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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C872C it is the complementary color #7378D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C872C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C872C shade: #918727, #A2993A, #B3AB4D, #C4BD60 and #D5CF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C872C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C872C shade: #8C872C, #7B7519, #6A6306, #595100 and #483F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C872C shade: #8C872C, #8C6D2C, #8C532C, #8C392C and #8C2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C872C shade: #8C872C, #778C2C, #5D8C2C, #438C2C and #2C8C2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C872C shade matches the following richer shades: #8C872C, #9A941D and #A9A10E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C872C shade: #8C872C, #7D793B, #6E6C4A, #5F5F59 and #505167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C872C shade: #8C522C, #8C6C2C, #8C852C, #788C2C and #5F8C2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C872C shade: #4D4A18, #6C6822, #8C872C, #ABA536 and #C4BE46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C872C shade: #8C872C, #2C8C39 and #5F2C8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C872C shade: #8C872C, #2C8C85 and #852C8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C872C shade: #8C872C, #2C8C39, #2C328C and #8C2C7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C872C shade: #8C872C, #2C8C55, #2C328C and #8C2C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

Complementary color

CMYK 45 / 43 / 0 / 17

HEX #7378D3

RGB 115 120 211

HSL 236.88, 0.52%, 0.64%

LAB 53.79, 21.83, -47.62

 

CMYK 0 / 7 / 73 / 43

HEX #918727

RGB 145 135 39

HSL 54.34, 0.58%, 0.36%

LAB 55.58, -7.66, 50.1

 

CMYK 0 / 6 / 64 / 36

HEX #A2993A

RGB 162 153 58

HSL 54.81, 0.47%, 0.43%

LAB 62.31, -8.65, 49.49

 

CMYK 0 / 4 / 57 / 30

HEX #B3AB4D

RGB 179 171 77

HSL 55.29, 0.4%, 0.5%

LAB 68.93, -9.43, 48.51

 

CMYK 0 / 4 / 51 / 23

HEX #C4BD60

RGB 196 189 96

HSL 55.8, 0.46%, 0.57%

LAB 75.44, -10.06, 47.38

 

CMYK 0 / 3 / 46 / 16

HEX #D5CF73

RGB 213 207 115

HSL 56.33, 0.54%, 0.64%

LAB 81.84, -10.59, 46.2

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 0 / 5 / 80 / 52

HEX #7B7519

RGB 123 117 25

HSL 56.33, 0.66%, 0.29%

LAB 48.26, -8.58, 47.66

 

CMYK 0 / 7 / 94 / 58

HEX #6A6306

RGB 106 99 6

HSL 55.8, 0.89%, 0.22%

LAB 41.22, -7.18, 46.43

 

CMYK 0 / 9 / 100 / 65

HEX #595100

RGB 89 81 0

HSL 54.61, 1%, 0.17%

LAB 34, -5.32, 42.03

 

CMYK 0 / 13 / 100 / 72

HEX #483F00

RGB 72 63 0

HSL 52.5, 1%, 0.14%

LAB 26.54, -3.16, 35.5

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 0 / 22 / 69 / 45

HEX #8C6D2C

RGB 140 109 44

HSL 40.63, 0.52%, 0.36%

LAB 47.87, 4.95, 39.85

 

CMYK 0 / 41 / 69 / 45

HEX #8C532C

RGB 140 83 44

HSL 24.38, 0.52%, 0.36%

LAB 41.13, 20.09, 32.39

 

CMYK 0 / 59 / 69 / 45

HEX #8C392C

RGB 140 57 44

HSL 8.13, 0.52%, 0.36%

LAB 35.37, 34.43, 25.66

 

CMYK 0 / 69 / 69 / 45

HEX #8C2C2C

RGB 140 44 44

HSL 0, 0.52%, 0.36%

LAB 33.05, 40.61, 22.84

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 15 / 0 / 69 / 45

HEX #778C2C

RGB 119 140 44

HSL 73.13, 0.52%, 0.36%

LAB 54.93, -21.6, 46.71

 

CMYK 34 / 0 / 69 / 45

HEX #5D8C2C

RGB 93 140 44

HSL 89.38, 0.52%, 0.36%

LAB 53.24, -32.22, 44.42

 

CMYK 52 / 0 / 69 / 45

HEX #438C2C

RGB 67 140 44

HSL 105.63, 0.52%, 0.36%

LAB 51.99, -41.18, 42.71

 

CMYK 69 / 0 / 66 / 45

HEX #2C8C2F

RGB 44 140 47

HSL 121.88, 0.52%, 0.36%

LAB 51.26, -46.79, 40.39

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 0 / 4 / 81 / 40

HEX #9A941D

RGB 154 148 29

HSL 57.12, 0.68%, 0.36%

LAB 60.01, -11.01, 57.94

 

CMYK 0 / 5 / 92 / 34

HEX #A9A10E

RGB 169 161 14

HSL 56.9, 0.85%, 0.36%

LAB 64.93, -11.5, 65.91

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 0 / 3 / 53 / 51

HEX #7D793B

RGB 125 121 59

HSL 56.36, 0.36%, 0.36%

LAB 49.92, -7.57, 34.18

 

CMYK 0 / 2 / 33 / 57

HEX #6E6C4A

RGB 110 108 74

HSL 56.67, 0.2%, 0.36%

LAB 44.99, -5.08, 19.35

 

CMYK 0 / 0 / 6 / 63

HEX #5F5F59

RGB 95 95 89

HSL 60, 0.03%, 0.36%

LAB 40.14, -1.22, 3.43

 

CMYK 22 / 21 / 0 / 60

HEX #505167

RGB 80 81 103

HSL 237.39, 0.13%, 0.36%

LAB 35.14, 4.89, -12.84

 

CMYK 0 / 41 / 69 / 45

HEX #8C522C

RGB 140 82 44

HSL 23.75, 0.52%, 0.36%

LAB 40.88, 20.66, 32.11

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2C

RGB 140 108 44

HSL 40, 0.52%, 0.36%

LAB 47.6, 5.52, 39.56

 

CMYK 0 / 5 / 69 / 45

HEX #8C852C

RGB 140 133 44

HSL 55.63, 0.52%, 0.36%

LAB 54.59, -8.57, 46.9

 

CMYK 14 / 0 / 69 / 45

HEX #788C2C

RGB 120 140 44

HSL 72.5, 0.52%, 0.36%

LAB 55, -21.17, 46.81

 

CMYK 32 / 0 / 69 / 45

HEX #5F8C2C

RGB 95 140 44

HSL 88.13, 0.52%, 0.36%

LAB 53.35, -31.45, 44.58

 

CMYK 0 / 4 / 69 / 70

HEX #4D4A18

RGB 77 74 24

HSL 56.6, 0.52%, 0.2%

LAB 30.74, -6.05, 29.38

 

CMYK 0 / 4 / 69 / 58

HEX #6C6822

RGB 108 104 34

HSL 56.76, 0.52%, 0.28%

LAB 43.07, -7.86, 38.5

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 0 / 4 / 68 / 33

HEX #ABA536

RGB 171 165 54

HSL 56.92, 0.52%, 0.44%

LAB 66.39, -11.28, 55.66

 

CMYK 0 / 3 / 64 / 23

HEX #C4BE46

RGB 196 190 70

HSL 57.14, 0.52%, 0.52%

LAB 75.45, -12.51, 59.14

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 69 / 0 / 59 / 45

HEX #2C8C39

RGB 44 140 57

HSL 128.13, 0.52%, 0.36%

LAB 51.37, -45.57, 35.79

 

CMYK 32 / 69 / 0 / 45

HEX #5F2C8C

RGB 95 44 140

HSL 271.88, 0.52%, 0.36%

LAB 29.73, 41.67, -44.35

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 69 / 0 / 5 / 45

HEX #2C8C85

RGB 44 140 133

HSL 175.63, 0.52%, 0.36%

LAB 52.93, -29.04, -4.38

 

CMYK 5 / 69 / 0 / 45

HEX #852C8C

RGB 133 44 140

HSL 295.63, 0.52%, 0.36%

LAB 35.36, 50.64, -35.01

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 69 / 0 / 59 / 45

HEX #2C8C39

RGB 44 140 57

HSL 128.13, 0.52%, 0.36%

LAB 51.37, -45.57, 35.79

 

CMYK 69 / 64 / 0 / 45

HEX #2C328C

RGB 44 50 140

HSL 236.25, 0.52%, 0.36%

LAB 25.89, 28.14, -50.82

 

CMYK 0 / 69 / 9 / 45

HEX #8C2C7F

RGB 140 44 127

HSL 308.13, 0.52%, 0.36%

LAB 35.81, 50.13, -26.19

 

CMYK 0 / 4 / 69 / 45

HEX #8C872C

RGB 140 135 44

HSL 56.88, 0.52%, 0.36%

LAB 55.16, -9.66, 47.49

 

CMYK 69 / 0 / 39 / 45

HEX #2C8C55

RGB 44 140 85

HSL 145.63, 0.52%, 0.36%

LAB 51.78, -40.92, 21.48

 

CMYK 69 / 64 / 0 / 45

HEX #2C328C

RGB 44 50 140

HSL 236.25, 0.52%, 0.36%

LAB 25.89, 28.14, -50.82

 

CMYK 0 / 69 / 30 / 45

HEX #8C2C62

RGB 140 44 98

HSL 326.25, 0.52%, 0.36%

LAB 34.52, 45.82, -9.89

 

Description

Color code: HEX #8C872C | qconv.com Color code: HEX #8C872C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 135 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 135 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 69 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 69% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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