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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7E17 it is the complementary color #7381E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7E17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7E17 shade: #917E12, #A29025, #B3A238, #C4B44B and #D5C65E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7E17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7E17 shade: #8C7E17, #7B6C04, #6A5A00, #594800 and #483600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7E17 shade: #8C7E17, #8C5F17, #8C3F17, #8C1F17 and #8C1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7E17 shade: #8C7E17, #7B8C17, #5B8C17, #3B8C17 and #1C8C17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7E17 shade matches the following richer shades: #8C7E17 and #9A880A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7E17 shade: #8C7E17, #7F7424, #726A31, #65603E and #58564C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7E17 shade: #8C3E17, #8C5D17, #8C7D17, #7D8C17 and #5D8C17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7E17 shade: #453E0B, #695E11, #8C7E17, #B09E1D and #D3BE22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7E17 shade: #8C7E17, #178C1F and #4E178C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7E17 shade: #8C7E17, #178C7D and #7D178C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7E17 shade: #8C7E17, #178C1F, #17278C and #8C1785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7E17 shade: #8C7E17, #178C42, #17278C and #8C1761

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

Complementary color

CMYK 50 / 44 / 0 / 9

HEX #7381E8

RGB 115 129 232

HSL 232.82, 0.72%, 0.68%

LAB 57.24, 22.78, -53.93

 

CMYK 0 / 13 / 88 / 43

HEX #917E12

RGB 145 126 18

HSL 51.02, 0.78%, 0.32%

LAB 52.93, -3.51, 54.61

 

CMYK 0 / 11 / 77 / 36

HEX #A29025

RGB 162 144 37

HSL 51.36, 0.63%, 0.39%

LAB 59.67, -4.93, 55.3

 

CMYK 0 / 9 / 69 / 30

HEX #B3A238

RGB 179 162 56

HSL 51.71, 0.52%, 0.46%

LAB 66.3, -6.08, 54.98

 

CMYK 0 / 8 / 62 / 23

HEX #C4B44B

RGB 196 180 75

HSL 52.07, 0.51%, 0.53%

LAB 72.82, -7.03, 54.16

 

CMYK 0 / 7 / 56 / 16

HEX #D5C65E

RGB 213 198 94

HSL 52.44, 0.59%, 0.6%

LAB 79.24, -7.81, 53.12

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 0 / 12 / 97 / 52

HEX #7B6C04

RGB 123 108 4

HSL 52.44, 0.94%, 0.25%

LAB 45.56, -4.12, 50.97

 

CMYK 0 / 15 / 100 / 58

HEX #6A5A00

RGB 106 90 0

HSL 50.94, 1%, 0.21%

LAB 38.51, -2.1, 46.07

 

CMYK 0 / 19 / 100 / 65

HEX #594800

RGB 89 72 0

HSL 48.54, 1%, 0.17%

LAB 31.25, 0.14, 40.07

 

CMYK 0 / 25 / 100 / 72

HEX #483600

RGB 72 54 0

HSL 45, 1%, 0.14%

LAB 23.72, 2.57, 32.83

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 0 / 32 / 84 / 45

HEX #8C5F17

RGB 140 95 23

HSL 36.92, 0.72%, 0.32%

LAB 43.98, 12.06, 45.2

 

CMYK 0 / 55 / 84 / 45

HEX #8C3F17

RGB 140 63 23

HSL 20.51, 0.72%, 0.32%

LAB 36.35, 30.28, 38.27

 

CMYK 0 / 78 / 84 / 45

HEX #8C1F17

RGB 140 31 23

HSL 4.1, 0.72%, 0.32%

LAB 30.92, 44.77, 33.12

 

CMYK 0 / 84 / 84 / 45

HEX #8C1717

RGB 140 23 23

HSL 0, 0.72%, 0.32%

LAB 30.03, 47.26, 32.26

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 12 / 0 / 84 / 45

HEX #7B8C17

RGB 123 140 23

HSL 68.72, 0.72%, 0.32%

LAB 55.1, -20.94, 54.36

 

CMYK 35 / 0 / 84 / 45

HEX #5B8C17

RGB 91 140 23

HSL 85.13, 0.72%, 0.32%

LAB 53, -34.3, 51.69

 

CMYK 58 / 0 / 84 / 45

HEX #3B8C17

RGB 59 140 23

HSL 101.54, 0.72%, 0.32%

LAB 51.55, -45.05, 49.84

 

CMYK 80 / 0 / 84 / 45

HEX #1C8C17

RGB 28 140 23

HSL 117.44, 0.72%, 0.32%

LAB 50.76, -51.64, 48.83

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 0 / 12 / 94 / 40

HEX #9A880A

RGB 154 136 10

HSL 52.5, 0.88%, 0.32%

LAB 56.59, -5.01, 59.52

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 0 / 9 / 72 / 50

HEX #7F7424

RGB 127 116 36

HSL 52.75, 0.56%, 0.32%

LAB 48.42, -5.6, 43.67

 

CMYK 0 / 7 / 57 / 55

HEX #726A31

RGB 114 106 49

HSL 52.62, 0.4%, 0.32%

LAB 44.39, -5.02, 32.68

 

CMYK 0 / 5 / 39 / 60

HEX #65603E

RGB 101 96 62

HSL 52.31, 0.24%, 0.32%

LAB 40.38, -3.71, 20.16

 

CMYK 0 / 2 / 14 / 65

HEX #58564C

RGB 88 86 76

HSL 50, 0.07%, 0.32%

LAB 36.47, -1.18, 6.11

 

CMYK 0 / 56 / 84 / 45

HEX #8C3E17

RGB 140 62 23

HSL 20, 0.72%, 0.32%

LAB 36.14, 30.81, 38.07

 

CMYK 0 / 34 / 84 / 45

HEX #8C5D17

RGB 140 93 23

HSL 35.9, 0.72%, 0.32%

LAB 43.46, 13.22, 44.73

 

CMYK 0 / 11 / 84 / 45

HEX #8C7D17

RGB 140 125 23

HSL 52.31, 0.72%, 0.32%

LAB 52.18, -5.14, 52.39

 

CMYK 11 / 0 / 84 / 45

HEX #7D8C17

RGB 125 140 23

HSL 67.69, 0.72%, 0.32%

LAB 55.26, -20.05, 54.55

 

CMYK 34 / 0 / 84 / 45

HEX #5D8C17

RGB 93 140 23

HSL 84.1, 0.72%, 0.32%

LAB 53.11, -33.53, 51.84

 

CMYK 0 / 10 / 84 / 73

HEX #453E0B

RGB 69 62 11

HSL 52.76, 0.73%, 0.16%

LAB 25.96, -3.59, 30.37

 

CMYK 0 / 10 / 84 / 59

HEX #695E11

RGB 105 94 17

HSL 52.5, 0.72%, 0.24%

LAB 39.66, -4.44, 42

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 0 / 10 / 84 / 31

HEX #B09E1D

RGB 176 158 29

HSL 52.65, 0.72%, 0.4%

LAB 64.78, -6.43, 62.83

 

CMYK 0 / 10 / 84 / 17

HEX #D3BE22

RGB 211 190 34

HSL 52.88, 0.72%, 0.48%

LAB 76.55, -7.61, 72.73

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 84 / 0 / 78 / 45

HEX #178C1F

RGB 23 140 31

HSL 124.1, 0.72%, 0.32%

LAB 50.73, -51.76, 46.19

 

CMYK 44 / 84 / 0 / 45

HEX #4E178C

RGB 78 23 140

HSL 268.21, 0.72%, 0.32%

LAB 24.08, 48, -53.65

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 84 / 0 / 11 / 45

HEX #178C7D

RGB 23 140 125

HSL 172.31, 0.72%, 0.32%

LAB 52.31, -33.98, -0.71

 

CMYK 11 / 84 / 0 / 45

HEX #7D178C

RGB 125 23 140

HSL 292.31, 0.72%, 0.32%

LAB 31.5, 56.12, -41.26

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 84 / 0 / 78 / 45

HEX #178C1F

RGB 23 140 31

HSL 124.1, 0.72%, 0.32%

LAB 50.73, -51.76, 46.19

 

CMYK 84 / 72 / 0 / 45

HEX #17278C

RGB 23 39 140

HSL 231.79, 0.72%, 0.32%

LAB 22.04, 33.02, -57.18

 

CMYK 0 / 84 / 5 / 45

HEX #8C1785

RGB 140 23 133

HSL 303.59, 0.72%, 0.32%

LAB 33.74, 57.94, -33.19

 

CMYK 0 / 10 / 84 / 45

HEX #8C7E17

RGB 140 126 23

HSL 52.82, 0.72%, 0.32%

LAB 52.46, -5.7, 52.64

 

CMYK 84 / 0 / 53 / 45

HEX #178C42

RGB 23 140 66

HSL 142.05, 0.72%, 0.32%

LAB 51.07, -47.57, 30.77

 

CMYK 84 / 72 / 0 / 45

HEX #17278C

RGB 23 39 140

HSL 231.79, 0.72%, 0.32%

LAB 22.04, 33.02, -57.18

 

CMYK 0 / 84 / 31 / 45

HEX #8C1761

RGB 140 23 97

HSL 322.05, 0.72%, 0.32%

LAB 31.92, 52.88, -13.18

 

Description

Color code: HEX #8C7E17 | qconv.com Color code: HEX #8C7E17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 126 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 126 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 84 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 84% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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