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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C9CF13F it is the complementary color #73630E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C9CF13F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C9CF13F shade: #919CEC3F, #A2AEFF3F, #B3C0FF3F, #C4D2FF3F and #D5E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C9CF13F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C9CF13F shade: #8C9CF13F, #7B8ADE3F, #6A78CB3F, #5966B83F and #4854A53F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C9CF13F shade: #8E9DF1, #998EF1, #B38EF1, #CE8EF1 and #E98EF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C9CF13F shade: #8E9DF1 and #8E8EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C9CF13F shade matches the following richer shades: #8E9DF1 and #8396FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C9CF13F shade: #8E9DF1, #98A4E7, #A2ABDC, #ACB2D2 and #B7B9C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C9CF13F shade: #8ED3F1, #8EB9F1, #8E9EF1, #978EF1 and #B28EF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C9CF13F shade: #445EE8, #697EEC, #8E9DF1, #B2BDF6 and #D7DDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C9CF13F shade: #8C9CF1, #F18EEE and #C6F18E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C9CF13F shade: #8C9CF1, #F18E9E and #9EF18E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C9CF13F shade: #8C9CF1, #F18EEE, #F1E08E and #8EF191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C9CF13F shade: #8C9CF1, #F18ED0, #F1E08E and #8EF1AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 9 / 0 / 1

HEX #8C9CF13F

RGBA 140 156 241 0.25

HSLA 230.5, 0.78%, 0.75%, 0.25

LABA 66.29, 15.5, -44.47, 0.25

 

Complementary color

CMYK 0 / 3 / 22 / 14

HEX #73630E3F

RGBA 115 99 14 0.25

HSLA 50.5, 0.78%, 0.25%, 0.25

LABA 42.15, -2.57, 45.5, 0.25

 

CMYK 10 / 8 / 0 / 2

HEX #919CEC3F

RGBA 145 156 236 0.25

HSLA 232.75, 0.71%, 0.75%, 0.25

LABA 66.41, 15.41, -41.52, 0.25

 

CMYK 9 / 8 / 0 / 0

HEX #A2AEFF3F

RGBA 162 174 255 0.25

HSLA 232.26, 1%, 0.82%, 0.25

LABA 73.01, 14.76, -41.46, 0.25

 

CMYK 7 / 6 / 0 / 0

HEX #B3C0FF3F

RGBA 179 192 255 0.25

HSLA 229.74, 1%, 0.85%, 0.25

LABA 78.75, 9.47, -32.45, 0.25

 

CMYK 6 / 4 / 0 / 0

HEX #C4D2FF3F

RGBA 196 210 255 0.25

HSLA 225.76, 1%, 0.88%, 0.25

LABA 84.51, 4.7, -23.55, 0.25

 

CMYK 4 / 3 / 0 / 0

HEX #D5E4FF3F

RGBA 213 228 255 0.25

HSLA 218.57, 1%, 0.92%, 0.25

LABA 90.25, 0.39, -14.76, 0.25

 

CMYK 10 / 9 / 0 / 1

HEX #8C9CF13F

RGBA 140 156 241 0.25

HSLA 230.5, 0.78%, 0.75%, 0.25

LABA 66.29, 15.5, -44.47, 0.25

 

CMYK 11 / 9 / 0 / 3

HEX #7B8ADE3F

RGBA 123 138 222 0.25

HSLA 230.91, 0.6%, 0.68%, 0.25

LABA 59.58, 16.31, -44.61, 0.25

 

CMYK 12 / 10 / 0 / 5

HEX #6A78CB3F

RGBA 106 120 203 0.25

HSLA 231.34, 0.48%, 0.61%, 0.25

LABA 52.74, 17.26, -44.79, 0.25

 

CMYK 13 / 11 / 0 / 7

HEX #5966B83F

RGBA 89 102 184 0.25

HSLA 231.79, 0.4%, 0.54%, 0.25

LABA 45.75, 18.39, -45.04, 0.25

 

CMYK 14 / 12 / 0 / 9

HEX #4854A53F

RGBA 72 84 165 0.25

HSLA 232.26, 0.39%, 0.46%, 0.25

LABA 38.61, 19.78, -45.34, 0.25

 

CMYK 41 / 35 / 0 / 5

HEX #8E9DF1

RGB 142 157 241

HSL 230.91, 0.78%, 0.75%

LAB 66.68, 15.43, -43.84

 

CMYK 37 / 41 / 0 / 5

HEX #998EF1

RGB 153 142 241

HSL 246.67, 0.78%, 0.75%

LAB 63.73, 26.89, -48.44

 

CMYK 26 / 41 / 0 / 5

HEX #B38EF1

RGB 179 142 241

HSL 262.42, 0.78%, 0.75%

LAB 65.97, 33.9, -44.76

 

CMYK 15 / 41 / 0 / 5

HEX #CE8EF1

RGB 206 142 241

HSL 278.79, 0.78%, 0.75%

LAB 68.62, 41.57, -40.42

 

CMYK 3 / 41 / 0 / 5

HEX #E98EF1

RGB 233 142 241

HSL 295.15, 0.78%, 0.75%

LAB 71.57, 49.44, -35.6

 

CMYK 41 / 35 / 0 / 5

HEX #8E9DF1

RGB 142 157 241

HSL 230.91, 0.78%, 0.75%

LAB 66.68, 15.43, -43.84

 

CMYK 41 / 41 / 0 / 5

HEX #8E8EF1

RGB 142 142 241

HSL 240, 0.78%, 0.75%

LAB 62.88, 24.1, -49.83

 

CMYK 41 / 35 / 0 / 5

HEX #8E9DF1

RGB 142 157 241

HSL 230.91, 0.78%, 0.75%

LAB 66.68, 15.43, -43.84

 

CMYK 48 / 40 / 0 / 2

HEX #8396FB

RGB 131 150 251

HSL 230.5, 0.94%, 0.75%

LAB 64.65, 19.69, -52.58

 

CMYK 41 / 35 / 0 / 5

HEX #8E9DF1

RGB 142 157 241

HSL 230.91, 0.78%, 0.75%

LAB 66.68, 15.43, -43.84

 

CMYK 34 / 29 / 0 / 9

HEX #98A4E7

RGB 152 164 231

HSL 230.89, 0.62%, 0.75%

LAB 68.75, 11.41, -35.09

 

CMYK 26 / 22 / 0 / 14

HEX #A2ABDC

RGB 162 171 220

HSL 230.69, 0.45%, 0.75%

LAB 70.85, 7.62, -25.76

 

CMYK 18 / 15 / 0 / 18

HEX #ACB2D2

RGB 172 178 210

HSL 230.53, 0.3%, 0.75%

LAB 73.07, 4.54, -16.86

 

CMYK 9 / 8 / 0 / 22

HEX #B7B9C8

RGB 183 185 200

HSL 232.94, 0.13%, 0.75%

LAB 75.41, 2.22, -7.8

 

CMYK 41 / 12 / 0 / 5

HEX #8ED3F1

RGB 142 211 241

HSL 198.18, 0.78%, 0.75%

LAB 81.12, -14.12, -21.56

 

CMYK 41 / 23 / 0 / 5

HEX #8EB9F1

RGB 142 185 241

HSL 213.94, 0.78%, 0.75%

LAB 74.06, -0.29, -32.36

 

CMYK 41 / 34 / 0 / 5

HEX #8E9EF1

RGB 142 158 241

HSL 230.3, 0.78%, 0.75%

LAB 66.94, 14.86, -43.44

 

CMYK 37 / 41 / 0 / 5

HEX #978EF1

RGB 151 142 241

HSL 245.45, 0.78%, 0.75%

LAB 63.57, 26.37, -48.7

 

CMYK 26 / 41 / 0 / 5

HEX #B28EF1

RGB 178 142 241

HSL 261.82, 0.78%, 0.75%

LAB 65.87, 33.62, -44.92

 

CMYK 71 / 59 / 0 / 9

HEX #445EE8

RGB 68 94 232

HSL 230.49, 0.78%, 0.59%

LAB 45.72, 36.02, -72.66

 

CMYK 56 / 47 / 0 / 7

HEX #697EEC

RGB 105 126 236

HSL 230.38, 0.78%, 0.67%

LAB 56.07, 23.73, -58.07

 

CMYK 41 / 35 / 0 / 5

HEX #8E9DF1

RGB 142 157 241

HSL 230.91, 0.78%, 0.75%

LAB 66.68, 15.43, -43.84

 

CMYK 28 / 23 / 0 / 4

HEX #B2BDF6

RGB 178 189 246

HSL 230.29, 0.79%, 0.83%

LAB 77.59, 8.65, -29.43

 

CMYK 14 / 12 / 0 / 2

HEX #D7DDFA

RGB 215 221 250

HSL 229.71, 0.78%, 0.91%

LAB 88.48, 3.63, -14.79

 

CMYK 42 / 35 / 0 / 5

HEX #8C9CF1

RGB 140 156 241

HSL 230.5, 0.78%, 0.75%

LAB 66.29, 15.5, -44.47

 

CMYK 0 / 41 / 1 / 5

HEX #F18EEE

RGB 241 142 238

HSL 301.82, 0.78%, 0.75%

LAB 72.38, 51.26, -32.64

 

CMYK 18 / 0 / 41 / 5

HEX #C6F18E

RGB 198 241 142

HSL 86.06, 0.78%, 0.75%

LAB 90.26, -30, 43.29

 

CMYK 42 / 35 / 0 / 5

HEX #8C9CF1

RGB 140 156 241

HSL 230.5, 0.78%, 0.75%

LAB 66.29, 15.5, -44.47

 

CMYK 0 / 41 / 34 / 5

HEX #F18E9E

RGB 241 142 158

HSL 350.3, 0.78%, 0.75%

LAB 69.84, 39.27, 7.9

 

CMYK 34 / 0 / 41 / 5

HEX #9EF18E

RGB 158 241 142

HSL 110.3, 0.78%, 0.75%

LAB 88.03, -43.61, 39.98

 

CMYK 42 / 35 / 0 / 5

HEX #8C9CF1

RGB 140 156 241

HSL 230.5, 0.78%, 0.75%

LAB 66.29, 15.5, -44.47

 

CMYK 0 / 41 / 1 / 5

HEX #F18EEE

RGB 241 142 238

HSL 301.82, 0.78%, 0.75%

LAB 72.38, 51.26, -32.64

 

CMYK 0 / 7 / 41 / 5

HEX #F1E08E

RGB 241 224 142

HSL 49.7, 0.78%, 0.75%

LAB 88.91, -5.4, 42.2

 

CMYK 41 / 0 / 40 / 5

HEX #8EF191

RGB 142 241 145

HSL 121.82, 0.78%, 0.75%

LAB 87.34, -48.04, 37.46

 

CMYK 42 / 35 / 0 / 5

HEX #8C9CF1

RGB 140 156 241

HSL 230.5, 0.78%, 0.75%

LAB 66.29, 15.5, -44.47

 

CMYK 0 / 41 / 14 / 5

HEX #F18ED0

RGB 241 142 208

HSL 320, 0.78%, 0.75%

LAB 71.28, 46.25, -17.81

 

CMYK 0 / 7 / 41 / 5

HEX #F1E08E

RGB 241 224 142

HSL 49.7, 0.78%, 0.75%

LAB 88.91, -5.4, 42.2

 

CMYK 41 / 0 / 27 / 5

HEX #8EF1AF

RGB 142 241 175

HSL 140, 0.78%, 0.75%

LAB 87.85, -43.07, 22.97

 

Description

Color code: HEX #8C9CF13F | qconv.com Color code: HEX #8C9CF13F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 156 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 156 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 9 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 9% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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