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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C5431 it is the complementary color #73ABCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C5431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C5431 shade: #91542C, #A2663F, #B37852, #C48A65 and #D59C78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C5431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C5431 shade: #8C5431, #7B421E, #6A300B, #591E00 and #480C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C5431 shade: #8C5431, #8C3B31 and #8C3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C5431 shade: #8C5431, #8C6C31, #8C8531, #7A8C31 and #628C31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C5431 shade matches the following richer shades: #8C5431, #9B5022, #AA4D13 and #B94903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C5431 shade: #8C5431, #7C5740, #6D5B50, #5E5E5F and #4F626E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C5431 shade: #8C313F, #8C3C31, #8C5431, #8C6C31 and #8C8431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C5431 shade: #4F2F1C, #6D4226, #8C5431, #AA663C and #C17A4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C5431 shade: #8C5431, #578C31 and #31338C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C5431 shade: #8C5431, #318C54 and #54318C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C5431 shade: #8C5431, #578C31, #31698C and #66318C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C5431 shade: #8C5431, #3C8C31, #31698C and #81318C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

Complementary color

CMYK 44 / 17 / 0 / 19

HEX #73ABCE

RGB 115 171 206

HSL 203.08, 0.48%, 0.63%

LAB 67.45, -9.07, -23.53

 

CMYK 0 / 42 / 70 / 43

HEX #91542C

RGB 145 84 44

HSL 23.76, 0.53%, 0.37%

LAB 42.07, 21.72, 33.64

 

CMYK 0 / 37 / 61 / 36

HEX #A2663F

RGB 162 102 63

HSL 23.64, 0.44%, 0.44%

LAB 48.94, 20.19, 31.82

 

CMYK 0 / 33 / 54 / 30

HEX #B37852

RGB 179 120 82

HSL 23.51, 0.39%, 0.51%

LAB 55.71, 18.89, 30.13

 

CMYK 0 / 30 / 48 / 23

HEX #C48A65

RGB 196 138 101

HSL 23.37, 0.45%, 0.58%

LAB 62.38, 17.78, 28.59

 

CMYK 0 / 27 / 44 / 16

HEX #D59C78

RGB 213 156 120

HSL 23.23, 0.53%, 0.65%

LAB 68.95, 16.82, 27.19

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 0 / 46 / 76 / 52

HEX #7B421E

RGB 123 66 30

HSL 23.23, 0.61%, 0.3%

LAB 34.4, 21.54, 31.88

 

CMYK 0 / 55 / 90 / 58

HEX #6A300B

RGB 106 48 11

HSL 23.37, 0.81%, 0.23%

LAB 27.3, 23.54, 33.51

 

CMYK 0 / 66 / 100 / 65

HEX #591E00

RGB 89 30 0

HSL 20.22, 1%, 0.17%

LAB 20.25, 25.74, 29.95

 

CMYK 0 / 83 / 100 / 72

HEX #480C00

RGB 72 12 0

HSL 10, 1%, 0.14%

LAB 13.48, 27.44, 20.82

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 0 / 58 / 65 / 45

HEX #8C3B31

RGB 140 59 49

HSL 6.59, 0.48%, 0.37%

LAB 35.84, 33.73, 23.19

 

CMYK 0 / 65 / 65 / 45

HEX #8C3131

RGB 140 49 49

HSL 0, 0.48%, 0.37%

LAB 33.97, 38.66, 20.84

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 0 / 23 / 65 / 45

HEX #8C6C31

RGB 140 108 49

HSL 38.9, 0.48%, 0.37%

LAB 47.65, 5.86, 37.12

 

CMYK 0 / 5 / 65 / 45

HEX #8C8531

RGB 140 133 49

HSL 55.38, 0.48%, 0.37%

LAB 54.63, -8.25, 44.74

 

CMYK 13 / 0 / 65 / 45

HEX #7A8C31

RGB 122 140 49

HSL 71.87, 0.48%, 0.37%

LAB 55.19, -19.95, 44.9

 

CMYK 30 / 0 / 65 / 45

HEX #628C31

RGB 98 140 49

HSL 87.69, 0.48%, 0.37%

LAB 53.57, -29.86, 42.68

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 0 / 48 / 78 / 39

HEX #9B5022

RGB 155 80 34

HSL 22.81, 0.64%, 0.37%

LAB 42.49, 27.78, 39.72

 

CMYK 0 / 55 / 89 / 33

HEX #AA4D13

RGB 170 77 19

HSL 23.05, 0.8%, 0.37%

LAB 44.09, 35.12, 48.48

 

CMYK 0 / 61 / 98 / 27

HEX #B94903

RGB 185 73 3

HSL 23.08, 0.97%, 0.37%

LAB 45.75, 42.7, 55.36

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 0 / 30 / 48 / 51

HEX #7C5740

RGB 124 87 64

HSL 23, 0.32%, 0.37%

LAB 40.36, 12.31, 19.42

 

CMYK 0 / 17 / 27 / 57

HEX #6D5B50

RGB 109 91 80

HSL 22.76, 0.15%, 0.37%

LAB 40.1, 5.45, 9.07

 

CMYK 1 / 1 / 0 / 63

HEX #5E5E5F

RGB 94 94 95

HSL 240, 0.01%, 0.37%

LAB 39.93, 0.21, -0.58

 

CMYK 28 / 11 / 0 / 57

HEX #4F626E

RGB 79 98 110

HSL 203.23, 0.16%, 0.37%

LAB 40.45, -4.11, -9.15

 

CMYK 0 / 65 / 55 / 45

HEX #8C313F

RGB 140 49 63

HSL 350.77, 0.48%, 0.37%

LAB 34.25, 39.75, 12.28

 

CMYK 0 / 57 / 65 / 45

HEX #8C3C31

RGB 140 60 49

HSL 7.25, 0.48%, 0.37%

LAB 36.04, 33.21, 23.44

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 0 / 23 / 65 / 45

HEX #8C6C31

RGB 140 108 49

HSL 38.9, 0.48%, 0.37%

LAB 47.65, 5.86, 37.12

 

CMYK 0 / 6 / 65 / 45

HEX #8C8431

RGB 140 132 49

HSL 54.73, 0.48%, 0.37%

LAB 54.34, -7.7, 44.44

 

CMYK 0 / 41 / 65 / 69

HEX #4F2F1C

RGB 79 47 28

HSL 22.35, 0.48%, 0.21%

LAB 22.93, 12.43, 18.2

 

CMYK 0 / 39 / 65 / 57

HEX #6D4226

RGB 109 66 38

HSL 23.66, 0.48%, 0.29%

LAB 32.45, 15.66, 24.6

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 0 / 40 / 65 / 33

HEX #AA663C

RGB 170 102 60

HSL 22.91, 0.48%, 0.45%

LAB 49.95, 23.41, 34.92

 

CMYK 0 / 37 / 60 / 24

HEX #C17A4E

RGB 193 122 78

HSL 22.96, 0.48%, 0.53%

LAB 57.85, 23.33, 35.36

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 38 / 0 / 65 / 45

HEX #578C31

RGB 87 140 49

HSL 94.95, 0.48%, 0.37%

LAB 52.95, -34.02, 41.82

 

CMYK 65 / 64 / 0 / 45

HEX #31338C

RGB 49 51 140

HSL 238.68, 0.48%, 0.37%

LAB 26.49, 28.26, -49.83

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 65 / 0 / 40 / 45

HEX #318C54

RGB 49 140 84

HSL 143.08, 0.48%, 0.37%

LAB 51.89, -40.11, 22.21

 

CMYK 40 / 65 / 0 / 45

HEX #54318C

RGB 84 49 140

HSL 263.08, 0.48%, 0.37%

LAB 29.35, 36.47, -45.03

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 38 / 0 / 65 / 45

HEX #578C31

RGB 87 140 49

HSL 94.95, 0.48%, 0.37%

LAB 52.95, -34.02, 41.82

 

CMYK 65 / 25 / 0 / 45

HEX #31698C

RGB 49 105 140

HSL 203.08, 0.48%, 0.37%

LAB 42.23, -6.95, -24.74

 

CMYK 27 / 65 / 0 / 45

HEX #66318C

RGB 102 49 140

HSL 274.95, 0.48%, 0.37%

LAB 31.61, 40.71, -41.27

 

CMYK 0 / 40 / 65 / 45

HEX #8C5431

RGB 140 84 49

HSL 23.08, 0.48%, 0.37%

LAB 41.43, 19.85, 29.97

 

CMYK 57 / 0 / 65 / 45

HEX #3C8C31

RGB 60 140 49

HSL 112.75, 0.48%, 0.37%

LAB 51.77, -42.7, 40.18

 

CMYK 65 / 25 / 0 / 45

HEX #31698C

RGB 49 105 140

HSL 203.08, 0.48%, 0.37%

LAB 42.23, -6.95, -24.74

 

CMYK 8 / 65 / 0 / 45

HEX #81318C

RGB 129 49 140

HSL 292.75, 0.48%, 0.37%

LAB 35.51, 47.47, -34.81

 

Description

Color code: HEX #8C5431 | qconv.com Color code: HEX #8C5431 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 84 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 84 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 65 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 65% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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