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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C3F2B it is the complementary color #73C0D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C3F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C3F2B shade: #913F26, #A25139, #B3634C, #C4755F and #D58772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C3F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C3F2B shade: #8C3F2B, #7B2D18, #6A1B05, #590900 and #480000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C3F2B shade: #8C3F2B and #8C2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C3F2B shade: #8C3F2B, #8C592B, #8C732B, #8A8C2B and #708C2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C3F2B shade matches the following richer shades: #8C3F2B, #9B361C and #AA2D0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C3F2B shade: #8C3F2B, #7D4739, #6E5048, #5F5957 and #516266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C3F2B shade: #8C2B4B, #8C2B31, #8C3E2B, #8C582B and #8C722B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C3F2B shade: #4D2217, #6C3121, #8C3F2B, #AC4D34 and #C55F44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C3F2B shade: #8C3F2B, #658C2B and #2B3E8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C3F2B shade: #8C3F2B, #2B8C3E and #3E2B8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C3F2B shade: #8C3F2B, #658C2B, #2B788C and #522B8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C3F2B shade: #8C3F2B, #488C2B, #2B788C and #6F2B8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

Complementary color

CMYK 46 / 9 / 0 / 17

HEX #73C0D4

RGB 115 192 212

HSL 192.37, 0.53%, 0.64%

LAB 73.61, -18.54, -17.45

 

CMYK 0 / 57 / 74 / 43

HEX #913F26

RGB 145 63 38

HSL 14.02, 0.58%, 0.36%

LAB 37.33, 32.97, 31.66

 

CMYK 0 / 50 / 65 / 36

HEX #A25139

RGB 162 81 57

HSL 13.71, 0.48%, 0.43%

LAB 44.03, 31.42, 29.28

 

CMYK 0 / 45 / 58 / 30

HEX #B3634C

RGB 179 99 76

HSL 13.4, 0.4%, 0.5%

LAB 50.72, 30, 27.19

 

CMYK 0 / 40 / 52 / 23

HEX #C4755F

RGB 196 117 95

HSL 13.07, 0.46%, 0.57%

LAB 57.35, 28.71, 25.37

 

CMYK 0 / 37 / 46 / 16

HEX #D58772

RGB 213 135 114

HSL 12.73, 0.54%, 0.64%

LAB 63.91, 27.56, 23.77

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 0 / 63 / 80 / 52

HEX #7B2D18

RGB 123 45 24

HSL 12.73, 0.67%, 0.29%

LAB 29.8, 32.77, 30.35

 

CMYK 0 / 75 / 95 / 58

HEX #6A1B05

RGB 106 27 5

HSL 13.07, 0.91%, 0.22%

LAB 23.2, 34.06, 32.09

 

CMYK 0 / 90 / 100 / 65

HEX #590900

RGB 89 9 0

HSL 6.07, 1%, 0.17%

LAB 17.08, 34.43, 26.23

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 0 / 69 / 69 / 45

HEX #8C2B2B

RGB 140 43 43

HSL 0, 0.53%, 0.36%

LAB 32.87, 40.98, 23.25

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 0 / 36 / 69 / 45

HEX #8C592B

RGB 140 89 43

HSL 28.45, 0.53%, 0.36%

LAB 42.6, 16.53, 34.59

 

CMYK 0 / 18 / 69 / 45

HEX #8C732B

RGB 140 115 43

HSL 44.54, 0.53%, 0.36%

LAB 49.51, 1.44, 42.07

 

CMYK 1 / 0 / 69 / 45

HEX #8A8C2B

RGB 138 140 43

HSL 61.24, 0.53%, 0.36%

LAB 56.42, -13.31, 49.13

 

CMYK 20 / 0 / 69 / 45

HEX #708C2B

RGB 112 140 43

HSL 77.32, 0.53%, 0.36%

LAB 54.42, -24.65, 46.45

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 0 / 65 / 82 / 39

HEX #9B361C

RGB 155 54 28

HSL 12.28, 0.69%, 0.36%

LAB 37.28, 40.82, 37.59

 

CMYK 0 / 74 / 92 / 33

HEX #AA2D0D

RGB 170 45 13

HSL 12.23, 0.86%, 0.36%

LAB 38.64, 49.4, 46.57

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 0 / 43 / 54 / 51

HEX #7D4739

RGB 125 71 57

HSL 12.35, 0.37%, 0.36%

LAB 36.29, 21.53, 18.37

 

CMYK 0 / 27 / 35 / 57

HEX #6E5048

RGB 110 80 72

HSL 12.63, 0.21%, 0.36%

LAB 36.97, 11.37, 9.64

 

CMYK 0 / 6 / 8 / 63

HEX #5F5957

RGB 95 89 87

HSL 15, 0.04%, 0.36%

LAB 38.32, 2.02, 2.02

 

CMYK 21 / 4 / 0 / 60

HEX #516266

RGB 81 98 102

HSL 191.43, 0.11%, 0.36%

LAB 40.32, -5.46, -4.43

 

CMYK 0 / 69 / 46 / 45

HEX #8C2B4B

RGB 140 43 75

HSL 340.21, 0.53%, 0.36%

LAB 33.59, 43.54, 3.58

 

CMYK 0 / 69 / 65 / 45

HEX #8C2B31

RGB 140 43 49

HSL 356.29, 0.53%, 0.36%

LAB 32.97, 41.36, 19.58

 

CMYK 0 / 56 / 69 / 45

HEX #8C3E2B

RGB 140 62 43

HSL 11.75, 0.53%, 0.36%

LAB 36.36, 31.76, 27.44

 

CMYK 0 / 37 / 69 / 45

HEX #8C582B

RGB 140 88 43

HSL 27.84, 0.53%, 0.36%

LAB 42.35, 17.12, 34.31

 

CMYK 0 / 19 / 69 / 45

HEX #8C722B

RGB 140 114 43

HSL 43.92, 0.53%, 0.36%

LAB 49.23, 2.01, 41.78

 

CMYK 0 / 56 / 70 / 70

HEX #4D2217

RGB 77 34 23

HSL 12.22, 0.54%, 0.2%

LAB 19.16, 19.24, 16.75

 

CMYK 0 / 55 / 69 / 58

HEX #6C3121

RGB 108 49 33

HSL 12.8, 0.53%, 0.28%

LAB 28.1, 24.92, 22.39

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 0 / 55 / 70 / 33

HEX #AC4D34

RGB 172 77 52

HSL 12.5, 0.54%, 0.44%

LAB 44.7, 37.18, 33.3

 

CMYK 0 / 52 / 65 / 23

HEX #C55F44

RGB 197 95 68

HSL 12.56, 0.53%, 0.52%

LAB 52.37, 38.65, 34.33

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 28 / 0 / 69 / 45

HEX #658C2B

RGB 101 140 43

HSL 84.12, 0.53%, 0.36%

LAB 53.7, -29.17, 45.48

 

CMYK 69 / 56 / 0 / 45

HEX #2B3E8C

RGB 43 62 140

HSL 228.25, 0.53%, 0.36%

LAB 29.04, 19.88, -45.71

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 69 / 0 / 56 / 45

HEX #2B8C3E

RGB 43 140 62

HSL 131.75, 0.53%, 0.36%

LAB 51.4, -45.08, 33.32

 

CMYK 56 / 69 / 0 / 45

HEX #3E2B8C

RGB 62 43 140

HSL 251.75, 0.53%, 0.36%

LAB 25.7, 35.52, -51.07

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 28 / 0 / 69 / 45

HEX #658C2B

RGB 101 140 43

HSL 84.12, 0.53%, 0.36%

LAB 53.7, -29.17, 45.48

 

CMYK 69 / 14 / 0 / 45

HEX #2B788C

RGB 43 120 140

HSL 192.37, 0.53%, 0.36%

LAB 46.76, -16.63, -17.77

 

CMYK 41 / 69 / 0 / 45

HEX #522B8C

RGB 82 43 140

HSL 264.12, 0.53%, 0.36%

LAB 27.89, 39.38, -47.42

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2B

RGB 140 63 43

HSL 12.37, 0.53%, 0.36%

LAB 36.56, 31.23, 27.68

 

CMYK 49 / 0 / 69 / 45

HEX #488C2B

RGB 72 140 43

HSL 102.06, 0.53%, 0.36%

LAB 52.18, -39.72, 43.42

 

CMYK 69 / 14 / 0 / 45

HEX #2B788C

RGB 43 120 140

HSL 192.37, 0.53%, 0.36%

LAB 46.76, -16.63, -17.77

 

CMYK 21 / 69 / 0 / 45

HEX #6F2B8C

RGB 111 43 140

HSL 282.06, 0.53%, 0.36%

LAB 31.81, 45.82, -40.89

 

Description

Color code: HEX #8C3F2B | qconv.com Color code: HEX #8C3F2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 63 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 63 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 69 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 69% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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