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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CABD6 it is the complementary color #735429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CABD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CABD6 shade: #91ABD1, #A2BDE4, #B3CFF7, #C4E1FF and #D5F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CABD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CABD6 shade: #8CABD6, #7B99C3, #6A87B0, #59759D and #48638A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CABD6 shade: #8BAAD5, #8B96D5, #948BD5, #A88BD5 and #BC8BD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CABD6 shade: #8BAAD5, #8B96D5 and #8B8BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CABD6 shade matches the following richer shades: #8BAAD5, #7EA8E2, #71A6EF and #64A4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CABD6 shade: #8BAAD5, #98ACC8, #A4AEBC, #B1B0AF and #BEB2A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CABD6 shade: #8BD3D5, #8BBFD5, #8BABD5, #8B97D5 and #928BD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CABD6 shade: #4E7EBF, #6C94CA, #8BAAD5, #A9C0E0 and #C7D6EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CABD6 shade: #8CABD6, #C48BD5 and #C9D58B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CABD6 shade: #8CABD6, #D58BAB and #ABD58B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CABD6 shade: #8CABD6, #C48BD5, #D5B58B and #9CD58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CABD6 shade: #8CABD6, #D58BD0, #D5B58B and #8BD590

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 20 / 0 / 16

HEX #8CABD6

RGB 140 171 214

HSL 214.86, 0.47%, 0.69%

LAB 69.15, -0.26, -25.2

 

Complementary color

CMYK 0 / 27 / 64 / 55

HEX #735429

RGB 115 84 41

HSL 34.86, 0.47%, 0.31%

LAB 38.1, 7.78, 29.72

 

CMYK 31 / 18 / 0 / 18

HEX #91ABD1

RGB 145 171 209

HSL 215.63, 0.41%, 0.69%

LAB 69.29, -0.1, -22.21

 

CMYK 29 / 17 / 0 / 11

HEX #A2BDE4

RGB 162 189 228

HSL 215.45, 0.55%, 0.76%

LAB 75.87, -0.32, -22.45

 

CMYK 28 / 16 / 0 / 3

HEX #B3CFF7

RGB 179 207 247

HSL 215.29, 0.81%, 0.84%

LAB 82.34, -0.53, -22.7

 

CMYK 23 / 12 / 0 / 0

HEX #C4E1FF

RGB 196 225 255

HSL 210.51, 1%, 0.88%

LAB 88.36, -3.19, -17.73

 

CMYK 16 / 5 / 0 / 0

HEX #D5F3FF

RGB 213 243 255

HSL 197.14, 1%, 0.92%

LAB 94.08, -7.3, -9.05

 

CMYK 35 / 20 / 0 / 16

HEX #8CABD6

RGB 140 171 214

HSL 214.86, 0.47%, 0.69%

LAB 69.15, -0.26, -25.2

 

CMYK 37 / 22 / 0 / 24

HEX #7B99C3

RGB 123 153 195

HSL 215, 0.38%, 0.62%

LAB 62.45, 0.03, -25.03

 

CMYK 40 / 23 / 0 / 31

HEX #6A87B0

RGB 106 135 176

HSL 215.14, 0.31%, 0.55%

LAB 55.61, 0.38, -24.88

 

CMYK 43 / 25 / 0 / 38

HEX #59759D

RGB 89 117 157

HSL 215.29, 0.28%, 0.48%

LAB 48.61, 0.8, -24.76

 

CMYK 48 / 28 / 0 / 46

HEX #48638A

RGB 72 99 138

HSL 215.45, 0.31%, 0.41%

LAB 41.43, 1.33, -24.69

 

CMYK 35 / 20 / 0 / 16

HEX #8BAAD5

RGB 139 170 213

HSL 214.86, 0.47%, 0.69%

LAB 68.78, -0.25, -25.23

 

CMYK 35 / 30 / 0 / 16

HEX #8B96D5

RGB 139 150 213

HSL 231.08, 0.47%, 0.69%

LAB 63.43, 11.04, -33.48

 

CMYK 31 / 35 / 0 / 16

HEX #948BD5

RGB 148 139 213

HSL 247.3, 0.47%, 0.69%

LAB 61.28, 19.94, -36.79

 

CMYK 21 / 35 / 0 / 16

HEX #A88BD5

RGB 168 139 213

HSL 263.51, 0.47%, 0.69%

LAB 63.01, 25.82, -33.96

 

CMYK 12 / 35 / 0 / 16

HEX #BC8BD5

RGB 188 139 213

HSL 279.73, 0.47%, 0.69%

LAB 64.93, 31.94, -30.82

 

CMYK 35 / 20 / 0 / 16

HEX #8BAAD5

RGB 139 170 213

HSL 214.86, 0.47%, 0.69%

LAB 68.78, -0.25, -25.23

 

CMYK 35 / 30 / 0 / 16

HEX #8B96D5

RGB 139 150 213

HSL 231.08, 0.47%, 0.69%

LAB 63.43, 11.04, -33.48

 

CMYK 35 / 35 / 0 / 16

HEX #8B8BD5

RGB 139 139 213

HSL 240, 0.47%, 0.69%

LAB 60.57, 17.4, -37.95

 

CMYK 35 / 20 / 0 / 16

HEX #8BAAD5

RGB 139 170 213

HSL 214.86, 0.47%, 0.69%

LAB 68.78, -0.25, -25.23

 

CMYK 44 / 26 / 0 / 11

HEX #7EA8E2

RGB 126 168 226

HSL 214.8, 0.63%, 0.69%

LAB 67.97, 0.94, -33.69

 

CMYK 53 / 31 / 0 / 6

HEX #71A6EF

RGB 113 166 239

HSL 214.76, 0.8%, 0.69%

LAB 67.29, 2.85, -41.92

 

CMYK 60 / 35 / 0 / 2

HEX #64A4FB

RGB 100 164 251

HSL 214.57, 0.95%, 0.69%

LAB 66.69, 5.14, -49.45

 

CMYK 35 / 20 / 0 / 16

HEX #8BAAD5

RGB 139 170 213

HSL 214.86, 0.47%, 0.69%

LAB 68.78, -0.25, -25.23

 

CMYK 24 / 14 / 0 / 22

HEX #98ACC8

RGB 152 172 200

HSL 215, 0.3%, 0.69%

LAB 69.72, -0.72, -16.56

 

CMYK 13 / 7 / 0 / 26

HEX #A4AEBC

RGB 164 174 188

HSL 215, 0.15%, 0.69%

LAB 70.73, -0.64, -8.35

 

CMYK 0 / 1 / 1 / 31

HEX #B1B0AF

RGB 177 176 175

HSL 30, 0.01%, 0.69%

LAB 71.89, 0.17, 0.63

 

CMYK 0 / 6 / 15 / 25

HEX #BEB2A2

RGB 190 178 162

HSL 34.29, 0.18%, 0.69%

LAB 73.15, 1.56, 9.71

 

CMYK 35 / 1 / 0 / 16

HEX #8BD3D5

RGB 139 211 213

HSL 181.62, 0.47%, 0.69%

LAB 80.11, -21.85, -8.13

 

CMYK 35 / 10 / 0 / 16

HEX #8BBFD5

RGB 139 191 213

HSL 197.84, 0.47%, 0.69%

LAB 74.54, -11.6, -16.47

 

CMYK 35 / 20 / 0 / 16

HEX #8BABD5

RGB 139 171 213

HSL 214.05, 0.47%, 0.69%

LAB 69.05, -0.8, -24.81

 

CMYK 35 / 29 / 0 / 16

HEX #8B97D5

RGB 139 151 213

HSL 230.27, 0.47%, 0.69%

LAB 63.69, 10.47, -33.07

 

CMYK 31 / 35 / 0 / 16

HEX #928BD5

RGB 146 139 213

HSL 245.68, 0.47%, 0.69%

LAB 61.12, 19.37, -37.05

 

CMYK 59 / 34 / 0 / 25

HEX #4E7EBF

RGB 78 126 191

HSL 214.51, 0.47%, 0.53%

LAB 52.18, 3.56, -38.94

 

CMYK 47 / 27 / 0 / 21

HEX #6C94CA

RGB 108 148 202

HSL 214.47, 0.47%, 0.61%

LAB 60.46, 0.89, -32.11

 

CMYK 35 / 20 / 0 / 16

HEX #8BAAD5

RGB 139 170 213

HSL 214.86, 0.47%, 0.69%

LAB 68.78, -0.25, -25.23

 

CMYK 25 / 14 / 0 / 12

HEX #A9C0E0

RGB 169 192 224

HSL 214.91, 0.47%, 0.77%

LAB 76.99, -0.82, -18.55

 

CMYK 15 / 9 / 0 / 8

HEX #C7D6EB

RGB 199 214 235

HSL 215, 0.47%, 0.85%

LAB 85.12, -0.83, -12.02

 

CMYK 35 / 20 / 0 / 16

HEX #8CABD6

RGB 140 171 214

HSL 214.86, 0.47%, 0.69%

LAB 69.15, -0.26, -25.2

 

CMYK 8 / 35 / 0 / 16

HEX #C48BD5

RGB 196 139 213

HSL 286.22, 0.47%, 0.69%

LAB 65.75, 34.43, -29.49

 

CMYK 6 / 0 / 35 / 16

HEX #C9D58B

RGB 201 213 139

HSL 69.73, 0.47%, 0.69%

LAB 82.84, -15.7, 35.27

 

CMYK 35 / 20 / 0 / 16

HEX #8CABD6

RGB 140 171 214

HSL 214.86, 0.47%, 0.69%

LAB 69.15, -0.26, -25.2

 

CMYK 0 / 35 / 20 / 16

HEX #D58BAB

RGB 213 139 171

HSL 334.05, 0.47%, 0.69%

LAB 66.18, 32.65, -5.13

 

CMYK 20 / 0 / 35 / 16

HEX #ABD58B

RGB 171 213 139

HSL 94.05, 0.47%, 0.69%

LAB 80.8, -26.83, 32.21

 

CMYK 35 / 20 / 0 / 16

HEX #8CABD6

RGB 140 171 214

HSL 214.86, 0.47%, 0.69%

LAB 69.15, -0.26, -25.2

 

CMYK 8 / 35 / 0 / 16

HEX #C48BD5

RGB 196 139 213

HSL 286.22, 0.47%, 0.69%

LAB 65.75, 34.43, -29.49

 

CMYK 0 / 15 / 35 / 16

HEX #D5B58B

RGB 213 181 139

HSL 34.05, 0.47%, 0.69%

LAB 75.49, 5.55, 25.7

 

CMYK 27 / 0 / 35 / 16

HEX #9CD58B

RGB 156 213 139

HSL 106.22, 0.47%, 0.69%

LAB 79.91, -32.07, 30.86

 

CMYK 35 / 20 / 0 / 16

HEX #8CABD6

RGB 140 171 214

HSL 214.86, 0.47%, 0.69%

LAB 69.15, -0.26, -25.2

 

CMYK 0 / 35 / 2 / 16

HEX #D58BD0

RGB 213 139 208

HSL 304.05, 0.47%, 0.69%

LAB 67.4, 38.85, -24.01

 

CMYK 0 / 15 / 35 / 16

HEX #D5B58B

RGB 213 181 139

HSL 34.05, 0.47%, 0.69%

LAB 75.49, 5.55, 25.7

 

CMYK 35 / 0 / 32 / 16

HEX #8BD590

RGB 139 213 144

HSL 124.05, 0.47%, 0.69%

LAB 79.09, -36.84, 27.03

 

Description

Color code: HEX #8CABD6 | qconv.com Color code: HEX #8CABD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 171 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 171 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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