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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C92FC it is the complementary color #736D03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C92FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C92FC shade: #9192F7, #A2A4FF, #B3B6FF, #C4C8FF and #D5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C92FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C92FC shade: #8C92FC, #7B80E9, #6A6ED6, #595CC3 and #484AB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C92FC shade: #8D93FC, #A58DFC, #C38DFC, #E18DFC and #FC8DF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C92FC shade: #8D93FC and #8D8DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C92FC shade matches the following richer shades: #8D93FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C92FC shade: #8D93FC, #969BF3, #A0A4E9, #A9ACE0 and #B3B4D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C92FC shade: #8DCFFC, #8DB2FC, #8D94FC, #A38DFC and #C18DFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C92FC shade: #3C46FA, #646CFB, #8D93FC, #B5B9FD and #DDDFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C92FC shade: #8C92FC, #FC8DED and #C1FC8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C92FC shade: #8C92FC, #FC8D94 and #94FC8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C92FC shade: #8C92FC, #FC8DED, #FCF58D and #8DFC9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C92FC shade: #8C92FC, #FC8DCC, #FCF58D and #8DFCBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 42 / 0 / 1

HEX #8C92FC

RGB 140 146 252

HSL 236.79, 0.95%, 0.77%

LAB 64.29, 24.39, -53.65

 

Complementary color

CMYK 0 / 5 / 97 / 55

HEX #736D03

RGB 115 109 3

HSL 56.79, 0.95%, 0.23%

LAB 45.07, -8.57, 50.48

 

CMYK 41 / 41 / 0 / 3

HEX #9192F7

RGB 145 146 247

HSL 239.41, 0.86%, 0.77%

LAB 64.4, 24.19, -50.72

 

CMYK 36 / 36 / 0 / 0

HEX #A2A4FF

RGB 162 164 255

HSL 238.71, 1%, 0.82%

LAB 70.49, 20.4, -45.39

 

CMYK 30 / 29 / 0 / 0

HEX #B3B6FF

RGB 179 182 255

HSL 237.63, 1%, 0.85%

LAB 76.23, 14.96, -36.36

 

CMYK 23 / 22 / 0 / 0

HEX #C4C8FF

RGB 196 200 255

HSL 235.93, 1%, 0.88%

LAB 81.98, 10.06, -27.4

 

CMYK 16 / 15 / 0 / 0

HEX #D5DAFF

RGB 213 218 255

HSL 232.86, 1%, 0.92%

LAB 87.73, 5.62, -18.55

 

CMYK 44 / 42 / 0 / 1

HEX #8C92FC

RGB 140 146 252

HSL 236.79, 0.95%, 0.77%

LAB 64.29, 24.39, -53.65

 

CMYK 47 / 45 / 0 / 9

HEX #7B80E9

RGB 123 128 233

HSL 237.27, 0.71%, 0.7%

LAB 57.59, 25.47, -53.9

 

CMYK 50 / 49 / 0 / 16

HEX #6A6ED6

RGB 106 110 214

HSL 237.78, 0.57%, 0.63%

LAB 50.77, 26.72, -54.19

 

CMYK 54 / 53 / 0 / 24

HEX #595CC3

RGB 89 92 195

HSL 238.3, 0.47%, 0.56%

LAB 43.83, 28.18, -54.51

 

CMYK 59 / 58 / 0 / 31

HEX #484AB0

RGB 72 74 176

HSL 238.85, 0.42%, 0.49%

LAB 36.76, 29.91, -54.86

 

CMYK 44 / 42 / 0 / 1

HEX #8D93FC

RGB 141 147 252

HSL 236.76, 0.95%, 0.77%

LAB 64.61, 24.05, -53.14

 

CMYK 35 / 44 / 0 / 1

HEX #A58DFC

RGB 165 141 252

HSL 252.97, 0.95%, 0.77%

LAB 65.02, 33.44, -52.37

 

CMYK 23 / 44 / 0 / 1

HEX #C38DFC

RGB 195 141 252

HSL 269.19, 0.95%, 0.77%

LAB 67.78, 41.41, -47.82

 

CMYK 11 / 44 / 0 / 1

HEX #E18DFC

RGB 225 141 252

HSL 285.41, 0.95%, 0.77%

LAB 70.93, 49.76, -42.67

 

CMYK 0 / 44 / 1 / 1

HEX #FC8DF9

RGB 252 141 249

HSL 301.62, 0.95%, 0.77%

LAB 73.92, 56.87, -36.13

 

CMYK 44 / 42 / 0 / 1

HEX #8D93FC

RGB 141 147 252

HSL 236.76, 0.95%, 0.77%

LAB 64.61, 24.05, -53.14

 

CMYK 44 / 44 / 0 / 1

HEX #8D8DFC

RGB 141 141 252

HSL 240, 0.95%, 0.77%

LAB 63.13, 27.53, -55.49

 

CMYK 44 / 42 / 0 / 1

HEX #8D93FC

RGB 141 147 252

HSL 236.76, 0.95%, 0.77%

LAB 64.61, 24.05, -53.14

 

CMYK 44 / 42 / 0 / 1

HEX #8D93FC

RGB 141 147 252

HSL 236.76, 0.95%, 0.77%

LAB 64.61, 24.05, -53.14

 

CMYK 38 / 36 / 0 / 5

HEX #969BF3

RGB 150 155 243

HSL 236.77, 0.79%, 0.77%

LAB 66.82, 19.18, -44.68

 

CMYK 31 / 30 / 0 / 9

HEX #A0A4E9

RGB 160 164 233

HSL 236.71, 0.62%, 0.77%

LAB 69.4, 14.17, -35.12

 

CMYK 25 / 23 / 0 / 12

HEX #A9ACE0

RGB 169 172 224

HSL 236.73, 0.47%, 0.77%

LAB 71.77, 10.12, -26.49

 

CMYK 16 / 16 / 0 / 16

HEX #B3B4D6

RGB 179 180 214

HSL 238.29, 0.3%, 0.77%

LAB 74.24, 6.55, -17.21

 

CMYK 44 / 18 / 0 / 1

HEX #8DCFFC

RGB 141 207 252

HSL 204.32, 0.95%, 0.77%

LAB 80.36, -9.38, -28.58

 

CMYK 44 / 29 / 0 / 1

HEX #8DB2FC

RGB 141 178 252

HSL 220, 0.95%, 0.77%

LAB 72.58, 6.36, -40.6

 

CMYK 44 / 41 / 0 / 1

HEX #8D94FC

RGB 141 148 252

HSL 236.22, 0.95%, 0.77%

LAB 64.86, 23.47, -52.74

 

CMYK 35 / 44 / 0 / 1

HEX #A38DFC

RGB 163 141 252

HSL 251.89, 0.95%, 0.77%

LAB 64.85, 32.93, -52.64

 

CMYK 23 / 44 / 0 / 1

HEX #C18DFC

RGB 193 141 252

HSL 268.11, 0.95%, 0.77%

LAB 67.59, 40.87, -48.15

 

CMYK 76 / 72 / 0 / 2

HEX #3C46FA

RGB 60 70 250

HSL 236.84, 0.95%, 0.61%

LAB 41.6, 55.47, -89.55

 

CMYK 60 / 57 / 0 / 2

HEX #646CFB

RGB 100 108 251

HSL 236.82, 0.95%, 0.69%

LAB 52.29, 38.48, -72.52

 

CMYK 44 / 42 / 0 / 1

HEX #8D93FC

RGB 141 147 252

HSL 236.76, 0.95%, 0.77%

LAB 64.61, 24.05, -53.14

 

CMYK 28 / 27 / 0 / 1

HEX #B5B9FD

RGB 181 185 253

HSL 236.67, 0.95%, 0.85%

LAB 77.05, 13.39, -34

 

CMYK 13 / 12 / 0 / 0

HEX #DDDFFE

RGB 221 223 254

HSL 236.36, 0.94%, 0.93%

LAB 89.53, 5.28, -15.26

 

CMYK 44 / 42 / 0 / 1

HEX #8C92FC

RGB 140 146 252

HSL 236.79, 0.95%, 0.77%

LAB 64.29, 24.39, -53.65

 

CMYK 0 / 44 / 6 / 1

HEX #FC8DED

RGB 252 141 237

HSL 308.11, 0.95%, 0.77%

LAB 73.45, 54.84, -30.32

 

CMYK 23 / 0 / 44 / 1

HEX #C1FC8D

RGB 193 252 141

HSL 91.89, 0.95%, 0.77%

LAB 92.96, -36.94, 47.12

 

CMYK 44 / 42 / 0 / 1

HEX #8C92FC

RGB 140 146 252

HSL 236.79, 0.95%, 0.77%

LAB 64.29, 24.39, -53.65

 

CMYK 0 / 44 / 41 / 1

HEX #FC8D94

RGB 252 141 148

HSL 356.22, 0.95%, 0.77%

LAB 70.79, 42.6, 15.02

 

CMYK 41 / 0 / 44 / 1

HEX #94FC8D

RGB 148 252 141

HSL 116.22, 0.95%, 0.77%

LAB 90.71, -51.45, 43.8

 

CMYK 44 / 42 / 0 / 1

HEX #8C92FC

RGB 140 146 252

HSL 236.79, 0.95%, 0.77%

LAB 64.29, 24.39, -53.65

 

CMYK 0 / 44 / 6 / 1

HEX #FC8DED

RGB 252 141 237

HSL 308.11, 0.95%, 0.77%

LAB 73.45, 54.84, -30.32

 

CMYK 0 / 3 / 44 / 1

HEX #FCF58D

RGB 252 245 141

HSL 56.22, 0.95%, 0.77%

LAB 95.13, -11.68, 50.69

 

CMYK 44 / 0 / 38 / 1

HEX #8DFC9B

RGB 141 252 155

HSL 127.57, 0.95%, 0.77%

LAB 90.62, -51.39, 36.78

 

CMYK 44 / 42 / 0 / 1

HEX #8C92FC

RGB 140 146 252

HSL 236.79, 0.95%, 0.77%

LAB 64.29, 24.39, -53.65

 

CMYK 0 / 44 / 19 / 1

HEX #FC8DCC

RGB 252 141 204

HSL 325.95, 0.95%, 0.77%

LAB 72.3, 49.67, -13.93

 

CMYK 0 / 3 / 44 / 1

HEX #FCF58D

RGB 252 245 141

HSL 56.22, 0.95%, 0.77%

LAB 95.13, -11.68, 50.69

 

CMYK 44 / 0 / 25 / 1

HEX #8DFCBD

RGB 141 252 189

HSL 145.95, 0.95%, 0.77%

LAB 91.22, -45.53, 20.44

 

Description

Color code: HEX #8C92FC | qconv.com Color code: HEX #8C92FC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 146 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 146 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 42 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 42% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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