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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C85A8 it is the complementary color #737A57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C85A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C85A8 shade: #9185A3, #A297B6, #B3A9C9, #C4BBDC and #D5CDEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C85A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C85A8 shade: #8C85A8, #7B7395, #6A6182, #594F6F and #483D5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C85A8 shade: #8C85A8, #9585A8, #9F85A8, #A885A8 and #A8859E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C85A8 shade: #8C85A8 and #8585A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C85A8 shade matches the following richer shades: #8C85A8, #8274B9, #7763CA, #6D52DB and #6341EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C85A8 shade: #8C85A8, #969697, #A0A786, #AAB775 and #B4C865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C85A8 shade: #8591A8, #8587A8, #8C85A8, #9585A8 and #9F85A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C85A8 shade: #625B80, #756D97, #8C85A8, #A39DB9 and #B9B5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C85A8 shade: #8C85A8, #A8859A and #8CA885

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C85A8 shade: #8C85A8, #A88C85 and #85A88C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C85A8 shade: #8C85A8, #A8859A, #A1A885 and #85A893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C85A8 shade: #8C85A8, #A8858F, #A1A885 and #85A89E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

Complementary color

CMYK 6 / 0 / 29 / 52

HEX #737A57

RGB 115 122 87

HSL 72, 0.17%, 0.41%

LAB 49.8, -8.99, 18.34

 

CMYK 11 / 18 / 0 / 36

HEX #9185A3

RGB 145 133 163

HSL 264, 0.14%, 0.58%

LAB 57.5, 10.55, -14.28

 

CMYK 11 / 17 / 0 / 29

HEX #A297B6

RGB 162 151 182

HSL 261.29, 0.18%, 0.65%

LAB 64.32, 10.17, -14.63

 

CMYK 11 / 16 / 0 / 21

HEX #B3A9C9

RGB 179 169 201

HSL 258.75, 0.23%, 0.73%

LAB 70.99, 9.82, -14.99

 

CMYK 11 / 15 / 0 / 14

HEX #C4BBDC

RGB 196 187 220

HSL 256.36, 0.32%, 0.8%

LAB 77.55, 9.5, -15.36

 

CMYK 11 / 14 / 0 / 6

HEX #D5CDEF

RGB 213 205 239

HSL 254.12, 0.52%, 0.87%

LAB 83.99, 9.2, -15.72

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 17 / 23 / 0 / 42

HEX #7B7395

RGB 123 115 149

HSL 254.12, 0.14%, 0.52%

LAB 50.27, 10.39, -17.31

 

CMYK 18 / 25 / 0 / 49

HEX #6A6182

RGB 106 97 130

HSL 256.36, 0.15%, 0.45%

LAB 43.1, 10.86, -17.08

 

CMYK 20 / 29 / 0 / 56

HEX #594F6F

RGB 89 79 111

HSL 258.75, 0.17%, 0.37%

LAB 35.72, 11.41, -16.88

 

CMYK 22 / 34 / 0 / 64

HEX #483D5C

RGB 72 61 92

HSL 261.29, 0.2%, 0.3%

LAB 28.08, 12.05, -16.73

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 11 / 21 / 0 / 34

HEX #9585A8

RGB 149 133 168

HSL 267.43, 0.17%, 0.59%

LAB 58.03, 13.01, -16.31

 

CMYK 5 / 21 / 0 / 34

HEX #9F85A8

RGB 159 133 168

HSL 284.57, 0.17%, 0.59%

LAB 58.95, 16.44, -14.83

 

CMYK 0 / 21 / 0 / 34

HEX #A885A8

RGB 168 133 168

HSL 300, 0.17%, 0.59%

LAB 59.82, 19.57, -13.42

 

CMYK 0 / 21 / 6 / 34

HEX #A8859E

RGB 168 133 158

HSL 317.14, 0.17%, 0.59%

LAB 59.5, 17.67, -8.19

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 21 / 21 / 0 / 34

HEX #8585A8

RGB 133 133 168

HSL 240, 0.17%, 0.59%

LAB 56.67, 7.66, -18.5

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 30 / 37 / 0 / 27

HEX #8274B9

RGB 130 116 185

HSL 252.17, 0.33%, 0.59%

LAB 52.66, 20.98, -34.49

 

CMYK 41 / 51 / 0 / 21

HEX #7763CA

RGB 119 99 202

HSL 251.65, 0.49%, 0.59%

LAB 48.4, 32.78, -51.08

 

CMYK 50 / 63 / 0 / 14

HEX #6D52DB

RGB 109 82 219

HSL 251.82, 0.66%, 0.59%

LAB 44.8, 45.43, -66.65

 

CMYK 58 / 72 / 0 / 7

HEX #6341EC

RGB 99 65 236

HSL 251.93, 0.82%, 0.59%

LAB 41.98, 57.88, -80.95

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 1 / 1 / 0 / 41

HEX #969697

RGB 150 150 151

HSL 240, 0%, 0.59%

LAB 62.11, 0.2, -0.53

 

CMYK 4 / 0 / 20 / 35

HEX #A0A786

RGB 160 167 134

HSL 72.73, 0.16%, 0.59%

LAB 67.15, -8.35, 16.26

 

CMYK 7 / 0 / 36 / 28

HEX #AAB775

RGB 170 183 117

HSL 71.82, 0.31%, 0.59%

LAB 72.03, -15.26, 32.09

 

CMYK 10 / 0 / 50 / 22

HEX #B4C865

RGB 180 200 101

HSL 72.12, 0.47%, 0.59%

LAB 77.25, -21.64, 46.83

 

CMYK 21 / 14 / 0 / 34

HEX #8591A8

RGB 133 145 168

HSL 219.43, 0.17%, 0.59%

LAB 59.95, 0.78, -13.54

 

CMYK 21 / 20 / 0 / 34

HEX #8587A8

RGB 133 135 168

HSL 236.57, 0.17%, 0.59%

LAB 57.21, 6.5, -17.67

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 11 / 21 / 0 / 34

HEX #9585A8

RGB 149 133 168

HSL 267.43, 0.17%, 0.59%

LAB 58.03, 13.01, -16.31

 

CMYK 5 / 21 / 0 / 34

HEX #9F85A8

RGB 159 133 168

HSL 284.57, 0.17%, 0.59%

LAB 58.95, 16.44, -14.83

 

CMYK 23 / 29 / 0 / 50

HEX #625B80

RGB 98 91 128

HSL 251.35, 0.17%, 0.43%

LAB 40.63, 11.33, -19.72

 

CMYK 23 / 28 / 0 / 41

HEX #756D97

RGB 117 109 151

HSL 251.43, 0.17%, 0.51%

LAB 48.2, 12.46, -21.7

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 12 / 15 / 0 / 27

HEX #A39DB9

RGB 163 157 185

HSL 252.86, 0.17%, 0.67%

LAB 66.06, 7.78, -13.67

 

CMYK 8 / 10 / 0 / 21

HEX #B9B5CA

RGB 185 181 202

HSL 251.43, 0.17%, 0.75%

LAB 74.59, 5.46, -10.1

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 0 / 21 / 8 / 34

HEX #A8859A

RGB 168 133 154

HSL 324, 0.17%, 0.59%

LAB 59.37, 16.94, -6.09

 

CMYK 17 / 0 / 21 / 34

HEX #8CA885

RGB 140 168 133

HSL 108, 0.17%, 0.59%

LAB 65.96, -16.48, 14.94

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 0 / 17 / 21 / 34

HEX #A88C85

RGB 168 140 133

HSL 12, 0.17%, 0.59%

LAB 60.58, 9.43, 7.68

 

CMYK 21 / 0 / 17 / 34

HEX #85A88C

RGB 133 168 140

HSL 132, 0.17%, 0.59%

LAB 65.66, -17.67, 10.58

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 0 / 21 / 8 / 34

HEX #A8859A

RGB 168 133 154

HSL 324, 0.17%, 0.59%

LAB 59.37, 16.94, -6.09

 

CMYK 4 / 0 / 21 / 34

HEX #A1A885

RGB 161 168 133

HSL 72, 0.17%, 0.59%

LAB 67.48, -8.65, 17.29

 

CMYK 21 / 0 / 13 / 34

HEX #85A893

RGB 133 168 147

HSL 144, 0.17%, 0.59%

LAB 65.83, -16.31, 6.93

 

CMYK 17 / 21 / 0 / 34

HEX #8C85A8

RGB 140 133 168

HSL 252, 0.17%, 0.59%

LAB 57.25, 9.97, -17.57

 

CMYK 0 / 21 / 15 / 34

HEX #A8858F

RGB 168 133 143

HSL 342.86, 0.17%, 0.59%

LAB 59.05, 15.01, -0.25

 

CMYK 4 / 0 / 21 / 34

HEX #A1A885

RGB 161 168 133

HSL 72, 0.17%, 0.59%

LAB 67.48, -8.65, 17.29

 

CMYK 21 / 0 / 6 / 34

HEX #85A89E

RGB 133 168 158

HSL 162.86, 0.17%, 0.59%

LAB 66.11, -14.05, 1.22

 

Description

Color code: HEX #8C85A8 | qconv.com Color code: HEX #8C85A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 133 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 133 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 21 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 21% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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