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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C2F7A it is the complementary color #73D085. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C2F7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C2F7A shade: #912F75, #A24188, #B3539B, #C465AE and #D577C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C2F7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C2F7A shade: #8C2F7A, #7B1D67, #6A0B54, #590041 and #48002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C2F7A shade: #8E2F7B, #8E2F62, #8E2F48 and #8E2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C2F7A shade: #8E2F7B, #862F8E, #6D2F8E, #532F8E and #3A2F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C2F7A shade matches the following richer shades: #8E2F7B, #9D2085, #AC118E and #BB0197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C2F7A shade: #8E2F7B, #7E3E72, #6F4E69, #605D5F and #506C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C2F7A shade: #6D2F8E, #862F8E, #8E2F7C, #8E2F63 and #8E2F4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C2F7A shade: #501B45, #6F2560, #8E2F7B, #AC3996 and #C34CAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C2F7A shade: #8C2F7A, #8E532F and #2F8E79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C2F7A shade: #8C2F7A, #7C8E2F and #2F7C8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C2F7A shade: #8C2F7A, #8E532F, #2F8E40 and #2F698E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C2F7A shade: #8C2F7A, #8E702F, #2F8E40 and #2F4D8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 13 / 45

HEX #8C2F7A

RGB 140 47 122

HSL 311.61, 0.5%, 0.37%

LAB 36.01, 48.07, -22.76

 

Complementary color

CMYK 45 / 0 / 36 / 18

HEX #73D085

RGB 115 208 133

HSL 131.61, 0.5%, 0.63%

LAB 76.34, -43.59, 28.87

 

CMYK 0 / 68 / 19 / 43

HEX #912F75

RGB 145 47 117

HSL 317.14, 0.51%, 0.38%

LAB 36.63, 48.69, -18.61

 

CMYK 0 / 60 / 16 / 36

HEX #A24188

RGB 162 65 136

HSL 316.08, 0.43%, 0.45%

LAB 43.12, 48.56, -20.09

 

CMYK 0 / 54 / 13 / 30

HEX #B3539B

RGB 179 83 155

HSL 315, 0.39%, 0.51%

LAB 49.66, 48.08, -21.21

 

CMYK 0 / 48 / 11 / 23

HEX #C465AE

RGB 196 101 174

HSL 313.89, 0.45%, 0.58%

LAB 56.19, 47.43, -22.1

 

CMYK 0 / 44 / 9 / 16

HEX #D577C1

RGB 213 119 193

HSL 312.77, 0.53%, 0.65%

LAB 62.67, 46.71, -22.84

 

CMYK 0 / 66 / 13 / 45

HEX #8C2F7A

RGB 140 47 122

HSL 311.61, 0.5%, 0.37%

LAB 36.01, 48.07, -22.76

 

CMYK 0 / 76 / 16 / 52

HEX #7B1D67

RGB 123 29 103

HSL 312.77, 0.62%, 0.3%

LAB 29.59, 47.58, -20.94

 

CMYK 0 / 90 / 21 / 58

HEX #6A0B54

RGB 106 11 84

HSL 313.89, 0.81%, 0.23%

LAB 23.48, 45.82, -18.21

 

CMYK 0 / 100 / 27 / 65

HEX #590041

RGB 89 0 65

HSL 316.18, 1%, 0.17%

LAB 17.94, 41.96, -14.12

 

CMYK 0 / 100 / 36 / 72

HEX #48002E

RGB 72 0 46

HSL 321.67, 1%, 0.14%

LAB 13.08, 35.54, -8.35

 

CMYK 0 / 67 / 13 / 44

HEX #8E2F7B

RGB 142 47 123

HSL 312, 0.5%, 0.37%

LAB 36.39, 48.78, -22.76

 

CMYK 0 / 67 / 31 / 44

HEX #8E2F62

RGB 142 47 98

HSL 327.79, 0.5%, 0.37%

LAB 35.33, 45.14, -8.62

 

CMYK 0 / 67 / 49 / 44

HEX #8E2F48

RGB 142 47 72

HSL 344.21, 0.5%, 0.37%

LAB 34.5, 42.17, 6.87

 

CMYK 0 / 67 / 67 / 44

HEX #8E2F2F

RGB 142 47 47

HSL 0, 0.5%, 0.37%

LAB 33.96, 40.17, 22.17

 

CMYK 0 / 67 / 13 / 44

HEX #8E2F7B

RGB 142 47 123

HSL 312, 0.5%, 0.37%

LAB 36.39, 48.78, -22.76

 

CMYK 6 / 67 / 0 / 44

HEX #862F8E

RGB 134 47 142

HSL 294.95, 0.5%, 0.37%

LAB 36.09, 50, -35.08

 

CMYK 23 / 67 / 0 / 44

HEX #6D2F8E

RGB 109 47 142

HSL 279.16, 0.5%, 0.37%

LAB 32.34, 43.89, -41.28

 

CMYK 42 / 67 / 0 / 44

HEX #532F8E

RGB 83 47 142

HSL 262.74, 0.5%, 0.37%

LAB 28.97, 37.94, -46.89

 

CMYK 59 / 67 / 0 / 44

HEX #3A2F8E

RGB 58 47 142

HSL 246.95, 0.5%, 0.37%

LAB 26.41, 33.04, -51.17

 

CMYK 0 / 67 / 13 / 44

HEX #8E2F7B

RGB 142 47 123

HSL 312, 0.5%, 0.37%

LAB 36.39, 48.78, -22.76

 

CMYK 0 / 80 / 15 / 38

HEX #9D2085

RGB 157 32 133

HSL 311.52, 0.66%, 0.37%

LAB 37.65, 59.31, -26.81

 

CMYK 0 / 90 / 17 / 33

HEX #AC118E

RGB 172 17 142

HSL 311.61, 0.82%, 0.37%

LAB 39.79, 66.97, -28.8

 

CMYK 0 / 99 / 19 / 27

HEX #BB0197

RGB 187 1 151

HSL 311.61, 0.99%, 0.37%

LAB 42.49, 72.83, -29.84

 

CMYK 0 / 67 / 13 / 44

HEX #8E2F7B

RGB 142 47 123

HSL 312, 0.5%, 0.37%

LAB 36.39, 48.78, -22.76

 

CMYK 0 / 51 / 10 / 51

HEX #7E3E72

RGB 126 62 114

HSL 311.25, 0.34%, 0.37%

LAB 36.17, 35.14, -17.69

 

CMYK 0 / 30 / 5 / 56

HEX #6F4E69

RGB 111 78 105

HSL 310.91, 0.17%, 0.37%

LAB 37.57, 18.74, -10.11

 

CMYK 0 / 3 / 1 / 62

HEX #605D5F

RGB 96 93 95

HSL 320, 0.02%, 0.37%

LAB 39.82, 1.61, -0.72

 

CMYK 26 / 0 / 20 / 58

HEX #506C56

RGB 80 108 86

HSL 132.86, 0.15%, 0.37%

LAB 42.92, -15.18, 9.04

 

CMYK 23 / 67 / 0 / 44

HEX #6D2F8E

RGB 109 47 142

HSL 279.16, 0.5%, 0.37%

LAB 32.34, 43.89, -41.28

 

CMYK 6 / 67 / 0 / 44

HEX #862F8E

RGB 134 47 142

HSL 294.95, 0.5%, 0.37%

LAB 36.09, 50, -35.08

 

CMYK 0 / 67 / 13 / 44

HEX #8E2F7C

RGB 142 47 124

HSL 311.37, 0.5%, 0.37%

LAB 36.44, 48.94, -23.31

 

CMYK 0 / 67 / 30 / 44

HEX #8E2F63

RGB 142 47 99

HSL 327.16, 0.5%, 0.37%

LAB 35.37, 45.28, -9.2

 

CMYK 0 / 67 / 48 / 44

HEX #8E2F4A

RGB 142 47 74

HSL 342.95, 0.5%, 0.37%

LAB 34.56, 42.37, 5.66

 

CMYK 0 / 66 / 14 / 69

HEX #501B45

RGB 80 27 69

HSL 312.45, 0.5%, 0.21%

LAB 19.72, 30.53, -14.28

 

CMYK 0 / 67 / 14 / 56

HEX #6F2560

RGB 111 37 96

HSL 312.16, 0.5%, 0.29%

LAB 28.24, 39.95, -18.66

 

CMYK 0 / 67 / 13 / 44

HEX #8E2F7B

RGB 142 47 123

HSL 312, 0.5%, 0.37%

LAB 36.39, 48.78, -22.76

 

CMYK 0 / 67 / 13 / 33

HEX #AC3996

RGB 172 57 150

HSL 311.48, 0.5%, 0.45%

LAB 44.09, 56.95, -26.94

 

CMYK 0 / 61 / 12 / 24

HEX #C34CAC

RGB 195 76 172

HSL 311.6, 0.5%, 0.53%

LAB 51.55, 58.59, -28.1

 

CMYK 0 / 66 / 13 / 45

HEX #8C2F7A

RGB 140 47 122

HSL 311.61, 0.5%, 0.37%

LAB 36.01, 48.07, -22.76

 

CMYK 0 / 42 / 67 / 44

HEX #8E532F

RGB 142 83 47

HSL 22.74, 0.5%, 0.37%

LAB 41.44, 21.17, 31.17

 

CMYK 67 / 0 / 15 / 44

HEX #2F8E79

RGB 47 142 121

HSL 166.74, 0.5%, 0.37%

LAB 53.31, -32.84, 3.12

 

CMYK 0 / 66 / 13 / 45

HEX #8C2F7A

RGB 140 47 122

HSL 311.61, 0.5%, 0.37%

LAB 36.01, 48.07, -22.76

 

CMYK 13 / 0 / 67 / 44

HEX #7C8E2F

RGB 124 142 47

HSL 71.37, 0.5%, 0.37%

LAB 55.92, -20.26, 46.59

 

CMYK 67 / 13 / 0 / 44

HEX #2F7C8E

RGB 47 124 142

HSL 191.37, 0.5%, 0.37%

LAB 48.23, -17.5, -16.7

 

CMYK 0 / 66 / 13 / 45

HEX #8C2F7A

RGB 140 47 122

HSL 311.61, 0.5%, 0.37%

LAB 36.01, 48.07, -22.76

 

CMYK 0 / 42 / 67 / 44

HEX #8E532F

RGB 142 83 47

HSL 22.74, 0.5%, 0.37%

LAB 41.44, 21.17, 31.17

 

CMYK 67 / 0 / 55 / 44

HEX #2F8E40

RGB 47 142 64

HSL 130.74, 0.5%, 0.37%

LAB 52.2, -44.73, 33.29

 

CMYK 67 / 26 / 0 / 44

HEX #2F698E

RGB 47 105 142

HSL 203.37, 0.5%, 0.37%

LAB 42.25, -6.62, -25.92

 

CMYK 0 / 66 / 13 / 45

HEX #8C2F7A

RGB 140 47 122

HSL 311.61, 0.5%, 0.37%

LAB 36.01, 48.07, -22.76

 

CMYK 0 / 21 / 67 / 44

HEX #8E702F

RGB 142 112 47

HSL 41.05, 0.5%, 0.37%

LAB 48.94, 4.34, 39.61

 

CMYK 67 / 0 / 55 / 44

HEX #2F8E40

RGB 47 142 64

HSL 130.74, 0.5%, 0.37%

LAB 52.2, -44.73, 33.29

 

CMYK 67 / 46 / 0 / 44

HEX #2F4D8E

RGB 47 77 142

HSL 221.05, 0.5%, 0.37%

LAB 33.7, 11.19, -39.42

 

Description

Color code: HEX #8C2F7A | qconv.com Color code: HEX #8C2F7A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 47 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 47 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 13 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 13% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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