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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4749 it is the complementary color #73B8B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C4749 shade: #914744, #A25957, #B36B6A, #C47D7D and #D58F90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C4749 shade: #8C4749, #7B3536, #6A2323, #591110 and #480000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C4749 shade: #8B4648 and #8B4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C4749 shade: #8B4648, #8B465B, #8B466D, #8B4680 and #84468B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C4749 shade matches the following richer shades: #8B4648, #9C3538, #AD2428, #BE1318 and #CF0208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C4749 shade: #8B4648, #7A5758, #696868, #587978 and #478A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C4749 shade: #8B466D, #8B465B, #8B4648, #8B5646 and #8B6946

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C4749 shade: #542A2C, #70383A, #8B4648, #A65456 and #B66E70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C4749 shade: #8C4749, #808B46 and #46648B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C4749 shade: #8C4749, #488B46 and #46488B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C4749 shade: #8C4749, #808B46, #468B89 and #52468B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C4749 shade: #8C4749, #6B8B46, #468B89 and #66468B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 48 / 45

HEX #8C4749

RGB 140 71 73

HSL 358.26, 0.33%, 0.41%

LAB 38.83, 29.4, 12.23

 

Complementary color

CMYK 38 / 0 / 1 / 28

HEX #73B8B6

RGB 115 184 182

HSL 178.26, 0.33%, 0.59%

LAB 70.39, -22.17, -5.88

 

CMYK 0 / 51 / 53 / 43

HEX #914744

RGB 145 71 68

HSL 2.34, 0.36%, 0.42%

LAB 39.49, 30.88, 16.35

 

CMYK 0 / 45 / 46 / 36

HEX #A25957

RGB 162 89 87

HSL 1.6, 0.3%, 0.49%

LAB 46.33, 29.68, 14.47

 

CMYK 0 / 40 / 41 / 30

HEX #B36B6A

RGB 179 107 106

HSL 0.82, 0.32%, 0.56%

LAB 53.1, 28.58, 12.9

 

CMYK 0 / 36 / 36 / 23

HEX #C47D7D

RGB 196 125 125

HSL 0, 0.38%, 0.63%

LAB 59.78, 27.59, 11.55

 

CMYK 0 / 33 / 32 / 16

HEX #D58F90

RGB 213 143 144

HSL 359.14, 0.45%, 0.7%

LAB 66.37, 26.69, 10.35

 

CMYK 0 / 49 / 48 / 45

HEX #8C4749

RGB 140 71 73

HSL 358.26, 0.33%, 0.41%

LAB 38.83, 29.4, 12.23

 

CMYK 0 / 57 / 56 / 52

HEX #7B3536

RGB 123 53 54

HSL 359.14, 0.4%, 0.35%

LAB 31.86, 30.59, 14.34

 

CMYK 0 / 67 / 67 / 58

HEX #6A2323

RGB 106 35 35

HSL 0, 0.5%, 0.28%

LAB 24.91, 31.71, 17.11

 

CMYK 0 / 81 / 82 / 65

HEX #591110

RGB 89 17 16

HSL 0.82, 0.7%, 0.21%

LAB 18.2, 32.32, 20.62

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 50 / 48 / 45

HEX #8B4648

RGB 139 70 72

HSL 358.26, 0.33%, 0.41%

LAB 38.44, 29.45, 12.29

 

CMYK 0 / 50 / 50 / 45

HEX #8B4646

RGB 139 70 70

HSL 0, 0.33%, 0.41%

LAB 38.4, 29.24, 13.48

 

CMYK 0 / 50 / 48 / 45

HEX #8B4648

RGB 139 70 72

HSL 358.26, 0.33%, 0.41%

LAB 38.44, 29.45, 12.29

 

CMYK 0 / 50 / 35 / 45

HEX #8B465B

RGB 139 70 91

HSL 341.74, 0.33%, 0.41%

LAB 38.94, 31.73, 1.09

 

CMYK 0 / 50 / 22 / 45

HEX #8B466D

RGB 139 70 109

HSL 326.09, 0.33%, 0.41%

LAB 39.54, 34.37, -9.27

 

CMYK 0 / 50 / 8 / 45

HEX #8B4680

RGB 139 70 128

HSL 309.57, 0.33%, 0.41%

LAB 40.29, 37.6, -19.85

 

CMYK 5 / 50 / 0 / 45

HEX #84468B

RGB 132 70 139

HSL 293.91, 0.33%, 0.41%

LAB 39.83, 37.51, -27.36

 

CMYK 0 / 50 / 48 / 45

HEX #8B4648

RGB 139 70 72

HSL 358.26, 0.33%, 0.41%

LAB 38.44, 29.45, 12.29

 

CMYK 0 / 66 / 64 / 39

HEX #9C3538

RGB 156 53 56

HSL 358.25, 0.49%, 0.41%

LAB 37.66, 43.02, 21.75

 

CMYK 0 / 79 / 77 / 32

HEX #AD2428

RGB 173 36 40

HSL 358.25, 0.66%, 0.41%

LAB 38.37, 54.07, 33.12

 

CMYK 0 / 90 / 87 / 25

HEX #BE1318

RGB 190 19 24

HSL 358.25, 0.82%, 0.41%

LAB 40.38, 62.28, 44.97

 

CMYK 0 / 99 / 96 / 19

HEX #CF0208

RGB 207 2 8

HSL 358.24, 0.98%, 0.41%

LAB 43.25, 68.34, 54.84

 

CMYK 0 / 50 / 48 / 45

HEX #8B4648

RGB 139 70 72

HSL 358.26, 0.33%, 0.41%

LAB 38.44, 29.45, 12.29

 

CMYK 0 / 29 / 28 / 52

HEX #7A5758

RGB 122 87 88

HSL 358.29, 0.17%, 0.41%

LAB 40.67, 14.64, 5.16

 

CMYK 0 / 1 / 1 / 59

HEX #696868

RGB 105 104 104

HSL 0, 0%, 0.41%

LAB 44.09, 0.39, 0.13

 

CMYK 27 / 0 / 1 / 53

HEX #587978

RGB 88 121 120

HSL 178.18, 0.16%, 0.41%

LAB 48.39, -11.92, -3.27

 

CMYK 49 / 0 / 1 / 46

HEX #478A88

RGB 71 138 136

HSL 178.21, 0.32%, 0.41%

LAB 53.27, -21.75, -5.52

 

CMYK 0 / 50 / 22 / 45

HEX #8B466D

RGB 139 70 109

HSL 326.09, 0.33%, 0.41%

LAB 39.54, 34.37, -9.27

 

CMYK 0 / 50 / 35 / 45

HEX #8B465B

RGB 139 70 91

HSL 341.74, 0.33%, 0.41%

LAB 38.94, 31.73, 1.09

 

CMYK 0 / 50 / 48 / 45

HEX #8B4648

RGB 139 70 72

HSL 358.26, 0.33%, 0.41%

LAB 38.44, 29.45, 12.29

 

CMYK 0 / 38 / 50 / 45

HEX #8B5646

RGB 139 86 70

HSL 13.91, 0.33%, 0.41%

LAB 42.13, 20.11, 18.51

 

CMYK 0 / 24 / 50 / 45

HEX #8B6946

RGB 139 105 70

HSL 30.43, 0.33%, 0.41%

LAB 47.02, 8.99, 24.87

 

CMYK 0 / 50 / 48 / 67

HEX #542A2C

RGB 84 42 44

HSL 357.14, 0.33%, 0.25%

LAB 22.73, 19.63, 7.46

 

CMYK 0 / 50 / 48 / 56

HEX #70383A

RGB 112 56 58

HSL 357.86, 0.33%, 0.33%

LAB 30.83, 24.87, 10.06

 

CMYK 0 / 50 / 48 / 45

HEX #8B4648

RGB 139 70 72

HSL 358.26, 0.33%, 0.41%

LAB 38.44, 29.45, 12.29

 

CMYK 0 / 49 / 48 / 35

HEX #A65456

RGB 166 84 86

HSL 358.54, 0.33%, 0.49%

LAB 45.8, 33.85, 14.43

 

CMYK 0 / 40 / 38 / 29

HEX #B66E70

RGB 182 110 112

HSL 358.33, 0.33%, 0.57%

LAB 54.31, 28.81, 11.13

 

CMYK 0 / 49 / 48 / 45

HEX #8C4749

RGB 140 71 73

HSL 358.26, 0.33%, 0.41%

LAB 38.83, 29.4, 12.23

 

CMYK 8 / 0 / 50 / 45

HEX #808B46

RGB 128 139 70

HSL 69.57, 0.33%, 0.41%

LAB 55.58, -14.96, 35.29

 

CMYK 50 / 28 / 0 / 45

HEX #46648B

RGB 70 100 139

HSL 213.91, 0.33%, 0.41%

LAB 41.66, 0.5, -24.95

 

CMYK 0 / 49 / 48 / 45

HEX #8C4749

RGB 140 71 73

HSL 358.26, 0.33%, 0.41%

LAB 38.83, 29.4, 12.23

 

CMYK 48 / 0 / 50 / 45

HEX #488B46

RGB 72 139 70

HSL 118.26, 0.33%, 0.41%

LAB 52.16, -36.1, 30.32

 

CMYK 50 / 48 / 0 / 45

HEX #46488B

RGB 70 72 139

HSL 238.26, 0.33%, 0.41%

LAB 33.56, 18.43, -37.71

 

CMYK 0 / 49 / 48 / 45

HEX #8C4749

RGB 140 71 73

HSL 358.26, 0.33%, 0.41%

LAB 38.83, 29.4, 12.23

 

CMYK 8 / 0 / 50 / 45

HEX #808B46

RGB 128 139 70

HSL 69.57, 0.33%, 0.41%

LAB 55.58, -14.96, 35.29

 

CMYK 50 / 0 / 1 / 45

HEX #468B89

RGB 70 139 137

HSL 178.26, 0.33%, 0.41%

LAB 53.57, -22.23, -5.66

 

CMYK 41 / 50 / 0 / 45

HEX #52468B

RGB 82 70 139

HSL 250.43, 0.33%, 0.41%

LAB 34.06, 22.83, -36.86

 

CMYK 0 / 49 / 48 / 45

HEX #8C4749

RGB 140 71 73

HSL 358.26, 0.33%, 0.41%

LAB 38.83, 29.4, 12.23

 

CMYK 23 / 0 / 50 / 45

HEX #6B8B46

RGB 107 139 70

HSL 87.83, 0.33%, 0.41%

LAB 54.06, -23.62, 33.09

 

CMYK 50 / 0 / 1 / 45

HEX #468B89

RGB 70 139 137

HSL 178.26, 0.33%, 0.41%

LAB 53.57, -22.23, -5.66

 

CMYK 27 / 50 / 0 / 45

HEX #66468B

RGB 102 70 139

HSL 267.83, 0.33%, 0.41%

LAB 36.12, 28.47, -33.47

 

Description

Color code: HEX #8C4749 | qconv.com Color code: HEX #8C4749 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 71 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 71 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 48 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 48% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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