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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C8F98 it is the complementary color #737067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C8F98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C8F98 shade: #918F93, #A2A1A6, #B3B3B9, #C4C5CC and #D5D7DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C8F98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C8F98 shade: #8C8F98, #7B7D85, #6A6B72, #59595F and #48474C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C8F98 shade: #8A8E97, #8B8A97, #8E8A97, #928A97 and #958A97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C8F98 shade: #8A8E97 and #8A8A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C8F98 shade matches the following richer shades: #8A8E97, #7985A9, #677CBB, #5573CD and #436ADE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C8F98 shade: #8A8E97, #9C9686, #AE9F74, #BFA862 and #D1B150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C8F98 shade: #8A9597, #8A9197, #8A8E97, #8A8A97 and #8E8A97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C8F98 shade: #61646E, #757884, #8A8E97, #A0A3AB and #B6B8BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C8F98 shade: #8C8F98, #978A97 and #93978A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C8F98 shade: #8C8F98, #978A8E and #8E978A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C8F98 shade: #8C8F98, #978A97, #97948A and #8B978A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C8F98 shade: #8C8F98, #978A94, #97948A and #8A978E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 6 / 0 / 40

HEX #8C8F98

RGB 140 143 152

HSL 225, 0.06%, 0.57%

LAB 59.42, 0.74, -5.15

 

Complementary color

CMYK 0 / 3 / 10 / 55

HEX #737067

RGB 115 112 103

HSL 45, 0.06%, 0.43%

LAB 47.25, -0.57, 5.41

 

CMYK 1 / 3 / 0 / 42

HEX #918F93

RGB 145 143 147

HSL 270, 0.02%, 0.57%

LAB 59.68, 1.52, -1.87

 

CMYK 2 / 3 / 0 / 35

HEX #A2A1A6

RGB 162 161 166

HSL 252, 0.03%, 0.64%

LAB 66.46, 1.32, -2.47

 

CMYK 3 / 3 / 0 / 27

HEX #B3B3B9

RGB 179 179 185

HSL 240, 0.04%, 0.71%

LAB 73.11, 1.14, -3.06

 

CMYK 4 / 3 / 0 / 20

HEX #C4C5CC

RGB 196 197 204

HSL 232.5, 0.07%, 0.78%

LAB 79.63, 0.97, -3.62

 

CMYK 4 / 4 / 0 / 13

HEX #D5D7DF

RGB 213 215 223

HSL 228, 0.14%, 0.85%

LAB 86.04, 0.81, -4.17

 

CMYK 8 / 6 / 0 / 40

HEX #8C8F98

RGB 140 143 152

HSL 225, 0.06%, 0.57%

LAB 59.42, 0.74, -5.15

 

CMYK 8 / 6 / 0 / 48

HEX #7B7D85

RGB 123 125 133

HSL 228, 0.04%, 0.5%

LAB 52.48, 0.92, -4.6

 

CMYK 7 / 6 / 0 / 55

HEX #6A6B72

RGB 106 107 114

HSL 232.5, 0.04%, 0.43%

LAB 45.35, 1.11, -4.04

 

CMYK 6 / 6 / 0 / 63

HEX #59595F

RGB 89 89 95

HSL 240, 0.03%, 0.36%

LAB 38.01, 1.31, -3.45

 

CMYK 5 / 7 / 0 / 70

HEX #48474C

RGB 72 71 76

HSL 252, 0.03%, 0.29%

LAB 30.41, 1.54, -2.84

 

CMYK 9 / 6 / 0 / 41

HEX #8A8E97

RGB 138 142 151

HSL 221.54, 0.06%, 0.57%

LAB 58.96, 0.39, -5.28

 

CMYK 8 / 9 / 0 / 41

HEX #8B8A97

RGB 139 138 151

HSL 244.62, 0.06%, 0.57%

LAB 57.94, 3.01, -6.78

 

CMYK 6 / 9 / 0 / 41

HEX #8E8A97

RGB 142 138 151

HSL 258.46, 0.06%, 0.57%

LAB 58.19, 4.08, -6.38

 

CMYK 3 / 9 / 0 / 41

HEX #928A97

RGB 146 138 151

HSL 276.92, 0.06%, 0.57%

LAB 58.53, 5.51, -5.84

 

CMYK 1 / 9 / 0 / 41

HEX #958A97

RGB 149 138 151

HSL 290.77, 0.06%, 0.57%

LAB 58.79, 6.59, -5.43

 

CMYK 9 / 6 / 0 / 41

HEX #8A8E97

RGB 138 142 151

HSL 221.54, 0.06%, 0.57%

LAB 58.96, 0.39, -5.28

 

CMYK 9 / 9 / 0 / 41

HEX #8A8A97

RGB 138 138 151

HSL 240, 0.06%, 0.57%

LAB 57.86, 2.66, -6.91

 

CMYK 9 / 6 / 0 / 41

HEX #8A8E97

RGB 138 142 151

HSL 221.54, 0.06%, 0.57%

LAB 58.96, 0.39, -5.28

 

CMYK 28 / 21 / 0 / 34

HEX #7985A9

RGB 121 133 169

HSL 225, 0.22%, 0.57%

LAB 55.79, 4.08, -20.5

 

CMYK 45 / 34 / 0 / 27

HEX #677CBB

RGB 103 124 187

HSL 225, 0.38%, 0.57%

LAB 52.83, 9.26, -35.53

 

CMYK 59 / 44 / 0 / 20

HEX #5573CD

RGB 85 115 205

HSL 225, 0.55%, 0.57%

LAB 50.22, 16.36, -50.03

 

CMYK 70 / 52 / 0 / 13

HEX #436ADE

RGB 67 106 222

HSL 224.9, 0.7%, 0.57%

LAB 47.98, 24.84, -63.34

 

CMYK 9 / 6 / 0 / 41

HEX #8A8E97

RGB 138 142 151

HSL 221.54, 0.06%, 0.57%

LAB 58.96, 0.39, -5.28

 

CMYK 0 / 4 / 14 / 39

HEX #9C9686

RGB 156 150 134

HSL 43.64, 0.1%, 0.57%

LAB 62.17, -0.64, 9.22

 

CMYK 0 / 9 / 33 / 32

HEX #AE9F74

RGB 174 159 116

HSL 44.48, 0.26%, 0.57%

LAB 65.79, -1.11, 24.47

 

CMYK 0 / 12 / 49 / 25

HEX #BFA862

RGB 191 168 98

HSL 45.16, 0.42%, 0.57%

LAB 69.44, -0.94, 39.03

 

CMYK 0 / 15 / 62 / 18

HEX #D1B150

RGB 209 177 80

HSL 45.12, 0.58%, 0.57%

LAB 73.27, 0.42, 52.74

 

CMYK 9 / 1 / 0 / 41

HEX #8A9597

RGB 138 149 151

HSL 189.23, 0.06%, 0.57%

LAB 60.9, -3.53, -2.42

HEX #8A9597

CMYK 9 / 4 / 0 / 41

HEX #8A9197

RGB 138 145 151

HSL 207.69, 0.06%, 0.57%

LAB 59.79, -1.3, -4.05

HEX #8A9197

CMYK 9 / 6 / 0 / 41

HEX #8A8E97

RGB 138 142 151

HSL 221.54, 0.06%, 0.57%

LAB 58.96, 0.39, -5.28

HEX #8A8E97

CMYK 9 / 9 / 0 / 41

HEX #8A8A97

RGB 138 138 151

HSL 240, 0.06%, 0.57%

LAB 57.86, 2.66, -6.91

HEX #8A8A97

CMYK 6 / 9 / 0 / 41

HEX #8E8A97

RGB 142 138 151

HSL 258.46, 0.06%, 0.57%

LAB 58.19, 4.08, -6.38

HEX #8E8A97

CMYK 12 / 9 / 0 / 57

HEX #61646E

RGB 97 100 110

HSL 226.15, 0.06%, 0.41%

LAB 42.43, 1.05, -6.03

 

CMYK 11 / 9 / 0 / 48

HEX #757884

RGB 117 120 132

HSL 228, 0.06%, 0.49%

LAB 50.55, 1.44, -6.93

 

CMYK 9 / 6 / 0 / 41

HEX #8A8E97

RGB 138 142 151

HSL 221.54, 0.06%, 0.57%

LAB 58.96, 0.39, -5.28

 

CMYK 6 / 5 / 0 / 33

HEX #A0A3AB

RGB 160 163 171

HSL 223.64, 0.06%, 0.65%

LAB 66.98, 0.51, -4.51

 

CMYK 4 / 3 / 0 / 25

HEX #B6B8BE

RGB 182 184 190

HSL 225, 0.06%, 0.73%

LAB 74.79, 0.45, -3.29

 

CMYK 8 / 6 / 0 / 40

HEX #8C8F98

RGB 140 143 152

HSL 225, 0.06%, 0.57%

LAB 59.42, 0.74, -5.15

 

CMYK 0 / 9 / 0 / 41

HEX #978A97

RGB 151 138 151

HSL 300, 0.06%, 0.57%

LAB 58.97, 7.32, -5.15

 

CMYK 3 / 0 / 9 / 41

HEX #93978A

RGB 147 151 138

HSL 78.46, 0.06%, 0.57%

LAB 61.8, -3.91, 6.34

 

CMYK 8 / 6 / 0 / 40

HEX #8C8F98

RGB 140 143 152

HSL 225, 0.06%, 0.57%

LAB 59.42, 0.74, -5.15

 

CMYK 0 / 9 / 6 / 41

HEX #978A8E

RGB 151 138 142

HSL 341.54, 0.06%, 0.57%

LAB 58.7, 5.6, -0.38

 

CMYK 6 / 0 / 9 / 41

HEX #8E978A

RGB 142 151 138

HSL 101.54, 0.06%, 0.57%

LAB 61.41, -5.76, 5.73

 

CMYK 8 / 6 / 0 / 40

HEX #8C8F98

RGB 140 143 152

HSL 225, 0.06%, 0.57%

LAB 59.42, 0.74, -5.15

 

CMYK 0 / 9 / 0 / 41

HEX #978A97

RGB 151 138 151

HSL 300, 0.06%, 0.57%

LAB 58.97, 7.32, -5.15

 

CMYK 0 / 2 / 9 / 41

HEX #97948A

RGB 151 148 138

HSL 46.15, 0.06%, 0.57%

LAB 61.3, -0.75, 5.67

 

CMYK 8 / 0 / 9 / 41

HEX #8B978A

RGB 139 151 138

HSL 115.38, 0.06%, 0.57%

LAB 61.18, -6.86, 5.37

 

CMYK 8 / 6 / 0 / 40

HEX #8C8F98

RGB 140 143 152

HSL 225, 0.06%, 0.57%

LAB 59.42, 0.74, -5.15

 

CMYK 0 / 9 / 2 / 41

HEX #978A94

RGB 151 138 148

HSL 313.85, 0.06%, 0.57%

LAB 58.88, 6.74, -3.56

 

CMYK 0 / 2 / 9 / 41

HEX #97948A

RGB 151 148 138

HSL 46.15, 0.06%, 0.57%

LAB 61.3, -0.75, 5.67

 

CMYK 9 / 0 / 6 / 41

HEX #8A978E

RGB 138 151 142

HSL 138.46, 0.06%, 0.57%

LAB 61.21, -6.45, 3.14

 

Description

Color code: HEX #8C8F98 | qconv.com Color code: HEX #8C8F98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 143 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 143 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 6 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 6% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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