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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C880F it is the complementary color #7377F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C880F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C880F shade: #91880A, #A29A1D, #B3AC30, #C4BE43 and #D5D056

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C880F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C880F shade: #8C880F, #7B7600, #6A6400, #595200 and #484000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C880F shade: #8A860F, #8A650F, #8A440F, #8A220F and #8A0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C880F shade: #8A860F, #6D8A0F, #4C8A0F, #2A8A0F and #0F8A14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C880F shade matches the following richer shades: #8A860F and #979202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C880F shade: #8A860F, #7E7B1B, #726F27, #656434 and #595840

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C880F shade: #8A440F, #8A650F, #8A860F, #6E8A0F and #4D8A0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C880F shade: #403E07, #65620B, #8A860F, #B0AB12 and #D5CF16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C880F shade: #8C880F, #0F8A23 and #550F8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C880F shade: #8C880F, #0F8A86 and #860F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C880F shade: #8C880F, #0F8A23, #0F138A and #8A0F76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C880F shade: #8C880F, #0F8A48, #0F138A and #8A0F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 89 / 45

HEX #8C880F

RGB 140 136 15

HSL 58.08, 0.81%, 0.3%

LAB 55.3, -11.38, 57.03

 

Complementary color

CMYK 52 / 50 / 0 / 6

HEX #7377F0

RGB 115 119 240

HSL 238.08, 0.81%, 0.7%

LAB 55.21, 31.21, -61.64

 

CMYK 0 / 6 / 93 / 43

HEX #91880A

RGB 145 136 10

HSL 56, 0.87%, 0.3%

LAB 55.74, -9.18, 58.5

 

CMYK 0 / 5 / 82 / 36

HEX #A29A1D

RGB 162 154 29

HSL 56.39, 0.7%, 0.37%

LAB 62.41, -10.59, 60.29

 

CMYK 0 / 4 / 73 / 30

HEX #B3AC30

RGB 179 172 48

HSL 56.79, 0.58%, 0.45%

LAB 68.97, -11.74, 60.7

 

CMYK 0 / 3 / 66 / 23

HEX #C4BE43

RGB 196 190 67

HSL 57.21, 0.52%, 0.52%

LAB 75.43, -12.68, 60.34

 

CMYK 0 / 2 / 60 / 16

HEX #D5D056

RGB 213 208 86

HSL 57.64, 0.6%, 0.59%

LAB 81.8, -13.46, 59.57

 

CMYK 0 / 3 / 89 / 45

HEX #8C880F

RGB 140 136 15

HSL 58.08, 0.81%, 0.3%

LAB 55.3, -11.38, 57.03

 

CMYK 0 / 4 / 100 / 52

HEX #7B7600

RGB 123 118 0

HSL 57.56, 1%, 0.24%

LAB 48.47, -9.83, 54

 

CMYK 0 / 6 / 100 / 58

HEX #6A6400

RGB 106 100 0

HSL 56.6, 1%, 0.21%

LAB 41.5, -7.92, 48.21

 

CMYK 0 / 8 / 100 / 65

HEX #595200

RGB 89 82 0

HSL 55.28, 1%, 0.17%

LAB 34.31, -5.91, 42.25

 

CMYK 0 / 11 / 100 / 72

HEX #484000

RGB 72 64 0

HSL 53.33, 1%, 0.14%

LAB 26.86, -3.79, 35.78

 

CMYK 0 / 3 / 89 / 46

HEX #8A860F

RGB 138 134 15

HSL 58.05, 0.8%, 0.3%

LAB 54.54, -11.23, 56.34

 

CMYK 0 / 27 / 89 / 46

HEX #8A650F

RGB 138 101 15

HSL 41.95, 0.8%, 0.3%

LAB 45.28, 7.37, 48.85

 

CMYK 0 / 51 / 89 / 46

HEX #8A440F

RGB 138 68 15

HSL 25.85, 0.8%, 0.3%

LAB 37.06, 26.46, 42.16

 

CMYK 0 / 75 / 89 / 46

HEX #8A220F

RGB 138 34 15

HSL 9.27, 0.8%, 0.3%

LAB 30.84, 42.81, 37.06

 

CMYK 0 / 89 / 89 / 46

HEX #8A0F0F

RGB 138 15 15

HSL 0, 0.8%, 0.3%

LAB 28.85, 48.4, 35.42

 

CMYK 0 / 3 / 89 / 46

HEX #8A860F

RGB 138 134 15

HSL 58.05, 0.8%, 0.3%

LAB 54.54, -11.23, 56.34

 

CMYK 21 / 0 / 89 / 46

HEX #6D8A0F

RGB 109 138 15

HSL 74.15, 0.8%, 0.3%

LAB 53.45, -26.3, 54.51

 

CMYK 45 / 0 / 89 / 46

HEX #4C8A0F

RGB 76 138 15

HSL 90.24, 0.8%, 0.3%

LAB 51.55, -39.26, 52.14

 

CMYK 70 / 0 / 89 / 46

HEX #2A8A0F

RGB 42 138 15

HSL 106.83, 0.8%, 0.3%

LAB 50.34, -48.89, 50.62

 

CMYK 89 / 0 / 86 / 46

HEX #0F8A14

RGB 15 138 20

HSL 122.44, 0.8%, 0.3%

LAB 49.89, -52.7, 48.81

 

CMYK 0 / 3 / 89 / 46

HEX #8A860F

RGB 138 134 15

HSL 58.05, 0.8%, 0.3%

LAB 54.54, -11.23, 56.34

 

CMYK 0 / 3 / 99 / 41

HEX #979202

RGB 151 146 2

HSL 57.99, 0.97%, 0.3%

LAB 59.11, -11.91, 62.56

 

CMYK 0 / 3 / 89 / 46

HEX #8A860F

RGB 138 134 15

HSL 58.05, 0.8%, 0.3%

LAB 54.54, -11.23, 56.34

 

CMYK 0 / 2 / 79 / 51

HEX #7E7B1B

RGB 126 123 27

HSL 58.18, 0.65%, 0.3%

LAB 50.31, -10.41, 48.94

 

CMYK 0 / 3 / 66 / 55

HEX #726F27

RGB 114 111 39

HSL 57.6, 0.49%, 0.3%

LAB 45.76, -8.66, 39.19

 

CMYK 0 / 1 / 49 / 60

HEX #656434

RGB 101 100 52

HSL 58.78, 0.32%, 0.3%

LAB 41.42, -7.26, 27.22

 

CMYK 0 / 1 / 28 / 65

HEX #595840

RGB 89 88 64

HSL 57.6, 0.16%, 0.3%

LAB 36.88, -4.03, 14.11

 

CMYK 0 / 51 / 89 / 46

HEX #8A440F

RGB 138 68 15

HSL 25.85, 0.8%, 0.3%

LAB 37.06, 26.46, 42.16

 

CMYK 0 / 27 / 89 / 46

HEX #8A650F

RGB 138 101 15

HSL 41.95, 0.8%, 0.3%

LAB 45.28, 7.37, 48.85

 

CMYK 0 / 3 / 89 / 46

HEX #8A860F

RGB 138 134 15

HSL 58.05, 0.8%, 0.3%

LAB 54.54, -11.23, 56.34

 

CMYK 20 / 0 / 89 / 46

HEX #6E8A0F

RGB 110 138 15

HSL 73.66, 0.8%, 0.3%

LAB 53.52, -25.87, 54.59

 

CMYK 44 / 0 / 89 / 46

HEX #4D8A0F

RGB 77 138 15

HSL 89.76, 0.8%, 0.3%

LAB 51.6, -38.91, 52.2

 

CMYK 0 / 3 / 89 / 75

HEX #403E07

RGB 64 62 7

HSL 57.89, 0.8%, 0.14%

LAB 25.41, -6.42, 31.3

 

CMYK 0 / 3 / 89 / 60

HEX #65620B

RGB 101 98 11

HSL 58, 0.8%, 0.22%

LAB 40.45, -8.91, 44.34

 

CMYK 0 / 3 / 89 / 46

HEX #8A860F

RGB 138 134 15

HSL 58.05, 0.8%, 0.3%

LAB 54.54, -11.23, 56.34

 

CMYK 0 / 3 / 90 / 31

HEX #B0AB12

RGB 176 171 18

HSL 58.1, 0.81%, 0.38%

LAB 68.31, -13.51, 68.15

 

CMYK 0 / 3 / 90 / 16

HEX #D5CF16

RGB 213 207 22

HSL 58.12, 0.81%, 0.46%

LAB 81.2, -15.6, 78.93

 

CMYK 0 / 3 / 89 / 45

HEX #8C880F

RGB 140 136 15

HSL 58.08, 0.81%, 0.3%

LAB 55.3, -11.38, 57.03

 

CMYK 89 / 0 / 75 / 46

HEX #0F8A23

RGB 15 138 35

HSL 129.76, 0.8%, 0.3%

LAB 49.98, -51.62, 43.92

 

CMYK 38 / 89 / 0 / 46

HEX #550F8A

RGB 85 15 138

HSL 274.15, 0.8%, 0.3%

LAB 24.03, 51.11, -52.45

 

CMYK 0 / 3 / 89 / 45

HEX #8C880F

RGB 140 136 15

HSL 58.08, 0.81%, 0.3%

LAB 55.3, -11.38, 57.03

 

CMYK 89 / 0 / 3 / 46

HEX #0F8A86

RGB 15 138 134

HSL 178.05, 0.8%, 0.3%

LAB 51.84, -30.95, -6.64

 

CMYK 3 / 89 / 0 / 46

HEX #860F8A

RGB 134 15 138

HSL 298.05, 0.8%, 0.3%

LAB 32.36, 59.28, -38.56

 

CMYK 0 / 3 / 89 / 45

HEX #8C880F

RGB 140 136 15

HSL 58.08, 0.81%, 0.3%

LAB 55.3, -11.38, 57.03

 

CMYK 89 / 0 / 75 / 46

HEX #0F8A23

RGB 15 138 35

HSL 129.76, 0.8%, 0.3%

LAB 49.98, -51.62, 43.92

 

CMYK 89 / 86 / 0 / 46

HEX #0F138A

RGB 15 19 138

HSL 238.05, 0.8%, 0.3%

LAB 17.47, 43.29, -63.51

 

CMYK 0 / 89 / 14 / 46

HEX #8A0F76

RGB 138 15 118

HSL 309.76, 0.8%, 0.3%

LAB 31.93, 56.99, -26.66

 

CMYK 0 / 3 / 89 / 45

HEX #8C880F

RGB 140 136 15

HSL 58.08, 0.81%, 0.3%

LAB 55.3, -11.38, 57.03

 

CMYK 89 / 0 / 48 / 46

HEX #0F8A48

RGB 15 138 72

HSL 147.8, 0.8%, 0.3%

LAB 50.39, -46.59, 26.71

 

CMYK 89 / 86 / 0 / 46

HEX #0F138A

RGB 15 19 138

HSL 238.05, 0.8%, 0.3%

LAB 17.47, 43.29, -63.51

 

CMYK 0 / 89 / 41 / 46

HEX #8A0F51

RGB 138 15 81

HSL 327.8, 0.8%, 0.3%

LAB 30.25, 52.42, -5.29

 

Description

Color code: HEX #8C880F | qconv.com Color code: HEX #8C880F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 136 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 136 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 89 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 89% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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