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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4FCB it is the complementary color #73B034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C4FCB shade: #914FC6, #A261D9, #B373EC, #C485FF and #D597FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C4FCB shade: #8C4FCB, #7B3DB8, #6A2BA5, #591992 and #48077F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C4FCB shade: #8B4ECA, #AD4ECA, #CA4EC6, #CA4EA5 and #CA4E83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C4FCB shade: #8B4ECA, #6A4ECA and #4E4ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C4FCB shade matches the following richer shades: #8B4ECA, #8B3CDD and #8B29EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C4FCB shade: #8B4ECA, #8C61B8, #8C73A5, #8C8693 and #8C9980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C4FCB shade: #4E54CA, #694ECA, #8A4ECA, #AB4ECA and #CA4EC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C4FCB shade: #622E98, #7737B8, #8B4ECA, #A06ED4 and #B58EDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C4FCB shade: #8C4FCB, #CA4E76 and #4ECA59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C4FCB shade: #8C4FCB, #CA8A4E and #4ECA8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C4FCB shade: #8C4FCB, #CA4E76, #8ECA4E and #4ECAA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C4FCB shade: #8C4FCB, #CA4E50, #8ECA4E and #4ECAC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 61 / 0 / 20

HEX #8C4FCB

RGB 140 79 203

HSL 269.52, 0.54%, 0.55%

LAB 46.28, 49.27, -54.93

 

Complementary color

CMYK 35 / 0 / 70 / 31

HEX #73B034

RGB 115 176 52

HSL 89.52, 0.54%, 0.45%

LAB 65.7, -39.63, 54.5

 

CMYK 27 / 60 / 0 / 22

HEX #914FC6

RGB 145 79 198

HSL 273.28, 0.51%, 0.54%

LAB 46.56, 49.26, -51.56

 

CMYK 25 / 55 / 0 / 15

HEX #A261D9

RGB 162 97 217

HSL 272.5, 0.61%, 0.62%

LAB 53.21, 48.42, -51.69

 

CMYK 24 / 51 / 0 / 7

HEX #B373EC

RGB 179 115 236

HSL 271.74, 0.76%, 0.69%

LAB 59.8, 47.54, -51.75

 

CMYK 23 / 48 / 0 / 0

HEX #C485FF

RGB 196 133 255

HSL 270.98, 1%, 0.76%

LAB 66.31, 46.67, -51.78

 

CMYK 16 / 41 / 0 / 0

HEX #D597FF

RGB 213 151 255

HSL 275.77, 1%, 0.8%

LAB 71.89, 41.7, -42.88

 

CMYK 31 / 61 / 0 / 20

HEX #8C4FCB

RGB 140 79 203

HSL 269.52, 0.54%, 0.55%

LAB 46.28, 49.27, -54.93

 

CMYK 33 / 67 / 0 / 28

HEX #7B3DB8

RGB 123 61 184

HSL 270.24, 0.5%, 0.48%

LAB 39.6, 50.07, -54.76

 

CMYK 36 / 74 / 0 / 35

HEX #6A2BA5

RGB 106 43 165

HSL 270.98, 0.59%, 0.41%

LAB 32.94, 50.58, -54.34

 

CMYK 39 / 83 / 0 / 43

HEX #591992

RGB 89 25 146

HSL 271.74, 0.71%, 0.34%

LAB 26.43, 50.41, -53.46

 

CMYK 43 / 94 / 0 / 50

HEX #48077F

RGB 72 7 127

HSL 272.5, 0.9%, 0.26%

LAB 20.29, 48.87, -51.73

 

CMYK 31 / 61 / 0 / 21

HEX #8B4ECA

RGB 139 78 202

HSL 269.52, 0.54%, 0.55%

LAB 45.91, 49.32, -54.96

 

CMYK 14 / 61 / 0 / 21

HEX #AD4ECA

RGB 173 78 202

HSL 285.97, 0.54%, 0.55%

LAB 50.21, 57.36, -47.83

 

CMYK 0 / 61 / 2 / 21

HEX #CA4EC6

RGB 202 78 198

HSL 301.94, 0.54%, 0.55%

LAB 54.11, 63.77, -39.09

 

CMYK 0 / 61 / 18 / 21

HEX #CA4EA5

RGB 202 78 165

HSL 317.9, 0.54%, 0.55%

LAB 52.64, 58.62, -22.23

 

CMYK 0 / 61 / 35 / 21

HEX #CA4E83

RGB 202 78 131

HSL 334.35, 0.54%, 0.55%

LAB 51.43, 54.18, -3.91

 

CMYK 31 / 61 / 0 / 21

HEX #8B4ECA

RGB 139 78 202

HSL 269.52, 0.54%, 0.55%

LAB 45.91, 49.32, -54.96

 

CMYK 48 / 61 / 0 / 21

HEX #6A4ECA

RGB 106 78 202

HSL 253.55, 0.54%, 0.55%

LAB 42.43, 42.2, -60.76

 

CMYK 61 / 61 / 0 / 21

HEX #4E4ECA

RGB 78 78 202

HSL 240, 0.54%, 0.55%

LAB 40.14, 37.11, -64.59

 

CMYK 31 / 61 / 0 / 21

HEX #8B4ECA

RGB 139 78 202

HSL 269.52, 0.54%, 0.55%

LAB 45.91, 49.32, -54.96

 

CMYK 37 / 73 / 0 / 13

HEX #8B3CDD

RGB 139 60 221

HSL 269.44, 0.7%, 0.55%

LAB 44.15, 62.44, -68.72

 

CMYK 42 / 83 / 0 / 6

HEX #8B29EF

RGB 139 41 239

HSL 269.7, 0.86%, 0.55%

LAB 43.22, 73.5, -80.45

 

CMYK 31 / 61 / 0 / 21

HEX #8B4ECA

RGB 139 78 202

HSL 269.52, 0.54%, 0.55%

LAB 45.91, 49.32, -54.96

 

CMYK 24 / 47 / 0 / 28

HEX #8C61B8

RGB 140 97 184

HSL 269.66, 0.38%, 0.55%

LAB 48.99, 34.76, -39.62

 

CMYK 15 / 30 / 0 / 35

HEX #8C73A5

RGB 140 115 165

HSL 270, 0.22%, 0.55%

LAB 52.46, 19.8, -23.17

 

CMYK 5 / 9 / 0 / 42

HEX #8C8693

RGB 140 134 147

HSL 267.69, 0.06%, 0.55%

LAB 56.81, 4.82, -6.15

 

CMYK 8 / 0 / 16 / 40

HEX #8C9980

RGB 140 153 128

HSL 91.2, 0.11%, 0.55%

LAB 61.58, -9.4, 11.59

 

CMYK 61 / 58 / 0 / 21

HEX #4E54CA

RGB 78 84 202

HSL 237.1, 0.54%, 0.55%

LAB 41.57, 33.41, -62.25

 

CMYK 48 / 61 / 0 / 21

HEX #694ECA

RGB 105 78 202

HSL 253.06, 0.54%, 0.55%

LAB 42.33, 42, -60.92

 

CMYK 32 / 61 / 0 / 21

HEX #8A4ECA

RGB 138 78 202

HSL 269.03, 0.54%, 0.55%

LAB 45.79, 49.09, -55.15

 

CMYK 15 / 61 / 0 / 21

HEX #AB4ECA

RGB 171 78 202

HSL 285, 0.54%, 0.55%

LAB 49.94, 56.87, -48.27

 

CMYK 0 / 61 / 1 / 21

HEX #CA4EC8

RGB 202 78 200

HSL 300.97, 0.54%, 0.55%

LAB 54.21, 64.1, -40.08

 

CMYK 36 / 70 / 0 / 40

HEX #622E98

RGB 98 46 152

HSL 269.43, 0.54%, 0.39%

LAB 31.39, 44.33, -49.02

 

CMYK 35 / 70 / 0 / 28

HEX #7737B8

RGB 119 55 184

HSL 269.77, 0.54%, 0.47%

LAB 38.05, 52.16, -57.29

 

CMYK 31 / 61 / 0 / 21

HEX #8B4ECA

RGB 139 78 202

HSL 269.52, 0.54%, 0.55%

LAB 45.91, 49.32, -54.96

 

CMYK 25 / 48 / 0 / 17

HEX #A06ED4

RGB 160 110 212

HSL 269.41, 0.54%, 0.63%

LAB 55.46, 39.66, -45.29

 

CMYK 18 / 36 / 0 / 13

HEX #B58EDD

RGB 181 142 221

HSL 269.62, 0.54%, 0.71%

LAB 65.27, 29.87, -34.8

 

CMYK 31 / 61 / 0 / 20

HEX #8C4FCB

RGB 140 79 203

HSL 269.52, 0.54%, 0.55%

LAB 46.28, 49.27, -54.93

 

CMYK 0 / 61 / 42 / 21

HEX #CA4E76

RGB 202 78 118

HSL 340.65, 0.54%, 0.55%

LAB 51.05, 52.74, 3.32

 

CMYK 61 / 0 / 56 / 21

HEX #4ECA59

RGB 78 202 89

HSL 125.32, 0.54%, 0.55%

LAB 72.62, -57.12, 45.77

 

CMYK 31 / 61 / 0 / 20

HEX #8C4FCB

RGB 140 79 203

HSL 269.52, 0.54%, 0.55%

LAB 46.28, 49.27, -54.93

 

CMYK 0 / 32 / 61 / 21

HEX #CA8A4E

RGB 202 138 78

HSL 29.03, 0.54%, 0.55%

LAB 62.75, 18.35, 41.48

 

CMYK 61 / 0 / 32 / 21

HEX #4ECA8A

RGB 78 202 138

HSL 149.03, 0.54%, 0.55%

LAB 73.35, -49.09, 21.99

 

CMYK 31 / 61 / 0 / 20

HEX #8C4FCB

RGB 140 79 203

HSL 269.52, 0.54%, 0.55%

LAB 46.28, 49.27, -54.93

 

CMYK 0 / 61 / 42 / 21

HEX #CA4E76

RGB 202 78 118

HSL 340.65, 0.54%, 0.55%

LAB 51.05, 52.74, 3.32

 

CMYK 30 / 0 / 61 / 21

HEX #8ECA4E

RGB 142 202 78

HSL 89.03, 0.54%, 0.55%

LAB 75.17, -39.24, 54.34

 

CMYK 61 / 0 / 19 / 21

HEX #4ECAA3

RGB 78 202 163

HSL 161.13, 0.54%, 0.55%

LAB 73.87, -43.68, 9.36

 

CMYK 31 / 61 / 0 / 20

HEX #8C4FCB

RGB 140 79 203

HSL 269.52, 0.54%, 0.55%

LAB 46.28, 49.27, -54.93

 

CMYK 0 / 61 / 60 / 21

HEX #CA4E50

RGB 202 78 80

HSL 359.03, 0.54%, 0.55%

LAB 50.2, 49.44, 24.89

 

CMYK 30 / 0 / 61 / 21

HEX #8ECA4E

RGB 142 202 78

HSL 89.03, 0.54%, 0.55%

LAB 75.17, -39.24, 54.34

 

CMYK 61 / 0 / 1 / 21

HEX #4ECAC8

RGB 78 202 200

HSL 179.03, 0.54%, 0.55%

LAB 74.84, -34.26, -9.22

 

Description

Color code: HEX #8C4FCB | qconv.com Color code: HEX #8C4FCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 79 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 79 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 61 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 61% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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