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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C2FD4 it is the complementary color #73D02B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C2FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C2FD4 shade: #912FCF, #A241E2, #B353F5, #C465FF and #D577FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C2FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C2FD4 shade: #8C2FD4, #7B1DC1, #6A0BAE, #59009B and #480088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C2FD4 shade: #8D30D5, #B930D5, #D530C4, #D53097 and #D5306B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C2FD4 shade: #8D30D5, #6030D5, #3430D5 and #3030D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C2FD4 shade matches the following richer shades: #8D30D5, #8F1BE9 and #9207FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C2FD4 shade: #8D30D5, #8A44C0, #8758AC, #856C98 and #828084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C2FD4 shade: #3230D5, #5E30D5, #8A30D5, #B630D5 and #D530C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C2FD4 shade: #601E93, #7725B6, #8D30D5, #9F52DC and #B274E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C2FD4 shade: #8C2FD4, #D53059 and #30D548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C2FD4 shade: #8C2FD4, #D58A30 and #30D58A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C2FD4 shade: #8C2FD4, #D53059, #7AD530 and #30D5AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C2FD4 shade: #8C2FD4, #D53830, #7AD530 and #30CCD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 78 / 0 / 17

HEX #8C2FD4

RGB 140 47 212

HSL 273.82, 0.66%, 0.51%

LAB 41.79, 65.7, -67.4

 

Complementary color

CMYK 45 / 0 / 79 / 18

HEX #73D02B

RGB 115 208 43

HSL 93.82, 0.66%, 0.49%

LAB 75.41, -53.33, 66.93

 

CMYK 30 / 77 / 0 / 19

HEX #912FCF

RGB 145 47 207

HSL 276.75, 0.63%, 0.5%

LAB 42.09, 65.45, -63.99

 

CMYK 28 / 71 / 0 / 11

HEX #A241E2

RGB 162 65 226

HSL 276.15, 0.74%, 0.57%

LAB 48.2, 65.65, -64.85

 

CMYK 27 / 66 / 0 / 4

HEX #B353F5

RGB 179 83 245

HSL 275.56, 0.89%, 0.64%

LAB 54.41, 65.38, -65.39

 

CMYK 23 / 60 / 0 / 0

HEX #C465FF

RGB 196 101 255

HSL 277.01, 1%, 0.7%

LAB 60.13, 62.92, -61.63

 

CMYK 16 / 53 / 0 / 0

HEX #D577FF

RGB 213 119 255

HSL 281.47, 1%, 0.73%

LAB 65.4, 58.29, -53.1

 

CMYK 34 / 78 / 0 / 17

HEX #8C2FD4

RGB 140 47 212

HSL 273.82, 0.66%, 0.51%

LAB 41.79, 65.7, -67.4

 

CMYK 36 / 85 / 0 / 24

HEX #7B1DC1

RGB 123 29 193

HSL 274.39, 0.74%, 0.44%

LAB 35.87, 64.8, -66.11

 

CMYK 39 / 94 / 0 / 32

HEX #6A0BAE

RGB 106 11 174

HSL 274.97, 0.88%, 0.36%

LAB 30.3, 62.6, -64.06

 

CMYK 43 / 100 / 0 / 39

HEX #59009B

RGB 89 0 155

HSL 274.45, 1%, 0.3%

LAB 25.23, 58.61, -60.98

 

CMYK 47 / 100 / 0 / 47

HEX #480088

RGB 72 0 136

HSL 271.76, 1%, 0.27%

LAB 20.66, 52.74, -56.81

 

CMYK 34 / 77 / 0 / 16

HEX #8D30D5

RGB 141 48 213

HSL 273.82, 0.66%, 0.51%

LAB 42.12, 65.72, -67.42

 

CMYK 13 / 77 / 0 / 16

HEX #B930D5

RGB 185 48 213

HSL 289.82, 0.66%, 0.51%

LAB 48.55, 73.45, -56.7

 

CMYK 0 / 77 / 8 / 16

HEX #D530C4

RGB 213 48 196

HSL 306.18, 0.66%, 0.51%

LAB 52.11, 76.23, -40.98

 

CMYK 0 / 77 / 29 / 16

HEX #D53097

RGB 213 48 151

HSL 322.55, 0.66%, 0.51%

LAB 50.09, 70.35, -17.7

 

CMYK 0 / 77 / 50 / 16

HEX #D5306B

RGB 213 48 107

HSL 338.55, 0.66%, 0.51%

LAB 48.66, 66.01, 6.81

 

CMYK 34 / 77 / 0 / 16

HEX #8D30D5

RGB 141 48 213

HSL 273.82, 0.66%, 0.51%

LAB 42.12, 65.72, -67.42

 

CMYK 55 / 77 / 0 / 16

HEX #6030D5

RGB 96 48 213

HSL 257.45, 0.66%, 0.51%

LAB 36.75, 59.17, -76.43

 

CMYK 76 / 77 / 0 / 16

HEX #3430D5

RGB 52 48 213

HSL 241.45, 0.66%, 0.51%

LAB 33.24, 54.83, -82.35

 

CMYK 77 / 77 / 0 / 16

HEX #3030D5

RGB 48 48 213

HSL 240, 0.66%, 0.51%

LAB 33.02, 54.55, -82.72

 

CMYK 34 / 77 / 0 / 16

HEX #8D30D5

RGB 141 48 213

HSL 273.82, 0.66%, 0.51%

LAB 42.12, 65.72, -67.42

 

CMYK 39 / 88 / 0 / 9

HEX #8F1BE9

RGB 143 27 233

HSL 273.79, 0.82%, 0.51%

LAB 42.01, 76.3, -79.02

 

CMYK 42 / 97 / 0 / 1

HEX #9207FD

RGB 146 7 253

HSL 273.9, 0.98%, 0.51%

LAB 43.29, 83.57, -88.17

 

CMYK 34 / 77 / 0 / 16

HEX #8D30D5

RGB 141 48 213

HSL 273.82, 0.66%, 0.51%

LAB 42.12, 65.72, -67.42

 

CMYK 28 / 65 / 0 / 25

HEX #8A44C0

RGB 138 68 192

HSL 273.87, 0.5%, 0.51%

LAB 43.28, 51.79, -53.41

 

CMYK 22 / 49 / 0 / 33

HEX #8758AC

RGB 135 88 172

HSL 273.57, 0.34%, 0.51%

LAB 45.78, 35.62, -37.72

 

CMYK 13 / 29 / 0 / 40

HEX #856C98

RGB 133 108 152

HSL 274.09, 0.18%, 0.51%

LAB 49.47, 18.64, -20.21

 

CMYK 2 / 3 / 0 / 48

HEX #828084

RGB 130 128 132

HSL 270, 0.02%, 0.51%

LAB 53.87, 1.55, -1.9

 

CMYK 77 / 77 / 0 / 16

HEX #3230D5

RGB 50 48 213

HSL 240.73, 0.66%, 0.51%

LAB 33.13, 54.69, -82.53

 

CMYK 56 / 77 / 0 / 16

HEX #5E30D5

RGB 94 48 213

HSL 256.73, 0.66%, 0.51%

LAB 36.55, 58.92, -76.77

 

CMYK 35 / 77 / 0 / 16

HEX #8A30D5

RGB 138 48 213

HSL 272.73, 0.66%, 0.51%

LAB 41.72, 65.23, -68.09

 

CMYK 15 / 77 / 0 / 16

HEX #B630D5

RGB 182 48 213

HSL 288.73, 0.66%, 0.51%

LAB 48.09, 72.89, -57.47

 

CMYK 0 / 77 / 7 / 16

HEX #D530C7

RGB 213 48 199

HSL 305.09, 0.66%, 0.51%

LAB 52.27, 76.67, -42.46

 

CMYK 35 / 80 / 0 / 42

HEX #601E93

RGB 96 30 147

HSL 273.85, 0.66%, 0.35%

LAB 28.17, 49.93, -51.19

 

CMYK 35 / 80 / 0 / 29

HEX #7725B6

RGB 119 37 182

HSL 273.93, 0.66%, 0.43%

LAB 35.25, 59.23, -60.66

 

CMYK 34 / 77 / 0 / 16

HEX #8D30D5

RGB 141 48 213

HSL 273.82, 0.66%, 0.51%

LAB 42.12, 65.72, -67.42

 

CMYK 28 / 63 / 0 / 14

HEX #9F52DC

RGB 159 82 220

HSL 273.48, 0.66%, 0.59%

LAB 50.18, 56.04, -58.26

 

CMYK 22 / 49 / 0 / 11

HEX #B274E3

RGB 178 116 227

HSL 273.51, 0.66%, 0.67%

LAB 59.44, 44.7, -47.31

 

CMYK 34 / 78 / 0 / 17

HEX #8C2FD4

RGB 140 47 212

HSL 273.82, 0.66%, 0.51%

LAB 41.79, 65.7, -67.4

 

CMYK 0 / 77 / 58 / 16

HEX #D53059

RGB 213 48 89

HSL 345.09, 0.66%, 0.51%

LAB 48.24, 64.68, 17.23

 

CMYK 77 / 0 / 66 / 16

HEX #30D548

RGB 48 213 72

HSL 128.73, 0.66%, 0.51%

LAB 75.25, -68.01, 56.04

 

CMYK 34 / 78 / 0 / 17

HEX #8C2FD4

RGB 140 47 212

HSL 273.82, 0.66%, 0.51%

LAB 41.79, 65.7, -67.4

 

CMYK 0 / 35 / 77 / 16

HEX #D58A30

RGB 213 138 48

HSL 32.73, 0.66%, 0.51%

LAB 63.78, 21.39, 56.97

 

CMYK 77 / 0 / 35 / 16

HEX #30D58A

RGB 48 213 138

HSL 152.73, 0.66%, 0.51%

LAB 76.1, -58.07, 25.62

 

CMYK 34 / 78 / 0 / 17

HEX #8C2FD4

RGB 140 47 212

HSL 273.82, 0.66%, 0.51%

LAB 41.79, 65.7, -67.4

 

CMYK 0 / 77 / 58 / 16

HEX #D53059

RGB 213 48 89

HSL 345.09, 0.66%, 0.51%

LAB 48.24, 64.68, 17.23

 

CMYK 43 / 0 / 77 / 16

HEX #7AD530

RGB 122 213 48

HSL 93.09, 0.66%, 0.51%

LAB 77.24, -52.8, 67.29

 

CMYK 77 / 0 / 20 / 16

HEX #30D5AB

RGB 48 213 171

HSL 164.73, 0.66%, 0.51%

LAB 76.77, -50.74, 9.13

 

CMYK 34 / 78 / 0 / 17

HEX #8C2FD4

RGB 140 47 212

HSL 273.82, 0.66%, 0.51%

LAB 41.79, 65.7, -67.4

 

CMYK 0 / 74 / 77 / 16

HEX #D53830

RGB 213 56 48

HSL 2.91, 0.66%, 0.51%

LAB 48.5, 60.1, 41.72

 

CMYK 43 / 0 / 77 / 16

HEX #7AD530

RGB 122 213 48

HSL 93.09, 0.66%, 0.51%

LAB 77.24, -52.8, 67.29

 

CMYK 77 / 4 / 0 / 16

HEX #30CCD5

RGB 48 204 213

HSL 183.27, 0.66%, 0.51%

LAB 75.21, -35.39, -15.76

 

Description

Color code: HEX #8C2FD4 | qconv.com Color code: HEX #8C2FD4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 47 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 47 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 78 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 78% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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