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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C68F7 it is the complementary color #739708. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C68F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8C68F7: #9168F2, #A27AFF, #B38CFF, #C49EFF and #D5B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C68F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8C68F7: #8C68F7, #7B56E4, #6A44D1, #5932BE and #4820AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

Complementary color

CMYK 24 / 0 / 95 / 41

HEX #739708

RGB 115 151 8

HSL 75.1, 0.9%, 0.31%

LAB 57.84, -30.2, 59.47

 

CMYK 40 / 57 / 0 / 5

HEX #9168F2

RGB 145 104 242

HSL 257.83, 0.84%, 0.68%

LAB 54.38, 46.84, -63.96

 

CMYK 36 / 52 / 0 / 0

HEX #A27AFF

RGB 162 122 255

HSL 258.05, 1%, 0.74%

LAB 60.62, 44.14, -61.04

 

CMYK 30 / 45 / 0 / 0

HEX #B38CFF

RGB 179 140 255

HSL 260.35, 1%, 0.77%

LAB 66.18, 38.38, -52.09

 

CMYK 23 / 38 / 0 / 0

HEX #C49EFF

RGB 196 158 255

HSL 263.51, 1%, 0.81%

LAB 71.83, 33.07, -43.1

 

CMYK 16 / 31 / 0 / 0

HEX #D5B0FF

RGB 213 176 255

HSL 268.1, 1%, 0.85%

LAB 77.53, 28.18, -34.12

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 46 / 62 / 0 / 11

HEX #7B56E4

RGB 123 86 228

HSL 255.63, 0.72%, 0.62%

LAB 47.58, 48.42, -67.19

 

CMYK 49 / 67 / 0 / 18

HEX #6A44D1

RGB 106 68 209

HSL 256.17, 0.61%, 0.54%

LAB 40.9, 49.74, -67.28

 

CMYK 53 / 74 / 0 / 25

HEX #5932BE

RGB 89 50 190

HSL 256.71, 0.58%, 0.47%

LAB 34.24, 50.96, -67.18

 

CMYK 58 / 81 / 0 / 33

HEX #4820AB

RGB 72 32 171

HSL 257.27, 0.68%, 0.4%

LAB 27.71, 51.8, -66.68

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 34 / 58 / 0 / 3

HEX #A468F7

RGB 164 104 247

HSL 265.17, 0.9%, 0.69%

LAB 56.59, 52.34, -63.07

 

CMYK 24 / 58 / 0 / 3

HEX #BB68F7

RGB 187 104 247

HSL 274.83, 0.9%, 0.69%

LAB 59.14, 57.65, -58.85

 

CMYK 15 / 58 / 0 / 3

HEX #D368F7

RGB 211 104 247

HSL 284.9, 0.9%, 0.69%

LAB 62.05, 63.4, -54.03

 

CMYK 5 / 58 / 0 / 3

HEX #EB68F7

RGB 235 104 247

HSL 294.97, 0.9%, 0.69%

LAB 65.18, 69.24, -48.87

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 44 / 58 / 0 / 83

HEX #18122B

RGB 24 18 43

HSL 254.4, 0.41%, 0.12%

LAB 7.24, 10.45, -15.9

 

CMYK 44 / 57 / 0 / 63

HEX #35285E

RGB 53 40 94

HSL 254.44, 0.4%, 0.26%

LAB 20.37, 20.66, -30.33

 

CMYK 43 / 58 / 0 / 43

HEX #523D91

RGB 82 61 145

HSL 255, 0.41%, 0.4%

LAB 32.2, 30.29, -43.51

 

CMYK 43 / 58 / 0 / 23

HEX #6F53C4

RGB 111 83 196

HSL 254.87, 0.49%, 0.55%

LAB 43.58, 38.64, -55.39

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 0 / 58 / 26 / 3

HEX #F768B7

RGB 247 104 183

HSL 326.85, 0.9%, 0.69%

LAB 64.24, 62.71, -14.35

 

CMYK 49 / 0 / 58 / 3

HEX #7EF768

RGB 126 247 104

HSL 110.77, 0.9%, 0.69%

LAB 87.95, -60.2, 57.33

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 0 / 43 / 58 / 3

HEX #F78C68

RGB 247 140 104

HSL 15.1, 0.9%, 0.69%

LAB 69.13, 37.3, 36.86

 

CMYK 58 / 0 / 43 / 3

HEX #68F78C

RGB 104 247 140

HSL 135.1, 0.9%, 0.69%

LAB 87.66, -60.89, 40.07

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 0 / 58 / 26 / 3

HEX #F768B7

RGB 247 104 183

HSL 326.85, 0.9%, 0.69%

LAB 64.24, 62.71, -14.35

 

CMYK 15 / 0 / 58 / 3

HEX #D3F768

RGB 211 247 104

HSL 75.1, 0.9%, 0.69%

LAB 92.3, -31.71, 63.43

 

CMYK 58 / 0 / 32 / 3

HEX #68F7A8

RGB 104 247 168

HSL 146.85, 0.9%, 0.69%

LAB 88.11, -56.07, 26.68

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 0 / 58 / 43 / 3

HEX #F7688C

RGB 247 104 140

HSL 344.9, 0.9%, 0.69%

LAB 62.98, 57.84, 8.44

 

CMYK 15 / 0 / 58 / 3

HEX #D3F768

RGB 211 247 104

HSL 75.1, 0.9%, 0.69%

LAB 92.3, -31.71, 63.43

 

CMYK 58 / 0 / 15 / 3

HEX #68F7D3

RGB 104 247 211

HSL 164.9, 0.9%, 0.69%

LAB 89, -47.02, 5.78

 

Description

Color code: HEX #8C68F7 | qconv.com Color code: HEX #8C68F7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 104 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 104 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 58 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 58% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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