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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C73AF it is the complementary color #738C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C73AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C73AF shade: #9173AA, #A285BD, #B397D0, #C4A9E3 and #D5BBF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C73AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C73AF shade: #8C73AF, #7B619C, #6A4F89, #593D76 and #482B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C73AF shade: #8C74AF, #9C74AF, #AC74AF, #AF74A2 and #AF7492

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C73AF shade: #8C74AF, #7C74AF and #7474AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C73AF shade matches the following richer shades: #8C74AF, #8962C1, #8750D2, #843FE4 and #812DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C73AF shade: #8C74AF, #8F859D, #92978B, #95A97A and #98BB68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C73AF shade: #747BAF, #7D74AF, #8C74AF, #9C74AF and #AC74AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C73AF shade: #634C84, #775B9E, #8C74AF, #A28EBE and #B8A8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C73AF shade: #8C73AF, #AF748A and #74AF75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C73AF shade: #8C73AF, #AF8C74 and #74AF8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C73AF shade: #8C73AF, #AF748A, #96AF74 and #74AF98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C73AF shade: #8C73AF, #AF7479, #96AF74 and #74AFAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 34 / 0 / 31

HEX #8C73AF

RGB 140 115 175

HSL 265, 0.27%, 0.57%

LAB 52.88, 22.13, -28.32

 

Complementary color

CMYK 18 / 0 / 43 / 45

HEX #738C50

RGB 115 140 80

HSL 85, 0.27%, 0.43%

LAB 55.05, -19.68, 29.12

 

CMYK 15 / 32 / 0 / 33

HEX #9173AA

RGB 145 115 170

HSL 272.73, 0.24%, 0.56%

LAB 53.15, 22.57, -24.96

 

CMYK 14 / 30 / 0 / 26

HEX #A285BD

RGB 162 133 189

HSL 271.07, 0.3%, 0.63%

LAB 60.01, 21.93, -25.15

 

CMYK 14 / 27 / 0 / 18

HEX #B397D0

RGB 179 151 208

HSL 269.47, 0.38%, 0.7%

LAB 66.73, 21.34, -25.35

 

CMYK 14 / 26 / 0 / 11

HEX #C4A9E3

RGB 196 169 227

HSL 267.93, 0.51%, 0.78%

LAB 73.32, 20.8, -25.56

 

CMYK 13 / 24 / 0 / 4

HEX #D5BBF6

RGB 213 187 246

HSL 266.44, 0.77%, 0.85%

LAB 79.81, 20.31, -25.79

 

CMYK 20 / 34 / 0 / 31

HEX #8C73AF

RGB 140 115 175

HSL 265, 0.27%, 0.57%

LAB 52.88, 22.13, -28.32

 

CMYK 21 / 38 / 0 / 39

HEX #7B619C

RGB 123 97 156

HSL 266.44, 0.23%, 0.5%

LAB 45.85, 22.86, -28.25

 

CMYK 23 / 42 / 0 / 46

HEX #6A4F89

RGB 106 79 137

HSL 267.93, 0.27%, 0.42%

LAB 38.66, 23.69, -28.21

 

CMYK 25 / 48 / 0 / 54

HEX #593D76

RGB 89 61 118

HSL 269.47, 0.32%, 0.35%

LAB 31.28, 24.61, -28.19

 

CMYK 27 / 57 / 0 / 61

HEX #482B63

RGB 72 43 99

HSL 271.07, 0.39%, 0.28%

LAB 23.69, 25.63, -28.17

 

CMYK 20 / 34 / 0 / 31

HEX #8C74AF

RGB 140 116 175

HSL 264.41, 0.27%, 0.57%

LAB 53.13, 21.54, -27.93

 

CMYK 11 / 34 / 0 / 31

HEX #9C74AF

RGB 156 116 175

HSL 280.68, 0.27%, 0.57%

LAB 54.71, 26.67, -25.35

 

CMYK 2 / 34 / 0 / 31

HEX #AC74AF

RGB 172 116 175

HSL 296.95, 0.27%, 0.57%

LAB 56.44, 31.91, -22.54

 

CMYK 0 / 34 / 7 / 31

HEX #AF74A2

RGB 175 116 162

HSL 313.22, 0.27%, 0.57%

LAB 56.3, 30.47, -15.22

 

CMYK 0 / 34 / 17 / 31

HEX #AF7492

RGB 175 116 146

HSL 329.49, 0.27%, 0.57%

LAB 55.77, 27.71, -6.74

 

CMYK 20 / 34 / 0 / 31

HEX #8C74AF

RGB 140 116 175

HSL 264.41, 0.27%, 0.57%

LAB 53.13, 21.54, -27.93

 

CMYK 29 / 34 / 0 / 31

HEX #7C74AF

RGB 124 116 175

HSL 248.14, 0.27%, 0.57%

LAB 51.69, 16.59, -30.27

 

CMYK 34 / 34 / 0 / 31

HEX #7474AF

RGB 116 116 175

HSL 240, 0.27%, 0.57%

LAB 51.04, 14.22, -31.35

 

CMYK 20 / 34 / 0 / 31

HEX #8C74AF

RGB 140 116 175

HSL 264.41, 0.27%, 0.57%

LAB 53.13, 21.54, -27.93

 

CMYK 29 / 49 / 0 / 24

HEX #8962C1

RGB 137 98 193

HSL 264.63, 0.43%, 0.57%

LAB 49.38, 35.58, -44.23

 

CMYK 36 / 62 / 0 / 18

HEX #8750D2

RGB 135 80 210

HSL 265.38, 0.59%, 0.57%

LAB 46.37, 49.36, -58.85

 

CMYK 42 / 72 / 0 / 11

HEX #843FE4

RGB 132 63 228

HSL 265.09, 0.75%, 0.57%

LAB 44.32, 61.61, -72.45

 

CMYK 48 / 82 / 0 / 4

HEX #812DF6

RGB 129 45 246

HSL 265.07, 0.92%, 0.57%

LAB 43.06, 72.59, -84.7

 

CMYK 20 / 34 / 0 / 31

HEX #8C74AF

RGB 140 116 175

HSL 264.41, 0.27%, 0.57%

LAB 53.13, 21.54, -27.93

 

CMYK 9 / 15 / 0 / 38

HEX #8F859D

RGB 143 133 157

HSL 265, 0.11%, 0.57%

LAB 57.12, 8.56, -11.41

 

CMYK 3 / 0 / 8 / 41

HEX #92978B

RGB 146 151 139

HSL 85, 0.05%, 0.57%

LAB 61.75, -4.09, 5.69

 

CMYK 12 / 0 / 28 / 34

HEX #95A97A

RGB 149 169 122

HSL 85.53, 0.21%, 0.57%

LAB 66.65, -15.46, 22.01

 

CMYK 19 / 0 / 44 / 27

HEX #98BB68

RGB 152 187 104

HSL 85.3, 0.38%, 0.57%

LAB 71.7, -25.83, 38.11

 

CMYK 34 / 30 / 0 / 31

HEX #747BAF

RGB 116 123 175

HSL 232.88, 0.27%, 0.57%

LAB 52.92, 10.03, -28.41

 

CMYK 29 / 34 / 0 / 31

HEX #7D74AF

RGB 125 116 175

HSL 249.15, 0.27%, 0.57%

LAB 51.78, 16.89, -30.13

 

CMYK 20 / 34 / 0 / 31

HEX #8C74AF

RGB 140 116 175

HSL 264.41, 0.27%, 0.57%

LAB 53.13, 21.54, -27.93

 

CMYK 11 / 34 / 0 / 31

HEX #9C74AF

RGB 156 116 175

HSL 280.68, 0.27%, 0.57%

LAB 54.71, 26.67, -25.35

 

CMYK 2 / 34 / 0 / 31

HEX #AC74AF

RGB 172 116 175

HSL 296.95, 0.27%, 0.57%

LAB 56.44, 31.91, -22.54

 

CMYK 25 / 42 / 0 / 48

HEX #634C84

RGB 99 76 132

HSL 264.64, 0.27%, 0.41%

LAB 36.91, 22.05, -27.95

 

CMYK 25 / 42 / 0 / 38

HEX #775B9E

RGB 119 91 158

HSL 265.07, 0.27%, 0.49%

LAB 44.05, 25.72, -32.29

 

CMYK 20 / 34 / 0 / 31

HEX #8C74AF

RGB 140 116 175

HSL 264.41, 0.27%, 0.57%

LAB 53.13, 21.54, -27.93

 

CMYK 15 / 25 / 0 / 25

HEX #A28EBE

RGB 162 142 190

HSL 265, 0.27%, 0.65%

LAB 62.29, 17.01, -22.21

 

CMYK 10 / 18 / 0 / 20

HEX #B8A8CD

RGB 184 168 205

HSL 265.95, 0.27%, 0.73%

LAB 71.28, 12.86, -16.71

 

CMYK 20 / 34 / 0 / 31

HEX #8C73AF

RGB 140 115 175

HSL 265, 0.27%, 0.57%

LAB 52.88, 22.13, -28.32

 

CMYK 0 / 34 / 21 / 31

HEX #AF748A

RGB 175 116 138

HSL 337.63, 0.27%, 0.57%

LAB 55.52, 26.42, -2.44

 

CMYK 34 / 0 / 33 / 31

HEX #74AF75

RGB 116 175 117

HSL 121.02, 0.27%, 0.57%

LAB 66.26, -31.05, 23.84

 

CMYK 20 / 34 / 0 / 31

HEX #8C73AF

RGB 140 115 175

HSL 265, 0.27%, 0.57%

LAB 52.88, 22.13, -28.32

 

CMYK 0 / 20 / 34 / 31

HEX #AF8C74

RGB 175 140 116

HSL 24.41, 0.27%, 0.57%

LAB 60.9, 9.77, 17.85

 

CMYK 34 / 0 / 20 / 31

HEX #74AF8C

RGB 116 175 140

HSL 144.41, 0.27%, 0.57%

LAB 66.72, -26.8, 11.95

 

CMYK 20 / 34 / 0 / 31

HEX #8C73AF

RGB 140 115 175

HSL 265, 0.27%, 0.57%

LAB 52.88, 22.13, -28.32

 

CMYK 0 / 34 / 21 / 31

HEX #AF748A

RGB 175 116 138

HSL 337.63, 0.27%, 0.57%

LAB 55.52, 26.42, -2.44

 

CMYK 14 / 0 / 34 / 31

HEX #96AF74

RGB 150 175 116

HSL 85.42, 0.27%, 0.57%

LAB 68.32, -19.04, 27.49

 

CMYK 34 / 0 / 13 / 31

HEX #74AF98

RGB 116 175 152

HSL 156.61, 0.27%, 0.57%

LAB 67.01, -24.3, 5.73

 

CMYK 20 / 34 / 0 / 31

HEX #8C73AF

RGB 140 115 175

HSL 265, 0.27%, 0.57%

LAB 52.88, 22.13, -28.32

 

CMYK 0 / 34 / 31 / 31

HEX #AF7479

RGB 175 116 121

HSL 354.92, 0.27%, 0.57%

LAB 55.06, 23.92, 6.81

 

CMYK 14 / 0 / 34 / 31

HEX #96AF74

RGB 150 175 116

HSL 85.42, 0.27%, 0.57%

LAB 68.32, -19.04, 27.49

 

CMYK 34 / 0 / 3 / 31

HEX #74AFAA

RGB 116 175 170

HSL 174.92, 0.27%, 0.57%

LAB 67.48, -20.21, -3.54

 

Description

Color code: HEX #8C73AF | qconv.com Color code: HEX #8C73AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 115 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 115 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 34 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 34% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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