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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4160 it is the complementary color #73BE9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C4160 shade: #91415B, #A2536E, #B36581, #C47794 and #D589A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C4160 shade: #8C4160, #7B2F4D, #6A1D3A, #590B27 and #480014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C4160 shade: #8C405F, #8C404B and #8C4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C4160 shade: #8C405F, #8C4074, #8C4088, #7B408C and #67408C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C4160 shade matches the following richer shades: #8C405F, #9C305D, #AD1F5A and #BD0F57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C4160 shade: #8C405F, #7B5162, #6B6165, #5A7268 and #4A826B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C4160 shade: #8C4088, #8C4074, #8C4060, #8C404C and #8C4940

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C4160 shade: #532639, #6F334C, #8C405F, #A84D73 and #B96688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C4160 shade: #8C4160, #8C7B40 and #407E8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C4160 shade: #8C4160, #608C40 and #40608C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C4160 shade: #8C4160, #8C7B40, #408C6C and #40518C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C4160 shade: #8C4160, #858C40, #408C6C and #47408C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 31 / 45

HEX #8C4160

RGB 140 65 96

HSL 335.2, 0.37%, 0.4%

LAB 38.2, 35.48, -3.11

 

Complementary color

CMYK 39 / 0 / 16 / 25

HEX #73BE9F

RGB 115 190 159

HSL 155.2, 0.37%, 0.6%

LAB 71.54, -30.42, 8.38

 

CMYK 0 / 55 / 37 / 43

HEX #91415B

RGB 145 65 91

HSL 340.5, 0.38%, 0.41%

LAB 38.82, 36.61, 1.03

 

CMYK 0 / 49 / 32 / 36

HEX #A2536E

RGB 162 83 110

HSL 339.49, 0.32%, 0.48%

LAB 45.63, 35.72, -0.48

 

CMYK 0 / 44 / 28 / 30

HEX #B36581

RGB 179 101 129

HSL 338.46, 0.34%, 0.55%

LAB 52.37, 34.82, -1.72

 

CMYK 0 / 39 / 24 / 23

HEX #C47794

RGB 196 119 148

HSL 337.4, 0.39%, 0.62%

LAB 59.04, 33.95, -2.78

 

CMYK 0 / 36 / 22 / 16

HEX #D589A7

RGB 213 137 167

HSL 336.32, 0.48%, 0.69%

LAB 65.61, 33.12, -3.71

 

CMYK 0 / 54 / 31 / 45

HEX #8C4160

RGB 140 65 96

HSL 335.2, 0.37%, 0.4%

LAB 38.2, 35.48, -3.11

 

CMYK 0 / 62 / 37 / 52

HEX #7B2F4D

RGB 123 47 77

HSL 336.32, 0.45%, 0.33%

LAB 31.3, 36.22, -1.42

 

CMYK 0 / 73 / 45 / 58

HEX #6A1D3A

RGB 106 29 58

HSL 337.4, 0.57%, 0.26%

LAB 24.48, 36.57, 0.91

 

CMYK 0 / 88 / 56 / 65

HEX #590B27

RGB 89 11 39

HSL 338.46, 0.78%, 0.2%

LAB 17.96, 35.9, 4.41

 

CMYK 0 / 100 / 72 / 72

HEX #480014

RGB 72 0 20

HSL 343.33, 1%, 0.14%

LAB 12.14, 33.09, 9.64

 

CMYK 0 / 54 / 32 / 45

HEX #8C405F

RGB 140 64 95

HSL 335.53, 0.37%, 0.4%

LAB 37.97, 35.87, -2.83

 

CMYK 0 / 54 / 46 / 45

HEX #8C404B

RGB 140 64 75

HSL 351.32, 0.37%, 0.4%

LAB 37.39, 33.41, 8.97

 

CMYK 0 / 54 / 54 / 45

HEX #8C4040

RGB 140 64 64

HSL 0, 0.37%, 0.4%

LAB 37.14, 32.31, 15.55

 

CMYK 0 / 54 / 32 / 45

HEX #8C405F

RGB 140 64 95

HSL 335.53, 0.37%, 0.4%

LAB 37.97, 35.87, -2.83

 

CMYK 0 / 54 / 17 / 45

HEX #8C4074

RGB 140 64 116

HSL 318.95, 0.37%, 0.4%

LAB 38.73, 39.02, -14.83

 

CMYK 0 / 54 / 3 / 45

HEX #8C4088

RGB 140 64 136

HSL 303.16, 0.37%, 0.4%

LAB 39.61, 42.51, -25.79

 

CMYK 12 / 54 / 0 / 45

HEX #7B408C

RGB 123 64 140

HSL 286.58, 0.37%, 0.4%

LAB 37.43, 38.31, -31.83

 

CMYK 26 / 54 / 0 / 45

HEX #67408C

RGB 103 64 140

HSL 270.79, 0.37%, 0.4%

LAB 34.89, 32.59, -36.02

 

CMYK 0 / 54 / 32 / 45

HEX #8C405F

RGB 140 64 95

HSL 335.53, 0.37%, 0.4%

LAB 37.97, 35.87, -2.83

 

CMYK 0 / 69 / 40 / 39

HEX #9C305D

RGB 156 48 93

HSL 335, 0.53%, 0.4%

LAB 37.79, 48.42, -1.51

 

CMYK 0 / 82 / 48 / 32

HEX #AD1F5A

RGB 173 31 90

HSL 335.07, 0.7%, 0.4%

LAB 38.9, 58.59, 2.4

 

CMYK 0 / 92 / 54 / 26

HEX #BD0F57

RGB 189 15 87

HSL 335.17, 0.85%, 0.4%

LAB 40.97, 65.44, 7.7

 

CMYK 0 / 54 / 32 / 45

HEX #8C405F

RGB 140 64 95

HSL 335.53, 0.37%, 0.4%

LAB 37.97, 35.87, -2.83

 

CMYK 0 / 34 / 20 / 52

HEX #7B5162

RGB 123 81 98

HSL 335.71, 0.21%, 0.4%

LAB 39.54, 20.27, -2.65

 

CMYK 0 / 9 / 6 / 58

HEX #6B6165

RGB 107 97 101

HSL 336, 0.05%, 0.4%

LAB 42.18, 4.77, -0.83

 

CMYK 21 / 0 / 9 / 55

HEX #5A7268

RGB 90 114 104

HSL 155, 0.12%, 0.4%

LAB 45.92, -11.05, 2.64

 

CMYK 43 / 0 / 18 / 49

HEX #4A826B

RGB 74 130 107

HSL 155.36, 0.27%, 0.4%

LAB 50.08, -24.19, 6.72

 

CMYK 0 / 54 / 3 / 45

HEX #8C4088

RGB 140 64 136

HSL 303.16, 0.37%, 0.4%

LAB 39.61, 42.51, -25.79

 

CMYK 0 / 54 / 17 / 45

HEX #8C4074

RGB 140 64 116

HSL 318.95, 0.37%, 0.4%

LAB 38.73, 39.02, -14.83

 

CMYK 0 / 54 / 31 / 45

HEX #8C4060

RGB 140 64 96

HSL 334.74, 0.37%, 0.4%

LAB 38, 36, -3.41

 

CMYK 0 / 54 / 46 / 45

HEX #8C404C

RGB 140 64 76

HSL 350.53, 0.37%, 0.4%

LAB 37.42, 33.52, 8.38

 

CMYK 0 / 48 / 54 / 45

HEX #8C4940

RGB 140 73 64

HSL 7.11, 0.37%, 0.4%

LAB 39.09, 27.38, 18.15

 

CMYK 0 / 54 / 31 / 67

HEX #532639

RGB 83 38 57

HSL 334.67, 0.37%, 0.24%

LAB 22.02, 23.46, -2.49

 

CMYK 0 / 54 / 32 / 56

HEX #6F334C

RGB 111 51 76

HSL 335, 0.37%, 0.32%

LAB 30.08, 29.64, -2.79

 

CMYK 0 / 54 / 32 / 45

HEX #8C405F

RGB 140 64 95

HSL 335.53, 0.37%, 0.4%

LAB 37.97, 35.87, -2.83

 

CMYK 0 / 54 / 32 / 34

HEX #A84D73

RGB 168 77 115

HSL 334.95, 0.37%, 0.48%

LAB 45.46, 41.62, -3.68

 

CMYK 0 / 45 / 26 / 27

HEX #B96688

RGB 185 102 136

HSL 335.42, 0.37%, 0.56%

LAB 53.59, 37.42, -3.96

 

CMYK 0 / 54 / 31 / 45

HEX #8C4160

RGB 140 65 96

HSL 335.2, 0.37%, 0.4%

LAB 38.2, 35.48, -3.11

 

CMYK 0 / 12 / 54 / 45

HEX #8C7B40

RGB 140 123 64

HSL 46.58, 0.37%, 0.4%

LAB 51.96, -1.5, 34.33

 

CMYK 54 / 10 / 0 / 45

HEX #407E8C

RGB 64 126 140

HSL 191.05, 0.37%, 0.4%

LAB 49.38, -15.83, -13.72

 

CMYK 0 / 54 / 31 / 45

HEX #8C4160

RGB 140 65 96

HSL 335.2, 0.37%, 0.4%

LAB 38.2, 35.48, -3.11

 

CMYK 31 / 0 / 54 / 45

HEX #608C40

RGB 96 140 64

HSL 94.74, 0.37%, 0.4%

LAB 53.61, -29.1, 35.48

 

CMYK 54 / 31 / 0 / 45

HEX #40608C

RGB 64 96 140

HSL 214.74, 0.37%, 0.4%

LAB 40.16, 1.81, -27.91

 

CMYK 0 / 54 / 31 / 45

HEX #8C4160

RGB 140 65 96

HSL 335.2, 0.37%, 0.4%

LAB 38.2, 35.48, -3.11

 

CMYK 0 / 12 / 54 / 45

HEX #8C7B40

RGB 140 123 64

HSL 46.58, 0.37%, 0.4%

LAB 51.96, -1.5, 34.33

 

CMYK 54 / 0 / 23 / 45

HEX #408C6C

RGB 64 140 108

HSL 154.74, 0.37%, 0.4%

LAB 52.87, -31.56, 10.05

 

CMYK 54 / 42 / 0 / 45

HEX #40518C

RGB 64 81 140

HSL 226.58, 0.37%, 0.4%

LAB 35.73, 11.41, -34.9

 

CMYK 0 / 54 / 31 / 45

HEX #8C4160

RGB 140 65 96

HSL 335.2, 0.37%, 0.4%

LAB 38.2, 35.48, -3.11

 

CMYK 5 / 0 / 54 / 45

HEX #858C40

RGB 133 140 64

HSL 65.53, 0.37%, 0.4%

LAB 56.2, -13.93, 39.17

 

CMYK 54 / 0 / 23 / 45

HEX #408C6C

RGB 64 140 108

HSL 154.74, 0.37%, 0.4%

LAB 52.87, -31.56, 10.05

 

CMYK 49 / 54 / 0 / 45

HEX #47408C

RGB 71 64 140

HSL 245.53, 0.37%, 0.4%

LAB 31.58, 24.21, -41.51

 

Description

Color code: HEX #8C4160 | qconv.com Color code: HEX #8C4160 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 65 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 65 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 31 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 31% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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