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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C42CB it is the complementary color #73BD34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C42CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C42CB shade: #9142C6, #A254D9, #B366EC, #C478FF and #D58AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C42CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C42CB shade: #8C42CB, #7B30B8, #6A1EA5, #590C92 and #48007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C42CB shade: #8D43CB, #B143CB, #CB43C1, #CB439C and #CB4377

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C42CB shade: #8D43CB, #6843CB and #4343CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C42CB shade matches the following richer shades: #8D43CB, #8E2FDF and #901CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C42CB shade: #8D43CB, #8B56B8, #8A6AA5, #887D91 and #86907E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C42CB shade: #4343CB, #6743CB, #8C43CB, #B043CB and #CB43C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C42CB shade: #622893, #7831B4, #8D43CB, #A063D4 and #B484DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C42CB shade: #8C42CB, #CB4367 and #43CB55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C42CB shade: #8C42CB, #CB8C43 and #43CB8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C42CB shade: #8C42CB, #CB4367, #83CB43 and #43CBA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C42CB shade: #8C42CB, #CB4743, #83CB43 and #43C7CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 67 / 0 / 20

HEX #8C42CB

RGB 140 66 203

HSL 272.41, 0.57%, 0.53%

LAB 43.92, 55.73, -58.74

 

Complementary color

CMYK 39 / 0 / 72 / 26

HEX #73BD34

RGB 115 189 52

HSL 92.41, 0.57%, 0.47%

LAB 69.67, -45.18, 58.51

 

CMYK 27 / 67 / 0 / 22

HEX #9142C6

RGB 145 66 198

HSL 275.91, 0.54%, 0.52%

LAB 44.22, 55.65, -55.32

 

CMYK 25 / 61 / 0 / 15

HEX #A254D9

RGB 162 84 217

HSL 275.19, 0.64%, 0.59%

LAB 50.72, 55.06, -55.67

 

CMYK 24 / 57 / 0 / 7

HEX #B366EC

RGB 179 102 236

HSL 274.48, 0.78%, 0.66%

LAB 57.21, 54.32, -55.87

 

CMYK 23 / 53 / 0 / 0

HEX #C478FF

RGB 196 120 255

HSL 273.78, 1%, 0.74%

LAB 63.66, 53.5, -55.98

 

CMYK 16 / 46 / 0 / 0

HEX #D58AFF

RGB 213 138 255

HSL 278.46, 1%, 0.77%

LAB 69.14, 48.6, -47.19

 

CMYK 31 / 67 / 0 / 20

HEX #8C42CB

RGB 140 66 203

HSL 272.41, 0.57%, 0.53%

LAB 43.92, 55.73, -58.74

 

CMYK 33 / 74 / 0 / 28

HEX #7B30B8

RGB 123 48 184

HSL 273.09, 0.59%, 0.45%

LAB 37.45, 56.07, -58.23

 

CMYK 36 / 82 / 0 / 35

HEX #6A1EA5

RGB 106 30 165

HSL 273.78, 0.69%, 0.38%

LAB 31.14, 55.76, -57.28

 

CMYK 39 / 92 / 0 / 43

HEX #590C92

RGB 89 12 146

HSL 274.48, 0.85%, 0.31%

LAB 25.14, 54.2, -55.57

 

CMYK 43 / 100 / 0 / 50

HEX #48007F

RGB 72 0 127

HSL 274.02, 1%, 0.25%

LAB 19.68, 50.71, -52.73

 

CMYK 31 / 67 / 0 / 20

HEX #8D43CB

RGB 141 67 203

HSL 272.65, 0.57%, 0.53%

LAB 44.22, 55.47, -58.25

 

CMYK 13 / 67 / 0 / 20

HEX #B143CB

RGB 177 67 203

HSL 288.53, 0.57%, 0.53%

LAB 49.1, 63.28, -50.15

 

CMYK 0 / 67 / 5 / 20

HEX #CB43C1

RGB 203 67 193

HSL 304.41, 0.57%, 0.53%

LAB 52.47, 67.53, -38.8

 

CMYK 0 / 67 / 23 / 20

HEX #CB439C

RGB 203 67 156

HSL 320.74, 0.57%, 0.53%

LAB 50.82, 62.12, -19.71

 

CMYK 0 / 67 / 41 / 20

HEX #CB4377

RGB 203 67 119

HSL 337.06, 0.57%, 0.53%

LAB 49.55, 57.77, 0.56

 

CMYK 31 / 67 / 0 / 20

HEX #8D43CB

RGB 141 67 203

HSL 272.65, 0.57%, 0.53%

LAB 44.22, 55.47, -58.25

 

CMYK 49 / 67 / 0 / 20

HEX #6843CB

RGB 104 67 203

HSL 256.32, 0.57%, 0.53%

LAB 40.03, 48.23, -65.24

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 31 / 67 / 0 / 20

HEX #8D43CB

RGB 141 67 203

HSL 272.65, 0.57%, 0.53%

LAB 44.22, 55.47, -58.25

 

CMYK 36 / 79 / 0 / 13

HEX #8E2FDF

RGB 142 47 223

HSL 272.39, 0.73%, 0.53%

LAB 42.93, 68.43, -71.83

 

CMYK 40 / 88 / 0 / 5

HEX #901CF2

RGB 144 28 242

HSL 272.52, 0.89%, 0.53%

LAB 43.02, 78.08, -82.45

 

CMYK 31 / 67 / 0 / 20

HEX #8D43CB

RGB 141 67 203

HSL 272.65, 0.57%, 0.53%

LAB 44.22, 55.47, -58.25

 

CMYK 24 / 53 / 0 / 28

HEX #8B56B8

RGB 139 86 184

HSL 272.45, 0.41%, 0.53%

LAB 46.45, 40.69, -43.65

 

CMYK 16 / 36 / 0 / 35

HEX #8A6AA5

RGB 138 106 165

HSL 272.54, 0.25%, 0.53%

LAB 50.01, 24.44, -26.96

 

CMYK 6 / 14 / 0 / 43

HEX #887D91

RGB 136 125 145

HSL 273, 0.08%, 0.53%

LAB 53.97, 8.16, -9.26

 

CMYK 7 / 0 / 13 / 44

HEX #86907E

RGB 134 144 126

HSL 93.33, 0.08%, 0.53%

LAB 58.53, -7.11, 8.33

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 49 / 67 / 0 / 20

HEX #6743CB

RGB 103 67 203

HSL 255.88, 0.57%, 0.53%

LAB 39.93, 48.06, -65.41

 

CMYK 31 / 67 / 0 / 20

HEX #8C43CB

RGB 140 67 203

HSL 272.21, 0.57%, 0.53%

LAB 44.09, 55.26, -58.46

 

CMYK 13 / 67 / 0 / 20

HEX #B043CB

RGB 176 67 203

HSL 288.09, 0.57%, 0.53%

LAB 48.95, 63.06, -50.39

 

CMYK 0 / 67 / 4 / 20

HEX #CB43C2

RGB 203 67 194

HSL 303.97, 0.57%, 0.53%

LAB 52.52, 67.68, -39.29

 

CMYK 33 / 73 / 0 / 42

HEX #622893

RGB 98 40 147

HSL 272.52, 0.57%, 0.37%

LAB 29.96, 46, -48.27

 

CMYK 33 / 73 / 0 / 29

HEX #7831B4

RGB 120 49 180

HSL 272.52, 0.57%, 0.45%

LAB 36.9, 54.14, -56.78

 

CMYK 31 / 67 / 0 / 20

HEX #8D43CB

RGB 141 67 203

HSL 272.65, 0.57%, 0.53%

LAB 44.22, 55.47, -58.25

 

CMYK 25 / 53 / 0 / 17

HEX #A063D4

RGB 160 99 212

HSL 272.39, 0.57%, 0.61%

LAB 53.11, 45.69, -49.02

 

CMYK 19 / 40 / 0 / 13

HEX #B484DD

RGB 180 132 221

HSL 272.36, 0.57%, 0.69%

LAB 62.87, 35.14, -38.55

 

CMYK 31 / 67 / 0 / 20

HEX #8C42CB

RGB 140 66 203

HSL 272.41, 0.57%, 0.53%

LAB 43.92, 55.73, -58.74

 

CMYK 0 / 67 / 49 / 20

HEX #CB4367

RGB 203 67 103

HSL 344.12, 0.57%, 0.53%

LAB 49.12, 56.25, 9.64

 

CMYK 67 / 0 / 58 / 20

HEX #43CB55

RGB 67 203 85

HSL 127.94, 0.57%, 0.53%

LAB 72.6, -60.23, 47.53

 

CMYK 31 / 67 / 0 / 20

HEX #8C42CB

RGB 140 66 203

HSL 272.41, 0.57%, 0.53%

LAB 43.92, 55.73, -58.74

 

CMYK 0 / 31 / 67 / 20

HEX #CB8C43

RGB 203 140 67

HSL 32.21, 0.57%, 0.53%

LAB 63.23, 16.96, 47.54

 

CMYK 67 / 0 / 31 / 20

HEX #43CB8C

RGB 67 203 140

HSL 152.21, 0.57%, 0.53%

LAB 73.41, -51.12, 20.98

 

CMYK 31 / 67 / 0 / 20

HEX #8C42CB

RGB 140 66 203

HSL 272.41, 0.57%, 0.53%

LAB 43.92, 55.73, -58.74

 

CMYK 0 / 67 / 49 / 20

HEX #CB4367

RGB 203 67 103

HSL 344.12, 0.57%, 0.53%

LAB 49.12, 56.25, 9.64

 

CMYK 35 / 0 / 67 / 20

HEX #83CB43

RGB 131 203 67

HSL 91.76, 0.57%, 0.53%

LAB 74.79, -44.48, 58.32

 

CMYK 67 / 0 / 18 / 20

HEX #43CBA7

RGB 67 203 167

HSL 164.12, 0.57%, 0.53%

LAB 73.99, -45.05, 7.35

 

CMYK 31 / 67 / 0 / 20

HEX #8C42CB

RGB 140 66 203

HSL 272.41, 0.57%, 0.53%

LAB 43.92, 55.73, -58.74

 

CMYK 0 / 65 / 67 / 20

HEX #CB4743

RGB 203 71 67

HSL 1.76, 0.57%, 0.53%

LAB 49.02, 52.03, 31.08

 

CMYK 35 / 0 / 67 / 20

HEX #83CB43

RGB 131 203 67

HSL 91.76, 0.57%, 0.53%

LAB 74.79, -44.48, 58.32

 

CMYK 67 / 2 / 0 / 20

HEX #43C7CB

RGB 67 199 203

HSL 181.76, 0.57%, 0.53%

LAB 73.77, -33.7, -12.47

 

Description

Color code: HEX #8C42CB | qconv.com Color code: HEX #8C42CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 66 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 66 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 67 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 67% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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