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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C9812 it is the complementary color #7367ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C9812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C9812 shade: #91980D, #A2AA20, #B3BC33, #C4CE46 and #D5E059

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C9812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C9812 shade: #8C9812, #7B8600, #6A7400, #596200 and #485000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C9812 shade: #8B9712, #977F12, #975B12, #973712 and #971312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C9812 shade: #8B9712, #679712, #439712, #1F9712 and #129728

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C9812 shade matches the following richer shades: #8B9712 and #96A404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C9812 shade: #8B9712, #80891F, #747B2D, #696E3B and #5E6048

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C9812 shade: #975B12, #977E12, #8C9712, #689712 and #459712

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C9812 shade: #474D09, #69720D, #8B9712, #ADBC16 and #CFE01A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C9812 shade: #8C9812, #129737 and #6D1297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C9812 shade: #8C9812, #128C97 and #97128C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C9812 shade: #8C9812, #129737, #1D1297 and #971271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C9812 shade: #8C9812, #12975F, #1D1297 and #971249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 88 / 40

HEX #8C9812

RGB 140 152 18

HSL 65.37, 0.79%, 0.33%

LAB 59.96, -19.7, 60.19

 

Complementary color

CMYK 51 / 57 / 0 / 7

HEX #7367ED

RGB 115 103 237

HSL 245.37, 0.79%, 0.67%

LAB 51.22, 39.77, -66.39

 

CMYK 5 / 0 / 91 / 40

HEX #91980D

RGB 145 152 13

HSL 63.02, 0.84%, 0.32%

LAB 60.34, -17.58, 61.61

 

CMYK 5 / 0 / 81 / 33

HEX #A2AA20

RGB 162 170 32

HSL 63.48, 0.68%, 0.4%

LAB 66.93, -18.78, 63.39

 

CMYK 5 / 0 / 73 / 26

HEX #B3BC33

RGB 179 188 51

HSL 63.94, 0.57%, 0.47%

LAB 73.41, -19.74, 63.88

 

CMYK 5 / 0 / 66 / 19

HEX #C4CE46

RGB 196 206 70

HSL 64.41, 0.58%, 0.54%

LAB 79.8, -20.52, 63.64

 

CMYK 5 / 0 / 60 / 12

HEX #D5E059

RGB 213 224 89

HSL 64.89, 0.69%, 0.61%

LAB 86.1, -21.15, 62.98

 

CMYK 8 / 0 / 88 / 40

HEX #8C9812

RGB 140 152 18

HSL 65.37, 0.79%, 0.33%

LAB 59.96, -19.7, 60.19

 

CMYK 8 / 0 / 100 / 47

HEX #7B8600

RGB 123 134 0

HSL 64.93, 1%, 0.26%

LAB 53.23, -18.41, 57.5

 

CMYK 9 / 0 / 100 / 55

HEX #6A7400

RGB 106 116 0

HSL 65.17, 1%, 0.23%

LAB 46.39, -16.76, 51.8

 

CMYK 9 / 0 / 100 / 62

HEX #596200

RGB 89 98 0

HSL 65.51, 1%, 0.19%

LAB 39.34, -15.06, 45.94

 

CMYK 10 / 0 / 100 / 69

HEX #485000

RGB 72 80 0

HSL 66, 1%, 0.16%

LAB 32.07, -13.31, 39.89

 

CMYK 8 / 0 / 88 / 41

HEX #8B9712

RGB 139 151 18

HSL 65.41, 0.79%, 0.33%

LAB 59.59, -19.63, 59.85

 

CMYK 0 / 16 / 88 / 41

HEX #977F12

RGB 151 127 18

HSL 49.17, 0.79%, 0.33%

LAB 53.82, -1.27, 55.58

 

CMYK 0 / 40 / 88 / 41

HEX #975B12

RGB 151 91 18

HSL 32.93, 0.79%, 0.33%

LAB 44.38, 19.28, 47.88

 

CMYK 0 / 64 / 88 / 41

HEX #973712

RGB 151 55 18

HSL 16.69, 0.79%, 0.33%

LAB 36.66, 38.56, 41.53

 

CMYK 0 / 87 / 88 / 41

HEX #971312

RGB 151 19 18

HSL 0.45, 0.79%, 0.33%

LAB 32.01, 51.37, 37.66

 

CMYK 8 / 0 / 88 / 41

HEX #8B9712

RGB 139 151 18

HSL 65.41, 0.79%, 0.33%

LAB 59.59, -19.63, 59.85

 

CMYK 32 / 0 / 88 / 41

HEX #679712

RGB 103 151 18

HSL 81.65, 0.79%, 0.33%

LAB 57.13, -34.8, 56.81

 

CMYK 56 / 0 / 88 / 41

HEX #439712

RGB 67 151 18

HSL 97.89, 0.79%, 0.33%

LAB 55.45, -47.17, 54.71

 

CMYK 79 / 0 / 88 / 41

HEX #1F9712

RGB 31 151 18

HSL 114.14, 0.79%, 0.33%

LAB 54.52, -54.95, 53.53

 

CMYK 88 / 0 / 74 / 41

HEX #129728

RGB 18 151 40

HSL 129.92, 0.79%, 0.33%

LAB 54.46, -55.01, 46.6

 

CMYK 8 / 0 / 88 / 41

HEX #8B9712

RGB 139 151 18

HSL 65.41, 0.79%, 0.33%

LAB 59.59, -19.63, 59.85

 

CMYK 9 / 0 / 98 / 36

HEX #96A404

RGB 150 164 4

HSL 65.25, 0.95%, 0.33%

LAB 64.2, -21.62, 66.04

 

CMYK 8 / 0 / 88 / 41

HEX #8B9712

RGB 139 151 18

HSL 65.41, 0.79%, 0.33%

LAB 59.59, -19.63, 59.85

 

CMYK 7 / 0 / 77 / 46

HEX #80891F

RGB 128 137 31

HSL 65.09, 0.63%, 0.33%

LAB 54.64, -16.83, 51.62

 

CMYK 6 / 0 / 63 / 52

HEX #747B2D

RGB 116 123 45

HSL 65.38, 0.46%, 0.33%

LAB 49.58, -13.92, 40.54

 

CMYK 5 / 0 / 46 / 57

HEX #696E3B

RGB 105 110 59

HSL 65.88, 0.3%, 0.33%

LAB 44.9, -10.35, 27.69

 

CMYK 2 / 0 / 25 / 62

HEX #5E6048

RGB 94 96 72

HSL 65, 0.14%, 0.33%

LAB 39.94, -5.31, 13.49

 

CMYK 0 / 40 / 88 / 41

HEX #975B12

RGB 151 91 18

HSL 32.93, 0.79%, 0.33%

LAB 44.38, 19.28, 47.88

 

CMYK 0 / 17 / 88 / 41

HEX #977E12

RGB 151 126 18

HSL 48.72, 0.79%, 0.33%

LAB 53.54, -0.71, 55.36

 

CMYK 7 / 0 / 88 / 41

HEX #8C9712

RGB 140 151 18

HSL 64.96, 0.79%, 0.33%

LAB 59.66, -19.19, 59.95

 

CMYK 31 / 0 / 88 / 41

HEX #689712

RGB 104 151 18

HSL 81.2, 0.79%, 0.33%

LAB 57.19, -34.41, 56.89

 

CMYK 54 / 0 / 88 / 41

HEX #459712

RGB 69 151 18

HSL 96.99, 0.79%, 0.33%

LAB 55.52, -46.59, 54.8

 

CMYK 8 / 0 / 88 / 70

HEX #474D09

RGB 71 77 9

HSL 65.29, 0.79%, 0.17%

LAB 31.04, -11.7, 35.79

 

CMYK 8 / 0 / 89 / 55

HEX #69720D

RGB 105 114 13

HSL 65.35, 0.8%, 0.25%

LAB 45.73, -15.82, 48.38

 

CMYK 8 / 0 / 88 / 41

HEX #8B9712

RGB 139 151 18

HSL 65.41, 0.79%, 0.33%

LAB 59.59, -19.63, 59.85

 

CMYK 8 / 0 / 88 / 26

HEX #ADBC16

RGB 173 188 22

HSL 65.42, 0.79%, 0.41%

LAB 72.83, -23.28, 70.94

 

CMYK 8 / 0 / 88 / 12

HEX #CFE01A

RGB 207 224 26

HSL 65.15, 0.79%, 0.49%

LAB 85.33, -26.32, 81.35

 

CMYK 8 / 0 / 88 / 40

HEX #8C9812

RGB 140 152 18

HSL 65.37, 0.79%, 0.33%

LAB 59.96, -19.7, 60.19

 

CMYK 88 / 0 / 64 / 41

HEX #129737

RGB 18 151 55

HSL 136.69, 0.79%, 0.33%

LAB 54.59, -53.41, 40.34

 

CMYK 28 / 88 / 0 / 41

HEX #6D1297

RGB 109 18 151

HSL 281.05, 0.79%, 0.33%

LAB 29.21, 56.74, -51.89

 

CMYK 8 / 0 / 88 / 40

HEX #8C9812

RGB 140 152 18

HSL 65.37, 0.79%, 0.33%

LAB 59.96, -19.7, 60.19

 

CMYK 88 / 7 / 0 / 41

HEX #128C97

RGB 18 140 151

HSL 184.96, 0.79%, 0.33%

LAB 53.08, -26.28, -14.63

 

CMYK 0 / 88 / 7 / 41

HEX #97128C

RGB 151 18 140

HSL 304.96, 0.79%, 0.33%

LAB 35.8, 62.31, -34.12

 

CMYK 8 / 0 / 88 / 40

HEX #8C9812

RGB 140 152 18

HSL 65.37, 0.79%, 0.33%

LAB 59.96, -19.7, 60.19

 

CMYK 88 / 0 / 64 / 41

HEX #129737

RGB 18 151 55

HSL 136.69, 0.79%, 0.33%

LAB 54.59, -53.41, 40.34

 

CMYK 81 / 88 / 0 / 41

HEX #1D1297

RGB 29 18 151

HSL 244.96, 0.79%, 0.33%

LAB 19.75, 48.33, -67.79

 

CMYK 0 / 88 / 25 / 41

HEX #971271

RGB 151 18 113

HSL 317.14, 0.79%, 0.33%

LAB 34.4, 58.58, -19.43

 

CMYK 8 / 0 / 88 / 40

HEX #8C9812

RGB 140 152 18

HSL 65.37, 0.79%, 0.33%

LAB 59.96, -19.7, 60.19

 

CMYK 88 / 0 / 37 / 41

HEX #12975F

RGB 18 151 95

HSL 154.74, 0.79%, 0.33%

LAB 55.16, -46.62, 20.38

 

CMYK 81 / 88 / 0 / 41

HEX #1D1297

RGB 29 18 151

HSL 244.96, 0.79%, 0.33%

LAB 19.75, 48.33, -67.79

 

CMYK 0 / 88 / 52 / 41

HEX #971249

RGB 151 18 73

HSL 335.19, 0.79%, 0.33%

LAB 32.9, 54.4, 4.19

 

Description

Color code: HEX #8C9812 | qconv.com Color code: HEX #8C9812 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 152 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 152 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 88% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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