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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C8A88 it is the complementary color #737577. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C8A88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C8A88 shade: #918A83, #A29C96, #B3AEA9, #C4C0BC and #D5D2CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C8A88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C8A88 shade: #8C8A88, #7B7875, #6A6662, #59544F and #48423C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C8A88 shade: #8C8A87, #8C8887 and #8C8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C8A88 shade: #8C8A87, #8C8B87, #8C8C87, #8B8C87 and #898C87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C8A88 shade matches the following richer shades: #8C8A87, #9F8A74, #B28A61, #C58A4E and #D88A3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C8A88 shade: #8C8A87, #798A9A, #668AAD, #538AC0 and #408AD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C8A88 shade: #8C8788, #8C8887, #8C8A87, #8C8B87 and #8C8C87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C8A88 shade: #62605F, #777573, #8C8A87, #A09E9C and #B4B3B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C8A88 shade: #8C8A88, #898C87 and #88878C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C8A88 shade: #8C8A88, #878C8A and #8A878C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C8A88 shade: #8C8A88, #898C87, #878A8C and #8B878C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C8A88 shade: #8C8A88, #878C87, #878A8C and #8C878C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 3 / 45

HEX #8C8A88

RGB 140 138 136

HSL 30, 0.02%, 0.54%

LAB 57.59, 0.36, 1.32

 

Complementary color

CMYK 3 / 2 / 0 / 53

HEX #737577

RGB 115 117 119

HSL 210, 0.02%, 0.46%

LAB 49.13, -0.34, -1.37

 

CMYK 0 / 5 / 10 / 43

HEX #918A83

RGB 145 138 131

HSL 30, 0.06%, 0.54%

LAB 57.88, 1.32, 4.67

 

CMYK 0 / 4 / 7 / 36

HEX #A29C96

RGB 162 156 150

HSL 30, 0.06%, 0.61%

LAB 64.69, 1.09, 3.91

 

CMYK 0 / 3 / 6 / 30

HEX #B3AEA9

RGB 179 174 169

HSL 30, 0.06%, 0.68%

LAB 71.36, 0.87, 3.18

 

CMYK 0 / 2 / 4 / 23

HEX #C4C0BC

RGB 196 192 188

HSL 30, 0.06%, 0.75%

LAB 77.91, 0.68, 2.5

 

CMYK 0 / 1 / 3 / 16

HEX #D5D2CF

RGB 213 210 207

HSL 30, 0.07%, 0.82%

LAB 84.35, 0.5, 1.84

 

CMYK 0 / 1 / 3 / 45

HEX #8C8A88

RGB 140 138 136

HSL 30, 0.02%, 0.54%

LAB 57.59, 0.36, 1.32

 

CMYK 0 / 2 / 5 / 52

HEX #7B7875

RGB 123 120 117

HSL 30, 0.03%, 0.47%

LAB 50.6, 0.56, 2.04

 

CMYK 0 / 4 / 8 / 58

HEX #6A6662

RGB 106 102 98

HSL 30, 0.04%, 0.4%

LAB 43.43, 0.78, 2.81

 

CMYK 0 / 6 / 11 / 65

HEX #59544F

RGB 89 84 79

HSL 30, 0.06%, 0.33%

LAB 36.04, 1.04, 3.64

 

CMYK 0 / 8 / 17 / 72

HEX #48423C

RGB 72 66 60

HSL 30, 0.09%, 0.26%

LAB 28.38, 1.35, 4.57

HEX #48423C

CMYK 0 / 1 / 4 / 45

HEX #8C8A87

RGB 140 138 135

HSL 36, 0.02%, 0.54%

LAB 57.56, 0.17, 1.86

 

CMYK 0 / 3 / 4 / 45

HEX #8C8887

RGB 140 136 135

HSL 12, 0.02%, 0.54%

LAB 57.01, 1.3, 1.06

 

CMYK 0 / 4 / 4 / 45

HEX #8C8787

RGB 140 135 135

HSL 0, 0.02%, 0.54%

LAB 56.74, 1.87, 0.66

 

CMYK 0 / 1 / 4 / 45

HEX #8C8A87

RGB 140 138 135

HSL 36, 0.02%, 0.54%

LAB 57.56, 0.17, 1.86

 

CMYK 0 / 1 / 4 / 45

HEX #8C8B87

RGB 140 139 135

HSL 48, 0.02%, 0.54%

LAB 57.84, -0.4, 2.26

 

CMYK 0 / 0 / 4 / 45

HEX #8C8C87

RGB 140 140 135

HSL 60, 0.02%, 0.54%

LAB 58.11, -0.96, 2.66

 

CMYK 1 / 0 / 4 / 45

HEX #8B8C87

RGB 139 140 135

HSL 72, 0.02%, 0.54%

LAB 58.03, -1.33, 2.53

 

CMYK 2 / 0 / 4 / 45

HEX #898C87

RGB 137 140 135

HSL 96, 0.02%, 0.54%

LAB 57.87, -2.08, 2.28

 

CMYK 0 / 1 / 4 / 45

HEX #8C8A87

RGB 140 138 135

HSL 36, 0.02%, 0.54%

LAB 57.56, 0.17, 1.86

 

CMYK 0 / 13 / 27 / 38

HEX #9F8A74

RGB 159 138 116

HSL 30.7, 0.18%, 0.54%

LAB 58.8, 4.4, 14.71

 

CMYK 0 / 22 / 46 / 30

HEX #B28A61

RGB 178 138 97

HSL 30.37, 0.34%, 0.54%

LAB 60.34, 9.88, 27.76

 

CMYK 0 / 30 / 60 / 23

HEX #C58A4E

RGB 197 138 78

HSL 30.25, 0.51%, 0.54%

LAB 62.17, 16.23, 40.65

 

CMYK 0 / 36 / 73 / 15

HEX #D88A3B

RGB 216 138 59

HSL 30.19, 0.67%, 0.54%

LAB 64.24, 23.14, 52.82

 

CMYK 0 / 1 / 4 / 45

HEX #8C8A87

RGB 140 138 135

HSL 36, 0.02%, 0.54%

LAB 57.56, 0.17, 1.86

 

CMYK 21 / 10 / 0 / 40

HEX #798A9A

RGB 121 138 154

HSL 209.09, 0.14%, 0.54%

LAB 56.66, -2.48, -10.56

 

CMYK 41 / 20 / 0 / 32

HEX #668AAD

RGB 102 138 173

HSL 209.58, 0.3%, 0.54%

LAB 56.11, -3.3, -22.42

 

CMYK 57 / 28 / 0 / 25

HEX #538AC0

RGB 83 138 192

HSL 209.72, 0.46%, 0.54%

LAB 55.91, -2.17, -33.64

 

CMYK 70 / 35 / 0 / 17

HEX #408AD3

RGB 64 138 211

HSL 209.8, 0.63%, 0.54%

LAB 56.06, 0.81, -44.2

 

CMYK 0 / 4 / 3 / 45

HEX #8C8788

RGB 140 135 136

HSL 348, 0.02%, 0.54%

LAB 56.76, 2.06, 0.12

 

CMYK 0 / 3 / 4 / 45

HEX #8C8887

RGB 140 136 135

HSL 12, 0.02%, 0.54%

LAB 57.01, 1.3, 1.06

 

CMYK 0 / 1 / 4 / 45

HEX #8C8A87

RGB 140 138 135

HSL 36, 0.02%, 0.54%

LAB 57.56, 0.17, 1.86

 

CMYK 0 / 1 / 4 / 45

HEX #8C8B87

RGB 140 139 135

HSL 48, 0.02%, 0.54%

LAB 57.84, -0.4, 2.26

 

CMYK 0 / 0 / 4 / 45

HEX #8C8C87

RGB 140 140 135

HSL 60, 0.02%, 0.54%

LAB 58.11, -0.96, 2.66

 

CMYK 0 / 2 / 3 / 62

HEX #62605F

RGB 98 96 95

HSL 20, 0.02%, 0.38%

LAB 40.88, 0.59, 0.84

 

CMYK 0 / 2 / 3 / 53

HEX #777573

RGB 119 117 115

HSL 30, 0.02%, 0.46%

LAB 49.35, 0.37, 1.36

 

CMYK 0 / 1 / 4 / 45

HEX #8C8A87

RGB 140 138 135

HSL 36, 0.02%, 0.54%

LAB 57.56, 0.17, 1.86

 

CMYK 0 / 1 / 2 / 37

HEX #A09E9C

RGB 160 158 156

HSL 30, 0.02%, 0.62%

LAB 65.22, 0.35, 1.29

 

CMYK 0 / 1 / 2 / 29

HEX #B4B3B1

RGB 180 179 177

HSL 40, 0.02%, 0.7%

LAB 72.97, -0.01, 1.13

 

CMYK 0 / 1 / 3 / 45

HEX #8C8A88

RGB 140 138 136

HSL 30, 0.02%, 0.54%

LAB 57.59, 0.36, 1.32

 

CMYK 2 / 0 / 4 / 45

HEX #898C87

RGB 137 140 135

HSL 96, 0.02%, 0.54%

LAB 57.87, -2.08, 2.28

 

CMYK 3 / 4 / 0 / 45

HEX #88878C

RGB 136 135 140

HSL 252, 0.02%, 0.54%

LAB 56.54, 1.37, -2.55

 

CMYK 0 / 1 / 3 / 45

HEX #8C8A88

RGB 140 138 136

HSL 30, 0.02%, 0.54%

LAB 57.59, 0.36, 1.32

 

CMYK 4 / 0 / 1 / 45

HEX #878C8A

RGB 135 140 138

HSL 156, 0.02%, 0.54%

LAB 57.79, -2.22, 0.42

 

CMYK 1 / 4 / 0 / 45

HEX #8A878C

RGB 138 135 140

HSL 276, 0.02%, 0.54%

LAB 56.71, 2.1, -2.29

 

CMYK 0 / 1 / 3 / 45

HEX #8C8A88

RGB 140 138 136

HSL 30, 0.02%, 0.54%

LAB 57.59, 0.36, 1.32

 

CMYK 2 / 0 / 4 / 45

HEX #898C87

RGB 137 140 135

HSL 96, 0.02%, 0.54%

LAB 57.87, -2.08, 2.28

 

CMYK 4 / 1 / 0 / 45

HEX #878A8C

RGB 135 138 140

HSL 204, 0.02%, 0.54%

LAB 57.29, -0.7, -1.46

 

CMYK 1 / 4 / 0 / 45

HEX #8B878C

RGB 139 135 140

HSL 288, 0.02%, 0.54%

LAB 56.79, 2.47, -2.15

 

CMYK 0 / 1 / 3 / 45

HEX #8C8A88

RGB 140 138 136

HSL 30, 0.02%, 0.54%

LAB 57.59, 0.36, 1.32

 

CMYK 4 / 0 / 4 / 45

HEX #878C87

RGB 135 140 135

HSL 120, 0.02%, 0.54%

LAB 57.71, -2.82, 2.02

 

CMYK 4 / 1 / 0 / 45

HEX #878A8C

RGB 135 138 140

HSL 204, 0.02%, 0.54%

LAB 57.29, -0.7, -1.46

 

CMYK 0 / 4 / 0 / 45

HEX #8C878C

RGB 140 135 140

HSL 300, 0.02%, 0.54%

LAB 56.88, 2.84, -2.02

 

Description

Color code: HEX #8C8A88 | qconv.com Color code: HEX #8C8A88 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 138 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 138 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 3 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 3% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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