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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C3CA7 it is the complementary color #73C358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C3CA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C3CA7 shade: #913CA2, #A24EB5, #B360C8, #C472DB and #D584EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C3CA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C3CA7 shade: #8C3CA7, #7B2A94, #6A1881, #59066E and #48005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C3CA7 shade: #8D3DA9, #A93DA7, #A93D8A, #A93D6D and #A93D50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C3CA7 shade: #8D3DA9, #703DA9, #533DA9 and #3D3DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C3CA7 shade matches the following richer shades: #8D3DA9, #972ABB, #A018CE and #A905E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C3CA7 shade: #8D3DA9, #844F96, #7B6284, #727571 and #69875E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C3CA7 shade: #523DA9, #6F3DA9, #8C3DA9, #A93DA9 and #A93D8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C3CA7 shade: #5B276C, #74328A, #8D3DA9, #A34FC0 and #B36DCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C3CA7 shade: #8C3CA7, #A93D44 and #3DA961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C3CA7 shade: #8C3CA7, #A98C3D and #3DA98C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C3CA7 shade: #8C3CA7, #A93D44, #5AA93D and #3DA9A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C3CA7 shade: #8C3CA7, #A9563D, #5AA93D and #3D90A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 64 / 0 / 35

HEX #8C3CA7

RGB 140 60 167

HSL 284.86, 0.47%, 0.45%

LAB 40.57, 50.59, -43

 

Complementary color

CMYK 41 / 0 / 55 / 24

HEX #73C358

RGB 115 195 88

HSL 104.86, 0.47%, 0.55%

LAB 71.81, -44.44, 45.62

 

CMYK 10 / 63 / 0 / 36

HEX #913CA2

RGB 145 60 162

HSL 290, 0.46%, 0.44%

LAB 40.99, 50.81, -39.3

 

CMYK 10 / 57 / 0 / 29

HEX #A24EB5

RGB 162 78 181

HSL 288.93, 0.41%, 0.51%

LAB 47.58, 50.38, -39.93

 

CMYK 11 / 52 / 0 / 22

HEX #B360C8

RGB 179 96 200

HSL 287.88, 0.49%, 0.58%

LAB 54.15, 49.74, -40.39

 

CMYK 11 / 48 / 0 / 14

HEX #C472DB

RGB 196 114 219

HSL 286.86, 0.59%, 0.65%

LAB 60.68, 49.01, -40.74

 

CMYK 11 / 45 / 0 / 7

HEX #D584EE

RGB 213 132 238

HSL 285.85, 0.76%, 0.73%

LAB 67.14, 48.26, -41.02

 

CMYK 16 / 64 / 0 / 35

HEX #8C3CA7

RGB 140 60 167

HSL 284.86, 0.47%, 0.45%

LAB 40.57, 50.59, -43

 

CMYK 17 / 72 / 0 / 42

HEX #7B2A94

RGB 123 42 148

HSL 285.85, 0.56%, 0.37%

LAB 33.99, 50.7, -42.2

 

CMYK 18 / 81 / 0 / 49

HEX #6A1881

RGB 106 24 129

HSL 286.86, 0.69%, 0.3%

LAB 27.58, 50.02, -40.88

 

CMYK 19 / 95 / 0 / 57

HEX #59066E

RGB 89 6 110

HSL 287.88, 0.9%, 0.23%

LAB 21.51, 47.92, -38.71

 

CMYK 21 / 100 / 0 / 64

HEX #48005B

RGB 72 0 91

HSL 287.47, 1%, 0.18%

LAB 16.17, 43.03, -34.98

 

CMYK 17 / 64 / 0 / 34

HEX #8D3DA9

RGB 141 61 169

HSL 284.44, 0.47%, 0.45%

LAB 41, 50.78, -43.49

 

CMYK 0 / 64 / 1 / 34

HEX #A93DA7

RGB 169 61 167

HSL 301.11, 0.47%, 0.45%

LAB 45.03, 57.33, -35.65

 

CMYK 0 / 64 / 18 / 34

HEX #A93D8A

RGB 169 61 138

HSL 317.22, 0.47%, 0.45%

LAB 43.66, 52.67, -20.38

 

CMYK 0 / 64 / 36 / 34

HEX #A93D6D

RGB 169 61 109

HSL 333.33, 0.47%, 0.45%

LAB 42.58, 48.78, -4.23

 

CMYK 0 / 64 / 53 / 34

HEX #A93D50

RGB 169 61 80

HSL 349.44, 0.47%, 0.45%

LAB 41.77, 45.78, 12.65

 

CMYK 17 / 64 / 0 / 34

HEX #8D3DA9

RGB 141 61 169

HSL 284.44, 0.47%, 0.45%

LAB 41, 50.78, -43.49

 

CMYK 34 / 64 / 0 / 34

HEX #703DA9

RGB 112 61 169

HSL 268.33, 0.47%, 0.45%

LAB 37.2, 43.93, -49.8

 

CMYK 51 / 64 / 0 / 34

HEX #533DA9

RGB 83 61 169

HSL 252.22, 0.47%, 0.45%

LAB 34.07, 37.76, -55.02

 

CMYK 64 / 64 / 0 / 34

HEX #3D3DA9

RGB 61 61 169

HSL 240, 0.47%, 0.45%

LAB 32.24, 33.88, -58.07

 

CMYK 17 / 64 / 0 / 34

HEX #8D3DA9

RGB 141 61 169

HSL 284.44, 0.47%, 0.45%

LAB 41, 50.78, -43.49

 

CMYK 19 / 78 / 0 / 27

HEX #972ABB

RGB 151 42 187

HSL 285.1, 0.63%, 0.45%

LAB 40.93, 64.18, -54.17

 

CMYK 22 / 88 / 0 / 19

HEX #A018CE

RGB 160 24 206

HSL 284.84, 0.79%, 0.45%

LAB 42.13, 73.87, -63.25

 

CMYK 25 / 98 / 0 / 12

HEX #A905E0

RGB 169 5 224

HSL 284.93, 0.96%, 0.45%

LAB 44.13, 80.78, -70.28

 

CMYK 17 / 64 / 0 / 34

HEX #8D3DA9

RGB 141 61 169

HSL 284.44, 0.47%, 0.45%

LAB 41, 50.78, -43.49

 

CMYK 12 / 47 / 0 / 41

HEX #844F96

RGB 132 79 150

HSL 284.79, 0.31%, 0.45%

LAB 42.31, 34.83, -30.14

 

CMYK 7 / 26 / 0 / 48

HEX #7B6284

RGB 123 98 132

HSL 284.12, 0.15%, 0.45%

LAB 45.1, 16.7, -15.08

 

CMYK 3 / 0 / 3 / 54

HEX #727571

RGB 114 117 113

HSL 105, 0.02%, 0.45%

LAB 48.87, -1.94, 1.8

 

CMYK 22 / 0 / 30 / 47

HEX #69875E

RGB 105 135 94

HSL 103.9, 0.18%, 0.45%

LAB 53.1, -18.87, 18.68

 

CMYK 51 / 64 / 0 / 34

HEX #523DA9

RGB 82 61 169

HSL 251.67, 0.47%, 0.45%

LAB 33.97, 37.57, -55.18

 

CMYK 34 / 64 / 0 / 34

HEX #6F3DA9

RGB 111 61 169

HSL 267.78, 0.47%, 0.45%

LAB 37.08, 43.7, -50

 

CMYK 17 / 64 / 0 / 34

HEX #8C3DA9

RGB 140 61 169

HSL 283.89, 0.47%, 0.45%

LAB 40.86, 50.54, -43.73

 

CMYK 0 / 64 / 0 / 34

HEX #A93DA9

RGB 169 61 169

HSL 300, 0.47%, 0.45%

LAB 45.13, 57.67, -36.67

 

CMYK 0 / 64 / 17 / 34

HEX #A93D8C

RGB 169 61 140

HSL 316.11, 0.47%, 0.45%

LAB 43.75, 52.97, -21.46

 

CMYK 16 / 64 / 0 / 58

HEX #5B276C

RGB 91 39 108

HSL 285.22, 0.47%, 0.29%

LAB 26.03, 35.61, -30.12

 

CMYK 16 / 64 / 0 / 46

HEX #74328A

RGB 116 50 138

HSL 285, 0.47%, 0.37%

LAB 33.62, 43.26, -36.7

 

CMYK 17 / 64 / 0 / 34

HEX #8D3DA9

RGB 141 61 169

HSL 284.44, 0.47%, 0.45%

LAB 41, 50.78, -43.49

 

CMYK 15 / 59 / 0 / 25

HEX #A34FC0

RGB 163 79 192

HSL 284.6, 0.47%, 0.53%

LAB 48.49, 52.38, -44.88

 

CMYK 12 / 46 / 0 / 20

HEX #B36DCB

RGB 179 109 203

HSL 284.68, 0.47%, 0.61%

LAB 56.91, 43.55, -37.76

 

CMYK 16 / 64 / 0 / 35

HEX #8C3CA7

RGB 140 60 167

HSL 284.86, 0.47%, 0.45%

LAB 40.57, 50.59, -43

 

CMYK 0 / 64 / 60 / 34

HEX #A93D44

RGB 169 61 68

HSL 356.11, 0.47%, 0.45%

LAB 41.52, 44.82, 19.75

 

CMYK 64 / 0 / 43 / 34

HEX #3DA961

RGB 61 169 97

HSL 140, 0.47%, 0.45%

LAB 61.85, -47.01, 28.29

 

CMYK 16 / 64 / 0 / 35

HEX #8C3CA7

RGB 140 60 167

HSL 284.86, 0.47%, 0.45%

LAB 40.57, 50.59, -43

 

CMYK 0 / 17 / 64 / 34

HEX #A98C3D

RGB 169 140 61

HSL 43.89, 0.47%, 0.45%

LAB 59.46, 1.72, 45.21

 

CMYK 64 / 0 / 17 / 34

HEX #3DA98C

RGB 61 169 140

HSL 163.89, 0.47%, 0.45%

LAB 62.73, -37.81, 5.96

 

CMYK 16 / 64 / 0 / 35

HEX #8C3CA7

RGB 140 60 167

HSL 284.86, 0.47%, 0.45%

LAB 40.57, 50.59, -43

 

CMYK 0 / 64 / 60 / 34

HEX #A93D44

RGB 169 61 68

HSL 356.11, 0.47%, 0.45%

LAB 41.52, 44.82, 19.75

 

CMYK 47 / 0 / 64 / 34

HEX #5AA93D

RGB 90 169 61

HSL 103.89, 0.47%, 0.45%

LAB 62.41, -44.37, 46.92

 

CMYK 64 / 0 / 5 / 34

HEX #3DA9A1

RGB 61 169 161

HSL 175.56, 0.47%, 0.45%

LAB 63.29, -32.27, -4.95

 

CMYK 16 / 64 / 0 / 35

HEX #8C3CA7

RGB 140 60 167

HSL 284.86, 0.47%, 0.45%

LAB 40.57, 50.59, -43

 

CMYK 0 / 49 / 64 / 34

HEX #A9563D

RGB 169 86 61

HSL 13.89, 0.47%, 0.45%

LAB 46.21, 31.85, 29.87

 

CMYK 47 / 0 / 64 / 34

HEX #5AA93D

RGB 90 169 61

HSL 103.89, 0.47%, 0.45%

LAB 62.41, -44.37, 46.92

 

CMYK 64 / 15 / 0 / 34

HEX #3D90A9

RGB 61 144 169

HSL 193.89, 0.47%, 0.45%

LAB 55.89, -17.21, -20.62

 

Description

Color code: HEX #8C3CA7 | qconv.com Color code: HEX #8C3CA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 60 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 60 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 64 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 64% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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