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Color name
HEX #8C401B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C401B it is the complementary color #73BFE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C401B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C401B shade: #914016, #A25229, #B3643C, #C4764F and #D58862

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C401B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C401B shade: #8C401B, #7B2E08, #6A1C00, #590A00 and #480000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C401B shade: #8D401A, #8D211A and #8D1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C401B shade: #8D401A, #8D5F1A, #8D7E1A, #7D8D1A and #5E8D1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C401B shade matches the following richer shades: #8D401A and #9A3B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C401B shade: #8D401A, #7F4528, #724936, #644E43 and #565351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C401B shade: #8D1A33, #8D201A, #8D3F1A, #8D5D1A and #8D7C1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C401B shade: #48200D, #6A3014, #8D401A, #B05021 and #D25F28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C401B shade: #8C401B, #528D1A and #1A248D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C401B shade: #8C401B, #1A8D3F and #3F1A8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C401B shade: #8C401B, #528D1A, #1A698D and #561A8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C401B shade: #8C401B, #2F8D1A, #1A698D and #781A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 81 / 45

HEX #8C401B

RGB 140 64 27

HSL 19.65, 0.68%, 0.33%

LAB 36.6, 29.89, 36.55

 

Complementary color

CMYK 50 / 16 / 0 / 11

HEX #73BFE4

RGB 115 191 228

HSL 199.65, 0.68%, 0.67%

LAB 73.87, -13.62, -25.73

 

CMYK 0 / 56 / 85 / 43

HEX #914016

RGB 145 64 22

HSL 20.49, 0.74%, 0.33%

LAB 37.38, 31.79, 39.98

 

CMYK 0 / 49 / 75 / 36

HEX #A25229

RGB 162 82 41

HSL 20.33, 0.6%, 0.4%

LAB 44.05, 29.96, 38.12

 

CMYK 0 / 44 / 66 / 30

HEX #B3643C

RGB 179 100 60

HSL 20.17, 0.5%, 0.47%

LAB 50.72, 28.3, 36.13

 

CMYK 0 / 40 / 60 / 23

HEX #C4764F

RGB 196 118 79

HSL 20, 0.5%, 0.54%

LAB 57.33, 26.83, 34.25

 

CMYK 0 / 36 / 54 / 16

HEX #D58862

RGB 213 136 98

HSL 19.83, 0.58%, 0.61%

LAB 63.87, 25.54, 32.54

 

CMYK 0 / 54 / 81 / 45

HEX #8C401B

RGB 140 64 27

HSL 19.65, 0.68%, 0.33%

LAB 36.6, 29.89, 36.55

 

CMYK 0 / 63 / 93 / 52

HEX #7B2E08

RGB 123 46 8

HSL 19.83, 0.88%, 0.26%

LAB 29.87, 31.77, 38.07

 

CMYK 0 / 74 / 100 / 58

HEX #6A1C00

RGB 106 28 0

HSL 15.85, 1%, 0.21%

LAB 23.32, 33.5, 34.25

 

CMYK 0 / 89 / 100 / 65

HEX #590A00

RGB 89 10 0

HSL 6.74, 1%, 0.17%

LAB 17.18, 34.13, 26.35

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 55 / 82 / 45

HEX #8D401A

RGB 141 64 26

HSL 19.83, 0.69%, 0.33%

LAB 36.75, 30.27, 37.25

 

CMYK 0 / 77 / 82 / 45

HEX #8D211A

RGB 141 33 26

HSL 3.65, 0.69%, 0.33%

LAB 31.41, 44.5, 31.97

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A1A

RGB 141 26 26

HSL 0, 0.69%, 0.33%

LAB 30.58, 46.8, 31.13

 

CMYK 0 / 55 / 82 / 45

HEX #8D401A

RGB 141 64 26

HSL 19.83, 0.69%, 0.33%

LAB 36.75, 30.27, 37.25

 

CMYK 0 / 33 / 82 / 45

HEX #8D5F1A

RGB 141 95 26

HSL 36, 0.69%, 0.33%

LAB 44.12, 12.63, 44.2

 

CMYK 0 / 11 / 82 / 45

HEX #8D7E1A

RGB 141 126 26

HSL 52.17, 0.69%, 0.33%

LAB 52.57, -5.13, 51.84

 

CMYK 11 / 0 / 82 / 45

HEX #7D8D1A

RGB 125 141 26

HSL 68.35, 0.69%, 0.33%

LAB 55.57, -20.46, 53.98

 

CMYK 33 / 0 / 82 / 45

HEX #5E8D1A

RGB 94 141 26

HSL 84.52, 0.69%, 0.33%

LAB 53.5, -33.45, 51.33

 

CMYK 0 / 55 / 82 / 45

HEX #8D401A

RGB 141 64 26

HSL 19.83, 0.69%, 0.33%

LAB 36.75, 30.27, 37.25

 

CMYK 0 / 62 / 92 / 40

HEX #9A3B0D

RGB 154 59 13

HSL 19.57, 0.84%, 0.33%

LAB 37.89, 37.69, 44.68

 

CMYK 0 / 55 / 82 / 45

HEX #8D401A

RGB 141 64 26

HSL 19.83, 0.69%, 0.33%

LAB 36.75, 30.27, 37.25

 

CMYK 0 / 46 / 69 / 50

HEX #7F4528

RGB 127 69 40

HSL 20, 0.52%, 0.33%

LAB 35.83, 22.18, 28.06

 

CMYK 0 / 36 / 53 / 55

HEX #724936

RGB 114 73 54

HSL 19, 0.36%, 0.33%

LAB 35.22, 15.17, 18.53

 

CMYK 0 / 22 / 33 / 61

HEX #644E43

RGB 100 78 67

HSL 20, 0.2%, 0.33%

LAB 35.13, 7.45, 10.03

 

CMYK 0 / 3 / 6 / 66

HEX #565351

RGB 86 83 81

HSL 24, 0.03%, 0.33%

LAB 35.52, 0.81, 1.6

 

CMYK 0 / 82 / 64 / 45

HEX #8D1A33

RGB 141 26 51

HSL 346.96, 0.69%, 0.33%

LAB 30.97, 48.02, 15.72

 

CMYK 0 / 77 / 82 / 45

HEX #8D201A

RGB 141 32 26

HSL 3.13, 0.69%, 0.33%

LAB 31.28, 44.85, 31.84

 

CMYK 0 / 55 / 82 / 45

HEX #8D3F1A

RGB 141 63 26

HSL 19.3, 0.69%, 0.33%

LAB 36.54, 30.8, 37.05

 

CMYK 0 / 34 / 82 / 45

HEX #8D5D1A

RGB 141 93 26

HSL 34.96, 0.69%, 0.33%

LAB 43.6, 13.8, 43.73

 

CMYK 0 / 12 / 82 / 45

HEX #8D7C1A

RGB 141 124 26

HSL 51.13, 0.69%, 0.33%

LAB 52.01, -4.01, 51.34

 

CMYK 0 / 56 / 82 / 72

HEX #48200D

RGB 72 32 13

HSL 19.32, 0.69%, 0.17%

LAB 17.64, 17.46, 20.7

 

CMYK 0 / 55 / 81 / 58

HEX #6A3014

RGB 106 48 20

HSL 19.53, 0.68%, 0.25%

LAB 27.38, 23.88, 29.13

 

CMYK 0 / 55 / 82 / 45

HEX #8D401A

RGB 141 64 26

HSL 19.83, 0.69%, 0.33%

LAB 36.75, 30.27, 37.25

 

CMYK 0 / 55 / 81 / 31

HEX #B05021

RGB 176 80 33

HSL 19.72, 0.68%, 0.41%

LAB 45.74, 36.38, 44.47

 

CMYK 0 / 55 / 81 / 18

HEX #D25F28

RGB 210 95 40

HSL 19.41, 0.68%, 0.49%

LAB 54.07, 42.35, 51.03

 

CMYK 0 / 54 / 81 / 45

HEX #8C401B

RGB 140 64 27

HSL 19.65, 0.68%, 0.33%

LAB 36.6, 29.89, 36.55

 

CMYK 42 / 0 / 82 / 45

HEX #528D1A

RGB 82 141 26

HSL 90.78, 0.69%, 0.33%

LAB 52.86, -37.94, 50.51

 

CMYK 82 / 74 / 0 / 45

HEX #1A248D

RGB 26 36 141

HSL 234.78, 0.69%, 0.33%

LAB 21.6, 35.53, -58.53

 

CMYK 0 / 54 / 81 / 45

HEX #8C401B

RGB 140 64 27

HSL 19.65, 0.68%, 0.33%

LAB 36.6, 29.89, 36.55

 

CMYK 82 / 0 / 55 / 45

HEX #1A8D3F

RGB 26 141 63

HSL 139.3, 0.69%, 0.33%

LAB 51.41, -48.04, 32.75

 

CMYK 55 / 82 / 0 / 45

HEX #3F1A8D

RGB 63 26 141

HSL 259.3, 0.69%, 0.33%

LAB 22.72, 44.93, -56.58

 

CMYK 0 / 54 / 81 / 45

HEX #8C401B

RGB 140 64 27

HSL 19.65, 0.68%, 0.33%

LAB 36.6, 29.89, 36.55

 

CMYK 42 / 0 / 82 / 45

HEX #528D1A

RGB 82 141 26

HSL 90.78, 0.69%, 0.33%

LAB 52.86, -37.94, 50.51

 

CMYK 82 / 26 / 0 / 45

HEX #1A698D

RGB 26 105 141

HSL 198.78, 0.69%, 0.33%

LAB 41.6, -10.03, -26.37

 

CMYK 39 / 82 / 0 / 45

HEX #561A8D

RGB 86 26 141

HSL 271.3, 0.69%, 0.33%

LAB 25.68, 48.35, -51.6

 

CMYK 0 / 54 / 81 / 45

HEX #8C401B

RGB 140 64 27

HSL 19.65, 0.68%, 0.33%

LAB 36.6, 29.89, 36.55

 

CMYK 67 / 0 / 82 / 45

HEX #2F8D1A

RGB 47 141 26

HSL 109.04, 0.69%, 0.33%

LAB 51.53, -48.27, 48.79

 

CMYK 82 / 26 / 0 / 45

HEX #1A698D

RGB 26 105 141

HSL 198.78, 0.69%, 0.33%

LAB 41.6, -10.03, -26.37

 

CMYK 15 / 82 / 0 / 45

HEX #781A8D

RGB 120 26 141

HSL 289.04, 0.69%, 0.33%

LAB 31.01, 54.48, -42.72

 

Description

Color code: HEX #8C401B | qconv.com Color code: HEX #8C401B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 64 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 64 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 81 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 81% 45% C M Y K

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Provide designers and agencies with accurate color values.

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