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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7AA2 it is the complementary color #73855D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7AA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7AA2 shade: #917A9D, #A28CB0, #B39EC3, #C4B0D6 and #D5C2E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7AA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7AA2 shade: #8C7AA2, #7B688F, #6A567C, #594469 and #483256

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7AA2 shade: #8C7AA2, #977AA2, #A27AA2, #A27A98 and #A27A8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7AA2 shade: #8C7AA2, #817AA2 and #7A7AA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7AA2 shade matches the following richer shades: #8C7AA2, #8A68B5, #8956C7, #8744D9 and #8531EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7AA2 shade: #8C7AA2, #8E8C90, #909E7E, #92B16C and #94C35A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7AA2 shade: #7A7DA2, #827AA2, #8C7AA2, #977AA2 and #A27AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7AA2 shade: #635377, #776490, #8C7AA2, #A192B3 and #B6ABC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7AA2 shade: #8C7AA2, #A27A88 and #7AA27C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7AA2 shade: #8C7AA2, #A28C7A and #7AA28C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7AA2 shade: #8C7AA2, #A27A88, #90A27A and #7AA294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7AA2 shade: #8C7AA2, #A27A7C, #90A27A and #7AA2A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

Complementary color

CMYK 14 / 0 / 30 / 48

HEX #73855D

RGB 115 133 93

HSL 87, 0.18%, 0.44%

LAB 53.18, -14.1, 19.47

 

CMYK 8 / 22 / 0 / 38

HEX #917A9D

RGB 145 122 157

HSL 279.43, 0.15%, 0.55%

LAB 54.42, 15.63, -15.48

 

CMYK 8 / 20 / 0 / 31

HEX #A28CB0

RGB 162 140 176

HSL 276.67, 0.19%, 0.62%

LAB 61.28, 15.13, -15.83

 

CMYK 8 / 19 / 0 / 24

HEX #B39EC3

RGB 179 158 195

HSL 274.05, 0.24%, 0.69%

LAB 68, 14.68, -16.18

 

CMYK 8 / 18 / 0 / 16

HEX #C4B0D6

RGB 196 176 214

HSL 271.58, 0.32%, 0.76%

LAB 74.6, 14.27, -16.54

 

CMYK 9 / 17 / 0 / 9

HEX #D5C2E9

RGB 213 194 233

HSL 269.23, 0.47%, 0.84%

LAB 81.08, 13.88, -16.9

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 14 / 27 / 0 / 44

HEX #7B688F

RGB 123 104 143

HSL 269.23, 0.16%, 0.48%

LAB 47.1, 15.56, -18.6

 

CMYK 15 / 31 / 0 / 51

HEX #6A567C

RGB 106 86 124

HSL 271.58, 0.18%, 0.41%

LAB 39.87, 16.18, -18.38

 

CMYK 15 / 35 / 0 / 59

HEX #594469

RGB 89 68 105

HSL 274.05, 0.21%, 0.34%

LAB 32.43, 16.9, -18.18

 

CMYK 16 / 42 / 0 / 66

HEX #483256

RGB 72 50 86

HSL 276.67, 0.26%, 0.27%

LAB 24.74, 17.72, -18

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 7 / 25 / 0 / 36

HEX #977AA2

RGB 151 122 162

HSL 283.5, 0.18%, 0.56%

LAB 55.18, 18.76, -17.16

 

CMYK 0 / 25 / 0 / 36

HEX #A27AA2

RGB 162 122 162

HSL 300, 0.18%, 0.56%

LAB 56.3, 22.57, -15.37

 

CMYK 0 / 25 / 6 / 36

HEX #A27A98

RGB 162 122 152

HSL 315, 0.18%, 0.56%

LAB 55.95, 20.66, -10.09

 

CMYK 0 / 25 / 13 / 36

HEX #A27A8D

RGB 162 122 141

HSL 331.5, 0.18%, 0.56%

LAB 55.61, 18.68, -4.23

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 20 / 25 / 0 / 36

HEX #817AA2

RGB 129 122 162

HSL 250.5, 0.18%, 0.56%

LAB 53.16, 11.35, -20.43

 

CMYK 25 / 25 / 0 / 36

HEX #7A7AA2

RGB 122 122 162

HSL 240, 0.18%, 0.56%

LAB 52.58, 9.08, -21.37

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 24 / 43 / 0 / 29

HEX #8A68B5

RGB 138 104 181

HSL 266.49, 0.34%, 0.56%

LAB 50.26, 29.41, -35.89

 

CMYK 31 / 57 / 0 / 22

HEX #8956C7

RGB 137 86 199

HSL 267.08, 0.5%, 0.56%

LAB 47.1, 43.83, -51.33

 

CMYK 38 / 69 / 0 / 15

HEX #8744D9

RGB 135 68 217

HSL 266.98, 0.66%, 0.56%

LAB 44.65, 57.13, -65.63

 

CMYK 43 / 79 / 0 / 8

HEX #8531EB

RGB 133 49 235

HSL 267.1, 0.82%, 0.56%

LAB 43.04, 69.14, -78.52

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 1 / 3 / 0 / 44

HEX #8E8C90

RGB 142 140 144

HSL 270, 0.02%, 0.56%

LAB 58.53, 1.52, -1.87

 

CMYK 9 / 0 / 20 / 38

HEX #909E7E

RGB 144 158 126

HSL 86.25, 0.14%, 0.56%

LAB 63.25, -10.92, 15.09

 

CMYK 18 / 0 / 39 / 31

HEX #92B16C

RGB 146 177 108

HSL 86.96, 0.31%, 0.56%

LAB 68.49, -22.67, 31.89

 

CMYK 24 / 0 / 54 / 24

HEX #94C35A

RGB 148 195 90

HSL 86.86, 0.47%, 0.56%

LAB 73.59, -32.71, 47.2

 

CMYK 25 / 23 / 0 / 36

HEX #7A7DA2

RGB 122 125 162

HSL 235.5, 0.18%, 0.56%

LAB 53.4, 7.31, -20.12

 

CMYK 20 / 25 / 0 / 36

HEX #827AA2

RGB 130 122 162

HSL 252, 0.18%, 0.56%

LAB 53.25, 11.68, -20.29

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 7 / 25 / 0 / 36

HEX #977AA2

RGB 151 122 162

HSL 283.5, 0.18%, 0.56%

LAB 55.18, 18.76, -17.16

 

CMYK 0 / 25 / 0 / 36

HEX #A27AA2

RGB 162 122 162

HSL 300, 0.18%, 0.56%

LAB 56.3, 22.57, -15.37

 

CMYK 17 / 30 / 0 / 53

HEX #635377

RGB 99 83 119

HSL 266.67, 0.18%, 0.4%

LAB 38.15, 14.39, -18.02

 

CMYK 17 / 31 / 0 / 44

HEX #776490

RGB 119 100 144

HSL 265.91, 0.18%, 0.48%

LAB 45.7, 16.85, -21.38

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 10 / 18 / 0 / 30

HEX #A192B3

RGB 161 146 179

HSL 267.27, 0.18%, 0.64%

LAB 62.84, 12.02, -15.19

 

CMYK 7 / 13 / 0 / 23

HEX #B6ABC4

RGB 182 171 196

HSL 266.4, 0.17%, 0.72%

LAB 71.59, 8.7, -11.31

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 0 / 25 / 16 / 36

HEX #A27A88

RGB 162 122 136

HSL 339, 0.18%, 0.56%

LAB 55.46, 17.82, -1.54

 

CMYK 25 / 0 / 23 / 36

HEX #7AA27C

RGB 122 162 124

HSL 123, 0.18%, 0.56%

LAB 62.87, -21.39, 15.44

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 0 / 14 / 25 / 36

HEX #A28C7A

RGB 162 140 122

HSL 27, 0.18%, 0.56%

LAB 59.75, 5.37, 12.67

 

CMYK 25 / 0 / 14 / 36

HEX #7AA28C

RGB 122 162 140

HSL 147, 0.18%, 0.56%

LAB 63.24, -18.3, 7.04

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 0 / 25 / 16 / 36

HEX #A27A88

RGB 162 122 136

HSL 339, 0.18%, 0.56%

LAB 55.46, 17.82, -1.54

 

CMYK 11 / 0 / 25 / 36

HEX #90A27A

RGB 144 162 122

HSL 87, 0.18%, 0.56%

LAB 64.3, -13.7, 18.75

 

CMYK 25 / 0 / 9 / 36

HEX #7AA294

RGB 122 162 148

HSL 159, 0.18%, 0.56%

LAB 63.44, -16.63, 2.85

 

CMYK 14 / 25 / 0 / 36

HEX #8C7AA2

RGB 140 122 162

HSL 267, 0.18%, 0.56%

LAB 54.14, 15.01, -18.85

 

CMYK 0 / 25 / 23 / 36

HEX #A27A7C

RGB 162 122 124

HSL 357, 0.18%, 0.56%

LAB 55.13, 15.88, 4.97

 

CMYK 11 / 0 / 25 / 36

HEX #90A27A

RGB 144 162 122

HSL 87, 0.18%, 0.56%

LAB 64.3, -13.7, 18.75

 

CMYK 25 / 0 / 1 / 36

HEX #7AA2A0

RGB 122 162 160

HSL 177, 0.18%, 0.56%

LAB 63.77, -13.96, -3.4

 

Description

Color code: HEX #8C7AA2 | qconv.com Color code: HEX #8C7AA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 122 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 122 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 25 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 25% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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