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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C99C0 it is the complementary color #73663F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C99C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C99C0 shade: #9199BB, #A2ABCE, #B3BDE1, #C4CFF4 and #D5E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C99C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C99C0 shade: #8C99C0, #7B87AD, #6A759A, #596387 and #485174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C99C0 shade: #8C99C0, #8D8CC0, #9B8CC0, #A98CC0 and #B78CC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C99C0 shade: #8C99C0 and #8C8CC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C99C0 shade matches the following richer shades: #8C99C0, #7D92CE, #6F8ADD, #6183EB and #527CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C99C0 shade: #8C99C0, #9AA0B1, #A9A7A3, #B7AE94 and #C6B686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C99C0 shade: #8CB4C0, #8CA7C0, #8C99C0, #8D8CC0 and #9B8CC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C99C0 shade: #586AA1, #7181B1, #8C99C0, #A6B0CE and #C1C8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C99C0 shade: #8C99C0, #BD8CC0 and #AEC08C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C99C0 shade: #8C99C0, #C08C99 and #99C08C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C99C0 shade: #8C99C0, #BD8CC0, #C0B38C and #8EC08C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C99C0 shade: #8C99C0, #C08CB3, #C0B38C and #8CC099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

Complementary color

CMYK 0 / 11 / 45 / 55

HEX #73663F

RGB 115 102 63

HSL 45, 0.29%, 0.35%

LAB 43.52, -0.79, 23.9

 

CMYK 22 / 18 / 0 / 27

HEX #9199BB

RGB 145 153 187

HSL 228.57, 0.24%, 0.65%

LAB 63.66, 4.59, -18.55

 

CMYK 21 / 17 / 0 / 19

HEX #A2ABCE

RGB 162 171 206

HSL 227.73, 0.31%, 0.72%

LAB 70.36, 4.33, -18.83

 

CMYK 20 / 16 / 0 / 12

HEX #B3BDE1

RGB 179 189 225

HSL 226.96, 0.43%, 0.79%

LAB 76.93, 4.08, -19.11

 

CMYK 20 / 15 / 0 / 4

HEX #C4CFF4

RGB 196 207 244

HSL 226.25, 0.69%, 0.86%

LAB 83.39, 3.86, -19.41

 

CMYK 16 / 12 / 0 / 0

HEX #D5E1FF

RGB 213 225 255

HSL 222.86, 1%, 0.92%

LAB 89.49, 1.95, -15.9

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 29 / 22 / 0 / 32

HEX #7B87AD

RGB 123 135 173

HSL 225.6, 0.23%, 0.58%

LAB 56.64, 4.56, -21.48

 

CMYK 31 / 24 / 0 / 40

HEX #6A759A

RGB 106 117 154

HSL 226.25, 0.19%, 0.51%

LAB 49.64, 4.93, -21.32

 

CMYK 34 / 27 / 0 / 47

HEX #596387

RGB 89 99 135

HSL 226.96, 0.21%, 0.44%

LAB 42.46, 5.35, -21.21

 

CMYK 38 / 30 / 0 / 55

HEX #485174

RGB 72 81 116

HSL 227.73, 0.23%, 0.37%

LAB 35.05, 5.87, -21.15

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 27 / 27 / 0 / 25

HEX #8D8CC0

RGB 141 140 192

HSL 241.15, 0.29%, 0.65%

LAB 60.09, 11.99, -26.87

 

CMYK 19 / 27 / 0 / 25

HEX #9B8CC0

RGB 155 140 192

HSL 257.31, 0.29%, 0.65%

LAB 61.25, 16.35, -24.99

 

CMYK 12 / 27 / 0 / 25

HEX #A98CC0

RGB 169 140 192

HSL 273.46, 0.29%, 0.65%

LAB 62.51, 20.87, -22.95

 

CMYK 5 / 27 / 0 / 25

HEX #B78CC0

RGB 183 140 192

HSL 289.62, 0.29%, 0.65%

LAB 63.86, 25.48, -20.76

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 27 / 27 / 0 / 25

HEX #8C8CC0

RGB 140 140 192

HSL 240, 0.29%, 0.65%

LAB 60.01, 11.68, -26.99

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 39 / 29 / 0 / 19

HEX #7D92CE

RGB 125 146 206

HSL 224.44, 0.45%, 0.65%

LAB 61.11, 7.59, -33.26

 

CMYK 50 / 38 / 0 / 13

HEX #6F8ADD

RGB 111 138 221

HSL 225.27, 0.62%, 0.65%

LAB 58.77, 13.15, -45.38

 

CMYK 59 / 44 / 0 / 8

HEX #6183EB

RGB 97 131 235

HSL 225.22, 0.78%, 0.65%

LAB 56.85, 18.84, -56.28

 

CMYK 67 / 50 / 0 / 2

HEX #527CF9

RGB 82 124 249

HSL 224.91, 0.93%, 0.65%

LAB 55.12, 25.28, -66.87

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 13 / 10 / 0 / 31

HEX #9AA0B1

RGB 154 160 177

HSL 224.35, 0.13%, 0.65%

LAB 65.89, 1.37, -9.53

 

CMYK 0 / 1 / 4 / 34

HEX #A9A7A3

RGB 169 167 163

HSL 40, 0.03%, 0.65%

LAB 68.55, -0.02, 2.31

 

CMYK 0 / 5 / 19 / 28

HEX #B7AE94

RGB 183 174 148

HSL 44.57, 0.2%, 0.65%

LAB 71.2, -1.13, 14.51

 

CMYK 0 / 8 / 32 / 22

HEX #C6B686

RGB 198 182 134

HSL 45, 0.36%, 0.65%

LAB 74.31, -1.53, 26.54

 

CMYK 27 / 6 / 0 / 25

HEX #8CB4C0

RGB 140 180 192

HSL 193.85, 0.29%, 0.65%

LAB 70.89, -10.58, -10.48

 

CMYK 27 / 13 / 0 / 25

HEX #8CA7C0

RGB 140 167 192

HSL 208.85, 0.29%, 0.65%

LAB 67.29, -3.56, -15.88

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 27 / 27 / 0 / 25

HEX #8D8CC0

RGB 141 140 192

HSL 241.15, 0.29%, 0.65%

LAB 60.09, 11.99, -26.87

 

CMYK 19 / 27 / 0 / 25

HEX #9B8CC0

RGB 155 140 192

HSL 257.31, 0.29%, 0.65%

LAB 61.25, 16.35, -24.99

 

CMYK 45 / 34 / 0 / 37

HEX #586AA1

RGB 88 106 161

HSL 225.21, 0.29%, 0.49%

LAB 45.57, 8.42, -31.86

 

CMYK 36 / 27 / 0 / 31

HEX #7181B1

RGB 113 129 177

HSL 225, 0.29%, 0.57%

LAB 54.43, 6.15, -27.23

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 19 / 15 / 0 / 19

HEX #A6B0CE

RGB 166 176 206

HSL 225, 0.29%, 0.73%

LAB 71.97, 2.84, -16.36

 

CMYK 13 / 10 / 0 / 13

HEX #C1C8DD

RGB 193 200 221

HSL 225, 0.29%, 0.81%

LAB 80.66, 1.75, -11.25

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 2 / 27 / 0 / 25

HEX #BD8CC0

RGB 189 140 192

HSL 296.54, 0.29%, 0.65%

LAB 64.47, 27.47, -19.78

 

CMYK 9 / 0 / 27 / 25

HEX #AEC08C

RGB 174 192 140

HSL 80.77, 0.29%, 0.65%

LAB 75.2, -15.18, 24.23

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 0 / 27 / 20 / 25

HEX #C08C99

RGB 192 140 153

HSL 345, 0.29%, 0.65%

LAB 63.56, 21.71, 0.93

 

CMYK 20 / 0 / 27 / 25

HEX #99C08C

RGB 153 192 140

HSL 105, 0.29%, 0.65%

LAB 73.78, -22.83, 22.07

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 2 / 27 / 0 / 25

HEX #BD8CC0

RGB 189 140 192

HSL 296.54, 0.29%, 0.65%

LAB 64.47, 27.47, -19.78

 

CMYK 0 / 7 / 27 / 25

HEX #C0B38C

RGB 192 179 140

HSL 45, 0.29%, 0.65%

LAB 73.12, -1.5, 21.63

 

CMYK 26 / 0 / 27 / 25

HEX #8EC08C

RGB 142 192 140

HSL 117.69, 0.29%, 0.65%

LAB 73.12, -26.64, 21.05

 

CMYK 27 / 20 / 0 / 25

HEX #8C99C0

RGB 140 153 192

HSL 225, 0.29%, 0.65%

LAB 63.48, 4.24, -21.67

 

CMYK 0 / 27 / 7 / 25

HEX #C08CB3

RGB 192 140 179

HSL 315, 0.29%, 0.65%

LAB 64.34, 26.07, -12.63

 

CMYK 0 / 7 / 27 / 25

HEX #C0B38C

RGB 192 179 140

HSL 45, 0.29%, 0.65%

LAB 73.12, -1.5, 21.63

 

CMYK 27 / 0 / 20 / 25

HEX #8CC099

RGB 140 192 153

HSL 135, 0.29%, 0.65%

LAB 73.27, -24.99, 14.26

 

Description

Color code: HEX #8C99C0 | qconv.com Color code: HEX #8C99C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 153 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 153 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 20 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 20% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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