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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7CE9 it is the complementary color #738316. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7CE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7CE9 shade: #917CE4, #A28EF7, #B3A0FF, #C4B2FF and #D5C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7CE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7CE9 shade: #8C7CE9, #7B6AD6, #6A58C3, #5946B0 and #48349D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7CE9 shade: #8C7CE9, #A97CE9, #C77CE9, #E47CE9 and #E97CD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7CE9 shade: #8C7CE9 and #7C7CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7CE9 shade matches the following richer shades: #8C7CE9 and #8370F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7CE9 shade: #8C7CE9, #9589DC, #9E95D0, #A6A1C4 and #AFAEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7CE9 shade: #7CA8E9, #7C8BE9, #8B7CE9, #A87CE9 and #C57CE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7CE9 shade: #4E36DD, #6D59E3, #8C7CE9, #AB9FEF and #CAC3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7CE9 shade: #8C7CE9, #E97CC5 and #99E97C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7CE9 shade: #8C7CE9, #E98B7C and #7CE98B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7CE9 shade: #8C7CE9, #E97CC5, #DAE97C and #7CE9A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7CE9 shade: #8C7CE9, #E97CA4, #DAE97C and #7CE9C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

Complementary color

CMYK 12 / 0 / 83 / 49

HEX #738316

RGB 115 131 22

HSL 68.81, 0.71%, 0.3%

LAB 51.76, -19.91, 51.48

 

CMYK 36 / 46 / 0 / 11

HEX #917CE4

RGB 145 124 228

HSL 252.12, 0.66%, 0.69%

LAB 58.07, 31.75, -50.24

 

CMYK 34 / 43 / 0 / 3

HEX #A28EF7

RGB 162 142 247

HSL 251.43, 0.87%, 0.76%

LAB 64.76, 30.8, -50.06

 

CMYK 30 / 37 / 0 / 0

HEX #B3A0FF

RGB 179 160 255

HSL 252, 1%, 0.81%

LAB 70.83, 27.21, -44.77

 

CMYK 23 / 30 / 0 / 0

HEX #C4B2FF

RGB 196 178 255

HSL 254.03, 1%, 0.85%

LAB 76.56, 22.05, -35.74

 

CMYK 16 / 23 / 0 / 0

HEX #D5C4FF

RGB 213 196 255

HSL 257.29, 1%, 0.88%

LAB 82.3, 17.35, -26.8

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 43 / 50 / 0 / 16

HEX #7B6AD6

RGB 123 106 214

HSL 249.44, 0.57%, 0.63%

LAB 51.12, 32.99, -53.55

 

CMYK 46 / 55 / 0 / 24

HEX #6A58C3

RGB 106 88 195

HSL 250.09, 0.47%, 0.55%

LAB 44.21, 34.28, -53.83

 

CMYK 49 / 60 / 0 / 31

HEX #5946B0

RGB 89 70 176

HSL 250.75, 0.43%, 0.48%

LAB 37.19, 35.73, -54.11

 

CMYK 54 / 67 / 0 / 38

HEX #48349D

RGB 72 52 157

HSL 251.43, 0.5%, 0.41%

LAB 30.08, 37.32, -54.33

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 27 / 47 / 0 / 9

HEX #A97CE9

RGB 169 124 233

HSL 264.77, 0.71%, 0.7%

LAB 60.55, 39.3, -48.96

 

CMYK 15 / 47 / 0 / 9

HEX #C77CE9

RGB 199 124 233

HSL 281.28, 0.71%, 0.7%

LAB 63.71, 47.49, -43.76

 

CMYK 2 / 47 / 0 / 9

HEX #E47CE9

RGB 228 124 233

HSL 297.25, 0.71%, 0.7%

LAB 67.12, 55.61, -38.17

 

CMYK 0 / 47 / 11 / 9

HEX #E97CD0

RGB 233 124 208

HSL 313.76, 0.71%, 0.7%

LAB 66.74, 52.8, -24.81

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 47 / 47 / 0 / 9

HEX #7C7CE9

RGB 124 124 233

HSL 240, 0.71%, 0.7%

LAB 56.67, 28.07, -55.36

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 47 / 54 / 0 / 4

HEX #8370F5

RGB 131 112 245

HSL 248.57, 0.87%, 0.7%

LAB 55.08, 40.14, -64.56

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 32 / 38 / 0 / 14

HEX #9589DC

RGB 149 137 220

HSL 248.67, 0.54%, 0.7%

LAB 61.18, 23.18, -40.85

 

CMYK 24 / 28 / 0 / 18

HEX #9E95D0

RGB 158 149 208

HSL 249.15, 0.39%, 0.7%

LAB 64.42, 15.92, -29.05

 

CMYK 15 / 18 / 0 / 23

HEX #A6A1C4

RGB 166 161 196

HSL 248.57, 0.23%, 0.7%

LAB 67.71, 8.92, -17.28

 

CMYK 4 / 5 / 0 / 28

HEX #AFAEB7

RGB 175 174 183

HSL 246.67, 0.06%, 0.7%

LAB 71.42, 2.08, -4.47

 

CMYK 47 / 28 / 0 / 9

HEX #7CA8E9

RGB 124 168 233

HSL 215.78, 0.71%, 0.7%

LAB 68.15, 2.45, -37.25

 

CMYK 47 / 40 / 0 / 9

HEX #7C8BE9

RGB 124 139 233

HSL 231.74, 0.71%, 0.7%

LAB 60.46, 19.19, -49.34

 

CMYK 40 / 47 / 0 / 9

HEX #8B7CE9

RGB 139 124 233

HSL 248.26, 0.71%, 0.7%

LAB 57.83, 31.61, -53.43

 

CMYK 28 / 47 / 0 / 9

HEX #A87CE9

RGB 168 124 233

HSL 264.22, 0.71%, 0.7%

LAB 60.45, 39.03, -49.12

 

CMYK 15 / 47 / 0 / 9

HEX #C57CE9

RGB 197 124 233

HSL 280.18, 0.71%, 0.7%

LAB 63.48, 46.93, -44.13

 

CMYK 65 / 76 / 0 / 13

HEX #4E36DD

RGB 78 54 221

HSL 248.62, 0.71%, 0.54%

LAB 36.89, 56.54, -80.86

 

CMYK 52 / 61 / 0 / 11

HEX #6D59E3

RGB 109 89 227

HSL 248.7, 0.71%, 0.62%

LAB 46.9, 43.79, -67.79

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 28 / 33 / 0 / 6

HEX #AB9FEF

RGB 171 159 239

HSL 249, 0.71%, 0.78%

LAB 69.25, 21.6, -38.59

 

CMYK 18 / 20 / 0 / 4

HEX #CAC3F5

RGB 202 195 245

HSL 248.4, 0.71%, 0.86%

LAB 80.84, 12.35, -23.77

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 0 / 47 / 15 / 9

HEX #E97CC5

RGB 233 124 197

HSL 319.82, 0.71%, 0.7%

LAB 66.34, 51.08, -19.26

 

CMYK 34 / 0 / 47 / 9

HEX #99E97C

RGB 153 233 124

HSL 104.04, 0.71%, 0.7%

LAB 85.25, -44.12, 45.18

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 0 / 40 / 47 / 9

HEX #E98B7C

RGB 233 139 124

HSL 8.26, 0.71%, 0.7%

LAB 67.46, 34.17, 23.41

 

CMYK 47 / 0 / 40 / 9

HEX #7CE98B

RGB 124 233 139

HSL 128.26, 0.71%, 0.7%

LAB 84.19, -50.67, 36.2

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 0 / 47 / 15 / 9

HEX #E97CC5

RGB 233 124 197

HSL 319.82, 0.71%, 0.7%

LAB 66.34, 51.08, -19.26

 

CMYK 6 / 0 / 47 / 9

HEX #DAE97C

RGB 218 233 124

HSL 68.26, 0.71%, 0.7%

LAB 89.22, -20.64, 50.95

 

CMYK 47 / 0 / 31 / 9

HEX #7CE9A0

RGB 124 233 160

HSL 139.82, 0.71%, 0.7%

LAB 84.54, -47.15, 26.02

 

CMYK 40 / 47 / 0 / 9

HEX #8C7CE9

RGB 140 124 233

HSL 248.81, 0.71%, 0.7%

LAB 57.92, 31.85, -53.3

 

CMYK 0 / 47 / 30 / 9

HEX #E97CA4

RGB 233 124 164

HSL 337.98, 0.71%, 0.7%

LAB 65.29, 46.42, -2.19

 

CMYK 6 / 0 / 47 / 9

HEX #DAE97C

RGB 218 233 124

HSL 68.26, 0.71%, 0.7%

LAB 89.22, -20.64, 50.95

 

CMYK 47 / 0 / 17 / 9

HEX #7CE9C1

RGB 124 233 193

HSL 157.98, 0.71%, 0.7%

LAB 85.21, -40.63, 9.81

 

Description

Color code: HEX #8C7CE9 | qconv.com Color code: HEX #8C7CE9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 124 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 124 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 47 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 47% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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