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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7EA9 it is the complementary color #738156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7EA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7EA9 shade: #917EA4, #A290B7, #B3A2CA, #C4B4DD and #D5C6F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7EA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7EA9 shade: #8C7EA9, #7B6C96, #6A5A83, #594870 and #48365D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7EA9 shade: #8C7EA9, #977EA9, #A37EA9, #A97EA3 and #A97E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7EA9 shade: #8C7EA9, #807EA9 and #7E7EA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7EA9 shade matches the following richer shades: #8C7EA9, #866DBA, #805BCB, #7A4ADD and #7439EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7EA9 shade: #8C7EA9, #928F97, #98A186, #9EB275 and #A4C364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7EA9 shade: #7E87A9, #807EA9, #8C7EA9, #977EA9 and #A27EA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7EA9 shade: #63557F, #766598, #8C7EA9, #A297B9 and #B8AFCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7EA9 shade: #8C7EA9, #A97E93 and #82A97E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7EA9 shade: #8C7EA9, #A98C7E and #7EA98C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7EA9 shade: #8C7EA9, #A97E93, #9BA97E and #7EA994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7EA9 shade: #8C7EA9, #A97E86, #9BA97E and #7EA9A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

Complementary color

CMYK 11 / 0 / 33 / 49

HEX #738156

RGB 115 129 86

HSL 79.53, 0.2%, 0.42%

LAB 51.86, -13, 21.66

 

CMYK 12 / 23 / 0 / 36

HEX #917EA4

RGB 145 126 164

HSL 270, 0.17%, 0.57%

LAB 55.71, 14.82, -17.57

 

CMYK 11 / 21 / 0 / 28

HEX #A290B7

RGB 162 144 183

HSL 267.69, 0.21%, 0.64%

LAB 62.55, 14.34, -17.87

 

CMYK 11 / 20 / 0 / 21

HEX #B3A2CA

RGB 179 162 202

HSL 265.5, 0.27%, 0.71%

LAB 69.25, 13.91, -18.18

 

CMYK 11 / 19 / 0 / 13

HEX #C4B4DD

RGB 196 180 221

HSL 263.41, 0.38%, 0.79%

LAB 75.82, 13.51, -18.5

 

CMYK 11 / 18 / 0 / 6

HEX #D5C6F0

RGB 213 198 240

HSL 261.43, 0.58%, 0.86%

LAB 82.28, 13.14, -18.82

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 18 / 28 / 0 / 41

HEX #7B6C96

RGB 123 108 150

HSL 261.43, 0.17%, 0.51%

LAB 48.43, 14.81, -20.7

 

CMYK 19 / 31 / 0 / 49

HEX #6A5A83

RGB 106 90 131

HSL 263.41, 0.19%, 0.43%

LAB 41.24, 15.41, -20.54

 

CMYK 21 / 36 / 0 / 56

HEX #594870

RGB 89 72 112

HSL 265.5, 0.22%, 0.36%

LAB 33.83, 16.11, -20.42

 

CMYK 23 / 42 / 0 / 64

HEX #48365D

RGB 72 54 93

HSL 267.69, 0.27%, 0.29%

LAB 26.18, 16.93, -20.34

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 11 / 25 / 0 / 34

HEX #977EA9

RGB 151 126 169

HSL 274.88, 0.2%, 0.58%

LAB 56.45, 17.94, -19.27

 

CMYK 4 / 25 / 0 / 34

HEX #A37EA9

RGB 163 126 169

HSL 291.63, 0.2%, 0.58%

LAB 57.63, 22.03, -17.37

 

CMYK 0 / 25 / 4 / 34

HEX #A97EA3

RGB 169 126 163

HSL 308.37, 0.2%, 0.58%

LAB 58.04, 22.94, -13.24

 

CMYK 0 / 25 / 10 / 34

HEX #A97E98

RGB 169 126 152

HSL 323.72, 0.2%, 0.58%

LAB 57.68, 20.92, -7.44

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 24 / 25 / 0 / 34

HEX #807EA9

RGB 128 126 169

HSL 242.79, 0.2%, 0.58%

LAB 54.42, 10.38, -22.55

 

CMYK 25 / 25 / 0 / 34

HEX #7E7EA9

RGB 126 126 169

HSL 240, 0.2%, 0.58%

LAB 54.26, 9.75, -22.81

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 28 / 41 / 0 / 27

HEX #866DBA

RGB 134 109 186

HSL 259.48, 0.36%, 0.58%

LAB 51.33, 26.55, -37.14

 

CMYK 37 / 55 / 0 / 20

HEX #805BCB

RGB 128 91 203

HSL 259.82, 0.52%, 0.58%

LAB 47.47, 39.88, -53.09

 

CMYK 45 / 67 / 0 / 13

HEX #7A4ADD

RGB 122 74 221

HSL 259.59, 0.68%, 0.58%

LAB 44.6, 52.74, -68.07

 

CMYK 51 / 76 / 0 / 7

HEX #7439EE

RGB 116 57 238

HSL 259.56, 0.84%, 0.58%

LAB 42.48, 64.4, -81.2

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 3 / 5 / 0 / 41

HEX #928F97

RGB 146 143 151

HSL 262.5, 0.04%, 0.58%

LAB 59.88, 2.68, -3.85

 

CMYK 6 / 0 / 17 / 37

HEX #98A186

RGB 152 161 134

HSL 80, 0.13%, 0.58%

LAB 64.87, -8.17, 12.99

 

CMYK 11 / 0 / 34 / 30

HEX #9EB275

RGB 158 178 117

HSL 79.67, 0.28%, 0.58%

LAB 69.75, -17.37, 28.95

 

CMYK 16 / 0 / 49 / 24

HEX #A4C364

RGB 164 195 100

HSL 79.58, 0.44%, 0.58%

LAB 74.73, -25.57, 44.01

 

CMYK 25 / 20 / 0 / 34

HEX #7E87A9

RGB 126 135 169

HSL 227.44, 0.2%, 0.58%

LAB 56.71, 4.49, -19.06

 

CMYK 24 / 25 / 0 / 34

HEX #807EA9

RGB 128 126 169

HSL 242.79, 0.2%, 0.58%

LAB 54.42, 10.38, -22.55

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 11 / 25 / 0 / 34

HEX #977EA9

RGB 151 126 169

HSL 274.88, 0.2%, 0.58%

LAB 56.45, 17.94, -19.27

 

CMYK 4 / 25 / 0 / 34

HEX #A27EA9

RGB 162 126 169

HSL 290.23, 0.2%, 0.58%

LAB 57.53, 21.68, -17.53

 

CMYK 22 / 33 / 0 / 50

HEX #63557F

RGB 99 85 127

HSL 260, 0.2%, 0.42%

LAB 39.04, 15.15, -21.56

 

CMYK 22 / 34 / 0 / 40

HEX #766598

RGB 118 101 152

HSL 260, 0.2%, 0.5%

LAB 46.21, 17.87, -25.36

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 12 / 18 / 0 / 27

HEX #A297B9

RGB 162 151 185

HSL 259.41, 0.2%, 0.66%

LAB 64.42, 10.81, -16.16

 

CMYK 9 / 13 / 0 / 21

HEX #B8AFCA

RGB 184 175 202

HSL 260, 0.2%, 0.74%

LAB 72.97, 8.39, -12.53

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 0 / 25 / 13 / 34

HEX #A97E93

RGB 169 126 147

HSL 330.7, 0.2%, 0.58%

LAB 57.52, 20.04, -4.79

 

CMYK 23 / 0 / 25 / 34

HEX #82A97E

RGB 130 169 126

HSL 114.42, 0.2%, 0.58%

LAB 65.46, -21.78, 17.99

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 0 / 17 / 25 / 34

HEX #A98C7E

RGB 169 140 126

HSL 19.53, 0.2%, 0.58%

LAB 60.51, 8.75, 11.57

 

CMYK 25 / 0 / 17 / 34

HEX #7EA98C

RGB 126 169 140

HSL 139.53, 0.2%, 0.58%

LAB 65.52, -20.57, 10.32

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 0 / 25 / 13 / 34

HEX #A97E93

RGB 169 126 147

HSL 330.7, 0.2%, 0.58%

LAB 57.52, 20.04, -4.79

 

CMYK 8 / 0 / 25 / 34

HEX #9BA97E

RGB 155 169 126

HSL 79.53, 0.2%, 0.58%

LAB 67.16, -12.56, 20.61

 

CMYK 25 / 0 / 12 / 34

HEX #7EA994

RGB 126 169 148

HSL 150.7, 0.2%, 0.58%

LAB 65.71, -18.96, 6.16

 

CMYK 17 / 25 / 0 / 34

HEX #8C7EA9

RGB 140 126 169

HSL 259.53, 0.2%, 0.58%

LAB 55.44, 14.27, -20.9

 

CMYK 0 / 25 / 21 / 34

HEX #A97E86

RGB 169 126 134

HSL 348.84, 0.2%, 0.58%

LAB 57.15, 17.88, 2.18

 

CMYK 8 / 0 / 25 / 34

HEX #9BA97E

RGB 155 169 126

HSL 79.53, 0.2%, 0.58%

LAB 67.16, -12.56, 20.61

 

CMYK 25 / 0 / 5 / 34

HEX #7EA9A1

RGB 126 169 161

HSL 168.84, 0.2%, 0.58%

LAB 66.05, -16.18, -0.58

 

Description

Color code: HEX #8C7EA9 | qconv.com Color code: HEX #8C7EA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 126 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 126 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 25 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 25% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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