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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C574F it is the complementary color #73A8B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C574F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C574F shade: #91574A, #A2695D, #B37B70, #C48D83 and #D59F96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C574F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C574F shade: #8C574F, #7B453C, #6A3329, #592116 and #480F03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C574F shade: #8C574F and #8C4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C574F shade: #8C574F, #8C684F, #8C784F, #8C894F and #7F8C4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C574F shade matches the following richer shades: #8C574F, #9E4A3D, #B03D2B, #C2301A and #D32308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C574F shade: #8C574F, #7B6461, #697172, #577E84 and #458B96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C574F shade: #8C4F69, #8C4F58, #8C564F, #8C664F and #8C774F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C574F shade: #583631, #724740, #8C574F, #A5695F and #B4817A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C574F shade: #8C574F, #798C4F and #4F608C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C574F shade: #8C574F, #4F8C56 and #564F8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C574F shade: #8C574F, #798C4F, #4F858C and #624F8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C574F shade: #8C574F, #668C4F, #4F858C and #754F8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

Complementary color

CMYK 35 / 5 / 0 / 31

HEX #73A8B0

RGB 115 168 176

HSL 187.87, 0.28%, 0.57%

LAB 65.58, -15.39, -9.7

 

CMYK 0 / 40 / 49 / 43

HEX #91574A

RGB 145 87 74

HSL 10.99, 0.32%, 0.43%

LAB 43.26, 22.49, 17.74

 

CMYK 0 / 35 / 43 / 36

HEX #A2695D

RGB 162 105 93

HSL 10.43, 0.27%, 0.5%

LAB 50.19, 21.37, 16.18

 

CMYK 0 / 31 / 37 / 30

HEX #B37B70

RGB 179 123 112

HSL 9.85, 0.31%, 0.57%

LAB 57, 20.4, 14.82

 

CMYK 0 / 28 / 33 / 23

HEX #C48D83

RGB 196 141 131

HSL 9.23, 0.36%, 0.64%

LAB 63.69, 19.55, 13.62

 

CMYK 0 / 25 / 30 / 16

HEX #D59F96

RGB 213 159 150

HSL 8.57, 0.43%, 0.71%

LAB 70.28, 18.8, 12.53

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 0 / 44 / 51 / 52

HEX #7B453C

RGB 123 69 60

HSL 8.57, 0.34%, 0.36%

LAB 35.58, 22.14, 15.52

 

CMYK 0 / 52 / 61 / 58

HEX #6A3329

RGB 106 51 41

HSL 9.23, 0.44%, 0.29%

LAB 28.36, 23.52, 17.59

 

CMYK 0 / 63 / 75 / 65

HEX #592116

RGB 89 33 22

HSL 9.85, 0.6%, 0.22%

LAB 21.09, 25.04, 20.24

 

CMYK 0 / 79 / 96 / 72

HEX #480F03

RGB 72 15 3

HSL 10.43, 0.92%, 0.15%

LAB 13.98, 26.3, 20.26

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 0 / 44 / 44 / 45

HEX #8C4F4F

RGB 140 79 79

HSL 0, 0.28%, 0.43%

LAB 40.79, 25.57, 11.21

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 0 / 26 / 44 / 45

HEX #8C684F

RGB 140 104 79

HSL 24.59, 0.28%, 0.43%

LAB 47.03, 11.02, 19.69

 

CMYK 0 / 14 / 44 / 45

HEX #8C784F

RGB 140 120 79

HSL 40.33, 0.28%, 0.43%

LAB 51.35, 1.76, 25.36

 

CMYK 0 / 2 / 44 / 45

HEX #8C894F

RGB 140 137 79

HSL 57.05, 0.28%, 0.43%

LAB 56.12, -7.76, 31.42

 

CMYK 9 / 0 / 44 / 45

HEX #7F8C4F

RGB 127 140 79

HSL 72.79, 0.28%, 0.43%

LAB 55.92, -14.89, 30.94

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 0 / 53 / 61 / 38

HEX #9E4A3D

RGB 158 74 61

HSL 8.04, 0.44%, 0.43%

LAB 42.01, 33.84, 24.28

 

CMYK 0 / 65 / 76 / 31

HEX #B03D2B

RGB 176 61 43

HSL 8.12, 0.61%, 0.43%

LAB 42.37, 45.84, 35.92

 

CMYK 0 / 75 / 87 / 24

HEX #C2301A

RGB 194 48 26

HSL 7.86, 0.76%, 0.43%

LAB 43.74, 56.29, 47.11

 

CMYK 0 / 83 / 96 / 17

HEX #D32308

RGB 211 35 8

HSL 7.98, 0.93%, 0.43%

LAB 45.73, 64.67, 56.55

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 0 / 19 / 21 / 52

HEX #7B6461

RGB 123 100 97

HSL 6.92, 0.12%, 0.43%

LAB 44.5, 8.71, 5.17

 

CMYK 8 / 1 / 0 / 55

HEX #697172

RGB 105 113 114

HSL 186.67, 0.04%, 0.43%

LAB 47.01, -2.8, -1.6

 

CMYK 34 / 5 / 0 / 48

HEX #577E84

RGB 87 126 132

HSL 188, 0.21%, 0.43%

LAB 50.23, -11.98, -7.62

 

CMYK 54 / 7 / 0 / 41

HEX #458B96

RGB 69 139 150

HSL 188.15, 0.37%, 0.43%

LAB 53.96, -18.76, -12.61

 

CMYK 0 / 44 / 25 / 45

HEX #8C4F69

RGB 140 79 105

HSL 334.43, 0.28%, 0.43%

LAB 41.51, 29.1, -3.82

 

CMYK 0 / 44 / 37 / 45

HEX #8C4F58

RGB 140 79 88

HSL 351.15, 0.28%, 0.43%

LAB 41.01, 26.68, 5.96

 

CMYK 0 / 39 / 44 / 45

HEX #8C564F

RGB 140 86 79

HSL 6.89, 0.28%, 0.43%

LAB 42.45, 21.53, 13.51

 

CMYK 0 / 27 / 44 / 45

HEX #8C664F

RGB 140 102 79

HSL 22.62, 0.28%, 0.43%

LAB 46.5, 12.18, 18.99

 

CMYK 0 / 15 / 44 / 45

HEX #8C774F

RGB 140 119 79

HSL 39.34, 0.28%, 0.43%

LAB 51.08, 2.33, 25

 

CMYK 0 / 39 / 44 / 65

HEX #583631

RGB 88 54 49

HSL 7.69, 0.28%, 0.27%

LAB 26.55, 14.55, 9.48

 

CMYK 0 / 38 / 44 / 55

HEX #724740

RGB 114 71 64

HSL 8.4, 0.28%, 0.35%

LAB 34.91, 17.52, 11.89

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 0 / 36 / 42 / 35

HEX #A5695F

RGB 165 105 95

HSL 8.57, 0.28%, 0.51%

LAB 50.6, 22.83, 15.63

 

CMYK 0 / 28 / 32 / 29

HEX #B4817A

RGB 180 129 122

HSL 7.24, 0.28%, 0.59%

LAB 58.8, 18.73, 11.61

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 14 / 0 / 44 / 45

HEX #798C4F

RGB 121 140 79

HSL 78.69, 0.28%, 0.43%

LAB 55.47, -17.37, 30.28

 

CMYK 44 / 31 / 0 / 45

HEX #4F608C

RGB 79 96 140

HSL 223.28, 0.28%, 0.43%

LAB 41.09, 5.73, -26.39

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 44 / 0 / 39 / 45

HEX #4F8C56

RGB 79 140 86

HSL 126.89, 0.28%, 0.43%

LAB 53.05, -31.8, 22.83

 

CMYK 39 / 44 / 0 / 45

HEX #564F8C

RGB 86 79 140

HSL 246.89, 0.28%, 0.43%

LAB 36.86, 18.49, -33

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 14 / 0 / 44 / 45

HEX #798C4F

RGB 121 140 79

HSL 78.69, 0.28%, 0.43%

LAB 55.47, -17.37, 30.28

 

CMYK 44 / 5 / 0 / 45

HEX #4F858C

RGB 79 133 140

HSL 186.89, 0.28%, 0.43%

LAB 52.21, -15.95, -9.39

 

CMYK 30 / 44 / 0 / 45

HEX #624F8C

RGB 98 79 140

HSL 258.69, 0.28%, 0.43%

LAB 37.99, 22.01, -31.15

 

CMYK 0 / 38 / 44 / 45

HEX #8C574F

RGB 140 87 79

HSL 7.87, 0.28%, 0.43%

LAB 42.7, 20.95, 13.84

 

CMYK 27 / 0 / 44 / 45

HEX #668C4F

RGB 102 140 79

HSL 97.38, 0.28%, 0.43%

LAB 54.18, -24.89, 28.38

 

CMYK 44 / 5 / 0 / 45

HEX #4F858C

RGB 79 133 140

HSL 186.89, 0.28%, 0.43%

LAB 52.21, -15.95, -9.39

 

CMYK 16 / 44 / 0 / 45

HEX #754F8C

RGB 117 79 140

HSL 277.38, 0.28%, 0.43%

LAB 40.03, 27.9, -27.8

 

Description

Color code: HEX #8C574F | qconv.com Color code: HEX #8C574F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 87 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 87 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 44 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 44% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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