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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C2712 it is the complementary color #73D8ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C2712. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C2712 shade: #91270D, #A23920, #B34B33, #C45D46 and #D56F59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C2712. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C2712 shade: #8C2712, #7B1500, #6A0300, #590000 and #480000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C2712 shade: #8C2712 and #8C1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C2712 shade: #8C2712, #8C4812, #8C6912, #8C8A12 and #6D8C12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C2712 shade matches the following richer shades: #8C2712 and #991F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C2712 shade: #8C2712, #7F301F, #72382C, #664039 and #594945

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C2712 shade: #8C123F, #8C121E, #8C2612, #8C4712 and #8C6712

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C2712 shade: #431309, #671D0D, #8C2712, #B03117 and #D53C1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C2712 shade: #8C2712, #5F8C12 and #122F8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C2712 shade: #8C2712, #128C26 and #26128C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C2712 shade: #8C2712, #5F8C12, #12788C and #3F128C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C2712 shade: #8C2712, #3B8C12, #12788C and #63128C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

Complementary color

CMYK 51 / 9 / 0 / 7

HEX #73D8ED

RGB 115 216 237

HSL 190.33, 0.77%, 0.69%

LAB 81.22, -23.91, -19.39

 

CMYK 0 / 73 / 91 / 43

HEX #91270D

RGB 145 39 13

HSL 11.82, 0.84%, 0.31%

LAB 32.92, 43.24, 40.2

 

CMYK 0 / 65 / 80 / 36

HEX #A23920

RGB 162 57 32

HSL 11.54, 0.67%, 0.38%

LAB 39.09, 42.16, 37.7

 

CMYK 0 / 58 / 72 / 30

HEX #B34B33

RGB 179 75 51

HSL 11.25, 0.56%, 0.45%

LAB 45.43, 40.81, 35

 

CMYK 0 / 53 / 64 / 23

HEX #C45D46

RGB 196 93 70

HSL 10.95, 0.52%, 0.52%

LAB 51.84, 39.4, 32.54

 

CMYK 0 / 48 / 58 / 16

HEX #D56F59

RGB 213 111 89

HSL 10.65, 0.6%, 0.59%

LAB 58.26, 38.05, 30.38

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 0 / 83 / 100 / 52

HEX #7B1500

RGB 123 21 0

HSL 10.24, 1%, 0.24%

LAB 26, 41.99, 38.09

 

CMYK 0 / 97 / 100 / 58

HEX #6A0300

RGB 106 3 0

HSL 1.7, 1%, 0.21%

LAB 20.55, 41.26, 31.3

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 0 / 87 / 87 / 45

HEX #8C1212

RGB 140 18 18

HSL 0, 0.77%, 0.31%

LAB 29.54, 48.39, 34.6

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 0 / 49 / 87 / 45

HEX #8C4812

RGB 140 72 18

HSL 26.56, 0.77%, 0.31%

LAB 38.29, 25.18, 42.16

 

CMYK 0 / 25 / 87 / 45

HEX #8C6912

RGB 140 105 18

HSL 42.79, 0.77%, 0.31%

LAB 46.61, 6.08, 49.16

 

CMYK 0 / 1 / 87 / 45

HEX #8C8A12

RGB 140 138 18

HSL 59.02, 0.77%, 0.31%

LAB 55.88, -12.38, 56.84

 

CMYK 22 / 0 / 87 / 45

HEX #6D8C12

RGB 109 140 18

HSL 75.25, 0.77%, 0.31%

LAB 54.08, -27.19, 54.37

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 0 / 80 / 97 / 40

HEX #991F05

RGB 153 31 5

HSL 10.54, 0.94%, 0.31%

LAB 33.48, 48.57, 44.54

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 0 / 62 / 76 / 50

HEX #7F301F

RGB 127 48 31

HSL 10.63, 0.61%, 0.31%

LAB 31.17, 33.16, 28

 

CMYK 0 / 51 / 61 / 55

HEX #72382C

RGB 114 56 44

HSL 10.29, 0.44%, 0.31%

LAB 30.85, 24.33, 19.12

 

CMYK 0 / 37 / 44 / 60

HEX #664039

RGB 102 64 57

HSL 9.33, 0.28%, 0.31%

LAB 31.32, 15.64, 11.14

 

CMYK 0 / 18 / 22 / 65

HEX #594945

RGB 89 73 69

HSL 12, 0.13%, 0.31%

LAB 32.52, 6.04, 4.92

 

CMYK 0 / 87 / 55 / 45

HEX #8C123F

RGB 140 18 63

HSL 337.87, 0.77%, 0.31%

LAB 30.32, 50.68, 6.82

 

CMYK 0 / 87 / 79 / 45

HEX #8C121E

RGB 140 18 30

HSL 354.1, 0.77%, 0.31%

LAB 29.67, 48.77, 27.67

 

CMYK 0 / 73 / 87 / 45

HEX #8C2612

RGB 140 38 18

HSL 9.84, 0.77%, 0.31%

LAB 31.82, 42.02, 36.59

 

CMYK 0 / 49 / 87 / 45

HEX #8C4712

RGB 140 71 18

HSL 26.07, 0.77%, 0.31%

LAB 38.07, 25.74, 41.97

 

CMYK 0 / 26 / 87 / 45

HEX #8C6712

RGB 140 103 18

HSL 41.8, 0.77%, 0.31%

LAB 46.07, 7.24, 48.71

 

CMYK 0 / 72 / 87 / 74

HEX #431309

RGB 67 19 9

HSL 10.34, 0.76%, 0.15%

LAB 13.7, 22.57, 17.25

 

CMYK 0 / 72 / 87 / 60

HEX #671D0D

RGB 103 29 13

HSL 10.67, 0.78%, 0.23%

LAB 22.97, 32.28, 28.29

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 0 / 72 / 87 / 31

HEX #B03117

RGB 176 49 23

HSL 10.2, 0.77%, 0.39%

LAB 40.39, 50.09, 44.3

 

CMYK 0 / 72 / 87 / 16

HEX #D53C1C

RGB 213 60 28

HSL 10.38, 0.77%, 0.47%

LAB 48.84, 58.17, 51.88

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 32 / 0 / 87 / 45

HEX #5F8C12

RGB 95 140 18

HSL 82.13, 0.77%, 0.31%

LAB 53.2, -32.94, 53.27

 

CMYK 87 / 66 / 0 / 45

HEX #122F8C

RGB 18 47 140

HSL 225.74, 0.77%, 0.31%

LAB 23.85, 27.3, -54.21

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 87 / 0 / 73 / 45

HEX #128C26

RGB 18 140 38

HSL 129.84, 0.77%, 0.31%

LAB 50.72, -51.7, 43.5

 

CMYK 73 / 87 / 0 / 45

HEX #26128C

RGB 38 18 140

HSL 249.84, 0.77%, 0.31%

LAB 18.96, 45.57, -62.25

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 32 / 0 / 87 / 45

HEX #5F8C12

RGB 95 140 18

HSL 82.13, 0.77%, 0.31%

LAB 53.2, -32.94, 53.27

 

CMYK 87 / 14 / 0 / 45

HEX #12788C

RGB 18 120 140

HSL 189.84, 0.77%, 0.31%

LAB 46.25, -19.6, -18.6

 

CMYK 55 / 87 / 0 / 45

HEX #3F128C

RGB 63 18 140

HSL 262.13, 0.77%, 0.31%

LAB 21.52, 47.87, -57.94

 

CMYK 0 / 72 / 87 / 45

HEX #8C2712

RGB 140 39 18

HSL 10.33, 0.77%, 0.31%

LAB 31.97, 41.62, 36.72

 

CMYK 58 / 0 / 87 / 45

HEX #3B8C12

RGB 59 140 18

HSL 99.84, 0.77%, 0.31%

LAB 51.53, -45.29, 51.16

 

CMYK 87 / 14 / 0 / 45

HEX #12788C

RGB 18 120 140

HSL 189.84, 0.77%, 0.31%

LAB 46.25, -19.6, -18.6

 

CMYK 29 / 87 / 0 / 45

HEX #63128C

RGB 99 18 140

HSL 279.84, 0.77%, 0.31%

LAB 26.67, 52.85, -49.28

 

Description

Color code: HEX #8C2712 | qconv.com Color code: HEX #8C2712 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 39 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 39 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 87 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 87% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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