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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C99FD3F it is the complementary color #7366023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C99FD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C99FD3F shade: #9199F83F, #A2ABFF3F, #B3BDFF3F, #C4CFFF3F and #D5E1FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C99FD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C99FD3F shade: #8C99FD3F, #7B87EA3F, #6A75D73F, #5963C43F and #4851B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C99FD3F shade: #8B99FD, #9D8BFD, #BC8BFD, #DA8BFD and #F98BFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C99FD3F shade: #8B99FD and #8B8BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C99FD3F shade matches the following richer shades: #8B99FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C99FD3F shade: #8B99FD, #95A0F4, #9EA7EA, #A8AEE1 and #B1B6D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C99FD3F shade: #8BD5FD, #8BB7FD, #8B99FD, #9D8BFD and #BB8BFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C99FD3F shade: #3A50FC, #6375FD, #8B99FD, #B4BDFE and #DDE1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C99FD3F shade: #8C99FD, #FD8BF4 and #C6FD8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C99FD3F shade: #8C99FD, #FD8B99 and #99FD8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C99FD3F shade: #8C99FD, #FD8BF4, #FDF08B and #8BFD95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C99FD3F shade: #8C99FD, #FD8BD2, #FDF08B and #8BFDB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 10 / 0 / 0

HEX #8C99FD3F

RGBA 140 153 253 0.25

HSLA 233.1, 0.97%, 0.77%, 0.25

LABA 66.1, 20.63, -51.33, 0.25

 

Complementary color

CMYK 0 / 3 / 25 / 14

HEX #7366023F

RGBA 115 102 2 0.25

HSLA 53.1, 0.97%, 0.23%, 0.25

LABA 42.99, -4.61, 49.18, 0.25

 

CMYK 10 / 10 / 0 / 1

HEX #9199F83F

RGBA 145 153 248 0.25

HSLA 235.34, 0.88%, 0.77%, 0.25

LABA 66.2, 20.43, -48.42, 0.25

 

CMYK 9 / 8 / 0 / 0

HEX #A2ABFF3F

RGBA 162 171 255 0.25

HSLA 234.19, 1%, 0.82%, 0.25

LABA 72.25, 16.45, -42.65, 0.25

 

CMYK 7 / 6 / 0 / 0

HEX #B3BDFF3F

RGBA 179 189 255 0.25

HSLA 232.11, 1%, 0.85%, 0.25

LABA 77.99, 11.11, -33.63, 0.25

 

CMYK 6 / 5 / 0 / 0

HEX #C4CFFF3F

RGBA 196 207 255 0.25

HSLA 228.81, 1%, 0.88%, 0.25

LABA 83.75, 6.3, -24.7, 0.25

 

CMYK 4 / 3 / 0 / 0

HEX #D5E1FF3F

RGBA 213 225 255 0.25

HSLA 222.86, 1%, 0.92%, 0.25

LABA 89.49, 1.95, -15.9, 0.25

 

CMYK 11 / 10 / 0 / 0

HEX #8C99FD3F

RGBA 140 153 253 0.25

HSLA 233.1, 0.97%, 0.77%, 0.25

LABA 66.1, 20.63, -51.33, 0.25

 

CMYK 12 / 11 / 0 / 2

HEX #7B87EA3F

RGBA 123 135 234 0.25

HSLA 233.51, 0.73%, 0.7%, 0.25

LABA 59.42, 21.62, -51.55, 0.25

 

CMYK 13 / 11 / 0 / 4

HEX #6A75D73F

RGBA 106 117 215 0.25

HSLA 233.94, 0.58%, 0.63%, 0.25

LABA 52.61, 22.77, -51.81, 0.25

 

CMYK 14 / 12 / 0 / 6

HEX #5963C43F

RGBA 89 99 196 0.25

HSLA 234.39, 0.48%, 0.56%, 0.25

LABA 45.68, 24.14, -52.11, 0.25

 

CMYK 15 / 14 / 0 / 8

HEX #4851B13F

RGBA 72 81 177 0.25

HSLA 234.86, 0.42%, 0.49%, 0.25

LABA 38.62, 25.79, -52.45, 0.25

 

CMYK 45 / 40 / 0 / 1

HEX #8B99FD

RGB 139 153 253

HSL 232.63, 0.97%, 0.77%

LAB 66.03, 20.39, -51.44

 

CMYK 38 / 45 / 0 / 1

HEX #9D8BFD

RGB 157 139 253

HSL 249.47, 0.97%, 0.77%

LAB 63.94, 32.82, -54.68

 

CMYK 26 / 45 / 0 / 1

HEX #BC8BFD

RGB 188 139 253

HSL 265.79, 0.97%, 0.77%

LAB 66.71, 40.84, -50.11

 

CMYK 14 / 45 / 0 / 1

HEX #DA8BFD

RGB 218 139 253

HSL 281.58, 0.97%, 0.77%

LAB 69.8, 49.04, -45.04

 

CMYK 2 / 45 / 0 / 1

HEX #F98BFD

RGB 249 139 253

HSL 297.89, 0.97%, 0.77%

LAB 73.35, 57.71, -39.23

 

CMYK 45 / 40 / 0 / 1

HEX #8B99FD

RGB 139 153 253

HSL 232.63, 0.97%, 0.77%

LAB 66.03, 20.39, -51.44

 

CMYK 45 / 45 / 0 / 1

HEX #8B8BFD

RGB 139 139 253

HSL 240, 0.97%, 0.77%

LAB 62.55, 28.51, -56.98

 

CMYK 45 / 40 / 0 / 1

HEX #8B99FD

RGB 139 153 253

HSL 232.63, 0.97%, 0.77%

LAB 66.03, 20.39, -51.44

 

CMYK 45 / 40 / 0 / 1

HEX #8B99FD

RGB 139 153 253

HSL 232.63, 0.97%, 0.77%

LAB 66.03, 20.39, -51.44

 

CMYK 39 / 34 / 0 / 4

HEX #95A0F4

RGB 149 160 244

HSL 233.05, 0.81%, 0.77%

LAB 68.07, 16.34, -43.28

 

CMYK 32 / 29 / 0 / 8

HEX #9EA7EA

RGB 158 167 234

HSL 232.89, 0.64%, 0.77%

LAB 70.07, 12.17, -34.65

 

CMYK 25 / 23 / 0 / 12

HEX #A8AEE1

RGB 168 174 225

HSL 233.68, 0.49%, 0.77%

LAB 72.25, 8.95, -26.31

 

CMYK 18 / 15 / 0 / 16

HEX #B1B6D7

RGB 177 182 215

HSL 232.11, 0.32%, 0.77%

LAB 74.64, 5.04, -17.17

 

CMYK 45 / 16 / 0 / 1

HEX #8BD5FD

RGB 139 213 253

HSL 201.05, 0.97%, 0.77%

LAB 81.93, -12.73, -26.72

 

CMYK 45 / 28 / 0 / 1

HEX #8BB7FD

RGB 139 183 253

HSL 216.84, 0.97%, 0.77%

LAB 73.84, 3.37, -39.2

 

CMYK 45 / 40 / 0 / 1

HEX #8B99FD

RGB 139 153 253

HSL 232.63, 0.97%, 0.77%

LAB 66.03, 20.39, -51.44

 

CMYK 38 / 45 / 0 / 1

HEX #9D8BFD

RGB 157 139 253

HSL 249.47, 0.97%, 0.77%

LAB 63.94, 32.82, -54.68

 

CMYK 26 / 45 / 0 / 1

HEX #BB8BFD

RGB 187 139 253

HSL 265.26, 0.97%, 0.77%

LAB 66.61, 40.57, -50.27

 

CMYK 77 / 68 / 0 / 1

HEX #3A50FC

RGB 58 80 252

HSL 233.2, 0.97%, 0.61%

LAB 43.75, 50.31, -87.13

 

CMYK 61 / 54 / 0 / 1

HEX #6375FD

RGB 99 117 253

HSL 232.99, 0.97%, 0.69%

LAB 54.52, 33.56, -70.01

 

CMYK 45 / 40 / 0 / 1

HEX #8B99FD

RGB 139 153 253

HSL 232.63, 0.97%, 0.77%

LAB 66.03, 20.39, -51.44

 

CMYK 29 / 26 / 0 / 0

HEX #B4BDFE

RGB 180 189 254

HSL 232.7, 0.97%, 0.85%

LAB 78.02, 11.15, -33.04

 

CMYK 13 / 11 / 0 / 0

HEX #DDE1FE

RGB 221 225 254

HSL 232.73, 0.94%, 0.93%

LAB 90.03, 4.24, -14.51

 

CMYK 45 / 40 / 0 / 1

HEX #8C99FD

RGB 140 153 253

HSL 233.1, 0.97%, 0.77%

LAB 66.1, 20.63, -51.33

 

CMYK 0 / 45 / 4 / 1

HEX #FD8BF4

RGB 253 139 244

HSL 304.74, 0.97%, 0.77%

LAB 73.47, 57.28, -34.11

 

CMYK 22 / 0 / 45 / 1

HEX #C6FD8B

RGB 198 253 139

HSL 88.95, 0.97%, 0.77%

LAB 93.5, -35.87, 48.81

 

CMYK 45 / 40 / 0 / 1

HEX #8C99FD

RGB 140 153 253

HSL 233.1, 0.97%, 0.77%

LAB 66.1, 20.63, -51.33

 

CMYK 0 / 45 / 40 / 1

HEX #FD8B99

RGB 253 139 153

HSL 352.63, 0.97%, 0.77%

LAB 70.63, 44.5, 12.03

 

CMYK 40 / 0 / 45 / 1

HEX #99FD8B

RGB 153 253 139

HSL 112.63, 0.97%, 0.77%

LAB 91.18, -50.65, 45.41

 

CMYK 45 / 40 / 0 / 1

HEX #8C99FD

RGB 140 153 253

HSL 233.1, 0.97%, 0.77%

LAB 66.1, 20.63, -51.33

 

CMYK 0 / 45 / 4 / 1

HEX #FD8BF4

RGB 253 139 244

HSL 304.74, 0.97%, 0.77%

LAB 73.47, 57.28, -34.11

 

CMYK 0 / 5 / 45 / 1

HEX #FDF08B

RGB 253 240 139

HSL 53.16, 0.97%, 0.77%

LAB 93.91, -9.01, 50.16

 

CMYK 45 / 0 / 41 / 1

HEX #8BFD95

RGB 139 253 149

HSL 125.26, 0.97%, 0.77%

LAB 90.74, -53.26, 39.88

 

CMYK 45 / 40 / 0 / 1

HEX #8C99FD

RGB 140 153 253

HSL 233.1, 0.97%, 0.77%

LAB 66.1, 20.63, -51.33

 

CMYK 0 / 45 / 17 / 1

HEX #FD8BD2

RGB 253 139 210

HSL 322.63, 0.97%, 0.77%

LAB 72.23, 51.87, -17.34

 

CMYK 0 / 5 / 45 / 1

HEX #FDF08B

RGB 253 240 139

HSL 53.16, 0.97%, 0.77%

LAB 93.91, -9.01, 50.16

 

CMYK 45 / 0 / 28 / 1

HEX #8BFDB7

RGB 139 253 183

HSL 143.16, 0.97%, 0.77%

LAB 91.31, -47.59, 23.62

 

Description

Color code: HEX #8C99FD3F | qconv.com Color code: HEX #8C99FD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 153 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 153 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 10 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 10% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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