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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C92B2 it is the complementary color #736D4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C92B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C92B2 shade: #9192AD, #A2A4C0, #B3B6D3, #C4C8E6 and #D5DAF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C92B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C92B2 shade: #8C92B2, #7B809F, #6A6E8C, #595C79 and #484A66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C92B2 shade: #8B91B1, #8F8BB1, #9A8BB1, #A48BB1 and #AE8BB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C92B2 shade: #8B91B1 and #8B8BB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C92B2 shade matches the following richer shades: #8B91B1, #7B86C1, #6B7BD1, #5C71E1 and #4C66F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C92B2 shade: #8B91B1, #9A9CA2, #AAA692, #BAB182 and #C9BC73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C92B2 shade: #8BA6B1, #8B9CB1, #8B91B1, #8F8BB1 and #998BB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C92B2 shade: #5D658C, #7279A1, #8B91B1, #A3A8C2 and #BCC0D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C92B2 shade: #8C92B2, #B18BB0 and #A1B18B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C92B2 shade: #8C92B2, #B18B91 and #91B18B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C92B2 shade: #8C92B2, #B18BB0, #B1AB8B and #8BB18C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C92B2 shade: #8C92B2, #B18BA5, #B1AB8B and #8BB198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 18 / 0 / 30

HEX #8C92B2

RGB 140 146 178

HSL 230.53, 0.2%, 0.62%

LAB 61.09, 4.84, -17.43

 

Complementary color

CMYK 0 / 5 / 33 / 55

HEX #736D4D

RGB 115 109 77

HSL 50.53, 0.2%, 0.38%

LAB 45.8, -3.07, 18.76

 

CMYK 16 / 16 / 0 / 32

HEX #9192AD

RGB 145 146 173

HSL 237.86, 0.15%, 0.62%

LAB 61.3, 5.32, -14.24

 

CMYK 16 / 15 / 0 / 25

HEX #A2A4C0

RGB 162 164 192

HSL 236, 0.19%, 0.69%

LAB 68.05, 5.06, -14.59

 

CMYK 15 / 14 / 0 / 17

HEX #B3B6D3

RGB 179 182 211

HSL 234.38, 0.27%, 0.76%

LAB 74.66, 4.82, -14.94

 

CMYK 15 / 13 / 0 / 10

HEX #C4C8E6

RGB 196 200 230

HSL 232.94, 0.4%, 0.84%

LAB 81.16, 4.59, -15.3

 

CMYK 14 / 12 / 0 / 2

HEX #D5DAF9

RGB 213 218 249

HSL 231.67, 0.75%, 0.91%

LAB 87.55, 4.37, -15.67

 

CMYK 21 / 18 / 0 / 30

HEX #8C92B2

RGB 140 146 178

HSL 230.53, 0.2%, 0.62%

LAB 61.09, 4.84, -17.43

 

CMYK 23 / 19 / 0 / 38

HEX #7B809F

RGB 123 128 159

HSL 231.67, 0.16%, 0.55%

LAB 54.19, 5.13, -17.17

 

CMYK 24 / 21 / 0 / 45

HEX #6A6E8C

RGB 106 110 140

HSL 232.94, 0.14%, 0.48%

LAB 47.12, 5.47, -16.93

 

CMYK 26 / 24 / 0 / 53

HEX #595C79

RGB 89 92 121

HSL 234.38, 0.15%, 0.41%

LAB 39.85, 5.85, -16.72

 

CMYK 29 / 27 / 0 / 60

HEX #484A66

RGB 72 74 102

HSL 236, 0.17%, 0.34%

LAB 32.34, 6.3, -16.57

 

CMYK 21 / 18 / 0 / 31

HEX #8B91B1

RGB 139 145 177

HSL 230.53, 0.2%, 0.62%

LAB 60.71, 4.85, -17.45

 

CMYK 19 / 21 / 0 / 31

HEX #8F8BB1

RGB 143 139 177

HSL 246.32, 0.2%, 0.62%

LAB 59.42, 9.58, -19.39

 

CMYK 13 / 21 / 0 / 31

HEX #9A8BB1

RGB 154 139 177

HSL 263.68, 0.2%, 0.62%

LAB 60.35, 13.21, -17.88

 

CMYK 7 / 21 / 0 / 31

HEX #A48BB1

RGB 164 139 177

HSL 279.47, 0.2%, 0.62%

LAB 61.25, 16.59, -16.43

 

CMYK 2 / 21 / 0 / 31

HEX #AE8BB1

RGB 174 139 177

HSL 295.26, 0.2%, 0.62%

LAB 62.2, 20.02, -14.9

 

CMYK 21 / 18 / 0 / 31

HEX #8B91B1

RGB 139 145 177

HSL 230.53, 0.2%, 0.62%

LAB 60.71, 4.85, -17.45

 

CMYK 21 / 21 / 0 / 31

HEX #8B8BB1

RGB 139 139 177

HSL 240, 0.2%, 0.62%

LAB 59.09, 8.28, -19.91

 

CMYK 21 / 18 / 0 / 31

HEX #8B91B1

RGB 139 145 177

HSL 230.53, 0.2%, 0.62%

LAB 60.71, 4.85, -17.45

 

CMYK 36 / 31 / 0 / 24

HEX #7B86C1

RGB 123 134 193

HSL 230.57, 0.36%, 0.62%

LAB 57.18, 10.45, -32.04

 

CMYK 49 / 41 / 0 / 18

HEX #6B7BD1

RGB 107 123 209

HSL 230.59, 0.53%, 0.62%

LAB 53.92, 17.52, -46.33

 

CMYK 59 / 50 / 0 / 12

HEX #5C71E1

RGB 92 113 225

HSL 230.53, 0.69%, 0.62%

LAB 51.29, 25.58, -59.62

 

CMYK 68 / 58 / 0 / 6

HEX #4C66F0

RGB 76 102 240

HSL 230.49, 0.85%, 0.62%

LAB 48.67, 34.88, -72.32

 

CMYK 21 / 18 / 0 / 31

HEX #8B91B1

RGB 139 145 177

HSL 230.53, 0.2%, 0.62%

LAB 60.71, 4.85, -17.45

 

CMYK 5 / 4 / 0 / 36

HEX #9A9CA2

RGB 154 156 162

HSL 225, 0.04%, 0.62%

LAB 64.37, 0.47, -3.38

 

CMYK 0 / 2 / 14 / 33

HEX #AAA692

RGB 170 166 146

HSL 50, 0.12%, 0.62%

LAB 67.94, -2.07, 10.87

 

CMYK 0 / 5 / 30 / 27

HEX #BAB182

RGB 186 177 130

HSL 50.36, 0.29%, 0.62%

LAB 71.89, -4.14, 25.26

 

CMYK 0 / 6 / 43 / 21

HEX #C9BC73

RGB 201 188 115

HSL 50.93, 0.44%, 0.62%

LAB 75.84, -5.67, 38.51

 

CMYK 21 / 6 / 0 / 31

HEX #8BA6B1

RGB 139 166 177

HSL 197.37, 0.2%, 0.62%

LAB 66.47, -6.85, -8.78

 

CMYK 21 / 12 / 0 / 31

HEX #8B9CB1

RGB 139 156 177

HSL 213.16, 0.2%, 0.62%

LAB 63.71, -1.35, -12.92

 

CMYK 21 / 18 / 0 / 31

HEX #8B91B1

RGB 139 145 177

HSL 230.53, 0.2%, 0.62%

LAB 60.71, 4.85, -17.45

 

CMYK 19 / 21 / 0 / 31

HEX #8F8BB1

RGB 143 139 177

HSL 246.32, 0.2%, 0.62%

LAB 59.42, 9.58, -19.39

 

CMYK 14 / 21 / 0 / 31

HEX #998BB1

RGB 153 139 177

HSL 262.11, 0.2%, 0.62%

LAB 60.26, 12.88, -18.02

 

CMYK 34 / 28 / 0 / 45

HEX #5D658C

RGB 93 101 140

HSL 229.79, 0.2%, 0.46%

LAB 43.55, 6.76, -22.5

 

CMYK 29 / 25 / 0 / 37

HEX #7279A1

RGB 114 121 161

HSL 231.06, 0.2%, 0.54%

LAB 51.64, 6.88, -22.29

 

CMYK 21 / 18 / 0 / 31

HEX #8B91B1

RGB 139 145 177

HSL 230.53, 0.2%, 0.62%

LAB 60.71, 4.85, -17.45

 

CMYK 16 / 13 / 0 / 24

HEX #A3A8C2

RGB 163 168 194

HSL 230.32, 0.2%, 0.7%

LAB 69.25, 3.61, -13.88

 

CMYK 10 / 9 / 0 / 18

HEX #BCC0D2

RGB 188 192 210

HSL 229.09, 0.2%, 0.78%

LAB 77.9, 2.14, -9.48

 

CMYK 21 / 18 / 0 / 30

HEX #8C92B2

RGB 140 146 178

HSL 230.53, 0.2%, 0.62%

LAB 61.09, 4.84, -17.43

 

CMYK 0 / 21 / 1 / 31

HEX #B18BB0

RGB 177 139 176

HSL 301.58, 0.2%, 0.62%

LAB 62.46, 20.86, -13.91

 

CMYK 9 / 0 / 21 / 31

HEX #A1B18B

RGB 161 177 139

HSL 85.26, 0.2%, 0.62%

LAB 70.1, -12.45, 17.62

 

CMYK 21 / 18 / 0 / 30

HEX #8C92B2

RGB 140 146 178

HSL 230.53, 0.2%, 0.62%

LAB 61.09, 4.84, -17.43

 

CMYK 0 / 21 / 18 / 31

HEX #B18B91

RGB 177 139 145

HSL 350.53, 0.2%, 0.62%

LAB 61.53, 15.37, 2.33

 

CMYK 18 / 0 / 21 / 31

HEX #91B18B

RGB 145 177 139

HSL 110.53, 0.2%, 0.62%

LAB 68.99, -18.28, 15.92

 

CMYK 21 / 18 / 0 / 30

HEX #8C92B2

RGB 140 146 178

HSL 230.53, 0.2%, 0.62%

LAB 61.09, 4.84, -17.43

 

CMYK 0 / 21 / 1 / 31

HEX #B18BB0

RGB 177 139 176

HSL 301.58, 0.2%, 0.62%

LAB 62.46, 20.86, -13.91

 

CMYK 0 / 3 / 21 / 31

HEX #B1AB8B

RGB 177 171 139

HSL 50.53, 0.2%, 0.62%

LAB 69.71, -3.19, 17.28

 

CMYK 21 / 0 / 21 / 31

HEX #8BB18C

RGB 139 177 140

HSL 121.58, 0.2%, 0.62%

LAB 68.63, -20.21, 14.81

 

CMYK 21 / 18 / 0 / 30

HEX #8C92B2

RGB 140 146 178

HSL 230.53, 0.2%, 0.62%

LAB 61.09, 4.84, -17.43

 

CMYK 0 / 21 / 7 / 31

HEX #B18BA5

RGB 177 139 165

HSL 318.95, 0.2%, 0.62%

LAB 62.11, 18.8, -8.2

 

CMYK 0 / 3 / 21 / 31

HEX #B1AB8B

RGB 177 171 139

HSL 50.53, 0.2%, 0.62%

LAB 69.71, -3.19, 17.28

 

CMYK 21 / 0 / 14 / 31

HEX #8BB198

RGB 139 177 152

HSL 140.53, 0.2%, 0.62%

LAB 68.9, -17.96, 8.61

 

Description

Color code: HEX #8C92B2 | qconv.com Color code: HEX #8C92B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 146 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 146 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 18 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 18% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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