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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C9DB6 it is the complementary color #736249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C9DB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C9DB6 shade: #919DB1, #A2AFC4, #B3C1D7, #C4D3EA and #D5E5FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C9DB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C9DB6 shade: #8C9DB6, #7B8BA3, #6A7990, #59677D and #48556A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C9DB6 shade: #8C9DB5, #8C92B5, #918CB5, #9D8CB5 and #A88CB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C9DB6 shade: #8C9DB5, #8C92B5 and #8C8CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C9DB6 shade matches the following richer shades: #8C9DB5, #7D9AC5, #6D97D4, #5E94E3 and #4F91F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C9DB6 shade: #8C9DB5, #9BA0A6, #AAA397, #BAA588 and #C9A878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C9DB6 shade: #8CB3B5, #8CA8B5, #8C9DB5, #8C92B5 and #918CB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C9DB6 shade: #5D7292, #7387A5, #8C9DB5, #A5B2C5 and #BEC8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C9DB6 shade: #8C9DB6, #AC8CB5 and #AEB58C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C9DB6 shade: #8C9DB6, #B58C9D and #9DB58C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C9DB6 shade: #8C9DB6, #AC8CB5, #B5A48C and #95B58C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C9DB6 shade: #8C9DB6, #B58CB2, #B5A48C and #8CB58F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 14 / 0 / 29

HEX #8C9DB6

RGB 140 157 182

HSL 215.71, 0.22%, 0.63%

LAB 64.21, -0.42, -14.95

 

Complementary color

CMYK 0 / 15 / 37 / 55

HEX #736249

RGB 115 98 73

HSL 35.71, 0.22%, 0.37%

LAB 42.55, 2.83, 16.77

 

CMYK 18 / 11 / 0 / 31

HEX #919DB1

RGB 145 157 177

HSL 217.5, 0.17%, 0.63%

LAB 64.41, 0.04, -11.82

 

CMYK 17 / 11 / 0 / 23

HEX #A2AFC4

RGB 162 175 196

HSL 217.06, 0.22%, 0.7%

LAB 71.1, -0.11, -12.22

 

CMYK 17 / 10 / 0 / 16

HEX #B3C1D7

RGB 179 193 215

HSL 216.67, 0.31%, 0.77%

LAB 77.66, -0.26, -12.62

 

CMYK 16 / 10 / 0 / 8

HEX #C4D3EA

RGB 196 211 234

HSL 216.32, 0.48%, 0.84%

LAB 84.1, -0.4, -13.02

 

CMYK 16 / 9 / 0 / 1

HEX #D5E5FD

RGB 213 229 253

HSL 216, 0.91%, 0.91%

LAB 90.45, -0.54, -13.42

 

CMYK 23 / 14 / 0 / 29

HEX #8C9DB6

RGB 140 157 182

HSL 215.71, 0.22%, 0.63%

LAB 64.21, -0.42, -14.95

 

CMYK 25 / 15 / 0 / 36

HEX #7B8BA3

RGB 123 139 163

HSL 216, 0.18%, 0.56%

LAB 57.39, -0.24, -14.62

 

CMYK 26 / 16 / 0 / 44

HEX #6A7990

RGB 106 121 144

HSL 216.32, 0.15%, 0.49%

LAB 50.4, -0.05, -14.3

 

CMYK 29 / 18 / 0 / 51

HEX #59677D

RGB 89 103 125

HSL 216.67, 0.17%, 0.42%

LAB 43.22, 0.17, -14

 

CMYK 32 / 20 / 0 / 58

HEX #48556A

RGB 72 85 106

HSL 217.06, 0.19%, 0.35%

LAB 35.82, 0.43, -13.73

 

CMYK 23 / 13 / 0 / 29

HEX #8C9DB5

RGB 140 157 181

HSL 215.12, 0.22%, 0.63%

LAB 64.18, -0.65, -14.44

 

CMYK 23 / 19 / 0 / 29

HEX #8C92B5

RGB 140 146 181

HSL 231.22, 0.22%, 0.63%

LAB 61.19, 5.55, -18.97

 

CMYK 20 / 23 / 0 / 29

HEX #918CB5

RGB 145 140 181

HSL 247.32, 0.22%, 0.63%

LAB 59.99, 10.59, -20.77

 

CMYK 13 / 23 / 0 / 29

HEX #9D8CB5

RGB 157 140 181

HSL 264.88, 0.22%, 0.63%

LAB 61.01, 14.52, -19.12

 

CMYK 7 / 23 / 0 / 29

HEX #A88CB5

RGB 168 140 181

HSL 280.98, 0.22%, 0.63%

LAB 62.01, 18.21, -17.5

 

CMYK 23 / 13 / 0 / 29

HEX #8C9DB5

RGB 140 157 181

HSL 215.12, 0.22%, 0.63%

LAB 64.18, -0.65, -14.44

 

CMYK 23 / 19 / 0 / 29

HEX #8C92B5

RGB 140 146 181

HSL 231.22, 0.22%, 0.63%

LAB 61.19, 5.55, -18.97

 

CMYK 23 / 23 / 0 / 29

HEX #8C8CB5

RGB 140 140 181

HSL 240, 0.22%, 0.63%

LAB 59.59, 8.99, -21.42

 

CMYK 23 / 13 / 0 / 29

HEX #8C9DB5

RGB 140 157 181

HSL 215.12, 0.22%, 0.63%

LAB 64.18, -0.65, -14.44

 

CMYK 37 / 22 / 0 / 23

HEX #7D9AC5

RGB 125 154 197

HSL 215.83, 0.38%, 0.63%

LAB 62.93, 0.56, -25.4

 

CMYK 49 / 29 / 0 / 17

HEX #6D97D4

RGB 109 151 212

HSL 215.53, 0.54%, 0.63%

LAB 61.77, 2.37, -35.65

 

CMYK 59 / 35 / 0 / 11

HEX #5E94E3

RGB 94 148 227

HSL 215.64, 0.7%, 0.63%

LAB 60.87, 5.53, -45.46

 

CMYK 67 / 40 / 0 / 5

HEX #4F91F2

RGB 79 145 242

HSL 215.71, 0.86%, 0.63%

LAB 60.18, 9.7, -54.9

 

CMYK 23 / 13 / 0 / 29

HEX #8C9DB5

RGB 140 157 181

HSL 215.12, 0.22%, 0.63%

LAB 64.18, -0.65, -14.44

 

CMYK 7 / 4 / 0 / 35

HEX #9BA0A6

RGB 155 160 166

HSL 212.73, 0.06%, 0.63%

LAB 65.64, -0.59, -3.74

 

CMYK 0 / 4 / 11 / 33

HEX #AAA397

RGB 170 163 151

HSL 37.89, 0.1%, 0.63%

LAB 67.26, 0.4, 7.13

 

CMYK 0 / 11 / 27 / 27

HEX #BAA588

RGB 186 165 136

HSL 34.8, 0.27%, 0.63%

LAB 68.84, 3.12, 17.85

 

CMYK 0 / 16 / 40 / 21

HEX #C9A878

RGB 201 168 120

HSL 35.56, 0.43%, 0.63%

LAB 70.72, 5.48, 29.3

 

CMYK 23 / 1 / 0 / 29

HEX #8CB3B5

RGB 140 179 181

HSL 182.93, 0.22%, 0.63%

LAB 70.28, -12.58, -5.33

 

CMYK 23 / 7 / 0 / 29

HEX #8CA8B5

RGB 140 168 181

HSL 199.02, 0.22%, 0.63%

LAB 67.21, -6.7, -9.89

 

CMYK 23 / 13 / 0 / 29

HEX #8C9DB5

RGB 140 157 181

HSL 215.12, 0.22%, 0.63%

LAB 64.18, -0.65, -14.44

 

CMYK 23 / 19 / 0 / 29

HEX #8C92B5

RGB 140 146 181

HSL 231.22, 0.22%, 0.63%

LAB 61.19, 5.55, -18.97

 

CMYK 20 / 23 / 0 / 29

HEX #918CB5

RGB 145 140 181

HSL 247.32, 0.22%, 0.63%

LAB 59.99, 10.59, -20.77

 

CMYK 36 / 22 / 0 / 43

HEX #5D7292

RGB 93 114 146

HSL 216.23, 0.22%, 0.47%

LAB 47.54, 0.56, -19.91

 

CMYK 30 / 18 / 0 / 35

HEX #7387A5

RGB 115 135 165

HSL 216, 0.22%, 0.55%

LAB 55.78, 0.04, -18.26

 

CMYK 23 / 13 / 0 / 29

HEX #8C9DB5

RGB 140 157 181

HSL 215.12, 0.22%, 0.63%

LAB 64.18, -0.65, -14.44

 

CMYK 16 / 10 / 0 / 23

HEX #A5B2C5

RGB 165 178 197

HSL 215.63, 0.22%, 0.71%

LAB 72.14, -0.56, -11.18

 

CMYK 11 / 7 / 0 / 16

HEX #BEC8D6

RGB 190 200 214

HSL 215, 0.23%, 0.79%

LAB 80.24, -0.65, -8.14

 

CMYK 23 / 14 / 0 / 29

HEX #8C9DB6

RGB 140 157 182

HSL 215.71, 0.22%, 0.63%

LAB 64.21, -0.42, -14.95

 

CMYK 5 / 23 / 0 / 29

HEX #AC8CB5

RGB 172 140 181

HSL 286.83, 0.22%, 0.63%

LAB 62.39, 19.57, -16.89

 

CMYK 4 / 0 / 23 / 29

HEX #AEB58C

RGB 174 181 140

HSL 70.24, 0.22%, 0.63%

LAB 72.19, -9.49, 20.12

 

CMYK 23 / 14 / 0 / 29

HEX #8C9DB6

RGB 140 157 182

HSL 215.71, 0.22%, 0.63%

LAB 64.21, -0.42, -14.95

 

CMYK 0 / 23 / 13 / 29

HEX #B58C9D

RGB 181 140 157

HSL 335.12, 0.22%, 0.63%

LAB 62.52, 18.29, -3

 

CMYK 13 / 0 / 23 / 29

HEX #9DB58C

RGB 157 181 140

HSL 95.12, 0.22%, 0.63%

LAB 70.95, -15.83, 18.21

 

CMYK 23 / 14 / 0 / 29

HEX #8C9DB6

RGB 140 157 182

HSL 215.71, 0.22%, 0.63%

LAB 64.21, -0.42, -14.95

 

CMYK 5 / 23 / 0 / 29

HEX #AC8CB5

RGB 172 140 181

HSL 286.83, 0.22%, 0.63%

LAB 62.39, 19.57, -16.89

 

CMYK 0 / 9 / 23 / 29

HEX #B5A48C

RGB 181 164 140

HSL 35.12, 0.22%, 0.63%

LAB 68.22, 2.29, 14.71

 

CMYK 18 / 0 / 23 / 29

HEX #95B58C

RGB 149 181 140

HSL 106.83, 0.22%, 0.63%

LAB 70.41, -18.72, 17.38

 

CMYK 23 / 14 / 0 / 29

HEX #8C9DB6

RGB 140 157 182

HSL 215.71, 0.22%, 0.63%

LAB 64.21, -0.42, -14.95

 

CMYK 0 / 23 / 2 / 29

HEX #B58CB2

RGB 181 140 178

HSL 304.39, 0.22%, 0.63%

LAB 63.17, 22.07, -13.93

 

CMYK 0 / 9 / 23 / 29

HEX #B5A48C

RGB 181 164 140

HSL 35.12, 0.22%, 0.63%

LAB 68.22, 2.29, 14.71

 

CMYK 23 / 0 / 21 / 29

HEX #8CB58F

RGB 140 181 143

HSL 124.39, 0.22%, 0.63%

LAB 69.9, -21.35, 14.96

 

Description

Color code: HEX #8C9DB6 | qconv.com Color code: HEX #8C9DB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 157 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 157 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 14 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 14% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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