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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7C9C it is the complementary color #738363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7C9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8C7C9C: #917C97, #A28EAA, #B3A0BD, #C4B2D0 and #D5C4E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7C9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8C7C9C: #8C7C9C, #7B6A89, #6A5876, #594663 and #483450

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

Complementary color

CMYK 12 / 0 / 24 / 49

HEX #738363

RGB 115 131 99

HSL 90, 0.14%, 0.45%

LAB 52.71, -12.03, 15.4

 

CMYK 4 / 18 / 0 / 41

HEX #917C97

RGB 145 124 151

HSL 286.67, 0.11%, 0.54%

LAB 54.73, 13.21, -11.53

 

CMYK 5 / 16 / 0 / 33

HEX #A28EAA

RGB 162 142 170

HSL 282.86, 0.14%, 0.61%

LAB 61.59, 12.76, -11.96

 

CMYK 5 / 15 / 0 / 26

HEX #B3A0BD

RGB 179 160 189

HSL 279.31, 0.18%, 0.68%

LAB 68.31, 12.35, -12.38

 

CMYK 6 / 14 / 0 / 18

HEX #C4B2D0

RGB 196 178 208

HSL 276, 0.24%, 0.76%

LAB 74.91, 11.98, -12.8

 

CMYK 6 / 14 / 0 / 11

HEX #D5C4E3

RGB 213 196 227

HSL 272.9, 0.36%, 0.83%

LAB 81.39, 11.63, -13.22

 

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

CMYK 10 / 23 / 0 / 46

HEX #7B6A89

RGB 123 106 137

HSL 272.9, 0.13%, 0.48%

LAB 47.4, 13, -14.58

 

CMYK 10 / 25 / 0 / 54

HEX #6A5876

RGB 106 88 118

HSL 276, 0.15%, 0.4%

LAB 40.17, 13.55, -14.25

 

CMYK 10 / 29 / 0 / 61

HEX #594663

RGB 89 70 99

HSL 279.31, 0.17%, 0.33%

LAB 32.71, 14.17, -13.94

 

CMYK 10 / 35 / 0 / 69

HEX #483450

RGB 72 52 80

HSL 282.86, 0.21%, 0.26%

LAB 24.99, 14.91, -13.64

 

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

CMYK 7 / 21 / 0 / 39

HEX #917C9C

RGB 145 124 156

HSL 279.38, 0.14%, 0.55%

LAB 54.9, 14.26, -14.17

 

CMYK 4 / 21 / 0 / 39

HEX #967C9C

RGB 150 124 156

HSL 288.75, 0.14%, 0.55%

LAB 55.38, 16.01, -13.4

 

CMYK 0 / 21 / 0 / 39

HEX #9C7C9C

RGB 156 124 156

HSL 300, 0.14%, 0.55%

LAB 55.97, 18.13, -12.45

 

CMYK 0 / 21 / 4 / 39

HEX #9C7C96

RGB 156 124 150

HSL 311.25, 0.14%, 0.55%

LAB 55.77, 16.97, -9.27

 

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

CMYK 10 / 20 / 0 / 19

HEX #BAA5CF

RGB 186 165 207

HSL 270, 0.3%, 0.73%

LAB 70.77, 15.59, -18.57

 

CMYK 0 / 33 / 0 / 99

HEX #030203

RGB 3 2 3

HSL 300, 0.2%, 0.01%

LAB 0.63, 0.4, -0.29

 

CMYK 11 / 20 / 0 / 79

HEX #302B36

RGB 48 43 54

HSL 267.27, 0.11%, 0.19%

LAB 18.46, 4.92, -6.23

 

CMYK 10 / 21 / 0 / 59

HEX #5E5369

RGB 94 83 105

HSL 270, 0.12%, 0.37%

LAB 37.09, 9.23, -11.01

 

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

CMYK 0 / 21 / 15 / 39

HEX #9C7C85

RGB 156 124 133

HSL 343.13, 0.14%, 0.55%

LAB 55.25, 13.88, -0.17

 

CMYK 21 / 0 / 19 / 39

HEX #7C9C7F

RGB 124 156 127

HSL 125.63, 0.14%, 0.55%

LAB 61.3, -17.03, 11.59

 

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

CMYK 0 / 10 / 21 / 39

HEX #9C8C7C

RGB 156 140 124

HSL 30, 0.14%, 0.55%

LAB 59.23, 3.29, 10.73

 

CMYK 21 / 0 / 10 / 39

HEX #7C9C8C

RGB 124 156 140

HSL 150, 0.14%, 0.55%

LAB 61.62, -14.47, 4.73

 

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

CMYK 0 / 21 / 15 / 39

HEX #9C7C85

RGB 156 124 133

HSL 343.13, 0.14%, 0.55%

LAB 55.25, 13.88, -0.17

 

CMYK 10 / 0 / 21 / 39

HEX #8C9C7C

RGB 140 156 124

HSL 90, 0.14%, 0.55%

LAB 62.34, -11.7, 14.89

 

CMYK 21 / 0 / 6 / 39

HEX #7C9C92

RGB 124 156 146

HSL 161.25, 0.14%, 0.55%

LAB 61.77, -13.21, 1.57

 

CMYK 10 / 21 / 0 / 39

HEX #8C7C9C

RGB 140 124 156

HSL 270, 0.14%, 0.55%

LAB 54.44, 12.51, -14.91

 

CMYK 0 / 21 / 21 / 39

HEX #9C7C7C

RGB 156 124 124

HSL 0, 0.14%, 0.55%

LAB 55.01, 12.38, 4.71

 

CMYK 10 / 0 / 21 / 39

HEX #8C9C7C

RGB 140 156 124

HSL 90, 0.14%, 0.55%

LAB 62.34, -11.7, 14.89

 

CMYK 21 / 0 / 0 / 39

HEX #7C9C9C

RGB 124 156 156

HSL 180, 0.14%, 0.55%

LAB 62.05, -11.02, -3.66

 

Description

Color code: HEX #8C7C9C | qconv.com Color code: HEX #8C7C9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 124 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 124 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 21 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 21% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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