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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C684A it is the complementary color #7397B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C684A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C684A shade: #916845, #A27A58, #B38C6B, #C49E7E and #D5B091

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C684A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C684A shade: #8C684A, #7B5637, #6A4424, #593211 and #482000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C684A shade: #8C684A, #8C564A and #8C4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C684A shade: #8C684A, #8C7A4A, #8C8C4A, #7B8C4A and #698C4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C684A shade matches the following richer shades: #8C684A, #9E6739, #AF6527, #C06316 and #D26205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C684A shade: #8C684A, #7B6A5B, #6A6B6D, #586D7E and #476E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C684A shade: #8C4A4F, #8C564A, #8C684A, #8C794A and #8C8B4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C684A shade: #56402D, #71543C, #8C684A, #A77C58 and #B59173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C684A shade: #8C684A, #618C4A and #4D4A8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C684A shade: #8C684A, #4A8C68 and #684A8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C684A shade: #8C684A, #618C4A, #4A6E8C and #754A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C684A shade: #8C684A, #4D8C4A, #4A6E8C and #894A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

Complementary color

CMYK 36 / 17 / 0 / 29

HEX #7397B5

RGB 115 151 181

HSL 207.27, 0.31%, 0.58%

LAB 60.88, -4.84, -19.6

 

CMYK 0 / 28 / 52 / 43

HEX #916845

RGB 145 104 69

HSL 27.63, 0.36%, 0.42%

LAB 47.43, 12.13, 26.11

 

CMYK 0 / 25 / 46 / 36

HEX #A27A58

RGB 162 122 88

HSL 27.57, 0.3%, 0.49%

LAB 54.35, 11.13, 24.63

 

CMYK 0 / 22 / 40 / 30

HEX #B38C6B

RGB 179 140 107

HSL 27.5, 0.32%, 0.56%

LAB 61.13, 10.3, 23.28

 

CMYK 0 / 19 / 36 / 23

HEX #C49E7E

RGB 196 158 126

HSL 27.43, 0.37%, 0.63%

LAB 67.8, 9.59, 22.05

 

CMYK 0 / 17 / 32 / 16

HEX #D5B091

RGB 213 176 145

HSL 27.35, 0.45%, 0.7%

LAB 74.34, 8.97, 20.92

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 0 / 30 / 55 / 52

HEX #7B5637

RGB 123 86 55

HSL 27.35, 0.38%, 0.35%

LAB 39.82, 11.52, 24.04

 

CMYK 0 / 36 / 66 / 58

HEX #6A4424

RGB 106 68 36

HSL 27.43, 0.49%, 0.28%

LAB 32.54, 12.88, 25.77

 

CMYK 0 / 44 / 81 / 65

HEX #593211

RGB 89 50 17

HSL 27.5, 0.68%, 0.21%

LAB 25.09, 14.63, 27.54

 

CMYK 0 / 56 / 100 / 72

HEX #482000

RGB 72 32 0

HSL 26.67, 1%, 0.14%

LAB 17.51, 16.83, 25.94

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 0 / 39 / 47 / 45

HEX #8C564A

RGB 140 86 74

HSL 10.91, 0.31%, 0.42%

LAB 42.35, 20.96, 16.4

 

CMYK 0 / 47 / 47 / 45

HEX #8C4A4A

RGB 140 74 74

HSL 0, 0.31%, 0.42%

LAB 39.53, 27.83, 12.56

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 0 / 13 / 47 / 45

HEX #8C7A4A

RGB 140 122 74

HSL 43.64, 0.31%, 0.42%

LAB 51.82, 0.06, 28.75

 

CMYK 0 / 0 / 47 / 45

HEX #8C8C4A

RGB 140 140 74

HSL 60, 0.31%, 0.42%

LAB 56.91, -9.93, 35.04

 

CMYK 12 / 0 / 47 / 45

HEX #7B8C4A

RGB 123 140 74

HSL 75.45, 0.31%, 0.42%

LAB 55.54, -17.15, 33.07

 

CMYK 25 / 0 / 47 / 45

HEX #698C4A

RGB 105 140 74

HSL 91.82, 0.31%, 0.42%

LAB 54.3, -24.41, 31.24

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 0 / 35 / 64 / 38

HEX #9E6739

RGB 158 103 57

HSL 27.33, 0.47%, 0.42%

LAB 48.59, 17.43, 34.56

 

CMYK 0 / 42 / 78 / 31

HEX #AF6527

RGB 175 101 39

HSL 27.35, 0.64%, 0.42%

LAB 50.18, 24.96, 45.95

 

CMYK 0 / 48 / 89 / 25

HEX #C06316

RGB 192 99 22

HSL 27.18, 0.79%, 0.42%

LAB 52.05, 32.69, 55.18

 

CMYK 0 / 53 / 98 / 18

HEX #D26205

RGB 210 98 5

HSL 27.22, 0.95%, 0.42%

LAB 54.5, 40.2, 62.21

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 0 / 14 / 26 / 52

HEX #7B6A5B

RGB 123 106 91

HSL 28.13, 0.15%, 0.42%

LAB 46.01, 4.19, 10.9

 

CMYK 3 / 2 / 0 / 57

HEX #6A6B6D

RGB 106 107 109

HSL 220, 0.01%, 0.42%

LAB 45.2, 0.03, -1.26

 

CMYK 30 / 13 / 0 / 51

HEX #586D7E

RGB 88 109 126

HSL 206.84, 0.18%, 0.42%

LAB 44.97, -3.47, -11.96

 

CMYK 50 / 23 / 0 / 44

HEX #476E8F

RGB 71 110 143

HSL 207.5, 0.34%, 0.42%

LAB 44.91, -4.04, -22.31

 

CMYK 0 / 47 / 44 / 45

HEX #8C4A4F

RGB 140 74 79

HSL 355.45, 0.31%, 0.42%

LAB 39.64, 28.39, 9.62

 

CMYK 0 / 39 / 47 / 45

HEX #8C564A

RGB 140 86 74

HSL 10.91, 0.31%, 0.42%

LAB 42.35, 20.96, 16.4

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 0 / 14 / 47 / 45

HEX #8C794A

RGB 140 121 74

HSL 42.73, 0.31%, 0.42%

LAB 51.55, 0.63, 28.4

 

CMYK 0 / 1 / 47 / 45

HEX #8C8B4A

RGB 140 139 74

HSL 59.09, 0.31%, 0.42%

LAB 56.62, -9.39, 34.69

 

CMYK 0 / 26 / 48 / 66

HEX #56402D

RGB 86 64 45

HSL 27.8, 0.31%, 0.26%

LAB 28.99, 6.75, 15.31

 

CMYK 0 / 26 / 47 / 56

HEX #71543C

RGB 113 84 60

HSL 27.17, 0.31%, 0.34%

LAB 38.16, 8.7, 18.69

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 0 / 26 / 47 / 35

HEX #A77C58

RGB 167 124 88

HSL 27.34, 0.31%, 0.5%

LAB 55.42, 12.13, 26.13

 

CMYK 0 / 20 / 36 / 29

HEX #B59173

RGB 181 145 115

HSL 27.27, 0.31%, 0.58%

LAB 62.77, 9.3, 21.07

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 31 / 0 / 47 / 45

HEX #618C4A

RGB 97 140 74

HSL 99.09, 0.31%, 0.42%

LAB 53.81, -27.46, 30.53

 

CMYK 45 / 47 / 0 / 45

HEX #4D4A8C

RGB 77 74 140

HSL 242.73, 0.31%, 0.42%

LAB 34.74, 19.23, -36.42

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 47 / 0 / 26 / 45

HEX #4A8C68

RGB 74 140 104

HSL 147.27, 0.31%, 0.42%

LAB 53.18, -29.8, 12.83

 

CMYK 26 / 47 / 0 / 45

HEX #684A8C

RGB 104 74 140

HSL 267.27, 0.31%, 0.42%

LAB 37.36, 26.89, -32.09

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 31 / 0 / 47 / 45

HEX #618C4A

RGB 97 140 74

HSL 99.09, 0.31%, 0.42%

LAB 53.81, -27.46, 30.53

 

CMYK 47 / 21 / 0 / 45

HEX #4A6E8C

RGB 74 110 140

HSL 207.27, 0.31%, 0.42%

LAB 44.94, -4.19, -20.45

 

CMYK 16 / 47 / 0 / 45

HEX #754A8C

RGB 117 74 140

HSL 279.09, 0.31%, 0.42%

LAB 38.85, 30.85, -29.65

 

CMYK 0 / 26 / 47 / 45

HEX #8C684A

RGB 140 104 74

HSL 27.27, 0.31%, 0.42%

LAB 46.94, 10.45, 22.48

 

CMYK 45 / 0 / 47 / 45

HEX #4D8C4A

RGB 77 140 74

HSL 117.27, 0.31%, 0.42%

LAB 52.76, -34.39, 28.99

 

CMYK 47 / 21 / 0 / 45

HEX #4A6E8C

RGB 74 110 140

HSL 207.27, 0.31%, 0.42%

LAB 44.94, -4.19, -20.45

 

CMYK 2 / 47 / 0 / 45

HEX #894A8C

RGB 137 74 140

HSL 297.27, 0.31%, 0.42%

LAB 41.39, 37.07, -25.49

 

Description

Color code: HEX #8C684A | qconv.com Color code: HEX #8C684A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 104 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 104 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 47 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 47% 45% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

66% - edgecomb gray HC-173...
Link: http://www.benjaminmoore.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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