175

HSL 328.66, 0.41%, 0.68%

LAB 65.84, 30.63, -7.96

 

CMYK 15 / 0 / 32 / 19

HEX #AFCF8C

RGB 175 207 140

HSL 88.66, 0.41%, 0.68%

LAB 79.4, -22.32, 29.89

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 10 / 32 / 0 / 19

HEX #BA8CCF

RGB 186 140 207

HSL 281.19, 0.41%, 0.68%

LAB 64.72, 29.51, -27.81

 

CMYK 0 / 17 / 32 / 19

HEX #CFAC8C

RGB 207 172 140

HSL 28.66, 0.41%, 0.68%

LAB 72.67, 8.13, 21.24

 

CMYK 22 / 0 / 32 / 19

HEX #A1CF8C

RGB 161 207 140

HSL 101.19, 0.41%, 0.68%

LAB 78.52, -27.34, 28.55

 

CMYK 32 / 16 / 0 / 19

HEX #8CAECF

RGB 140 174 207

HSL 209.55, 0.41%, 0.68%

LAB 69.72, -3.7, -20.49

 

CMYK 0 / 32 / 0 / 19

HEX #CE8CCF

RGB 206 140 207

HSL 299.1, 0.41%, 0.68%

LAB 66.81, 35.88, -24.43

 

CMYK 0 / 17 / 32 / 19

HEX #CFAC8C

RGB 207 172 140

HSL 28.66, 0.41%, 0.68%

LAB 72.67, 8.13, 21.24

 

CMYK 32 / 0 / 32 / 19

HEX #8DCF8C

RGB 141 207 140

HSL 119.1, 0.41%, 0.68%

LAB 77.39, -34.1, 26.84

 

Description

Color code: HEX #8CAECF | qconv.com Color code: HEX #8CAECF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 174 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 174 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 16 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 16% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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