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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7ED7 it is the complementary color #738128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7ED7 shade: #917ED2, #A290E5, #B3A2F8, #C4B4FF and #D5C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7ED7 shade: #8C7ED7, #7B6CC4, #6A5AB1, #59489E and #48368B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7ED7 shade: #8C7ED7, #A47ED7, #BC7ED7, #D47ED7 and #D77EC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7ED7 shade: #8C7ED7 and #7E7ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7ED7 shade matches the following richer shades: #8C7ED7, #8270E5 and #7963F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7ED7 shade: #8C7ED7, #958BC9, #9E99BC, #A8A7AE and #B1B4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7ED7 shade: #7EA0D7, #7E88D7, #8B7ED7, #A37ED7 and #BB7ED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7ED7 shade: #543FC4, #705ECD, #8C7ED7, #A89DE1 and #C4BDEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7ED7 shade: #8C7ED7, #D77EB8 and #94D77E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7ED7 shade: #8C7ED7, #D78B7E and #7ED78B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7ED7 shade: #8C7ED7, #D77EB8, #CAD77E and #7ED79D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7ED7 shade: #8C7ED7, #D77E9D, #CAD77E and #7ED7B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

Complementary color

CMYK 11 / 0 / 69 / 49

HEX #738128

RGB 115 129 40

HSL 69.44, 0.53%, 0.33%

LAB 51.27, -17.93, 44.52

 

CMYK 31 / 40 / 0 / 18

HEX #917ED2

RGB 145 126 210

HSL 253.57, 0.48%, 0.66%

LAB 57.65, 25.87, -40.8

 

CMYK 29 / 37 / 0 / 10

HEX #A290E5

RGB 162 144 229

HSL 252.71, 0.62%, 0.73%

LAB 64.39, 25.08, -40.73

 

CMYK 28 / 35 / 0 / 3

HEX #B3A2F8

RGB 179 162 248

HSL 251.86, 0.86%, 0.8%

LAB 71.01, 24.38, -40.69

 

CMYK 23 / 29 / 0 / 0

HEX #C4B4FF

RGB 196 180 255

HSL 252.8, 1%, 0.85%

LAB 77.04, 20.95, -35

 

CMYK 16 / 22 / 0 / 0

HEX #D5C6FF

RGB 213 198 255

HSL 255.79, 1%, 0.89%

LAB 82.78, 16.27, -26.06

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 37 / 45 / 0 / 23

HEX #7B6CC4

RGB 123 108 196

HSL 250.23, 0.43%, 0.6%

LAB 50.6, 26.75, -44.11

 

CMYK 40 / 49 / 0 / 31

HEX #6A5AB1

RGB 106 90 177

HSL 251.03, 0.36%, 0.52%

LAB 43.58, 27.82, -44.33

 

CMYK 44 / 54 / 0 / 38

HEX #59489E

RGB 89 72 158

HSL 251.86, 0.37%, 0.45%

LAB 36.42, 29.06, -44.59

 

CMYK 48 / 61 / 0 / 45

HEX #48368B

RGB 72 54 139

HSL 252.71, 0.44%, 0.38%

LAB 29.11, 30.49, -44.87

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 24 / 41 / 0 / 16

HEX #A47ED7

RGB 164 126 215

HSL 265.62, 0.53%, 0.67%

LAB 59.64, 32.49, -40.38

 

CMYK 13 / 41 / 0 / 16

HEX #BC7ED7

RGB 188 126 215

HSL 281.8, 0.53%, 0.67%

LAB 62.1, 39.51, -36.34

 

CMYK 1 / 41 / 0 / 16

HEX #D47ED7

RGB 212 126 215

HSL 297.98, 0.53%, 0.67%

LAB 64.82, 46.67, -31.89

 

CMYK 0 / 41 / 10 / 16

HEX #D77EC2

RGB 215 126 194

HSL 314.16, 0.53%, 0.67%

LAB 64.37, 43.9, -20.78

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 41 / 41 / 0 / 16

HEX #7E7ED7

RGB 126 126 215

HSL 240, 0.53%, 0.67%

LAB 56.35, 22.14, -45.77

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 43 / 51 / 0 / 10

HEX #8270E5

RGB 130 112 229

HSL 249.23, 0.69%, 0.67%

LAB 54.02, 35.36, -57.34

 

CMYK 50 / 59 / 0 / 5

HEX #7963F2

RGB 121 99 242

HSL 249.23, 0.85%, 0.67%

LAB 51.15, 44.72, -69.28

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 26 / 31 / 0 / 21

HEX #958BC9

RGB 149 139 201

HSL 249.68, 0.36%, 0.67%

LAB 60.84, 17.22, -30.72

 

CMYK 16 / 19 / 0 / 26

HEX #9E99BC

RGB 158 153 188

HSL 248.57, 0.21%, 0.67%

LAB 64.71, 9.02, -17.43

 

CMYK 3 / 4 / 0 / 32

HEX #A8A7AE

RGB 168 167 174

HSL 248.57, 0.04%, 0.67%

LAB 68.76, 1.7, -3.48

 

CMYK 2 / 0 / 11 / 29

HEX #B1B4A0

RGB 177 180 160

HSL 69, 0.12%, 0.67%

LAB 72.58, -4.64, 9.84

 

CMYK 41 / 26 / 0 / 16

HEX #7EA0D7

RGB 126 160 215

HSL 217.08, 0.53%, 0.67%

LAB 65.34, 2.36, -31.69

 

CMYK 41 / 37 / 0 / 16

HEX #7E88D7

RGB 126 136 215

HSL 233.26, 0.53%, 0.67%

LAB 58.93, 16.23, -41.71

 

CMYK 35 / 41 / 0 / 16

HEX #8B7ED7

RGB 139 126 215

HSL 248.76, 0.53%, 0.67%

LAB 57.38, 25.54, -44.08

 

CMYK 24 / 41 / 0 / 16

HEX #A37ED7

RGB 163 126 215

HSL 264.94, 0.53%, 0.67%

LAB 59.54, 32.21, -40.53

 

CMYK 13 / 41 / 0 / 16

HEX #BB7ED7

RGB 187 126 215

HSL 281.12, 0.53%, 0.67%

LAB 61.99, 39.21, -36.52

 

CMYK 57 / 68 / 0 / 23

HEX #543FC4

RGB 84 63 196

HSL 249.47, 0.53%, 0.51%

LAB 36.79, 45.02, -66.54

 

CMYK 45 / 54 / 0 / 20

HEX #705ECD

RGB 112 94 205

HSL 249.73, 0.53%, 0.59%

LAB 46.79, 34.98, -55.42

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 25 / 30 / 0 / 12

HEX #A89DE1

RGB 168 157 225

HSL 249.71, 0.53%, 0.75%

LAB 67.93, 18.46, -32.97

 

CMYK 16 / 19 / 0 / 8

HEX #C4BDEA

RGB 196 189 234

HSL 249.33, 0.52%, 0.83%

LAB 78.5, 11.36, -21.46

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 0 / 41 / 14 / 16

HEX #D77EB8

RGB 215 126 184

HSL 320.9, 0.53%, 0.67%

LAB 64.02, 42.27, -15.67

 

CMYK 31 / 0 / 41 / 16

HEX #94D77E

RGB 148 215 126

HSL 105.17, 0.53%, 0.67%

LAB 79.84, -37.55, 37.31

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 0 / 35 / 41 / 16

HEX #D78B7E

RGB 215 139 126

HSL 8.76, 0.53%, 0.67%

LAB 65.29, 27.46, 18.98

 

CMYK 41 / 0 / 35 / 16

HEX #7ED78B

RGB 126 215 139

HSL 128.76, 0.53%, 0.67%

LAB 78.98, -42.48, 29.36

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 0 / 41 / 14 / 16

HEX #D77EB8

RGB 215 126 184

HSL 320.9, 0.53%, 0.67%

LAB 64.02, 42.27, -15.67

 

CMYK 6 / 0 / 41 / 16

HEX #CAD77E

RGB 202 215 126

HSL 68.76, 0.53%, 0.67%

LAB 83.27, -17.82, 42.36

 

CMYK 41 / 0 / 27 / 16

HEX #7ED79D

RGB 126 215 157

HSL 140.9, 0.53%, 0.67%

LAB 79.31, -39.31, 20.44

 

CMYK 35 / 41 / 0 / 16

HEX #8C7ED7

RGB 140 126 215

HSL 249.44, 0.53%, 0.67%

LAB 57.47, 25.8, -43.94

 

CMYK 0 / 41 / 27 / 16

HEX #D77E9D

RGB 215 126 157

HSL 339.1, 0.53%, 0.67%

LAB 63.18, 38.24, -1.58

 

CMYK 6 / 0 / 41 / 16

HEX #CAD77E

RGB 202 215 126

HSL 68.76, 0.53%, 0.67%

LAB 83.27, -17.82, 42.36

 

CMYK 41 / 0 / 14 / 16

HEX #7ED7B8

RGB 126 215 184

HSL 159.1, 0.53%, 0.67%

LAB 79.9, -33.85, 6.97

 

Description

Color code: HEX #8C7ED7 | qconv.com Color code: HEX #8C7ED7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 126 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 126 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 41 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 41% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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