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Color name
HEX #8C42C8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C42C8 it is the complementary color #73BD37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C42C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C42C8 shade: #9142C3, #A254D6, #B366E9, #C478FC and #D58AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C42C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C42C8 shade: #8C42C8, #7B30B5, #6A1EA2, #590C8F and #48007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C42C8 shade: #8C41C8, #B041C8, #C841BC, #C84197 and #C84173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C42C8 shade: #8C41C8, #6741C8, #4341C8 and #4141C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C42C8 shade matches the following richer shades: #8C41C8, #8E2DDC and #901AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C42C8 shade: #8C41C8, #8A55B4, #8769A0, #857D8D and #839079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C42C8 shade: #4441C8, #6741C8, #8B41C8, #AF41C8 and #C841BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C42C8 shade: #61298E, #7632AE, #8C41C8, #9F61D1 and #B381DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C42C8 shade: #8C42C8, #C84163 and #41C855

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C42C8 shade: #8C42C8, #C88B41 and #41C88B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C42C8 shade: #8C42C8, #C84163, #7EC841 and #41C8A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C42C8 shade: #8C42C8, #C84841, #7EC841 and #41C1C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 67 / 0 / 22

HEX #8C42C8

RGB 140 66 200

HSL 273.13, 0.55%, 0.52%

LAB 43.72, 55.04, -57.34

 

Complementary color

CMYK 39 / 0 / 71 / 26

HEX #73BD37

RGB 115 189 55

HSL 93.13, 0.55%, 0.48%

LAB 69.69, -44.97, 57.43

 

CMYK 26 / 66 / 0 / 24

HEX #9142C3

RGB 145 66 195

HSL 276.74, 0.52%, 0.51%

LAB 44.03, 54.98, -53.9

 

CMYK 24 / 61 / 0 / 16

HEX #A254D6

RGB 162 84 214

HSL 276, 0.61%, 0.58%

LAB 50.54, 54.39, -54.25

 

CMYK 23 / 56 / 0 / 9

HEX #B366E9

RGB 179 102 233

HSL 275.27, 0.75%, 0.66%

LAB 57.05, 53.65, -54.46

 

CMYK 22 / 52 / 0 / 1

HEX #C478FC

RGB 196 120 252

HSL 274.55, 0.96%, 0.73%

LAB 63.51, 52.84, -54.59

 

CMYK 16 / 46 / 0 / 0

HEX #D58AFF

RGB 213 138 255

HSL 278.46, 1%, 0.77%

LAB 69.14, 48.6, -47.19

 

CMYK 30 / 67 / 0 / 22

HEX #8C42C8

RGB 140 66 200

HSL 273.13, 0.55%, 0.52%

LAB 43.72, 55.04, -57.34

 

CMYK 32 / 73 / 0 / 29

HEX #7B30B5

RGB 123 48 181

HSL 273.83, 0.58%, 0.45%

LAB 37.23, 55.38, -56.82

 

CMYK 35 / 81 / 0 / 36

HEX #6A1EA2

RGB 106 30 162

HSL 274.55, 0.69%, 0.38%

LAB 30.88, 55.07, -55.88

 

CMYK 38 / 92 / 0 / 44

HEX #590C8F

RGB 89 12 143

HSL 275.27, 0.85%, 0.3%

LAB 24.86, 53.53, -54.18

 

CMYK 42 / 100 / 0 / 51

HEX #48007C

RGB 72 0 124

HSL 274.84, 1%, 0.24%

LAB 19.36, 50.04, -51.35

 

CMYK 30 / 68 / 0 / 22

HEX #8C41C8

RGB 140 65 200

HSL 273.33, 0.55%, 0.52%

LAB 43.55, 55.51, -57.61

 

CMYK 12 / 68 / 0 / 22

HEX #B041C8

RGB 176 65 200

HSL 289.33, 0.55%, 0.52%

LAB 48.49, 63.3, -49.41

 

CMYK 0 / 68 / 6 / 22

HEX #C841BC

RGB 200 65 188

HSL 305.33, 0.55%, 0.52%

LAB 51.49, 66.77, -37.48

 

CMYK 0 / 68 / 25 / 22

HEX #C84197

RGB 200 65 151

HSL 321.78, 0.55%, 0.52%

LAB 49.85, 61.42, -18.26

 

CMYK 0 / 68 / 43 / 22

HEX #C84173

RGB 200 65 115

HSL 337.78, 0.55%, 0.52%

LAB 48.63, 57.26, 1.59

 

CMYK 30 / 68 / 0 / 22

HEX #8C41C8

RGB 140 65 200

HSL 273.33, 0.55%, 0.52%

LAB 43.55, 55.51, -57.61

 

CMYK 49 / 68 / 0 / 22

HEX #6741C8

RGB 103 65 200

HSL 256.89, 0.55%, 0.52%

LAB 39.3, 48.29, -64.7

 

CMYK 67 / 68 / 0 / 22

HEX #4341C8

RGB 67 65 200

HSL 240.89, 0.55%, 0.52%

LAB 36.26, 42.7, -69.79

 

CMYK 68 / 68 / 0 / 22

HEX #4141C8

RGB 65 65 200

HSL 240, 0.55%, 0.52%

LAB 36.13, 42.45, -70.01

 

CMYK 30 / 68 / 0 / 22

HEX #8C41C8

RGB 140 65 200

HSL 273.33, 0.55%, 0.52%

LAB 43.55, 55.51, -57.61

 

CMYK 35 / 80 / 0 / 14

HEX #8E2DDC

RGB 142 45 220

HSL 273.26, 0.71%, 0.52%

LAB 42.45, 68.46, -70.89

 

CMYK 40 / 89 / 0 / 6

HEX #901AF0

RGB 144 26 240

HSL 273.08, 0.88%, 0.52%

LAB 42.7, 78.07, -81.84

 

CMYK 30 / 68 / 0 / 22

HEX #8C41C8

RGB 140 65 200

HSL 273.33, 0.55%, 0.52%

LAB 43.55, 55.51, -57.61

 

CMYK 23 / 53 / 0 / 29

HEX #8A55B4

RGB 138 85 180

HSL 273.47, 0.39%, 0.52%

LAB 45.9, 40.03, -42.2

 

CMYK 16 / 34 / 0 / 37

HEX #8769A0

RGB 135 105 160

HSL 272.73, 0.22%, 0.52%

LAB 49.24, 22.9, -25.25

 

CMYK 6 / 11 / 0 / 45

HEX #857D8D

RGB 133 125 141

HSL 270, 0.07%, 0.52%

LAB 53.58, 6.24, -7.55

 

CMYK 9 / 0 / 16 / 44

HEX #839079

RGB 131 144 121

HSL 93.91, 0.09%, 0.52%

LAB 58.18, -9.15, 10.65

 

CMYK 66 / 68 / 0 / 22

HEX #4441C8

RGB 68 65 200

HSL 241.33, 0.55%, 0.52%

LAB 36.33, 42.83, -69.68

 

CMYK 49 / 68 / 0 / 22

HEX #6741C8

RGB 103 65 200

HSL 256.89, 0.55%, 0.52%

LAB 39.3, 48.29, -64.7

 

CMYK 31 / 68 / 0 / 22

HEX #8B41C8

RGB 139 65 200

HSL 272.89, 0.55%, 0.52%

LAB 43.42, 55.3, -57.82

 

CMYK 13 / 68 / 0 / 22

HEX #AF41C8

RGB 175 65 200

HSL 288.89, 0.55%, 0.52%

LAB 48.34, 63.08, -49.65

 

CMYK 0 / 68 / 5 / 22

HEX #C841BD

RGB 200 65 189

HSL 304.89, 0.55%, 0.52%

LAB 51.54, 66.92, -37.98

 

CMYK 32 / 71 / 0 / 44

HEX #61298E

RGB 97 41 142

HSL 273.27, 0.55%, 0.36%

LAB 29.61, 44.1, -45.76

 

CMYK 32 / 71 / 0 / 32

HEX #7632AE

RGB 118 50 174

HSL 272.9, 0.55%, 0.44%

LAB 36.35, 51.89, -54.13

 

CMYK 30 / 68 / 0 / 22

HEX #8C41C8

RGB 140 65 200

HSL 273.33, 0.55%, 0.52%

LAB 43.55, 55.51, -57.61

 

CMYK 24 / 54 / 0 / 18

HEX #9F61D1

RGB 159 97 209

HSL 273.21, 0.55%, 0.6%

LAB 52.42, 45.81, -48.42

 

CMYK 18 / 41 / 0 / 15

HEX #B381DA

RGB 179 129 218

HSL 273.71, 0.55%, 0.68%

LAB 61.95, 35.85, -38.32

 

CMYK 30 / 67 / 0 / 22

HEX #8C42C8

RGB 140 66 200

HSL 273.13, 0.55%, 0.52%

LAB 43.72, 55.04, -57.34

 

CMYK 0 / 68 / 51 / 22

HEX #C84163

RGB 200 65 99

HSL 344.89, 0.55%, 0.52%

LAB 48.21, 55.77, 10.72

 

CMYK 68 / 0 / 58 / 22

HEX #41C855

RGB 65 200 85

HSL 128.89, 0.55%, 0.52%

LAB 71.61, -59.55, 46.36

 

CMYK 30 / 67 / 0 / 22

HEX #8C42C8

RGB 140 66 200

HSL 273.13, 0.55%, 0.52%

LAB 43.72, 55.04, -57.34

 

CMYK 0 / 31 / 68 / 22

HEX #C88B41

RGB 200 139 65

HSL 32.89, 0.55%, 0.52%

LAB 62.61, 16.1, 47.73

 

CMYK 68 / 0 / 31 / 22

HEX #41C88B

RGB 65 200 139

HSL 152.89, 0.55%, 0.52%

LAB 72.43, -50.47, 20.15

 

CMYK 30 / 67 / 0 / 22

HEX #8C42C8

RGB 140 66 200

HSL 273.13, 0.55%, 0.52%

LAB 43.72, 55.04, -57.34

 

CMYK 0 / 68 / 51 / 22

HEX #C84163

RGB 200 65 99

HSL 344.89, 0.55%, 0.52%

LAB 48.21, 55.77, 10.72

 

CMYK 37 / 0 / 68 / 22

HEX #7EC841

RGB 126 200 65

HSL 92.89, 0.55%, 0.52%

LAB 73.63, -45.09, 57.82

 

CMYK 68 / 0 / 17 / 22

HEX #41C8A6

RGB 65 200 166

HSL 164.89, 0.55%, 0.52%

LAB 73.01, -44.32, 6.47

 

CMYK 30 / 67 / 0 / 22

HEX #8C42C8

RGB 140 66 200

HSL 273.13, 0.55%, 0.52%

LAB 43.72, 55.04, -57.34

 

CMYK 0 / 64 / 68 / 22

HEX #C84841

RGB 200 72 65

HSL 3.11, 0.55%, 0.52%

LAB 48.63, 50.47, 31.65

 

CMYK 37 / 0 / 68 / 22

HEX #7EC841

RGB 126 200 65

HSL 92.89, 0.55%, 0.52%

LAB 73.63, -45.09, 57.82

 

CMYK 68 / 4 / 0 / 22

HEX #41C1C8

RGB 65 193 200

HSL 183.11, 0.55%, 0.52%

LAB 71.85, -32, -13.73

 

Description

Color code: HEX #8C42C8 | qconv.com Color code: HEX #8C42C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 66 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 66 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 67 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 67% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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