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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4838 it is the complementary color #73B7C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C4838 shade: #914833, #A25A46, #B36C59, #C47E6C and #D5907F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C4838 shade: #8C4838, #7B3625, #6A2412, #591200 and #480000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C4838 shade: #8B4737 and #8B3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C4838 shade: #8B4737, #8B5E37, #8B7437, #8B8B37 and #748B37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C4838 shade matches the following richer shades: #8B4737, #9A3D28, #AA3418 and #BA2A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C4838 shade: #8B4737, #7B5147, #6B5B57, #5C6466 and #4C6E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C4838 shade: #8B3754, #8B373E, #8B4737, #8B5D37 and #8B7337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C4838 shade: #502920, #6D382B, #8B4737, #A85643 and #BC6B58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C4838 shade: #8C4838, #6B8B37 and #37498B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C4838 shade: #8C4838, #378B47 and #47378B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C4838 shade: #8C4838, #6B8B37, #377B8B and #57378B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C4838 shade: #8C4838, #528B37, #377B8B and #70378B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 60 / 45

HEX #8C4838

RGB 140 72 56

HSL 11.43, 0.43%, 0.38%

LAB 38.72, 27.24, 22.54

 

Complementary color

CMYK 42 / 8 / 0 / 22

HEX #73B7C7

RGB 115 183 199

HSL 191.43, 0.43%, 0.62%

LAB 70.62, -17.34, -14.86

 

CMYK 0 / 50 / 65 / 43

HEX #914833

RGB 145 72 51

HSL 13.4, 0.48%, 0.38%

LAB 39.4, 28.93, 26.55

 

CMYK 0 / 44 / 57 / 36

HEX #A25A46

RGB 162 90 70

HSL 13.04, 0.4%, 0.45%

LAB 46.23, 27.5, 24.44

 

CMYK 0 / 40 / 50 / 30

HEX #B36C59

RGB 179 108 89

HSL 12.67, 0.37%, 0.53%

LAB 52.98, 26.22, 22.64

 

CMYK 0 / 36 / 45 / 23

HEX #C47E6C

RGB 196 126 108

HSL 12.27, 0.43%, 0.6%

LAB 59.65, 25.09, 21.07

 

CMYK 0 / 32 / 40 / 16

HEX #D5907F

RGB 213 144 127

HSL 11.86, 0.51%, 0.67%

LAB 66.23, 24.09, 19.67

 

CMYK 0 / 49 / 60 / 45

HEX #8C4838

RGB 140 72 56

HSL 11.43, 0.43%, 0.38%

LAB 38.72, 27.24, 22.54

 

CMYK 0 / 56 / 70 / 52

HEX #7B3625

RGB 123 54 37

HSL 11.86, 0.54%, 0.31%

LAB 31.77, 28.73, 24.91

 

CMYK 0 / 66 / 83 / 58

HEX #6A2412

RGB 106 36 18

HSL 12.27, 0.71%, 0.24%

LAB 24.86, 30.27, 27.69

 

CMYK 0 / 80 / 100 / 65

HEX #591200

RGB 89 18 0

HSL 12.13, 1%, 0.17%

LAB 18.17, 31.37, 27.54

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 49 / 60 / 45

HEX #8B4737

RGB 139 71 55

HSL 11.43, 0.43%, 0.38%

LAB 38.32, 27.3, 22.62

 

CMYK 0 / 60 / 60 / 45

HEX #8B3737

RGB 139 55 55

HSL 0, 0.43%, 0.38%

LAB 35, 35.82, 18.35

 

CMYK 0 / 49 / 60 / 45

HEX #8B4737

RGB 139 71 55

HSL 11.43, 0.43%, 0.38%

LAB 38.32, 27.3, 22.62

 

CMYK 0 / 32 / 60 / 45

HEX #8B5E37

RGB 139 94 55

HSL 27.86, 0.43%, 0.38%

LAB 43.9, 14.03, 29.51

 

CMYK 0 / 17 / 60 / 45

HEX #8B7437

RGB 139 116 55

HSL 43.57, 0.43%, 0.38%

LAB 49.8, 1.25, 36.47

 

CMYK 0 / 0 / 60 / 45

HEX #8B8B37

RGB 139 139 55

HSL 60, 0.43%, 0.38%

LAB 56.32, -11.52, 43.78

 

CMYK 17 / 0 / 60 / 45

HEX #748B37

RGB 116 139 55

HSL 76.43, 0.43%, 0.38%

LAB 54.51, -21.5, 41.27

 

CMYK 0 / 49 / 60 / 45

HEX #8B4737

RGB 139 71 55

HSL 11.43, 0.43%, 0.38%

LAB 38.32, 27.3, 22.62

 

CMYK 0 / 60 / 74 / 40

HEX #9A3D28

RGB 154 61 40

HSL 11.05, 0.59%, 0.38%

LAB 38.48, 37.62, 32.24

 

CMYK 0 / 69 / 86 / 33

HEX #AA3418

RGB 170 52 24

HSL 11.51, 0.75%, 0.38%

LAB 39.69, 46.91, 42.79

 

CMYK 0 / 77 / 96 / 27

HEX #BA2A08

RGB 186 42 8

HSL 11.46, 0.92%, 0.38%

LAB 41.39, 55.46, 51.5

 

CMYK 0 / 49 / 60 / 45

HEX #8B4737

RGB 139 71 55

HSL 11.43, 0.43%, 0.38%

LAB 38.32, 27.3, 22.62

 

CMYK 0 / 34 / 42 / 52

HEX #7B5147

RGB 123 81 71

HSL 11.54, 0.27%, 0.38%

LAB 38.81, 16.29, 13.06

 

CMYK 0 / 15 / 19 / 58

HEX #6B5B57

RGB 107 91 87

HSL 12, 0.1%, 0.38%

LAB 40.07, 5.78, 4.71

 

CMYK 10 / 2 / 0 / 60

HEX #5C6466

RGB 92 100 102

HSL 192, 0.05%, 0.38%

LAB 41.77, -2.63, -2.2

 

CMYK 36 / 7 / 0 / 54

HEX #4C6E76

RGB 76 110 118

HSL 191.43, 0.22%, 0.38%

LAB 44.23, -9.98, -8.35

 

CMYK 0 / 60 / 40 / 45

HEX #8B3754

RGB 139 55 84

HSL 339.29, 0.43%, 0.38%

LAB 35.72, 38.69, 0.83

 

CMYK 0 / 60 / 55 / 45

HEX #8B373E

RGB 139 55 62

HSL 355, 0.43%, 0.38%

LAB 35.14, 36.41, 14.1

 

CMYK 0 / 49 / 60 / 45

HEX #8B4737

RGB 139 71 55

HSL 11.43, 0.43%, 0.38%

LAB 38.32, 27.3, 22.62

 

CMYK 0 / 33 / 60 / 45

HEX #8B5D37

RGB 139 93 55

HSL 27.14, 0.43%, 0.38%

LAB 43.64, 14.62, 29.2

 

CMYK 0 / 17 / 60 / 45

HEX #8B7337

RGB 139 115 55

HSL 42.86, 0.43%, 0.38%

LAB 49.53, 1.83, 36.15

 

CMYK 0 / 49 / 60 / 69

HEX #502920

RGB 80 41 32

HSL 11.25, 0.43%, 0.22%

LAB 21.56, 17.1, 13.89

 

CMYK 0 / 49 / 61 / 57

HEX #6D382B

RGB 109 56 43

HSL 11.82, 0.43%, 0.3%

LAB 30.04, 22.08, 18.56

 

CMYK 0 / 49 / 60 / 45

HEX #8B4737

RGB 139 71 55

HSL 11.43, 0.43%, 0.38%

LAB 38.32, 27.3, 22.62

 

CMYK 0 / 49 / 60 / 34

HEX #A85643

RGB 168 86 67

HSL 11.29, 0.43%, 0.46%

LAB 46.16, 31.88, 26.29

 

CMYK 0 / 43 / 53 / 26

HEX #BC6B58

RGB 188 107 88

HSL 11.4, 0.43%, 0.54%

LAB 53.93, 30.3, 24.69

 

CMYK 0 / 49 / 60 / 45

HEX #8C4838

RGB 140 72 56

HSL 11.43, 0.43%, 0.38%

LAB 38.72, 27.24, 22.54

 

CMYK 23 / 0 / 60 / 45

HEX #6B8B37

RGB 107 139 55

HSL 82.86, 0.43%, 0.38%

LAB 53.89, -25.24, 40.4

 

CMYK 60 / 47 / 0 / 45

HEX #37498B

RGB 55 73 139

HSL 227.14, 0.43%, 0.38%

LAB 32.79, 14.32, -39.01

 

CMYK 0 / 49 / 60 / 45

HEX #8C4838

RGB 140 72 56

HSL 11.43, 0.43%, 0.38%

LAB 38.72, 27.24, 22.54

 

CMYK 60 / 0 / 49 / 45

HEX #378B47

RGB 55 139 71

HSL 131.43, 0.43%, 0.38%

LAB 51.53, -40.64, 28.86

 

CMYK 49 / 60 / 0 / 45

HEX #47378B

RGB 71 55 139

HSL 251.43, 0.43%, 0.38%

LAB 29.25, 29.64, -44.64

 

CMYK 0 / 49 / 60 / 45

HEX #8C4838

RGB 140 72 56

HSL 11.43, 0.43%, 0.38%

LAB 38.72, 27.24, 22.54

 

CMYK 23 / 0 / 60 / 45

HEX #6B8B37

RGB 107 139 55

HSL 82.86, 0.43%, 0.38%

LAB 53.89, -25.24, 40.4

 

CMYK 60 / 12 / 0 / 45

HEX #377B8B

RGB 55 123 139

HSL 191.43, 0.43%, 0.38%

LAB 48.06, -16.42, -15.16

 

CMYK 37 / 60 / 0 / 45

HEX #57378B

RGB 87 55 139

HSL 262.86, 0.43%, 0.38%

LAB 30.93, 33.41, -41.84

 

CMYK 0 / 49 / 60 / 45

HEX #8C4838

RGB 140 72 56

HSL 11.43, 0.43%, 0.38%

LAB 38.72, 27.24, 22.54

 

CMYK 41 / 0 / 60 / 45

HEX #528B37

RGB 82 139 55

HSL 100.71, 0.43%, 0.38%

LAB 52.44, -34.74, 38.37

 

CMYK 60 / 12 / 0 / 45

HEX #377B8B

RGB 55 123 139

HSL 191.43, 0.43%, 0.38%

LAB 48.06, -16.42, -15.16

 

CMYK 19 / 60 / 0 / 45

HEX #70378B

RGB 112 55 139

HSL 280.71, 0.43%, 0.38%

LAB 34.07, 39.86, -36.64

 

Description

Color code: HEX #8C4838 | qconv.com Color code: HEX #8C4838 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 72 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 72 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 60 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 60% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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